Steadicam op George Billinger's journey from firefighter to filmmaker and his industry experiences, like working with Steven Spielberg. Rudy Mancuso discusses the film Musica, visually conveying music, gear and techniques that allowed them to create a cinematic harmony. DP Sherri Kauk joins Lydia and Shane Hurlbut, ASC to discuss her career in the film industry and her latest feature film, Drugstore June. DP Nicole Hirsch Whitaker, ASC joins Lydia and Shane Hurlbut, ASC to discuss the live-action One Piece series on Netflix and cinematography. Shane explains how to become a leader by understanding the fundamentals, exhibiting humility and putting in the time. DP Shane Hurlbut, ASC discusses Director-DP communication with Guy Ferland, one of the directors of the AMC series, Into the Badlands. In episode 15 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses leadership and attitudes in the film industry. Filmmakers Academy CEO Lydia Hurlbut discusses overcoming challenges, leadership, and worth ethic. Director of Photography Shane Hurlbut, ASC provides 9 tips to enhance your leadership skills and nurture an enthusiastic team. Filmmakers Academy’s Lydia Hurlbut discusses how to maintain a healthy work-life balance. Filmmakers Academy’s Lydia and Shane Hurlbut, ASC break down the value of effective communication skills to develop as an industry leader. Lydia Hurlbut answers questions from membership about film crew attitudes, breaking into the industry and growing in the business. Filmmakers Academy’s Lydia Hurlbut provides useful tips on how to make crucial career decisions and balance your career. In episode 48 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 53 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 47 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut talk about growing pains. In episode 56 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. Shane Hurlbut, ASC explores how to lead your team in tough climates, using the film Fathers and Daughters as a case study. Learn practical leadership strategies with Lydia Hurlbut’s GRIT formula to empower your crew Social media expert Kyra Grace Hurlbut discusses how filmmakers can leverage social media to market themselves and their work. Master social media! Watch this on-demand deep dive for actionable tips to grow your career and maximize the power of these tools. Unlock career secrets with Lydia & Shane Hurlbut, ASC on the new Inner Circle Podcast! Gain essential financial wisdom! Learn about incorporating, taxes, deductions, insurance, and Shane Hurlbut, ASC joins Stuart McBratney for a lecture where he presents his approach to visual storytelling. In episode 51 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 36 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses the art in the business of filmmaking. Shane Hurlbut, ASC discusses camera technology from formats and exposure to the emotion and motivation of focus pulling and much more. In Episode 13 of the Filmmakers Academy Podcast, DP Shane Hurlbut, ASC discusses setting up rules of engagement for your characters. In episode 14 of the Filmmakers Academy Podcast, DP Shane Hurlbut, ASC discusses how to mix the art and science of cinematography. In this episode of the Filmmakers Academy Podcast, Director of Photography answers a question from a member about planning coverage. In episode 33 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses how to understand your filmmaking tools. In episode 55 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. Cinematographer Shane Hurlbut, ASC discusses how to create depth, mood, and emotion with lighting techniques. DP Cinematographer Shane Hurlbut, ASC discusses lighting in layers and understanding the quality of light. In episode 2 of the Filmmakers Academy Podcast, DP Shane Hurlbut, ASC discusses how to face challenges on set to master your lighting. In episode 34 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses light quality and spectrum. In episode 49 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 35 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses light placement and on set efficiency. In episode 52 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. Master camera filters with ASC cinematographers like Shane Hurlbut! Learn history, types, applications, and expert insights. DP Shane Hurlbut, ASC joins Stuart McBratney where he breaks down three Action