TCF Diple Font Family - 14 Fonts $288

TCF Diple - 14 Fonts Family $400

OTF | WOFF | SALE PAGE

  • TCF Diple is a sans serif typeface, characterised by the presence of the hand. The letter shapes introduce soft and delicate curvilinear strokes and refined contrast, that contribute to a comfortable and pleasant reading.Available with seven weights and matching italics, TCF Diple comes with extended Latin language support, and multiple options for the numerals available through the OpenType features.

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FHA Broken Gothic Font Family 13 Font $78

FHA Broken Gothic - 13 Fonts Family $78

13 Fonts | OTF | WOFF | SALE PAGE[/center]

  • Espectro is a fabulous font full of swashes and alternates.Its free strokes give to your work a special feeling doing it very expressive and mysterious. Try the Open type version if you want to access to all its wonderful possibilities.Espectro has also a set of 26 related dingbats.

 

 


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Darjeeling Font Family 3 Fonts $60

Darjeeling - 3 Fonts Family $50

OTF | WOFF | 1 MB | SALE PAGE

  • Darjeeling combines British Elegance and Indian Flavor. It is flared like Optima, with a scent of Bodoni. By layering “Regular” and “Ornaments” over each other you will create astounding pieces of colorful typography. Additionally there is “Regnaments” which combines the two other styles.Darjeeling is great as a display font, but also perfectly legible at text sizes. Use the ornaments only to add spice to Your design.Make sure to use applications supporting all these lavish OpenType features like small caps, various sets of figures, fractions and the 102 discretionary ligatures.

 


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Foro Sans Font Family 16xOTF

Foro Sans - 16 Fonts Family $198

16 Fonts | OTF | TTF | SALE PAGE

  • Foro Sans is the matching friend of the popular Foro family (Foro and Foro Rounded). It comes with the same number of styles and the form displays the same characteristic features. Foro Sans consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

 


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Latin CT Font Family 6xOTF

Latin CT - 6 Fonts Family $199

6 Fonts |  OTF | WOFF | 2.1 MB | SALE PAGE

  • The Latin family of typefaces, first popular in the last half of the nineteenth century, is characterized by its large, sharp, triangular serifs.With six widths (from Extra Condensed to Wide), Latin CT offers the most extensive collection of Latin fonts available, each with a large character set that includes support for all European languages including those that use the Cyrillic alphabet.From the sleek elegance of Latin CT Extra Condensed to the brash boldness of Latin CT Wide, you will find a width to fit your contemporary typographic needs.

 


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Rama Slab Font Family 18xOTF

Rama Slab - 18 Fonts Family $100

18 Fonts | OTF | TTF | Previews | SALE PAGE

  • Rama Slab is an antiqued slab serif typeface inspired by 19th-century wood type.
  • Each glyph is meticulously crafted to evoke the retro charm and nostalgic feel of the era.
  • This condensed font family includes 18 styles, making it an ideal choice for posters, titles, and any design that demands a bold, impactful presence.
  • Additionally, the letter “r” features an alternate glyph, accessible via the OpenType salt (stylistic alternates) feature, offering even more typographic flexibility.

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Fair Sans Text Font Family 8xOTF

Fair Sans Text - 8 Fonts Family $100

8 Fonts | OTF | WOFF | Previews | RAR 1 MB | SALE PAGE

  • Fair Sans Text is the natural follow-up to the popular Fair Sans - now a text family based on the calligraphic structure and casual construction of its predecessor. As the name implies, Fair Sans Text has proportions for longer text settings, strong headlines, and everything in between. Lively and casual, FST is four weights with true italics. Also included are small caps, old style and tabular numerals, and multi-language glyphs.

 


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Vetteletters Bundle - 25 Typesets, 89xTTF

Vetteletters Bundle

25 Typesets, 89 Fonts $1.352

89 TTF | +Previews | RAR 8.4 MB | SALE PAGEHOME PAGE

BEATBOX | BLEEK | BON BON | BRAK | CLEAVER | DBXLZX | DECKS | GAUFRE
HOLLANDSCHE NIEUWE | IRISH STEW | KIMCHI | KNOFFEL | MELK | TPBARPACO

VONDELPARK | WASABI | BOULANGERIE | BREAKZ | BROKKEN | DONUTS
NEUE SARDINES | SPAGHETTI BOLOGNESE | TP KURIER | TP MARTINI


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Waldorf Pro Font Family - 13 Fonts for $360

Waldorf Pro - 13 Fonts Family $360

OTF | 13 Fonts | +Preview | 2.1 Mb RAR | SALE PAGE

The Waldorf Pro Font Family was designed by Gustavs Andrejs Grinbergs and published by Tilde.
Waldorf Pro contains 13 styles and family package options.


