In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses what exactly is a commercial director. In this edition of the Commercial Directing Master Class, Director Jordan Brady shares how he got started directing for advertisers. In this edition of the Commercial Directing Master Class, Director Jordan Brady explores why a director takes a job. In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses how the director gets hired. In this edition of the Commercial Directing Master Class, Director Jordan Brady examines how a commercial director approaches pre-production In this edition of the Commercial Directing Master Class, Director Jordan Brady shares his approach to casting using his self-dubbed "Brady In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses how he conducts his Tech Scouts for commercials. Commercial Director Jordan Brady discusses how he works with the agency and the client during the pre-production meeting. Commercial Director Jordan Brady describes the routine that he follows the night before a commercial shoot. Jordan Brady discusses the etiquette to use on a commercial set. Commercial Director Jordan Brady explains how to plan your shoot day for success! In this edition of the Commercial Directing Master Class, Director Jordan Brady reveals how he works with his film crew. In this edition of the Commercial Directing Master Class, Director Jordan Brady explains why to respect the chain of command. Discover how commercial director Jordan Brady works with actors. In this edition of the Commercial Directing Master Class, Director Jordan Brady explains why you should always underpromise and overdeliver. In this edition of the Commercial Directing Master Class, Director Jordan Brady shares how he approaches post-production. Commercial Director Jordan Brady shares a case study on prepping for a regional car dealership commercial. Jordan Brady discusses how he gives his crew and actors critical guidance and figures out the logistics of a Toyota commercial. Commercial Director Jordan Brady shares his creative process for a local car dealership Career Day commercial. Director Jordan Brady sits down and explains the benefits of marketing yourself as a commercial director within a box. Commercial Director Jordan Brady caps off the Commercial Directing Master Class by thanking you for watching, and encourages you to pursue y Commercial Director Jordan Brady shares some BTS from the spot, Concussion Protocol. Shane explains how to become a leader by understanding the fundamentals, exhibiting humility and putting in the time. In episode 15 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses leadership and attitudes in the film industry. Filmmakers Academy CEO Lydia Hurlbut discusses overcoming challenges, leadership, and worth ethic. Director of Photography Shane Hurlbut, ASC provides 9 tips to enhance your leadership skills and nurture an enthusiastic team. Filmmakers Academy’s Lydia Hurlbut discusses how to maintain a healthy work-life balance. Shane Hurlbut, ASC reveals how to communicate your ideas effectively as a filmmaker to achieve the best results for your project. Filmmakers Academy’s Lydia and Shane Hurlbut, ASC break down the value of effective communication skills to develop as an industry leader. Lydia Hurlbut answers questions from membership about film crew attitudes, breaking into the industry and growing in the business. Filmmakers Academy’s Lydia Hurlbut provides useful tips on how to make crucial career decisions and balance your career. In episode 29 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses how to carve your path in the film industry. In episode 53 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 47 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut talk about growing pains. DP Shane Hurlbut, ASC talks about the essentials to maintaining a successful career in the film industry. In episode 42 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses how to develop your creative voice. In episode 40 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses the value of trusting your instincts. DP Shane Hurlbut, ASC answers questions from members and discusses what it takes to execute the shot. In episode 48 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 56 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. Master film set walkie-talkie channels and etiquette for smooth, efficient communication. Includes standard US setups and NYC/NJ variations. Step onto the set with confidence by mastering walkie-talkie etiquette, an essential skill for every filmmaker. Master essential codes and filmmaking jargon to enhance your communication skills for a Jordan Brady introduces the concept for Part 2 of the Shadow Directing course, where to begin, and how to get the most out of it. Jordan Brady introduces the concept for Part 2 of the Shadow Directing course, where to begin, and how to get the most out of it. Jordan Brady