Puremix - The wall of gear

https://www.puremix.com/library/tutorials/explained/the-wall-of-gear

Andrew and Fab address the "Wall of Doom" behind them and talk about the gear he used mixing Ziggy Marley entirely analog. Hear the history behind the gear that Andrew has collected throughout his illustrious career. Andrew discusses his transition away from analog mixing and why he now works exclusively in-the-box. Finally, the conversation turns away from gear and onto what really matters when mixing professional records. Watch Andrew’s All Analog Mix of Ziggy Marley

Puremix - The Revivalists "Wish I knew you"

https://www.puremix.com/library/tutorials/explained/the-revivalists-wish-i-knew-you

Formed in 2007, the Revivalists started an eight-year trek to the release of their record "Men Amongst Monsters", which landed them on Rolling Stone's list of "10 Bands You Need to Know". Ten years after forming, their single "Wish I Knew You" reached #1 on the Billboard Alternative Songs chart and was certified Platinum by the R.I.A.A. In this Puremix exclusive, Vance Powell revisits the multitrack and creates a fresh mix on his SSL console, breaking down every mix decision he makes while telling stories from the original production and mix.

Puremix - The Lumineers 'Angela'

https://www.puremix.com/library/tutorials/explained/the-lumineers-angela

• As one of the staples of the indie-folk genre, The Lumineers have seen the heights of the charts several times. In April of 2016, the band released the hit song “Angela”, with a meticulously crafted arrangement and sonic landscape.
• In this Puremix exclusive, Grammy award-winning engineer and mixer, Ryan Hewitt, goes inside the mix and deconstructs the song piece by piece, going further than simple mixing techniques to explain the effect that a great arrangement can have to build excitement and take the listener on a journey, from a simple guitar and vocal song to a full-blown orchestral climax.
• During this 2 hour video, Ryan explains how he:
• Achieved the iconic vocal sound that establishes a connection between the singer and the audience
• Created bass guitar tones that translate to small speakers
• Added forward-driving momentum to unique percussion tracks
• Creates contrast and scene changes as the song moves from section to section, all building up to an emotional finish
• This is your chance to sit next to Ryan Hewitt, and take a behind the scenes look at the creation of an indie folk smash hit.
• After you've seen the video, download the stems and mix it for yourself.

Master hard light in the studio! Join Frank Doorhof in his studio to learn what you can do with smaller light sources to create dynamic photographs with stunning shadows that are the hallmark of hard light. In this class you'll learn how to use reflectors, grids, flags, projectors, gobos, and more to light your subjects as creatively as your imagination allows. Frank wraps up the class with some retouching examples to demonstrate his approach to enhancing his photos to finalize his original vision.

"Lighting tools have evolved to a place where even small, hot shoe style flashes can be brought to bear in complex ways to create an entire scene that has nuance, color, depth, and dimension. Environmental portraiture and the idea of lighting an entire place was often regarded as the province of big flash. Not so anymore. In this session, our unique studio (formerly a bank) is transformed via small flash into a complex dramatic location photograph. Every person or situation that presents itself in front of the lens to photographers is unique and demands equally unique solutions and reactions at the camera. But often in the tumult of an actual assignment, there is no time to parse out the exact look of an umbrella, a softbox, or a beauty dish, or how all these can work together in concert. In this fast-paced session, we'll take light shaping tools, and work with the same face, in the same environment, and observe."

New to Macro? Not so new, but want a new way to approach it? Professional Fujifilm X-Photographer Karen Hutton shares her secrets to success. She’ll show you what lenses to use, what aperture is best, whether to use handheld or tripod, what to do if you’re stuck at home, how to use storytelling to make an amazing image, how to use natural light to your advantage, and the right lenses for the job. With her help you too can become “the Macro Whisperer”. That is, one whose photographs at first glance inform, but at second glance touches deeply, revealing the whisperings of Mother Nature herself—up close and personal.

