• Alex Beddows gives you insight into how Substance Designer is actually used in AAA games production. He walks you through how to think about the creation of high quality assets under tight deadlines. In this tutorial, Alex Beddows shares how to leverage other assets/resources to speed up your workflow without sacrificing quality. This tutorial is not a traditional step-by-step build along. Instead, you will have Alex's graph to follow as he explains considerations and his workflow when creating his Nevada desert gravel material using both scan data and procedural techniques within Substance Designer.
• Alex will be sharing high level principles on decisions he's making throughout the process, as well as where he chooses spend the time to get most bang for the buck. Alex will explain how to make this type of scan hybrid material procedural in order to iterate quickly and refine it without ending up with a large graph. This tutorial is for the artist that this already familiar with Substance Designer and wants investigate ways to speed up their workflow for production.

• Learn how to make a highly detailed prop procedurally from industry professional Lee Borrer. In this tutorial, Lee will demonstrate how to use Substance Designer along with simple geometry to create a realistic smashed up phone box.  Step by step, he walks you through the creation of the components and shares valuable tips along the way. He shares his personal tips and tricks for how to create aging effects, graffiti and damage. You'll learn how to expose parameters to create variations such as the level of glass shattering and mildew growth. This tutorial is packed with lessons for anyone looking to learn about texturing and the advantages of using SD for prop creation.

• I’ve migrated back to Cinema 4D. In this tutorial, I show you how I animated twist using the Step Effector. I understand if this is something completely outside your line of interests, but it’s been difficult to teach topics related to photography specifically when I no longer practice photography myself. I’m currently practicing 3D Motion Design, so this is why the tutorials from here on out may be technically oriented toward this rather than photography.

• Based on the last video on Passive and Active space, I want to demonstrate how I would apply it, creating a composition using the 3D software, Blender. Please note, you do not need to know blender to follow along, the point is to show how I would compose a still life image using the concepts talked about in the previous video.

• The Epic Scenarios with Photoshop and Blender course teaches the process of producing a scenario for concept art, covering topics such as: design fundamentals applied to the artistic creation of assets and images, composition, hard surface modeling, smart files, among others. In the Epic Scenarios with Photoshop and Blender course, you will study integration practices and fundamentals used in the industry with different tools to reach the expected result for the project.

• Learn how to build a complete character for animation with clean topology. Being a modeler in the animation industry puts you in a flexible position but also demands a lot of you, both artistically and technically. In this 2-hour workshop by João Victor, who has contributed to movies including Pixar’s Inside Out 2, he demonstrates the technical side of character modeling for animation, including the very important topological solutions needed to ensure clean models that correctly deform when animated.
• This comprehensive workshop begins with the basics and works through to more advanced techniques using Maya and ZBrush. For João, topological tasks are like challenging games; artists need to create unique solutions for different characters to create meshes that are as efficient as possible. The work done by modelers is critical for the success of characters as they move through the animation pipeline to be used by various departments. João not only discusses the important topology concepts that professional modeling teams consider when preparing meshes for other departments in a studio environment but also provides professional tips and tricks for you to take with you into your personal and studio projects alike.

In this course, you will learn Enscape software from beginner to advanced levels, based on Revit. You'll be able to create stunning, high-quality renders in real-time, both as images and animations. You'll master camera techniques and using Enscape objects, and you'll also learn how to import objects from 3DS Max, making you virtually limitless with available assets. Finally, you'll learn how to export VR content, set up VR headsets, and connect them to Enscape, allowing you to walk through the Enscape 3D environment with Meta's VR headsets.

• In the Polygonal Modeling and Procedural Techniques in Houdini course, you will learn what is necessary to deliver impressive projects, making your work faster and more efficient. Contrary to what many imagine, Houdini does not require you to create large tools from scratch. You will see from the fundamental principles of procedural modeling to the creation of tools (HDA) that automate processes and avoid rework.
• One of the great differentiators of this course is that it shows how Houdini can be used for both small projects and large productions, being a versatile software for any 3D modeling pipeline.
• If you want to take your 3D modeling to another level and work more intelligently, this course is for you! And don't worry about hardware: if you don't work with simulations, you don't need a powerful machine to follow the classes.