About Shane discusses how resilience is an essential part of growing in the film industry. DP Shane Hurlbut, ASC talks about starting out in the film business and answers members' questions. Lydia and Shane Hurlbut, ASC discuss how to reach your goals in the film industry while presenting plenty of real life examples. Shane talks about all things cinematography from getting an agent and crafting his reel to vintage lens recommendations and LED lighting. In episode 1 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses how to get started in your filmmaking career. In episode 29 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses how to carve your path in the film industry. DP Shane Hurlbut, ASC talks about the essentials to maintaining a successful career in the film industry. Included is Shane Hurlbut, ASC’s list of favorite resource books for cinematography that is sure Shane explains how to become a leader by understanding the fundamentals, exhibiting humility and putting in the time. In episode 15 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses leadership and attitudes in the film industry. Filmmakers Academy CEO Lydia Hurlbut discusses overcoming challenges, leadership, and worth ethic. Director of Photography Shane Hurlbut, ASC provides 9 tips to enhance your leadership skills and nurture an enthusiastic team. Filmmakers Academy’s Lydia Hurlbut discusses how to maintain a healthy work-life balance. Filmmakers Academy’s Lydia and Shane Hurlbut, ASC break down the value of effective communication skills to develop as an industry leader. Lydia Hurlbut answers questions from membership about film crew attitudes, breaking into the industry and growing in the business. Filmmakers Academy’s Lydia Hurlbut provides useful tips on how to make crucial career decisions and balance your career. In episode 48 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 53 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 47 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut talk about growing pains. In episode 56 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. Lydia and Shane Hurlbut, ASC dive into the power of community in the film industry and Shane Hurlbut, ASC reveals how to communicate your ideas effectively as a filmmaker to achieve the best results for your project. In episode 37 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC explores the cinematic tools you need to understand. In episode 41 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses following your intuition as a filmmaker. In episode 51 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC and Lydia Hurlbut answer member questions. In episode 42 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses how to develop your creative voice. In episode 40 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC discusses the value of trusting your instincts. In this episode of the Filmmakers Academy Podcast, Director of Photography answers a question from a member about finding a visual rhythm. Lydia and Shane Hurlbut, ASC dig deep talking about the rigors of the film industry and how to grow and evolve in your career path. DP Shane Hurlbut, ASC discusses Director-DP communication with Guy Ferland, one of the directors of the AMC series, Into the Badlands. Shane Hurlbut, ASC answers members' questions and talks about collaborating with the Award-winning Editor Zack Arnold, ACE (Cobra Kai) stopped by Filmmakers Academy to join Lydia and Shane Hurlbut on the Inner Circle Podcast. Wellness coach Lydia Hurlbut presents an exercise for filmmakers to identify their imbalances so they may lead healthier lives. Wellness expert Lydia Hurlbut demonstrates how filmmakers can kickstart their day by habit stacking to support successful morning routines. Learn practical leadership strategies with Lydia Hurlbut’s GRIT formula to empower your crew and thrive in high-pressure filmmaking. In this Spotlight Group Coaching Session, Lydia Hurlbut presents how to overcome stress and fear-based thinking in the film industry... Former Olympian and coach Dr. Terry Schroeder joins Lydia Hurlbut to discuss health and Master film set walkie-talkie channels and etiquette for