PF Stamps Pro Font Family $395

TTF | 6 Fonts | JPEG Preview | 2.84 Mb RAR | PF Stamps Pro Font Family

• PF Stamps covers a wide range of applications which require the stamp effect. This is a form of lettering which was very popular in the mid-twentieth century for product labeling. Special machinery was developed by mainly two companies, one in the United States and the other in Germany. This machinery produced paper die cuts which were later used as a base for the marking with a paintbrush. PF Stamps Paint was developed to simulate this type of lettering. Two other styles, Metal and Flex, have been very popular since its original release. The first one was developed from a metallic stamp imprint, whereas the second one with its slight 3-D look simulates letters stamped on plastic. To insure realistic results, uppercase letters are different from lowercase. This is very useful when two similar letters sit next to each other. There 3 more styles: Solid (the stencil in its regular clean form), Rough and the very interesting Blur. The all new “Pro” version comes to complete this series with what was missing: 93 matching frames and frames parts which will satisfy the most demanding designer. This is a bonus font which is available only with the purchase of the whole family. Use these frames “as is” at any size, or connect the frame parts to each other to create longer frames. Finally, this series supports more than hundred languages which are based on the Latin, Greek or Cyrillic scripts.

Fast Track UX Course: Become a Product Designer in Tech

https://fasttrackux.com/

Two main roadblocks to your dream UX/product design job, even with a degree or program certificate

Knockout Font Family $800

Verlag Font Family - 60 Fonts $1200
60 OTF Fonts | 2.1 MB RAR | Designed by Jonathan Hoefler | Sale Page

• From out of the six typefaces originally created for the Guggenheim Museum comes Verlag, a family of 30 sans serifs that brings a welcome eloquence to the can-do sensibility of pre-war Modernism. 

Verlag, the affable Modernist.

• Originally envisioned as a riff on the Guggenheim’s iconic Art Deco lettering, Verlag developed into its own family of versatile typefaces in order to suit the needs of a modern identity program. Because the fonts would ultimately represent a range of individual artistic voices — from Cézanne to Kandinsky to Matthew Barney — Verlag was carefully planned so that its distinct personality would be checked by a sense of objectivity. 
• From the rationalist geometric designs of the Bauhaus school, such as Futura (1927) and Erbar (1929), Verlag gets its crispness and its meticulous planning. Verlag’s “fairminded” quality is rooted in the newsier sans serifs designed for linecasting machines, such as Ludlow Tempo and Intertype Vogue (both 1930), both staples of the Midwestern newsroom for much of the century. But unlike any of its forbears, Verlag includes a comprehensive and complete range of styles: five weights, each in three different widths, each including the often-neglected companion italic.
• The Verlag typeface was designed by Jonathan Hoefler in 1995. A commission from the Solomon R. Guggenheim Museum, Verlag was designed as a reply to the iconic lettering on the facade of Frank Lloyd Wright’s 1959 masterwork at 1071 Fifth Avenue. A sans serif in the ‘geometric’ style, characterized by Euclidean proportions and a monolinear appearance, Verlag features the small lowercase and tall ascenders that were characteristic of the geometric typefaces associated with early Modernism.

Neue Aachen Pro Font Family

OTF + TTF | 18 Fonts | JPEG Preview | 1.74 Mb RAR | SALE PAGE

Impressed by the quality of the Aachen typeface that was originally designed for
Letraset in 1969 and extended to include Aachen Medium in 1977,
Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family.