The definitive tool box for image editing and photo based visual effects. Created by Academy Award-winning effects artists, Optics brings Hollywood film quality lighting and lens effects, curated film looks, and realistic particle creation tools to photographers. 174 unique filters and 1000’s of creative imaging presets in 10 categories: Color , Diffusion/Blurs , Film Lab , Grads/Tints , Image , Lens/Distort , Light , Render , Stylize , and new Particle Illusion.

ZBrush is the leading industry standard digital sculpting software. This update provides enhancements that will help you explore new workflows, including the ability to create high quality renders with the integration of Redshift. From Hard Surface modeling and Character Creation to World Building and Environment Design, ZBrush provides you with access to diverse workflows and limitless creative possibilities with ease.

VRGS (Virtual Reality Geological Studio) provides an integrated software solution to visualise, interpret and analyse 3D geological datasets of virtual outcrops. It enables users to import large datasets from Lidar and Structure from Motion (SfM)/photogrammetry, create and visualise ultra-high-resolution models in 3D in VR or desktop mode and deploy a comprehensive suite of analytical tools to describe and interpret key geological features such as bedding, faults and fractures.

F37 Bella Stencil Font 

OTF | 1 Font | SALE PAGE

Aire - Arousing Argentina Curves

OTF | 9 Fonts | JPEG Preview | 4.4 Mb RAR | Aire Font Family][SALE PAGE

• After his success with Reina, Sproviero comes out with this big family of 7 members: Each of them loaded with lots of sophisticated ligatures, alternates and the entire cyrillic alphabet. The overall impression that the font gives is lightness and delicateness; that’s the reason the designer chose to call it Aire, or Air, in English. "Aire was somehow having a rest from my fat face Reina [...] It started as a really thin style of Reina, but it rapidly migrated from it and grew up alone. And how it grew..." The inspiration came from his own past creations: “The heavy strokes of Reina were shouting for a more delicate thing. Something more feminine. More fragile. Something which had a lot of elegance and fresh air inside”. Aire responds to this: Sproviero found that many of the typefaces of nowadays which are used for headlines (best known as display fonts) have almost always just one, maybe two weight styles. This was his opportunity to try something new. Aire makes it easier for the user to generate different levels/layers of communication thanks to its variety of styles. With this font you can solve entire decorative pieces of design with just one font, and that was the aim of it. Aire was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results. On March of 2012, Aire was chosen to be part of the most important exhibition of typography in Latinoamerica: Tipos Latinos 2012. Aire is a family with many members. In total, the user can choose between almost 6,000 (!) glyphs (1,000 per style). Each member has variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted. Every decorative glyph has its weight adjusted to the style it belongs to. Exclusively for decoration, Aire Fleurons Pro is an open-type programmed set of ornaments. And last but not least, remember Aire is delicate. What’s my point? It is not recommended to activate all the alternates at the same time. It is typo-scientifically proved: A maximum of 3 or 4 alternates per word would be more than enough.

Subtitles: English, Spanish, French, Italian, Portuguese (Machine translation)

Motion design brings so much to the table when it comes to personality, user experience and storytelling. Today, every interface lives with motion and having this skill in your toolkit makes you a powerful creative asset.

In this class, we will learn how to choose the best animation process depending on the type of experience. From there, we will understand mandatory animation principles before we switch to hands-on After Effects demonstration. In this part, we’ll see how to bring life to your design through an animation system. It’s not only about grids and margins but also timing and emotions.

I’ll also show you what plugins to use to animate faster, and better as well as being able to hand over your animations to your dev team so you can be best buddies.