smooth, efficient communication. Includes standard US setups and NYC/NJ variations. Step onto the set with confidence by mastering walkie-talkie etiquette, an essential skill for every filmmaker. Master essential codes and filmmaking jargon to enhance your communication skills for a Shane's spotlight session from 10/9/22 where he discussed lighting, representation, prepping a film, and how to find opportunities. Join DP Justin Jones as he sits down with FA Members to look at their work and answer their questions. Emmy Winning DP and Camera Operator Sherri Kauk answers questions about lighting, camera operating, collaborating with directors, and more! Rewatch our Spotlight Coaching Session with Gabrielle Blackwood! Gain insight into her creative process, brand work, and industry tips. Cinematographer and Photographer Fiorella Occhipinti answers questions on how she transitioned from photography to cinematography. Shane Hurlbut, ASC and Kevin Descheemaeker discussed all things Filmotechnic and camera car cinematography in this fantastic session. Gabrielle answered many questions on lighting, DIY tips, documentary filmmaking, accurately lighting dark skin tones, directing, and more! Rewatch Shane Hurlbut, ASC’s Spotlight Session for expert tips on cinematography, lighting, and storytelling insights! Shane's spotlight session from 2/26/23 where he answered members questions. Rewatch cinematographer Brady Bessette's coaching session for tips on lighting, visuals, and In this lesson, director of photography Shane Hurlbut, ASC instructs you on how to train your eye to light. Shane reveals in this lesson exactly why you need a light meter. Painting with light has become something of a mantra for us, and your color meter helps you master the art of light. DP Shane Hurlbut, ASC explains the fundamentals behind color theory; more specifically, why you do particular things. Director of Photography Shane Hurlbut, ASC invites you on the location scout and showcases his cinematographers scouting toolkit. Shane Hurlbut, ASC answers member questions on shooting anamorphic, investing in glass and cameras, RED Pro Primes & lens flares in camera. DP Shane Hurlbut, ASC discusses what your first steps in pre-production should look like. In this audio/visual lesson, DP Shane Hurlbut, ASC discusses how to stand out in the market with your demo reel. DP Shane Hurlbut, ASC dives into your rate and what you should charge for your services. In this lesson, DP Shane Hurlbut, ASC demonstrates how to use smoke to assist your Shane takes you through the entire process of building this softbox in less than 5 minutes! Director of Photography Shane Hurlbut, ASC breaks down his 4 leadership pro tips that create a positive set environment. Shane Hurlbut, ASC demonstrates how to label photoflood lights and takes you through a brief demo to showcase the power of these bulbs! Cinematography Tip of the Day: Creating a water lighting effect when you don’t have a water source around Have you tried this before? Cinematography Tip of the Day: Honeycrates 4x4 Gold & Silver Checkerboard DP Shane Hurlbut, ASC explains the best way to prepare for pre-production and shares how to effectively break down the screenplay. Shane Hurlbut, ASC shares techniques that will enhance the mood and performances on screen and unite your crew under a single vision. In this episode, cinematographer Shane Hurlbut, ASC explains how to understand your camera, lens, and sensor. DP Shane Hurlbut, ASC takes you through his process in selecting aspect ratios for a project. In this lesson, Shane Hurlbut, ASC talks about his grip and lighting packages from some of his past Cinematographer Shane Hurlbut, ASC explores cinema lenses and identifies their features. Shane Hurlbut outlines his favorite lenses, showcases the Canon L series performance, and reviews examples of lens language. Cinematographer Shane Hurlbut, ASC breaks down focal lengths and explains how to consider them to enhance your storytelling. In this lesson, DP Shane Hurlbut, ASC explains how they modified their GoPros on the film Nee In episode 28 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC In this episode of the Filmmakers Academy podcast, cinematographer