introduces the concept for Part 2 of the Shadow Directing course, where to begin, and how to get the most out of it. Jordan Brady demonstrates how to take a script and plan the production while also taking you through the note-taking process. Jordan Brady demonstrates how to take a script and plan the production while also taking you through the note-taking process. Commercial director Jordan Brady picks up where he left off to explore his script notes more deeply as he plans in pre-production. Jordan Brady tackles various aspects of production, from choosing deliberate cuts to navigating creative decisions alongside the ad agency. Jordan Brady tackles various aspects of production, from choosing deliberate cuts to navigating creative decisions alongside the ad agency. Jordan Brady takes you on the “Beard” commercial where you see firsthand how he collaborated with his team and pulled off each scene. Jordan Brady takes you on the “Beard” commercial where you see firsthand how he collaborated with his team and pulled off each scene. Jordan Brady takes you on the “Beard” commercial where you see firsthand how he collaborated with his team and pulled off each scene. Jordan Brady takes you on the “Beard” commercial where you see firsthand how he collaborated with his team and pulled off each scene. Jordan Brady takes you on the “Beard” commercial where you see firsthand how he collaborated with his team and pulled off each scene. Jordan Brady explores the crucial post-production phase of the process, where your raw footage transforms into a polished commercial. Jordan Brady explores the crucial post-production phase of the process, where your raw footage transforms into a polished commercial. Jordan Brady explores the crucial post-production phase of the process, where your raw footage transforms into a polished commercial. In this audio lesson, DP Shane Hurlbut, ASC takes you through the process of commercial directing, referencing a spot he did for Cheerios. Shane Hurlbut, ASC takes you through the production of a Cheerios and Nascar cross Shane Hurlbut, ASC instructs on the process of working with treatments and collaborating with the director and agency. DP Shane Hurlbut, ASC explains the process of collaborating with the director and ad agency. Director of photography Shane Hurlbut, ASC takes you through the location scout for a national commercial. Shane Hurlbut, ASC takes you through the rules of engagement for uniting 180 filmmakers across the nation. Shane Hurlbut, ASC unveils the communication and tech needed to pull off their nationwide endeavor. Shane Hurlbut, ASC guides you through creating the grain for the digital footage in the post This lesson takes you through the director's treatment, how Amed Amed presents himself, the subtle terminology, and the collaborations... In this lesson, Shane Hurlbut, ASC explores how he controlled and diffused sunlight while shooting a commercial for Coors Light. In Part 3, Shane Hurlbut, ASC discusses how he lit the bar scene in the Coors Light commercial. In this lesson, Shane Hurlbut, ASC dives deep into how to replicate the sun on location with artificial light. Shane Hurlbut, ASC dives into the world of product cinematography. More specifically, how to light and shape it in a way that it glows. In Part 5, Shane Hurlbut, ASC reveals how he lit and captured the shot of the beer pouring into the glass. In Part 7, Shane Hurlbut, ASC dives into his approach to lighting cans and bottles for the In this lesson, Shane Hurlbut, ASC and his team take you through the process of setting up the right shots for your story. In this lesson, Shane Hurlbut, ASC guides you through how to plan, plot, and shoot a Shane Hurlbut, ASC discusses how to build a treatment as a commercial director. In this lesson, Shane Hurlbut, ASC explores how to prep for the agency phone call with the agency. Shane Hurlbut, ASC demonstrates how to prep for the pre-production meeting, using the 'Grain' spot as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates how to deliver the vision on the Shane Hurlbut, ASC discusses his time working with director Greg Popp on their Century 21 Shane Hurlbut, ASC discloses his recipe for success, including his first choice in camera In this lesson, Shane Hurlbut, ASC explores the secret behind a successful treatment. In this lesson, Shane Hurlbut, ASC reveals how to successfully pitch a location to the client as a commercial director. In this lesson, Shane Hurlbut, ASC explores ways to optimize efficiency as a commercial director. In this lesson, Shane Hurlbut, ASC reveals the keys to getting hired over and over again as a DP Shane Hurlbut, ASC explains the best way to prepare for pre-production and shares how to effectively break down the screenplay. DP Shane Hurlbut, ASC takes you through his process in selecting aspect ratios for a project. With every movie, television series, web series, music video, or commercial, blocking is one of