Sequences In this lesson, director of photography Shane Hurlbut, ASC explains how to research your LOOK by revealing his personal process on the film, In this lesson, DP Shane Hurlbut, ASC takes you through how he established the world for the feature film, Terminator Salvation. In this lesson, DP Shane Hurlbut, ASC explores how to light with emotion while using The Rat Pack as a reference. Shane Hurlbut, ASC on set on the film Crazy/Beautiful, where we will examine how to create an unlit natural lo ok that looks cinematic. DP Shane Hurlbut, ASC shows you how he extended dawn for hours in a real-life scenario while filming the modern classic Drumline. In this lesson, DP Shane Hurlbut, ASC takes you through underwater filming and explains how he extended sunset for hours on set. DP Shane Hurlbut, ASC dissects a few scenes from the film We Are Marshall to show you how DP Shane Hurlbut, ASC discusses what your first steps in pre-production should look like. On Waist Deep, Director Vondie Curtis-Hall and DP Shane Hurlbut, ASC utilized strict techniques for camera dynamics. In Part 2, DP Shane Hurlbut, ASC continues his examination of camera dynamics and the techniques he used on the film, Waist Deep. DP Shane Hurlbut, ASC examines camera dynamics on the feature film, Waist Deep, exploring what it means to break the rules. In Part 4 of Shane Hurlbut, ASC's examination of camera dynamics on the film, Waist Deep, he DP Shane Hurlbut, ASC demonstrates how to use the script to pre-visualize your blocking, using the movie Semi-Pro as a case study. Shane Hurlbut, ASC demonstrates how to use the rehearsal to refine the shot list, using the movie Semi-Pro as a case study. In this lesson, DP Shane Hurlbut, ASC explores camera blocking and breaking the rules, using the movie Semi-Pro as a case study. In this lesson, DP Shane Hurlbut, ASC discusses how to increase your lighting speed, using the movie Semi-Pro as a case study. Shane Hurlbut, ASC discusses lighting for a night interior locker room scene, using the movie Semi-Pro as a case study. In this lesson, DP Shane Hurlbut, ASC explores how light placement affects emotion, using the movie Semi-Pro as a case study. In this lesson, DP Shane Hurlbut, ASC explores how they prepped the blocking for a one shot sequence. In this lesson, DP Shane Hurlbut, ASC showcases what Classic Hollywood blocking looks like compared to blocking for a one shot sequence. In this lesson, DP Shane Hurlbut, ASC demonstrates how composition tells a story, using the film A Casa Tutti Bene as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates the on-set blocking process, using the film A Casa Tutti Bene as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates how to light a 4-minute oner, using the film A Casa Tutti Bene as a case study. In this lesson, Shane Hurlbut, ASC discusses how to light the path of an interior to exterior in one take, using the film A Casa Tutti Bene Shane Hurlbut, ASC breaks down a frame from the film A Casa Tutti Bene (There’s No Place Like INCLUDED IN THIS LESSON: 13 Minutes of instructional Video, In-Depth Written Breakdown, Equipment Lists and Top Down Lighting Schematics False color is everything. Shane Hurlbut, ASC illustrates how to use this incredibly precise tool for exposure. In episode 44 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC Click the resource tab to access the icons! They say a picture is worth a thousand words. Well, these are worth 100,000! Shane Hurlbut, ASC explains how to effectively plan and pitch your artistic vision in order to get the job using the Holidate Cinco De Mayo. Cinematographer Shane Hurlbut, ASC explains why a 360-degree camera like the Insta360 saves time and money for tech and location scouts. Cinematographer Shane Hurlbut, ASC prepares the Insta360 camera to record and guides you through the process of scouting the location. Cinematographer Shane Hurlbut, ASC shows how to take the 360-degree camera files and use them to create blocking schematics. How to create more accurate shot lists, blocking schematics, and lighting schematics with the 13 minutes of instructional video with Master Colorist Dave Cole, written breakdowns, English Subtitles, etc. Sit down with Cinematographer Shane Hurlbut, ASC and Colorist Mike Sowa of Technicolor as they go through their work on "Need for Speed." In episode 18 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses color grading