Shane Hurlbut, ASC Shane Hurlbut presents camera sleight of hand using lenses, choosing the right composition and lens restraint to articulate your story. Shane Hurlbut explains how to find inspiration when choosing lenses and how to challenge yourself when selecting the right lens. Shane Hurlbut explores lenses and composition and highlights lens height and how to consider The purpose of this lesson is to educate you on how important it is to do the test yourself and not With every movie, television series, web series, music video, or commercial, blocking is one of the most important aspects of filmmaking. In this lesson, director of photography Shane Hurlbut, ASC demonstrates how to light for specific blocking and reveals how to master the clo DP Shane Hurlbut, ASC explains camera composition while taking you through classic shots before discussing breaking the rules. In this lesson, DP Shane Hurlbut, ASC continues to analyze shots and the nuances behind them. In this edition of the On Set Series, we’re going to explore blocking and lighting in small locations. In the second edition of our On Set Series, we examine how to work with small locations when it comes down to lighting and blocking In this lesson, Shane Hurlbut, ASC demonstrates how the script and story inform blocking, using the movie The Adventurers as a case study. In this lesson, Shane Hurlbut, ASC demonstrates what to do on the shoot day, using the movie The Adventurers as a case study. Shane Hurlbut, ASC demonstrates how to emotionally tell the story through camera placement, using the movie The Adventurers as a case study. In this episode of the Filmmakers Academy Podcast, Director of Photography answers a question from a member about planning coverage. Learn how to compose a master wide shot and what the most important elements are to In this lesson, DP Shane Hurlbut, ASC discusses the fundamentals of lighting day exteriors for the best results. In this lesson, director of photography Shane Hurlbut, ASC takes you through scouting locations outdoors and using the path of the sun. In this lesson, Director of Photography Shane Hurlbut, ASC demonstrates how to light Walk and Talks outside in the sunlight. Shane Hurlbut, ASC demonstrates how he shot the actors talking as they place the saddle down on the saw horse. In this lesson, DP Shane Hurlbut, ASC demonstrates how to change the direction of the sun for close-up shots. In this lesson, DP Shane Hurlbut, ASC demonstrates how to make a beautiful close-up using the power of the Arri M40 light. Director of Photography Shane Hurlbut, ASC demonstrates how to test and color balance HMIs. In this lesson, Shane Hurlbut, ASC breaks down how he shot an entire commercial in 8 hours, using a case study from a US Cellular spot. 8:15 Minutes of Instructional Video, Detailed Written Breakdown and Lighting Schematics DP Shane Hurlbut, ASC demonstrates how to light in a daylight scenario so that the light ratios of the background and talent are balanced. In this lesson, DP Shane Hurlbut, ASC leads you through a location scout for a scene using the natural environment of a location to block. DP Shane Hurlbut, ASC walks you through how to recreate the sun using an 18K HMI. In this lesson, director of photography Shane Hurlbut, ASC takes you through the footsteps of a location scout for a living room scene. In How To Light Day Interiors, director of photography Shane Hurlbut, ASC guides you through the location scout for day interiors. Shane Hurlbut, ASC demonstrates how to add haze, finesse floodlights to create beautiful key light, and make adjustments to the color temp. In this lesson, DP Shane Hurlbut, ASC reveals how he used DIY lights in commercial production to light both minimalistic and affordably. Learn how to get the right color temperature with gels to get beautiful color separation, and learn about lighting ratios and IRE values. Shane Hurlbut, ASC and his team dial in the lighting setup and make their final changes, removing unwanted light, finalizing the frame, etc. In this lesson, Director of Photography Shane Hurlbut, ASC takes you through the process of lighting day interiors with only natural light. In this lesson, Shane Hurlbut, ASC