the most important aspects of filmmaking. In this episode of the Filmmakers Academy Podcast, Director of Photography answers a question from a member about planning coverage. In this lesson, director of photography Shane Hurlbut, ASC demonstrates how to light for specific blocking and reveals how to master the clo DP Shane Hurlbut, ASC demonstrates how to rehearse, light, block and shoot a scene, using the movie, Crazy/Beautiful as a case study. In Episode 13 of the Filmmakers Academy Podcast, DP Shane Hurlbut, ASC discusses setting up rules of engagement for your characters. DP Shane Hurlbut, ASC discusses what your first steps in pre-production should look like. In episode 51 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In this episode of the Filmmakers Academy Podcast, Director of Photography answers a In this lesson, DP Shane Hurlbut, ASC takes you through how he established the world for the feature film, Terminator Salvation. DP Shane Hurlbut, ASC takes you through some of the movies he has lensed and the reason why In this lesson, Shane Hurlbut, ASC takes you on a journey of discovery on the key elements of Shane Hurlbut, ASC shares techniques that will enhance the mood and performances on screen In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates aerial and drone photography. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates camera movement to enhance character development. Shane Hurlbut, ASC reveals how to overcome the challenges lighting day exteriors before a storm and blocking night interiors. Shane Hurlbut, ASC explores cameras and lenses, lighting techniques with day exteriors, and how to create a firelight effect. In this episode of Into the Badlands, Shane Hurlbut, ASC reveals how to communicate your vision to the director with color. In this episode of Into the Badlands, Shane Hurlbut, ASC shows how to integrate VFX plates with live action. In this episode of Into the Badlands, Shane Hurlbut, ASC demonstrates set lighting for three cameras. In this episode of Into the Badlands, Shane Hurlbut, ASC reveals how to create color In this lesson, Shane Hurlbut, ASC demonstrates how the script and story inform blocking, using the movie The Adventurers as a case study. In this lesson, Shane Hurlbut, ASC demonstrates what to do on the shoot day, using the movie The Adventurers as a case study. Shane Hurlbut, ASC demonstrates how to emotionally tell the story through camera In this lesson, director of photography Shane Hurlbut, ASC takes you through the location scout for the movie Deadfall with the director. Director of photography Shane Hurlbut, ASC takes you through the location scout while considering theory and production design. Shane Hurlbut, ASC discussing the camera blocking technique the used o set up multiple scenes for Deadfall. In Part 1 of Day Interiors Vol II, director of photography Shane Hurlbut, ASC guides you through the location scout. DP Shane Hurlbut, ASC demonstrates how to shoot the master wide shot, using the movie Deadfall as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates how to block a scene with actors, In this edition of the On Set Series, we’re going to explore blocking and lighting in small locations. In the second edition of our On Set Series, we examine how to work with small locations when it comes down to lighting and blocking Shane Hurlbut, ASC demonstrates how to block and light for three cameras on the set of the feature film, Fathers and Daughters. Shane Hurlbut, ASC demonstrates three camera lighting setups with a real-life case study on a feature film. In this edition of our On Set Series, we reference the film Fathers and Daughters, showing how to create emotional impact with color temp. Learn how to deconstruct the nuances behind planning a one-shot sequence. There are few other case studies out there better than this! We dissect a one-shot sequence from the film Fathers and Daughters, but this time with the MōVI going from exterior to inside a vehicle. In this edition of our On Set Series, we show the versatility of the MōVI camera system for narrative storytelling. Discover the placement of the camera placement and the variables you will need to take into consideration, such as lighting and blocking. In this edition of our On Set Series, we film a few scenes including one that involves laying down tracks for a dolly to block a scene. Learn everything you need to know about what a handheld camera tells an audience using the film Fathers and Daughters as a case study. In this edition of our On Set Series, we explore the scenarios where you would sacrifice lightin On Waist Deep, Director Vondie Curtis-Hall and DP Shane Hurlbut, ASC utilized strict techniques for camera dynamics. In Part 2, DP Shane Hurlbut, ASC continues his examination of camera dynamics and the techniques he used on the film, Waist Deep. DP Shane Hurlbut, ASC examines camera dynamics on the feature film, Waist Deep, exploring what it