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Leksa Sans Font Family - 14 Fonts for $540

OTF | 14 Fonts | +Preview | 1.9 Mb RAR | SALE PAGE

  • Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extralight to Black). Designed as a sans-serif companion for Leksa, Leksa Sans works perfectly either with it or alone. It is suitable both for text setting and for short inscriptions. One of the main features of the typeface is its professionally-designed Cyrillic which (together with serif companion Leksa) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

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Montserrat Sans Serif - 36xOTF & 2xTTF Variable

Montserrat Sans Serif by Julieta Ulanovsky

2 Typefaces, 36 Styles & 2 Variable Fonts

38 Fonts | OTF | TTF Variable | +Previews | RAR 4 MB

  • Montserrat Font is versatile and modernly designed, so it has easily been the voice and grown famous for its cleanliness and geometric design. Montserrat was done by Julieta Ulanovsky, who was motivated to develop the font after thinking of the Montserrat neighborhood in Buenos Aires. This suit is entirely appropriate for most design project demands that range from branding to editorial. 

 


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Purple Line - 6 Fonts Family $49

OTF | 6 Fonts | +Preview | 3.3 Mb RAR | SALE PAGE


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Foverdis Font Family - 6 Fonts for $72

OTF | 6 Fonts | +Preview | 3.4 Mb RAR | Foverdis Font Family

  • Foverdis is a versatile and powerful ornate script face. Foverdis features flowing hand lettering with tall and graceful ascenders. The face offers a wide array of weights, from the powerful Black weight to the graceful Thin to unique Hairline. Foverdis can get the job done for many unique design tasks. Its wide range of weights at a great price, and OpenType alternates make it a very valuable font for your design toolbox. Foverdis OpenType features include a set of non-connecting alternates, 20 ligatures, and two types of ending letterforms. OpenType features include ornaments, a full set of swashes, swash endings, ending contextual alternates, discretionary ligatures, ligatures and twelve different stylistic sets filled with alternates. In total, there are over 150 alternate letterforms and ornaments. Please see the sample .pdf to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Foverdis is great for a professional designer that wants to maximize design capabilities.

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Montio Font Family - 4 Fonts for $99

Montio - 4 Fonts Family $99

OTF | 4 Fonts | +Preview | 1 Mb RAR | SALE PAGE

Montio is a simple Humanist sans serif typeface with rounded corners.
It’s a family of 4 fonts: 2 weights and their italics.


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Built Font Family 10xOTF

Built Font Family - 10 Fonts for $170

OTF | 10 Fonts | +Preview | 1.1 Mb RAR | SALE PAGE

  • Built has one job: making solid, compact headlines onscreen. Designed with trust and neutrality in mind, Built’s wraparound shapes speak your headlines in newsy voice. Subtle curls conjure a feeling of a different news era while not coming across as particularly old-fashioned. The Built family comes in five weights, from extra-light to bold. But not your typical thin to fat linear range. When you’re designing for the screen, there are practical limitations with light fonts. These days, with variable resolutions and screen sizes, going lighter means going bigger. Much bigger. And it’s no fun if your words end up falling off the line. Built actually gets narrower as it gets lighter. Now you can can scale way up and still have room to spare. Set attractive, oversized page titles without worrying if the words will fit. Tabular (monospace) numerals are handy when you have lists of numbers to align. In headlines, tabular numerals don’t look so hot–and they waste space. Lots of fonts let you choose between proportional and tabular numerals. OpenType technology lets designers access different types of numerals, but implementing OpenType features on the web isn’t fun–it’s not always practical. Built has a simple solution: if you turn off hinting, numerals, monetary symbols and most math symbols line up. Easy. Built has fractions, primes, numeric ordinals, compact accents, the Indian rupee and the Turkish lira. As Built loses weight, its asterisk sprouts more legs, retaining it’s presence even in Extra-Light. The italics are squeezed thin and loosened up on the sides, creating cool emphasis that’s more than just a slant. Built is available in Extra-Light, Light, Regular, Semi-Bold and Bold plus italics.

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ABTS Oklahoma - 4 Fonts Family $72

OTF | TTF | 4 Fonts | +Preview | 1 Mb RAR | ABTS Oklahoma Font Family

The ABTS Oklahoma Font Family was designed by Jay Hilgert and published by Albatross.
ABTS Oklahoma contains 4 styles.


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Directors Cut Pro 6xOTF

Directors Cut Pro - 6 Fonts for $169

OTF | 6 Fonts | +Preview | SALE PAGE

  • Directors Cut Pro is a compelling new font series designed by Alex Kaczun. It recently won the second place—a commendation in the Canberra Typeface Competition. This handsome Geometric Antique serif design is based on the early 19-century Moderns and Scotch styles, infused with the warm charm of traditional antique, added for interest. Capturing the best of both ages: it’s warm, comforting and persuasive. Directors Cut Pro’s graceful aspects naturally invite uses at large sizes, for which we have created a stunning and elegant lighter weight. But, this workhorse typeface series incorporates a solid regular weight, along with its italic—ideal for a multitude of text purposes, at varying point sizes. A robust Bold weight is available for headlines and emphasis. Director Cut Pro comes with proportional as well as tabular lining figures for quickly setting up charts and tables. It also contains an extended character set—including most Central European languages. Alex Kaczun is in the process of expanding this typeface series to include additional weights, styles and proportions. Stay tuned! The large Pro font character set supports most Central European and many Eastern European languages.