demonstrates how to expose for the sun with gels and HDRX. Shane Hurlbut, ASC picks up where he left off in Part 2 and demonstrates how to control sunlight by shaping and manicuring light. Shane Hurlbut, ASC picks up where he left off in Part 3 and demonstrates how to re-light the scene with artificial light, Hollywood-style. In this lesson, Shane Hurlbut, ASC picks up where he left off and demonstrates how to shoot a close-up while adding depth to the frame. Shane Hurlbut, ASC picks up where he left off in Part 5 and demonstrates how to shoot the reverse close-up while showing how eyelight... In this lesson, DP Shane Hurlbut, ASC demystifies the misconception of Lekolites and how they serve as a formidable interview light. In this lesson, Shane Hurlbut, ASC demonstrates how to recreate moonlight and use hard shadows in a night scene. In this lesson, Shane Hurlbut, ASC brings in the actors and blocks the night scene as they continue to make tweaks to the lighting. In this lesson, Shane Hurlbut, ASC shoots the scene capturing multiple movements, making additional tweaks to the lighting. In the first part of How To Light Night Interiors, cinematographer Shane Hurlbut, ASC demonstrates how to begin the process... Shane Hurlbut, ASC takes you through how to light night interiors as he works with practical lights, moonlight, and urban sources. In this lesson, Shane Hurlbut, ASC and his team recreate urban lights flooding in through the In How To Light Night Exteriors with Blue Tones: Part 1, director of photography Shane Hurlbut, ASC takes you through the location scout. In the next part of How To Light Night Exteriors with Blue Tones, Director of Photography Shane Hurlbut, ASC takes you through the build. DP Shane Hurlbut, ASC demonstrates how to light night exteriors with gray tones. So far, they set up the simulated moonlight and fill light. Shane Hurlbut, ASC shows how to light night exteriors with blue tones. In the first part of a three part series, DP Shane Hurlbut, ASC demonstrates how to light night exteriors with gray tones. In the second part of a three-part series, DP Shane Hurlbut, ASC demonstrates how to light DP Shane Hurlbut, ASC explains the process of collaborating with the director and ad agency. Director of photography Shane Hurlbut, ASC takes you through the location scout for a national commercial. Shane Hurlbut, ASC takes you through the rules of engagement for uniting 180 filmmakers across the nation. Shane Hurlbut, ASC unveils the communication and tech needed to pull off their nationwide endeavor. Shane Hurlbut, ASC guides you through creating the grain for the digital footage in the post-production process of the Prudential spot. Custom Picture Profiles developed by Shane Hurlbut, ASC. In this episode, cinematographer Shane Hurlbut, ASC talks about how to set up your camera for a cinematic vision. As part of the HDSLR Series, Cinematographer Shane Hurlbut, ASC explores the challenges of working with still lenses. Shane Hurlbut, ASC takes the Canon C100 Mark II through extensive tests. In this lesson, DP Shane Hurlbut, ASC demonstrates DIY lighting effects and gags when lighting a car in a moonlight condition. DP Shane Hurlbut, ASC demonstrates how to create a dynamic headlight gag while lighting a car in moonlight conditions. In this lesson, director of photography Shane Hurlbut, ASC takes you through the process of how to build a book light. DP Shane Hurlbut, ASC demonstrates how to build a headlight gag, using the feature film, We Are Marshall as a case study. Director of Photography Shane Hurlbut, ASC takes you through the process of building your In this DIY lesson, DP Shane Hurlbut, ASC guides you through the process of building a fire effect light. Shane Hurlbut, ASC demonstrates how he created a TV light effect on We Are Marshall using dedo lights in a Chimera softbox. In this lesson, DP Shane Hurlbut, ASC demonstrates how to replicate TV light with Kino Flo lights. DP Shane Hurlbut, ASC discusses using lights to replicate fire and lighting for product shots. DP Shane Hurlbut, ASC showcases how to use the trashcan light to illuminate your scene. DP Shane Hurlbut, ASC demonstrates how to use a headlight gag, using