and post-production workflows. Master Colorist David Cole was a Lead Digital Colorist on Lord of the Rings: Fellowship of the 12 minutes of instructional video with Master Colorist David Cole, written breakdowns, English Subtitles, etc. 16 minutes of instructional video with Master Colorist Dave Cole, written breakdowns, English Subtitles, etc. 15 minutes of instructional video with Master Colorist Dave Cole, written breakdowns, English Subtitles, etc. 11 minutes of instructional video with Master Colorist David Cole, written breakdowns, English Subtitles, etc. 9.5 minutes of instructional video with Master Colorist David Cole, written breakdowns, English Subtitles, etc. 12 minutes of instructional video with Master Colorist David Cole, written breakdowns, English Master Colorist David Cole provides an overview of the color grading process, including how testing informs the color... Master Colorist David Cole guides you through the Color Grading Pyramid, focusing on the continuity grade. Master Colorist David Cole reveals the steps of how to color balance a scene, starting with simple tools. Master Colorist David Cole demonstrates how to color balance an exterior shot and how to move objects, track with shapes, and more. Master Colorist David Cole picks up after the color balance and displays how to finesse interior shots. Director of photography Shane Hurlbut, ASC takes you through the location scout while considering theory and production design. Master Colorist David Cole demonstrates how to make an image more interesting and beautiful with color separation. Master Colorist David Cole highlights color contrast to enhance color separation using In Part 1 of Day Interiors Vol II, director of photography Shane Hurlbut, ASC guides you through the location scout. In this lesson, director of photography Shane Hurlbut, ASC takes you through the location scout for the movie Deadfall with the director. Shane Hurlbut, ASC discussing the camera blocking technique the used o set up multiple scenes for Deadfall. Director of Photography Shane Hurlbut, ASC invites you on the location scout and showcases his cinematographers scouting toolkit. Director of Photography Shane Hurlbut, ASC takes you through the process of how to conduct a tech scout on the movie Deadfall. In this lesson, Shane Hurlbut, ASC demonstrates how color temperature sets the mood, using a scene from the movie Deadfall as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates where to place the master shot and why, using a scene from the movie Deadfall. In this lesson, DP Shane Hurlbut, ASC demonstrates how to balance ambient light, using a scene from the movie Deadfall as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates how to block a scene with actors, using a scene from the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how to finesse and shoot the master shot, using a scene from the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how to compose and light the close-up, using a scene from the movie Deadfall as a case study. Shane Hurlbut, ASC demonstrates how to fine-tune the close-up and execute the shot, using a scene from the movie Deadfall as a case study. Shane Hurlbut, ASC shows how to extend dusk for hours for a scene, using the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how color theory and lighting can help recreate a dining room scene at dusk. In this lesson, DP Shane Hurlbut, ASC demonstrates how to mimic a police car light, using a scene from the movie Deadfall as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates how to light the interior for dusk, using a scene from the movie Deadfall as a case study In this lesson, DP Shane Hurlbut, ASC demonstrates how to light and lens a two shot, using a scene from the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how to light the reverse angle shot, using a scene from the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how to light the close-up for dramatic impact, using a scene from the movie Deadfall as a case study. In Part 2 of Day Interiors Vol II, cinematographer Shane Hurlbut, ASC guides you through the technical scout, using the movie Deadfall as a DP Shane Hurlbut, ASC sets the lighting for the day interior in a motel room during a snowstorm, using the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how to get the perfect room tone, using the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how to shoot the master wide shot, using the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how to shoot the closeup while using negative space, with the movie Deadfall as a case study. DP Shane Hurlbut, ASC demonstrates how to shoot the closeup, with the movie Deadfall as a case study. Shane Hurlbut, ASC picks up where he left off in Part 5 and demonstrates how to shoot the In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates how to create day exterior lighting on a stage. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates how to diffuse sunlight. The takeaway is how important it is to be prepared to light fast and effectively while maintaining the quality and the director's vision. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates how to replicate late afternoon light on stage. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates how to replicate midday interior light. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates matching artificial light with natural sunlight. Shane Hurlbut, ASC reveals how to overcome the challenges lighting day exteriors before a storm and blocking night interiors. In this episode of On Set Series: Into the Badlands, Shane Hurlbut, ASC demonstrates how to create firelight and lamplight effects. Shane Hurlbut, ASC discusses what it took for him to pull off illuminated rain in “Into the Badland,” and what makes rain a powerful tool. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates how to light large spaces. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates how to light night club environments. In this episode of Into the Badlands, Shane Hurlbut, ASC shows how to shape light in a We demonstrate how to keep the lighting consistent throughout the day interior, using a scene from Fathers and Daughters as a case study. In this edition of our On Set Series, Shane Hurlbut, ASC takes apart scenes from a feature film to show how to light large day interiors. Shane Hurlbut, ASC explores how to light the night with street lights using the film Fathers and Daughters as a case study. We demonstrate how to light with practical lighting sources using the film Fathers and Daughters as a case study. You’ll discover why it’s always a must to have a solid backup plan and how to create more with less. In this edition of the On Set Series, we will take a deep look into lighting for emotion while using the production of Fathers and Daughters In this edition of our On Set Series, we explore the scenarios where you would sacrifice lighting for performance. DP Shane Hurlbut, ASC pulls back the veil into harnessing the power of natural light to enhance Director of Photography Shane Hurlbut, ASC demonstrates how to light night interiors in small spaces. Shane Hurlbut, ASC picks up where he left off in Part 1, and continues to demonstrate how to light the inside of Air Force One. DP Shane Hurlbut, ASC presents his approach to lighting small spaces for day interiors. DP Shane Hurlbut, ASC demonstrates how to light car chase scenes in an urban night environment. Shane Hurlbut, ASC discloses his recipe for success, including his first choice in camera In this lesson, cinematographer Shane Hurlbut, ASC shows how to light for three cameras. Shane Hurlbut, ASC demonstrates how to block and light for three cameras on the set of the feature film, Fathers and Daughters. Shane Hurlbut, ASC demonstrates three camera lighting setups with a real-life case study on a feature film. Discover the placement of the camera placement and the variables you will need to take into consideration, such as lighting and blocking. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates set lighting for three In this lesson, Director of Photography Shane Hurlbut, ASC instructs on how to use color correction gels to create color contrast on digital In this lesson, DP Shane Hurlbut, ASC instructs on using color temperature to create depth and dimension. In this episode of Into the Badlands, Shane Hurlbut, ASC reveals how to communicate your vision to the director with color. In this episode of Into the Badlands, Shane Hurlbut, ASC reveals how to create color contrast. In this edition of our On Set Series, we reference the film Fathers and Daughters, showing how to create emotional impact with color temp. In this lesson, Shane Hurlbut, ASC explores how to light with mixed color sources while using the short film The Ticket