means to break the rules. In Part 4 of Shane Hurlbut, ASC's examination of camera dynamics on the film, Waist Deep In this lesson, Shane Hurlbut, ASC dives deep into the main components that create a successful music video. In this lesson, Shane Hurlbut, ASC gets more macro as he takes a step back and highlights Sit down with Cinematographer Shane Hurlbut, ASC and Colorist Mike Sowa of Technicolor as they go through their work on "Need for Speed." DP Shane Hurlbut, ASC discusses Director-DP communication with Guy Ferland, one of the directors of the AMC series, Into the Badlands. Shane Hurlbut, ASC answers members' questions and talks about collaborating with th Shane Hurlbut, ASC shows you how a slow push in on our dolly enhances the eeriness of our scene. Shane Hurlbut, ASC shows you how the MōVI’s motion affects the emotion of the scene. Shane Hurlbut, ASC shows you how camera movement and MōVI’s motion affects the emotion of the scene. We examine the history of the crane and its evolution and then explore how Shane Hurlbut, ASC uses them to add tempo, convey emotion... Shane Hurlbut, ASC walks through the design and approach to shooting a commercial for Cinematographer Shane Hurlbut, ASC explores cinema lenses and identifies their features. Shane Hurlbut outlines his favorite lenses, showcases the Canon L series performance, and reviews examples of lens language. Cinematographer Shane Hurlbut, ASC breaks down focal lengths and explains how to consider them to enhance your storytelling. Learn how to compose a master wide shot and what the most important elements are to consider. DP Shane Hurlbut, ASC explains camera composition while taking you through classic shots before discussing breaking the rules. In this lesson, DP Shane Hurlbut, ASC continues to analyze shots and the nuances behind them. Shane Hurlbut presents camera sleight of hand using lenses, choosing the right composition and lens restraint to articulate your story. Shane Hurlbut explains how to find inspiration when choosing lenses and how to challenge yourself when selecting the right lens. Shane Hurlbut explores lenses and composition and highlights lens height and how to consider Award-winning director & executive producer Andrew Sandler dove into practicing his craft between jobs, what he looks for in a DP, and more! Gain exclusive insights from award-winning commercial director Jordan Brady as he About
A Director's Commercial Prep & Theory: Case Studies
What is a Commercial Director?: Part 1
How I Got Started Directing for Advertisers: Part 2
Why Does a Director Take a Job?: Part 3
How Does the Director Get Hired?: Part 4
Commercial Directing Pre-Production: Part 5
Casting with the Brady Method: Part 6
Pre-Production Meeting: Part 8
Commercial Directing Night Before Shoot: Part 9
Commercial Directing Rules of Engagement On Set: Part 10
How to Plan Your Shoot Day: Part 11
How I Work with My Film Crew: Part 12
Respect Chain of Command: Part 13
How I Work with Actors: Part 14
Overdeliver: Part 15
Commercial Directing Post-Production: Part 16
Commercial Directing Case Study Introduction: Part 17
Commercial Directing Case Study Part I - ADVENTUROUS
Commercial Directing Case Study Part II - CAREER DAY
Put Yourself in a Box I Commercial Directing with Jordan Brady
Thank you for Watching Commercial Directing Master Class: Part 21
Concussion Protocol PAT BTS Masterclass Only: Part 22
A Directors Set Etiquette and Protocols
How To Be a Leader In The Industry
FA Podcast EP 15: Leadership and Attitudes in the Film Industry
FA Podcast EP 24: Work Ethics and Leadership
Motivating Your Filmmaking Team
FA Podcast EP 27: Composure On Set
How To Communicate Your Ideas as a Filmmaker
FA Podcast EP 31: Communication is Key
FA Podcast EP 21: Business Networking and Crew Attitudes
FA Podcast EP 19: Maintaining Work and Life Balance
FA Podcast EP 29: Carving Your Path
FA Podcast EP 53: Be Prepared
FA Podcast EP 47: Growing Pains
FA Podcast EP 16: Film Career Essentials
FA Podcast EP 42: Developing Your Creative Voice
FA Podcast Ep 40: Trusting Your Instincts
FA Podcast EP 45: Executing the Shot
FA Podcast EP 48: Getting Focused
FA Podcast EP 56: Filmmaking Family Relationships
Walkie-Talkie Film Production Channels
Walkie-Talkie Etiquette for Filmmakers
Walkie-Talkie Lingo: On Set Communication
Shadowing a Commercial Director
Start with a Creative Mindset
Creativity Plus Craft
Develop Your Own Directing Approach
From Screenplay to Reality
Tone Plus POV
Maximize Performance in Prep
Prepping with Your Team and the Agency: Part 1
Prepping with Your Team and the Agency: Part 2
Mirror Gag On Stage: Part 1
Mirror Gag On Stage: Part 2
Ice Cream Scene
Car Interior On Stage
Last Day Beard Stubble
Commercial Directing in the Edit Bay
Feedback & Revisions
Closing Remarks
Commercial Directing: From Concept to Creation
How to Achieve the Commercial Director's Vision
Prudential
Commercial Concept and Directors Treatment
Commercial Concept and Directors Treatment: Part 2