the feature film, We Are Marshall as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates how to mimic a police car light, using a scene from the movie Deadfall as a case study. Shane Hurlbut, ASC discusses understanding light quality and the best lights for the job. 6+ Minutes of Video Instruction on the 1000w Mole-Richardson Baby Baby Fresnel 7 Minutes of Instruction on the 1000w Mole-Richardson 407 Keg Baby 7 Minutes of Video Instruction on the 750w Open Face Arrilite 6 Minutes of Instructional Video of the 2000w Open Face Arrilite In this lesson, Shane Hurlbut, ASC takes you through the kit and where you’ll get the most out of these lights. In this lesson, Shane Hurlbut, ASC takes you through a theatrical light, the ETC Leko Tungsten light. In this lesson, Shane Hurlbut, ASC takes you through the kit and where you’ll get the most out of these lights. In this lesson, DP Shane Hurlbut, ASC is joined by gaffer Eric Forand for an in-depth look into Kino Flo Fluorescents. Learn about the different uses of the Cineo HS2 and HSX. In Kino Flo Celeb 201 & 401, Shane Hurlbut, ASC and Gaffer Eric Forand examine the light and its purpose in production. In Kino Flo Selects, DP Shane Hurlbut, ASC and Gaffer Eric Forand examine the light and its purpose in production. 8+ Minutes of Video lesson on the Arri LED Skypanel S60 In this lesson, Shane Hurlbut, ASC examines Chimera Pancake lights and their purpose in production. In Chimera Softbank Lights, Shane Hurlbut, ASC examines the light and its purpose in production. DP Shane Hurlbut, ASC breaks down light quality and how the shape of a source is super important when you go in for the close-up. In this lesson, DP Shane Hurlbut, ASC reveals DIY lighting solutions for bounce light. In this lesson, DP Shane Hurlbut, ASC explains foam core and demonstrates when to use it with the bounce light. In this lesson, DP Shane Hurlbut, ASC explains bead board and demonstrates when to use it with the bounce light. In this lesson, DP Shane Hurlbut, ASC explains ultra bounce and demonstrates when to use it with bounce light. In this lesson, DP Shane Hurlbut, ASC explains bleached muslin and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains black and white Griffolyn and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains black and white Showcard and demonstrates when to use it as a bounce source. Shane Hurlbut, ASC breaks down all the different materials to create the colors as well as shows their varying qualities of light. In this lesson, DP Shane Hurlbut, ASC explains Soft Silver Rosco SS Flex and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains Soft Silver Lamae and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains Soft Silver Show Card and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains Hard Silver Showcard and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains Hard Silver Showcard Ricochet and demonstrates when to use it as a bounce source. DP Shane Hurlbut, ASC explains Hard and Soft Silver Reflector Board and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains Gold Rosco Flex SS and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains the Gold Soft Showcard and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains the Gold Hard Showcard and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC explains the Hard and Soft Gold Reflector Board and demonstrates when to use it as a bounce source. In this lesson, DP Shane Hurlbut, ASC demonstrates how to match practical light with an unbleached muslin. In this lesson, DP Shane Hurlbut, ASC demonstrates how to match practical light with a Butcher Paper. In this lesson, DP Shane Hurlbut, ASC demonstrates how to match practical light with In this lesson, DP Shane Hurlbut, ASC shares the DIY Home Depot lights in his lighting package. In this lesson, DP Shane Hurlbut, ASC reveals how he used DIY Lights in commercial production to light both minimalistic and affordably. DP Shane Hurlbut, ASC reveals two homemade lights that have been his staple for close-up lighting. Learn to color correct the 1500 Watt Metal Halide Sports Fixture to work like an HMI on set. Derek Johnson and Shane Hurlbut, ASC are going to simulate an on