as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates the poor man's process and balancing color temperature with moonlight conditions. DP Shane Hurlbut, ASC demonstrates how to light in layers by using color contrast to increase Learn how to deconstruct the nuances behind planning a one-shot sequence. There are few other case studies out there better than this! We dissect a one-shot sequence from the film Fathers and Daughters, but this time with the MōVI going from exterior to inside a vehicle. In this edition of our On Set Series, we show the versatility of the MōVI camera system for narrative storytelling. In this edition of our On Set Series, we film a few scenes including one that involves laying down tracks for a dolly to block a scene. Learn everything you need to know about what a handheld camera tells an audience using the film Fathers and Daughters as a case study. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates aerial and drone photography. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates camera movement to enhance character development. Cinematographer Shane Hurlbut, ASC guides you through the process of creating character In this episode of Into the Badlands, Shane Hurlbut, ASC shows how to integrate VFX plates with live action. DP Shane Hurlbut, ASC takes you through some of the movies he has lensed and the reason why Testing lenses is all about finding a lens’ strengths and weaknesses while discovering how you can best utilize them for your story. Shane Hurlbut, ASC explores cameras and lenses, lighting techniques with day exteriors, In this lesson, Shane Hurlbut, ASC compares his favorite digital diffusion to the black diffusion to show how it holds up. Shane Hurlbut, ASC compares his favorite digital diffusion to the black diffusion to show how it holds up. In this lesson, Shane Hurlbut, ASC showcases some of his favorite filtration, Tiffen Black Soft Effects filter, on a 50mm lens. In this lesson, Shane Hurlbut, ASC showcases some of his favorite filtration, Tiffen Black Soft Effects filter, on an 85mm lens. In this lesson, Shane Hurlbut, ASC showcases some of his favorite filtration, Tiffen Black Satin filter, on a 50mm lens. In this lesson, Shane Hurlbut, ASC showcases some of his favorite filtration, Tiffen Black Satin filter, on an 85mm lens. In this lesson, Shane Hurlbut, ASC showcases some of his favorite filtration, Tiffen Black Pearlescent filter, on an 50mm lens. In this lesson, Shane Hurlbut, ASC showcases some of his favorite filtration, Tiffen Black Pearlescent filter, on an 85mm lens. In this lesson, Shane Hurlbut, ASC is going to showcase one of his favorite filtration, Tiffen Black Glimmer filters. In this lesson, Shane Hurlbut, ASC showcases some of his favorite filtration, Tiffen Black Glimmer filter, on an 85mm lens. Shane takes you through the entire process of building this softbox in less than 5 minutes! Director of Photography Shane Hurlbut, ASC breaks down his 4 leadership pro tips that create a positive set environment. Shane Hurlbut, ASC demonstrates how to label photoflood lights and takes you through a brief demo to showcase the power of these bulbs! Cinematography Tip of the Day: Creating a water lighting effect when you don’t have a water source around Have you tried this before? Cinematography Tip of the Day: Honeycrates 4x4 Gold & Silver Checkerboard About
Advanced Leadership and Responsibilities
ICP #14: From Firefighter to Steadicam Legend (feat. George Billinger)
ICP #12: Creativity, Música, and Synesthesia (feat. Rudy Mancuso)
ICP #11: A Cinematographer’s Journey to Drugstore June (feat. Sherri Kauk)
ICP #10: Live-Action One Piece Netflix Cinematographer (feat. Nicole Hirsch Whitaker, ASC)
How To Be a Leader In The Industry
Director and DP Communication
FA Podcast EP 15: Leadership and Attitudes in the Film Industry
FA Podcast EP 24: Work Ethics and Leadership
Motivating Your Filmmaking Team
FA Podcast EP 27: Composure On Set
FA Podcast EP 31: Communication is Key
FA Podcast EP 21: Business Networking and Crew Attitudes
FA Podcast EP 19: Maintaining Work and Life Balance
FA Podcast EP 48: Getting Focused
FA Podcast EP 53: Be Prepared
FA Podcast EP 47: Growing Pains
FA Podcast EP 56: Filmmaking Family Relationships
How To Lead Your Team in Tough Climates: Fathers and Daughters
Empowering Your Film Crew: A Guide to Brain-Based Leadership
Marketing Yourself As An Artist
ICP #15: Social Media for Filmmakers (feat. Kyra Hurlbut)