Commercial Locations "A Nationwide Scout": Part 3
Rules of Engagement "Uniting 180 Shooters": Part 4
Commercial Communication Tech: Part 5
Commercial Post-Production: Part 6
Coors Lite
What To Include in a Directors Treatment: Coors Light | Part 1
How to Control and Diffuse Sunlight: Coors Light | Part 2
How To Light and Expose a Bar Scene: Coors Light | Part 3
Replicating The Sun with Artificial Light: Coors Light | Part 4
How To Light Liquids: Coors Light | Part 5
How To Light Beer in a Glass: Coors Light | Part 6
Lighting Cans and Bottles: Coors Light | Part 7
Trane
How to Prep a Commercial: Trane | Part 1
How to Plan, Plot and Shot List a Commercial: Trane | Part 2
Case IH
How to Build Your Treatment and Get the Job: Commercial Directing
How To Prep For The Agency Phone Call: Commercial Directing
How To Prep for the Pre Prod Meeting: Commercial Directing
Delivering the Vision on Shoot Day: Commercial Directing
Century 21
How a Director Preps a Commercial: Century 21
Acura
How to Shoot Car Commercials at Night: Acura
US Cellular
Commercial Directing: The Secret Behind Successful Treatments
Commercial Directing: How to Successfully Pitch a Location
Commercial Directing: Ways to Optimize Efficiency
Commercial Directing: The Keys to Getting Hired
A Director's Narrative Prep & Theory: Case Studies
Breaking Down Your Screenplay
Selecting Your Aspect Ratio
Blocking And Matching Coverage
FA Podcast EP 25: Planning Your Coverage
Light for Specific Blocking: Master to Close-Up
How To Rehearse, Block, Light and Shoot a Scene: Illumination Experience
FA Podcast EP 13: Setting up Rules of Engagement for Your Characters
FA Podcast EP 32: Your First Steps in Pre-Production
FA Podcast EP 51: Vocalizing Your Vision
FA Podcast EP 8: Finding Your Visual Rhythm
Terminator Salvation
Establishing The World: Terminator Salvation
How to Integrate VFX with Live Action: Terminator Salvation
Swing Vote
Writer and Director: How To Set Up Your Story In 3 Minutes
Crazy Beautiful
How to Prep Narrative Storytelling: Illumination Experience
Into the Badlands
Aerial And Drone Photography: Into The Badlands
On Set: Camera Movement To Enhance Character Development
On Set: Day Exteriors & Blocking Night Interiors
On Set: How Focal Lengths Assist Character Development
How to Communicate Your Vision to the Director with Color: Into The Badlands
How to Integrate VFX Plates with Live Action: Into The Badlands
On Set: Set Lighting For Three Cameras
How to Create Color Contrast: Into The Badlands
Adventurer's
Blocking & Composition: Adventurers | Part 1
Blocking & Composition: Adventurers | Part 2
Blocking & Composition: Adventurers | Part 3
Deadfall
Location Scouting: Walkthrough with The Director
Location Scouting: Theory and Production Design
Camera Blocking and Setting Up The Scene: Deadfall
Day Interiors Vol II: Location Scout | Part 1
Day Interiors Vol II: Shooting the Master | Part 6
How To Block a Scene with Actors: Deadfall
Fathers & Daughters
On Set: How to Block and Light Small Locations: Part 1
On Set: How to Block and Light Small Locations: Part 2
On Set: How to Block and Light For Three Cameras | Part 1
On Set: How to Block and Light for Three Cameras | Part 2
How to Create Emotional Impact with Color Temperature: Fathers and Daughters
On Set: How to Plan, Plot and Execute One Shot Sequences | Part 1
On Set: How to Plan, Plot and Execute One Shot Sequences | Part 2
How To Use a MōVi for Narrative Storytelling: Fathers and Daughters
On Set: Understanding Camera Placement
On Set: Using a Dolly To Block a Scene
On Set: What Handheld Camera Tells An Audience
When To Sacrifice Lighting for the Performance: Fathers and Daughters
Waist Deep
Action Cinematography: How to Deliver Camera Emotion | Part 1
Action Cinematography: How to Blend Camera Styles | Part 2
Action Cinematography: Deliberately Breaking The Rules | Part 3
Action Cinematography: Logistics | Part 4
A Director's Music Video Prep & Theory - Keith Urban
How To Shoot a Music Video: Part 1
How to Shoot a Music Video: Part 2
Creative Relationships
Director of Photography & Colorist Relationship in the Color Bay
Director and DP Communication
FA Podcast EP 5: Collaborating with Directors When Shooting
Camera Movement & Motivation
Camera Motion: Dolly
Camera Motion: Dolly and MoVi Combo
Camera Motion: MōVI
How To Use a Crane to Captivate Your Audience
First Person POV: Mountain Dew
Lenses & Composition
Cinema Style Lenses: How They Make an Audience Feel
How Focal Lengths Make Your Audience Feel
How to Choose the Right Focal Lengths
How To Compose The Master Wide Shot
Storytelling Through Composition I
Storytelling Through Composition II
Camera Lens Restraint
Lens Internal Characteristics
Focal Length Choices
Spotlight Group Coaching Sessions with Directors
Spotlight Group Coaching I Director & Executive Producer Andrew Sandler
Spotlight Group Coaching | Commercial Director Jordan Brady
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