set live grade scenario so you can see the process. Derek Johnson reveals the process behind secondary color correction, providing techniques that will help improve your color grading skills. In episode 18 of the Filmmakers Academy Podcast, cinematographer Shane Hurlbut, ASC In this lesson, we’re going to dissect the use of camera movement and determine why, how, and when is the best time to move the camera. Shane Hurlbut, ASC shows you how a slow push in on our dolly enhances the eeriness of our scene. We examine the history of the crane and its evolution and then explore how Shane Hurlbut, ASC uses them to add tempo, convey emotion... Shane Hurlbut, ASC shows you how camera movement and MōVI’s motion affects the emotion of the scene. In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting the talent on a green screen. Shane Hurlbut, ASC shows you how the MōVI’s motion affects the emotion of the scene. Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through the basic principles of lighting a green screen. In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting a green screen with just two lights. In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting a moving Shane Hurlbut, ASC tests Hanover Frost Brushed Silk and Light Opal to demonstrate how they perform as diffusion. In this edition of the Rosco Diffusion Series, Shane Hurlbut, ASC tests Tough Frost Diffusions to demonstrate how they perform. In this edition of the Rosco Diffusion Series, Shane Hurlbut, ASC tests Frost Diffusions to demonstrate how they perform. Shane Hurlbut, ASC tests Tough White Diffusion to demonstrate how they perform as a diffusion. Learn about Rosco Diffusion Grid Cloths and what they do to light. In this edition of the Rosco Diffusion Series, Shane Hurlbut, ASC tests color grid cloths to Learn essential filmmaking terminology before revealing the nuances of shaping hard, soft light and how to direct your grip team. Learn c-stands from the perspective of both a key grip and cinematographer, and explore light control devices (LCDs) to help shape light. Shane Hurlbut ASC and key grip Dave Knudson guide you through the process of professionally
Getting Started
Resiliency in the Film Industry
FA Podcast EP 23: Starting out in the Business
FA Podcast EP 46: What It Takes
FA Podcast EP 10: What It Takes to Be a Cinematographer
FA Podcast EP 1: FIlmmaking Career and How to Start
FA Podcast EP 29: Carving Your Path
FA Podcast EP 16: Film Career Essentials
Educational Resource Books For Cinematography
Leadership and Responsibilities
How To Be a Leader In The Industry
FA Podcast EP 15: Leadership and Attitudes in the Film Industry
FA Podcast EP 24: Work Ethics and Leadership
Motivating Your Filmmaking Team
FA Podcast EP 27: Composure On Set
FA Podcast EP 31: Communication is Key
FA Podcast EP 21: Business Networking and Crew Attitudes
FA Podcast EP 19: Maintaining Work and Life Balance
FA Podcast EP 48: Getting Focused
FA Podcast EP 53: Be Prepared
FA Podcast EP 47: Growing Pains
FA Podcast EP 56: Filmmaking Family Relationships
ICP #8: Power of Community (feat. Shane Hurlbut, ASC and Lydia Hurlbut)
Creative Voice and Collaborations
How To Communicate Your Ideas as a Filmmaker
FA Podcast EP 37: Understanding Your Cinematic Tools
FA Podcast Ep 41: Following Your Intuition
FA Podcast EP 51: Vocalizing Your Vision
FA Podcast EP 42: Developing Your Creative Voice
FA Podcast Ep 40: Trusting Your Instincts
FA Podcast EP 8: Finding Your Visual Rhythm
FA Podcast EP 43: Working For It
Director and DP Communication
FA Podcast EP 5: Collaborating with Directors When Shooting
Health And Wellness For An Artist
ICP #6: Optimize Yourself and Your Filmmaking Career (feat. Zack Arnold, ACE)
Wheel of Life: Find Balance in Your Filmmaking Career
Lifestyle & Wellness: Habit Stack Your Morning Routine
Empowering Your Film Crew: A Guide to Brain-Based Leadership
Solutions to Overcome Stress and Fear-Based Thinking in the Film Industry
ICP #9: An Olympian’s Approach to Health (feat. Dr. Terry Schroeder and Lydia Hurlbut)
ON SET Communications
Walkie-Talkie Film Production Channels
Walkie-Talkie Etiquette for Filmmakers
Walkie-Talkie Lingo: On Set Communication
DIFFERENT DP PERSPECTIVES