Peter Coulson Photography - Stefania On The Streets

https://inspire.peter-coulson.com.au/workshops/photoshoots/stefania-on-the-streets

• The absolutely amazing Stefania and Peter teamed up a few weeks ago for a location shoot around the suburbs of Melbourne. Stef has such a glamourous, old school look, and we knew there was a lot of construction happening near Ringwood station – creating the perfect ‘yin & yang’ Peter is always striving for with his photography, based on a mix between Helmut Newton & Avadon fashion. In this tutorial, he explains selecting the location, getting expoure right with natural light (especially with a model wearing pure white), and the speed at which these two professials can work!

Peter Coulson Photography - Spaghetti At The Weston

https://inspire.peter-coulson.com.au/workshops/photoshoots/spaghetti-at-the-weston

Peter Coulson Photography - Social Media ???

https://inspire.peter-coulson.com.au/workshops/marketing/social-media-2

Peter’s previous tutorial about social media is quite old now and things have changed a lot with how we use the online world. This updated talk about Peter’s thoughts on social media goes through how he uses certain platforms and why he prefers some over others.

Mixinglight - Film Print Emulation: A Deep Dive Into The Filmbox OFX Plugin (for DaVinci Resolve)

https://mixinglight.com/color-grading-tutorials/fpe-part-4-filmbox-ml1143/

• In this series we started by defining Film Print Emulation (FPE) and using the default FPE LUTs built directly into DaVinci Resolve. In Part 2 we looked at a popular Power Grade product, based entirely on nodes (PixelTools). We shifted gears in Part 3 and used a well-regarded DCTL (by Paul Dore). In this Insight, we are shifting gears again and to take an in-depth look at a very popular, very well regarded OpenFX FPE plugin, Video Village’s Filmbox.

Mixinglight - Film Print Emulation: Paul Dore’s ACES DCTL Look Modification Transform (LMT)

https://mixinglight.com/color-grading-tutorials/fpe-part-3-paul-dore-aces-dctl-lmt/

Continuing our series on different film print emulation techniques and solutions, we examine color scientist Paul Dore’s Baldavenger GitHub FPE DCTL for use in an ACES grading environment with DaVinci Resolve (learn more about DCTLs in this introductory Insight). In this Insight you will quickly discover the differences between DCTLs and LUTs, the custom controls that DCTLs offer, and the flexibility the DCTL approach affords.

Mixinglight - Film Print Emulation – Breaking Down PixelTools ‘Film Lab PowerGrades’

https://mixinglight.com/color-grading-tutorials/fpe-part-2-pixeltools-film-lab/

• In the first episode of this series we examined Resolve’s built-in film print emulation (FPE) LUTs.  Now we’ll look at the PixelTools’ flexible ‘Film Lab Powergrades’, which builds a more fully-featured FPE pipeline around those stock DaVinci Resolve FPE LUTS. Film Lab PowerGrades includes additional nodes and operations for: Saturation and look enhancements, Adding grain and halation attributes, Enabling blur – mimicking the slightly unsharp look of theatrical film prints
• All of this is delivered in a pre-built node structure that’s logically organized and neatly arranged.  It’s an accessible FPE solution that doesn’t require any additional LUTs, DCTLs or OFX plugins. This premium PowerGrade package is designed to work with both the free and paid versions of any standard DaVinci Resolve installation.

Mattepaint - Winter Conversion Techniques

https://mattepaint.com/academy/tutorial/winter-conversion-techniques/

Learn the processes and techniques used in Visual Effects pipelines to convert images from any season into a winter look! Environment Supervisor and senior matte painter, Oleksiy Golovchenko, will show you through an overview of the steps taken to grade images to look like a winters day. He will also explain which parts of the plate to clean up, how to add snow and ice to the image and finally how to export your layers correctly as if you were working in a VFX pipeline!

Level: Intermediate Duration: 24m 21s Audio: English By: Oleksiy Golovchenko Category: Photoshop

Mattepaint - Window Lights At Night

https://mattepaint.com/academy/tutorial/window-lights-at-night/

Painting light in windows or in cities at night time might is a skill that all artists should understand and master. In this video we go through a few ways we can do this and look at the blending modes you should use. We also look at how the formations in the image effect the fall of the light and how respecting those formations creates a far more realistic result.

Mattepaint - Magic Beans Creating the Matte Painting

https://mattepaint.com/academy/tutorial/magic-beans-creating-the-matte-painting/

Ian takes us through the process of the paint over and starting to work towards creating the Matte Painting