Social Media In Focus: A Filmmaker's Guide | Live Seminar
ICP #13: Winning the Job Interview in the Film Industry (feat. Shane Hurlbut, ASC & Lydia Hurlbut)
The Business of Being an Artist
ICP #17: Unlocking Financial Success in the Film Industry (feat. Russell Hand)
Advanced Cinematography Theory
The Cinematography Behind Character Design
FA Podcast EP 51: Vocalizing Your Vision
FA Podcast EP 36: The Art in Business
FA Podcast EP 12: Camera Formats, Exposure and Focus
FA Podcast EP 13: Setting up Rules of Engagement for Your Characters
FA Podcast EP 14: Mixing the Art and Science of Cinematography
FA Podcast EP 25: Planning Your Coverage
FA Podcast EP 33: Understanding Your Filmmaking Tools
FA Podcast EP 55: Lighting Focused
FA Podcast EP 11: Creating Depth, Mood & Emotion with Lighting
FA Podcast EP 4: Lighting in Layers and Understanding Light Quality
FA Podcast EP 2: Mastering Lighting and Facing Challenges On Set
FA Podcast EP 34: Light Quality and Spectrum
FA Podcast EP 49: The Devil is in the Details
FA Podcast Ep 35: Light Placement On Set Efficiency
FA Podcast EP 52: Breaking Free
The Cinematography Behind Camera Filters
The Cinematography Behind Action Scenes
Advanced Cinematography Theory Case Studies
How To Research Your Look: The Skulls
Establishing The World: Terminator Salvation
How to Light with Emotion: The Rat Pack
How to Create an UNLIT Natural Look: Crazy Beautiful
How To Extend Dawn For Hours: Drumline
How to Extend Sunset for Hours: Into the Blue
How to Light Night Exteriors with Two Lights: We Are Marshall
Advanced Cinematographer's Prep
FA Podcast EP 32: Your First Steps in Pre-Production
Action Cinematography: How to Deliver Camera Emotion | Part 1
Action Cinematography: How to Blend Camera Styles | Part 2
Action Cinematography: Deliberately Breaking The Rules | Part 3
Action Cinematography: Logistics | Part 4
Advanced Blocking and Composition
Using the Script to Pre-Visualize Your Blocking: Semi-Pro
Using the Rehearsal to Refine the Shot List: Semi-Pro
Understanding Camera Blocking and Breaking The Rules: Semi-Pro
How To Increase Your Lighting Speed: Semi-Pro
Understanding Light Placement with Multiple Actors: Semi-Pro
How Light Placement Affects Emotion: Semi-Pro
All The Prep for One Shot: A Casa Tutti Bene | Part 1
Classic Hollywood Blocking vs Blocking for a One Shot | Part 2
Composition Tells a Story: A Casa Tutti Bene | Part 3
What Does the Blocking Process Look Like?: A Casa Tutti Bene | Part 4
How to Light a 4 Minute One-Shot: A Casa Tutti Bene | Part 5
Lighting the Path of an Interior to Exterior One Take: A Casa Tutti Bene | Part 6
Frame Analysis: A Casa Tutti Bene | Part 7
Exposures and Ratios
Training Your Eye thru the Use of False Color Pt 1
Training Your Eye thru the Use of False Color Pt 2
FA Podcast EP 44: Mastering Your Craft
PRE-PRODCUTION
Blocking and Lighting Icons (featuring Love Hard)
Planning & Pitching Your Artistic Vision: Holidate
The Insta360 Camera: Part 1
How To Use Insta360 Camera: Part 2
From 360-Degree Camera To Blocking Schematics: Part 3
Virtually Designed Shot Lists & Lighting Schematics: Part 4
Inside the Color Correction Bay
Color Correcting: "The Mids & Highlights"
Director of Photography & Colorist Relationship in the Color Bay
FA Podcast EP 18: Color Grading and Workflows
Color Correcting: "Intro to Dave Cole"
COLOR BAY Terms & Techniques
Color Correcting: "The Blacks"
Color Correcting: "Power Windows"
Color Correcting: "Post Filtering Effects"
Color Correcting: "Luminance Keys & Skin Fusion"
Color Correcting: " Camera Shake & Post Light Shaping"
Color Correcting: "Post Lens De-Tuning & Vintage Glass Effects"
COLOR GRADING
Where to Start with the Color Grade: Part 1
Continuity, Shapes & Polishing Fundamentals: Part 2
Color Balance & Skin Tones: Part 3
Create Mood & Manicure Image to Support the Story: Part 4
Shapes, Tracking & Keyframe Animation: Part 5
Location Scouting: Theory and Production Design
Shift & Enhancement with Keys & Shapes: Part 6
Color Separation with Curves & Tones: Part 7
Deadfall Case Study
Day Interiors Vol II: Location Scout | Part 1
Location Scouting: Walkthrough with The Director
Camera Blocking and Setting Up The Scene: Deadfall
Location Scouting: My Cinematography Scouting Toolkit
How To Tech Scout a Location: Deadfall
How Color Temperature Sets The Mood: Deadfall
Know Where and Why To Place The Master Shot: Deadfall
How To Balance Your Rooms Ambient Light: Deadfall