Spotlight Group Coaching | Cinematographer, Shane Hurlbut, ASC 10/9/22
Spotlight Group Coaching | Cinematographer, Justin Jones
Spotlight Group Coaching I DP and Camera Operator Sherri Kauk
Spotlight Group Coaching Call | Director & Cinematographer, Gabrielle Blackwood
Spotlight Group Coaching | Cinematographer and Photographer Fiorella Occhipinti
Spotlight Group Coaching I Filmotechnic Shane Hurlbut, ASC & Kevin Descheemaeker
Spotlight Coaching I Director, DP Gabrielle Blackwood
Spotlight Group Coaching Call | Cinematographer Shane Hurlbut, ASC
Spotlight Group Coaching | Cinematographer, Shane Hurlbut, ASC
Spotlight Group Coaching Call | Cinematographer Brady Bessette
Cinematographer's Tools
How To Train Your Eye
Understanding Your Light Meter: The Basics
Understanding Your Color Meter: The Basics
The Why Behind Color Theory: The Basics
Location Scouting: My Cinematography Scouting Toolkit
FA Podcast EP 22: Understanding Your Tools
FA Podcast EP 32: Your First Steps in Pre-Production
How To Stand Out In Your Market With A Demo Reel
Knowing What To Charge For Your Services
How To Use Smoke To Assist Your Story
Cinematography Tips
Cinematography Tip: Honeycrates Beehive Soft Box Setup
4 Leadership Pro Tips Every Cinematographer Should Know
Cinematography Tip: Photoflood Lighting
Cinematography Tip: Water Ripple Effect
Cinematography Tip: Honeycrates 4x4 Gold & Silver Checkerboard
Cinematographer's Prep
Breaking Down Your Screenplay
How to Prep Narrative Storytelling: Illumination Experience
FA Podcast EP 3: Understanding your Camera, Lens and Sensor
Selecting Your Aspect Ratio
Lighting & Grip Packages
Cinematographer's Lenses and Sensors
Cinema Style Lenses: How They Make an Audience Feel
How Focal Lengths Make Your Audience Feel
How to Choose the Right Focal Lengths
How To Modify Your GoPro for Cinema
FA Podcast EP 28: Getting to Know Your Camera
FA Podcast EP 57: Camera Lenses
How To Rehearse, Block, Light and Shoot a Scene: Illumination Experience
How To Expose Your Canon Cinema EOS Camera Platform
How To Use Glass Filtration To Assist Your Story
IR Pollution: How To Combat It
FA Podcast EP 12: Camera Formats, Exposure and Focus
Camera Lens Restraint
Lens Internal Characteristics
Focal Length Choices
Why You Do Camera Tests
Blocking & Composition Playbook
Blocking And Matching Coverage
Light for Specific Blocking: Master to Close-Up
Storytelling Through Composition I
Storytelling Through Composition II
On Set: How to Block and Light Small Locations: Part 1
On Set: How to Block and Light Small Locations: Part 2
Blocking & Composition: Adventurers | Part 1
Blocking & Composition: Adventurers | Part 2
Blocking & Composition: Adventurers | Part 3
FA Podcast EP 25: Planning Your Coverage
How To Compose The Master Wide Shot
Day Exteriors Concepts
Day Exteriors: The Basics
How To Location Scout Using the Path of The Sun
How to Light Walk and Talks
How To Shape Natural Light with Negative Fill
How to Change the Direction of The Sun for Close-Ups
How To Shape High Sun with Artificial Light On Close-Ups
Testing and Color Balancing HMIs
Commercial Cinematography: How to Shoot a Commercial in 8 Hours | Part 1
Commercial Cinematography: How to Shoot a Commercial in 8 Hours | Part 2
How To Use Available Light For Interviews
Finding Locations That Light Themselves
Recreating the Sun with Artificial Light
Day Interiors
How to Location Scout Interiors
How to Light Day Interiors: Location Scouting
How to Light Day Interiors: Part 1
How to Light Day Interiors: Part 2
How to Light Day Interiors: Part 3
How to Light Day Interiors: Part 4
Lighting Day Interior with No Lights: Part 1
How HDRX Can Help with Available Light: Part 2
Controlling the Sun for Available Light Shoots: Part 3
Hollywood-Style with Lights: Part 4
Lighting the Close-Up: Part 5
Lighting the Reverse Close-Up: Part 6
How To Light an Interview with 4 Lekolites
Night Interiors
How to Recreate Moonlight with Hard Shadows
Moonlight Exposure and Light Principles: Less Is More
A Single Shot with 20 Finesse Moves
How to Light Night Interiors: Part 1
How to Light Night Interiors: Part 2
How to Light Night Interiors: Part 3
Night Exteriors
How to Light Night Exteriors with Blue Tones: Part 1 - Location Scout