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Swift 2.0 Cyrillic - 8 Fonts Family $640

OTF | 8 Fonts | +Preview | 1 Mb RAR | SALE PAGE

  • Gerard Unger developed this newspaper font between 1984 and 1987 for Dr.-Ing. Rudolf Hell GmbH, Kiel. He was mainly influenced by William A. Dwiggins (1880-1956), the typographic consultant of Mergenthaler Linotype, who started to develop more legible, alternative fonts for newspaper printing as early as 1930. Swift was named after the fast flying bird. Austere and concise, firm and original, Swift is suited for almost any purpose. Swift has been specially developed to sustain a maximum of quality and readability when used in unfavorable print and display processes, e.g. newspapers, laser printing and low resolution screens. Its robust, yet elegant serifs and its large x-height provide an undeniable distinction to the typeface, making it suitable for corporate ID and advertising purposes as well. Swift 2.0 family was designed in 1995. It’s an improved version with technical and aesthetic enhancements and new family members. The Cyrillic version was developed for ParaType in 2003 by Tagir Safayev. Please note that this family includes only basic latin characters; it does not include accented characters required for western and central Europe.

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Francker Font Family 18xOTF

Francker Font Family - 18 Fonts for $420

OTF | 9 Fonts | +Preview | 0.8 Mb RAR | SALE PAGE

  • Francker is a sans-serif, based on clean and simple design principles that betray its Danish origin. Its curves are based on the “super ellipse”, a mathematical shape about half-way between an ellipse and a rectangle. Francker’s lowercase lettershapes a, b, n, and u, have no spurs, emphasizing the simplicity of their construction. The Francker family is available in two widths, normal and condensed, each in nine weights, from extra light to extra black. Use Francker for signage, posters, magazines, advertisements, or corporate identity projects—wherever an industrial, contemporary look is needed. The Francker type was developed and designed by Anders Francker, an engineer and designer living in Denmark.

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Armada - 15 Fonts Family $450

OTF | 16 Fonts | +Preview | 6.5 Mb RAR | SALE PAGE

  • Tobias Frere-Jones began Armada in 1987. An experiment in algorithmic design, Armada follows the verticals and flat arches so often to be found in the architectural geometry of cast iron and brickwork in nineteenth-century American cityscapes. All of the weights and widths of Armada were drawn by Frere-Jones, offering a full display series of remarkable richness, all variations in a truly architectural theme and discipline. Among other uses, Armada is recommended for Magazine and Corporate use.

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Courier Font Family - 4 Fonts for $104

Courier - 4 Fonts Family $104

OTF | 4 Fonts | +Preview | 1.4 Mb RAR | SALE PAGE

  • Courier is a monospaced typeface for use in tabular material, technical documentation, and word processing. It was designed in the mid-1900s by Howard Kettler of IBM as a typewriter face, and was later redrawn by Adrian Frutiger for the IBM Selectric series.

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Marian Font Family - 18 Fonts for $600

Marian Font Family - 18 Fonts for $600

OTF | 18 Fonts | +Preview | 3 Mb RAR | SALE PAGE

  • Marian imagines the classics of the typographic canon reinvented for the contemporary world: Garamond, Granjon, van den Keere, Kiš, Fleischmann, Fournier, Baskerville, Bodoni and Austin restyled and revived. These aren’t strict revivals, for they are not accurate recreations, nor are they interpretations per se. Instead they reduce the historical models to their basic skeletal forms. Nine serrifed typefaces and one Blackletter reduced to their basic structure. This reduction strips them to their core, whilst at the same time retaining the life and spirit of the letters.

 


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Farnham Font Family - 42 Fonts for $625

Farnham - 42 Fonts Family $625

OTF | 42 Fonts | +Preview | SALE PAGE

  • German-born punchcutter Johann Fleischman, contemporary of Baskerville and Fournier, worked at the Enschede Foundry in Haarlem. Expert in advanced tools and the qualities of fine steel, he pushed beyond the frontiers of his time, cutting active typefaces famous worldwide for their “sparkle.” Christian Schwartz focused on Fleischman’s exuberant angularity, carrying it to all weights of his new Farnham series. Among other uses, Farnham is recommended for Newspaper, Magazine, Book and Corporate use.

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Vox Round Font Family - 20 Fonts for $200

Vox Round Font Family - 20 Fonts for $200

OTF | 20 Fonts | +Preview | 4.7 Mb RAR | SALE PAGE

  • Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.

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