How To Block a Scene with Actors: Deadfall
Finessing and Shooting The Master Shot: Deadfall
How To Compose and Light The Close-Up: Deadfall
Fine-Tuning The Close-Up Lighting and Executing The Shot: Deadfall
How To Extend Dusk For Hours: Deadfall
Using Color Theory and Lighting To Recreate Dusk: Deadfall
How To Mimic a Police Car Light: Deadfall
How To Light Your Interior for Dusk: Deadfall
How To Light and Lens a Two Shot: Deadfall
How To Light The Reverse Angle: Deadfall
How To Light The Close-Up for Dramatic Impact: Deadfall
Day Interiors Vol II: Technical Scout | Part 2
Day Interiors Vol II: Setting Your Lights | Part 4
Day Interiors Vol II: Perfecting Room Tone | Part 5
Day Interiors Vol II: Shooting the Master | Part 6
Day Interiors Vol II: Lighting the Close Up | Part 7
Day Interiors Vol II: Lensing the Close Up | Part 8
Lighting the Reverse Close-Up: Part 6
Into the Badlands Case Study
How to Create Day Exterior Lighting on a Stage: Into the Badlands
How to Diffuse Sunlight: Into The Badlands
How to Replicate Early Morning Exterior Light
How to Replicate Late Afternoon Light On Stage: Into the Badlands
How To Replicate Midday Interior Light: Into The Badlands
Matching Artificial Light with Natural Sunlight: Into The Badlands
On Set: Day Exteriors & Blocking Night Interiors
On Set: Firelight and Lamplight Effects
How To Illuminate Rain at Night: Into the Badlands
How to Light Large Spaces: Into The Badlands
On Set: Night Club Environments
How To Shape Light in a Forest: Into the Badlands
Fathers and Daughters Case Study
Consistent Lighting in Day Interiors: Fathers and Daughters
How to Light Large Day Interiors: Fathers and Daughters
How to Light Night with Existing Street Lights: Fathers and Daughters
How to Light with Practical Sources: Fathers and Daughters
How To Replicate Late Afternoon Light On Stage: Fathers and Daughters
Lighting For Emotion: Fathers and Daughters
When To Sacrifice Lighting for the Performance: Fathers and Daughters
How to Control Natural Light: Fathers and Daughters
Swing Vote Case Study
Night Interior Lighting In Small Spaces: Part 1
Night Interior Lighting In Small Spaces: Part 2
Lighting Day Interiors: Small Spaces
Need for Speed Case Study
How to Light Urban Night Car Chases: Illumination Experience
How to Shoot Car Commercials at Night: Acura
Lighting for Three Cameras
How to Light for Three Cameras: Part 1
On Set: How to Block and Light For Three Cameras | Part 1
On Set: How to Block and Light for Three Cameras | Part 2
On Set: Understanding Camera Placement
On Set: Set Lighting For Three Cameras
Advanced Color Theory
How To Use Color Contrast with New Digital Cameras
Using Color Temp To Create Depth And Dimension
How to Communicate Your Vision to the Director with Color: Into The Badlands
How to Create Color Contrast: Into The Badlands
How to Create Emotional Impact with Color Temperature: Fathers and Daughters
How to Light with Mixed Color Sources: The Ticket
Poor Man's Process: Set Lights with Balanced Color Temperature
Mixed Source Lighting: How To Light In Layers
Advanced Camera Movement
On Set: How to Plan, Plot and Execute One Shot Sequences | Part 1
On Set: How to Plan, Plot and Execute One Shot Sequences | Part 2
How To Use a MōVi for Narrative Storytelling: Fathers and Daughters
On Set: Using a Dolly To Block a Scene
On Set: What Handheld Camera Tells An Audience
Aerial And Drone Photography: Into The Badlands
On Set: Camera Movement To Enhance Character Development
Camera Movement - Create Character Emotion
Advanced VFX Integration
How to Integrate VFX Plates with Live Action: Into The Badlands
How to Integrate VFX with Live Action: Terminator Salvation
Choosing your Lenses
How To Test Your Lens: Part 1
On Set: How Focal Lengths Assist Character Development
Choosing your Lens Diffusion
Tiffen Digital Diffusion: 50mm
Tiffen Digital Diffusion: 85mm
Tiffen Black Soft Effects: 50mm
Tiffen Black Soft Effects: 85mm
Tiffen Black Satin: 50mm
Tiffen Black Satin: 85mm
Tiffen Black Pearlescent: 50mm
Tiffen Black Pearlescent: 85mm
Tiffen Black Glimmer: 50mm
Tiffen Black Glimmer: 85mm
Cinematography Tips
Cinematography Tip: Honeycrates Beehive Soft Box Setup
4 Leadership Pro Tips Every Cinematographer Should Know
Cinematography Tip: Photoflood Lighting
Cinematography Tip: Water Ripple Effect
Cinematography Tip: Honeycrates 4x4 Gold & Silver Checkerboard
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