How to Light Night Exteriors with Blue Tones: The Build
How to Light Night Exteriors with Gray Tones: Part 3
How to Light Night Exteriors with Blue Tones: Pt 3 - The Execution Pt 2
How to Light Night Exteriors with Gray Tones: Part 1
How to Light Night Exteriors with Gray Tones: Part 2
DSLR Filmmaking
Commercial Concept and Directors Treatment: Part 2
Commercial Locations "A Nationwide Scout": Part 3
Rules of Engagement "Uniting 180 Shooters": Part 4
Commercial Communication Tech: Part 5
Commercial Post-Production: Part 6
Custom Picture Profiles: Canon 5D MK II & III / 6D
Custom Picture Profiles: Canon 7D & 7D MK II / Rebel Series / 60D & 70D
Custom Picture Profiles: Canon C100 Mark I
Custom Picture Profiles: Canon C100 Mark II
FA Podcast EP 9: Setting up your camera for Cinematic Vision
HDSLR Challenges: Working with a Still Lens
HDSLR Workflow And Etiquette
Panasonic GH4: Testing the Possibilities
Canon C100 Mark II: Extensive Tests
Replicating Sources
Poor Man's Process: DIY Lighting Effects and Gags
A Dynamic Headlight Gag
How to Build a Book Light
How to Build a Headlight Gag
How To Build a Softbox
What Lights to Use: Where and When
How to Create a FIRE EFFECT Light: DIY
How to Replicate TV Light: Dedo Lights
How To Replicate TV Light: Kino Flo Lights
FA Podcast EP 17: Using Lights to Replicate Fire and Lighting for Product Shots
How to Use the Fire Effects Light with Real Fire
How To Use A Headlight Gag
How To Mimic a Police Car Light: Deadfall
FA Podcast EP 7: Understanding Light Quality and Best Light for the Job
1000w Mole-Richardson Baby Baby Fresnel
1000w Mole-Richardson 407 Keg Baby Fresnel
750w Open Face Arrilite
2000w Open Face Arrilite
150w Dedo Light
ETC Leko Light
ETC Leko Lights - Making a Doughnut
Kino Flo Fluorescents
Cineo HS2 & HSX
Kino Flo Celeb 200 & 400
Kino Flo LED Select
Arri Skypanel S60
Chimera Pancake
Controlling & Shaping Light: Chimera Softbank
Bounce Lighting
Bounce Light: Circle Bounce vs Square
Bounce Light: DIY Solutions with Bounce Light
Bounce Light: White Foamcore
Bounce Light: Bead Board
Bounce Light: Ultra Bounce
Bounce Light: Bleached Muslin
Bounce Light: Black & White Griffolyn
Bounce Light: Black & White Showcard
Bounce Light: Soft Silver Rosco Scrim
Bounce Light: Soft Silver Rosco SS Flex
Bounce Light: Soft Silver Lamae
Bounce Light: Soft Silver Showcard
Bounce Light: Hard Silver Showcard
Bounce Light: Hard Silver Showcard Ricochet
Bounce Light: Hard and Soft Silver Reflector Board
Bounce Light: Gold Rosco Flex SS
Bounce Light: Gold Soft Showcard
Bounce Light: Gold Hard Showcard
Bounce Light: Hard and Soft Gold Reflector Board
Matching Practical Light with Colored Bounce Sources: Unbleached Muslin
Matching Practical Light with Colored Bounce Sources: Butcher Paper
Matching Practical Light with Colored Bounce Sources: Silver & Gold Lamae
DIY Lighting Techniques
DIY Home Depot Lights
How to Light with DIY Lights: Part 2
Building The Perfect Key Light: DIY
How to Color Correct DIY Metal Halide Fixtures
Color Correction Made Easy: Pt 1
Color Correction Made Easy: Pt 2
Live Color Grades and LUTs: DIT Tech Series
Advanced Color Grading: DIT Tech Series
FA Podcast EP 18: Color Grading and Workflows
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Why, How & When to Move the Camera
Camera Motion: Dolly
How To Use a Crane to Captivate Your Audience
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Green Screen Series: Lighting Your Subject
Camera Motion: Dolly and MoVi Combo
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Green Screen Series: Kino Flo Super Green Tubes
Green Screen Series: Lighting with Just Two Lights
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Softening your light source
Rosco Diffusion Series: Hanover Frost Brushed Silk and Light Opal
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Rosco Diffusion Series: Frost Diffusions
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Rosco Diffusion Series: Grid Cloths
Rosco Diffusion Series: Color Grid Cloths
Shaping and Controlling Light
Shaping & Controlling Light
Shaping Light & Shadow: How to Control Large Light Sources
Shaping Light & Shadow: Nailing The Close Up
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