https://www.udemy.com/course/capcut-advanced-editing/

https://www.patreon.com/posts/rough-cut-dune-102488152

Here is a rough cut of a new video coming to the channel. I examine a key scene in "Dune" that showcases some of Joe Walker's finest editing.   He won an Oscar for his editing in Part One, partially because he is a master at respecting the take, the performances, and ultimately the audience by knowing when not to cut.

https://www.patreon.com/posts/rough-cut-of-fx-108125610

• Here is a full-length rough cut of the upcoming video. This is the version that I get from one of my editors. I then take their project (Final Cut Pro library) and start putting my final touches on it.   So here you get to see the version of the video that is longer and hasn't yet had any of my tweaks incorporated. Compare this version with the final one on the channel to see how our videos tend to evolve.

This Guy Edits - How Nolan Opens and Closes His Films

https://www.patreon.com/posts/bonus-how-nolan-111232738

• An exclusive look at ALL of Christopher Nolan's films, specifically his opening and closing shots. Is there a pattern? Can we learn something about storytelling from arguably the greatest living director and his consistent effort to make us feel like the character?   I spent weeks rewatching every one of his films, and this video shows my findings...

MixingLight - Runway AI – What Can It Do And Will It Take Over Our Jobs?

https://mixinglight.com/color-grading-tutorials/overview-runway-ai-video-image-tools/

Are AI tools taking over our world? Tour some of RunwayML’s 'AI Magic Tools' and see if the results match the hype and can replace a pro.

MixingLight - Skill Up: Fusion-Photoshop Painting/Cleaning Workflow – Part 2

https://mixinglight.com/color-grading-tutorials/raster-painting-compositing-davinci-fusion-photoshop-part-2/

VFX artist Bernd Klimm continues his Photoshop to Fusion workflow with tips and tricks for removing an object using painting techniques.

https://www.patreon.com/posts/talk-what-every-113169265

• In this episode of Creator Crews, Editor Sven Pape (@ThisGuyEdits) brings in a video by @EveryFrameAPainting‬ to chat with Edward Vega (@Vox Video Producer) and Michael Tucker (@LessonsFromTheScreenplay).

https://www.patreon.com/c/thisguyedits/posts

• Go from aimless cutting to carving your path as a working film editor.  I spent all day yesterday refining our webinar to give you clear, concise insights on how coaching should help you navigate the film industry.

https://www.domestika.org/en/courses/243-color-grading-with-davinci-resolve

Learn how to use color grading to evoke emotions in an audiovisual project

There's something magical about a colorist's role in an audiovisual production process. It's all about harnessing the expressive possibilities of color to generate sensations in the viewer. Color grading artist Sonia Abellán is here to teach you how to edit your own videos using DaVinci Resolve and show you how to make the most of the options offered by this software.  In this online course, learn to work on audiovisual color correction and grading to give a sense of continuity and harmony to sequences shot with different cameras, lighting conditions, etc. Discover how to make it look like different shots have been filmed in the same place without the viewer realizing. Above all, explore the world of possibilities that color offers when it comes to conveying emotions.

This Guy Edits - Watch Me Give Notes on an Edit/AI Editing

https://www.patreon.com/posts/watch-me-give-on-122939949

• This is an exclusive look at one of our office hours within the Go-To Editor course. We start off with reviewing a scene cut by one of the students, and then we go into an assessment of an AI editing tool that lets you create rough cuts.

Filmmakers Academy - Ultimate LUT Master Pack

https://watch.filmmakersacademy.com/programs/collection-5cmesffkopy

Ultimate LUT Master Pack deals you with the ideal set of Lookup Tables (LUTs) to get an idea of what the final look of your project will look like. For example, it’ll help you define the mood and tone as well as how it stands out from others of its kind. Our Master bundle of LUTs will take your RAW files and infuse in them a specific look that will certainly immerse your audience. The LUTs available are compatible with RED Gemini, RED Weapon, RED Dragon DSMC 1, Arri Alexa, Canon C300, and C500. 

Confidently Create Viral Reels, Shorts & YouTube Videos Using Adobe Premiere Pro and AE—Even If You’re Starting From 0

Filmmakers Academy - Cinematography Starter and Advanced Kit

https://watch.filmmakersacademy.com/programs/cinematography-starter-and-advanced-kit

• 29 Lessons | 6.5+ hours of instructional videos | 7 Podcasts
• Detailed written breakdowns | Director’s treatments | Top-down sun paths | Blocking & Lighting schematics | Shot lists | Storyboards | Side-by-side comparisons  
• The toughest part about being an aspiring filmmaker, let alone a cinematographer, is figuring out where to start. The Cinematography Starter Kit takes what Shane Hurlbut, ASC accumulated in his 30+ year career and breaks it down for beginners. 
• In this Starter Kit, you’ll learn industry-standard terminology, uncover the dynamics of leadership, and find what it takes to thrive in the business. This masterclass doesn’t only teach you the how, but the why. Discover pre-production planning, must-have tools for your kit, and how to expose properly, as well as how to understand lighting quality, quantity, and placement.

Filmmakers Academy - Camera Movement

https://watch.filmmakersacademy.com/programs/camera-movement

• Camera Movement is designed to deliver energy and emotion to your storytelling vision! Learn about camera placement for lighting, blocking, matching, and transition shots. Through a variety of in-depth tutorials and practical techniques, Shane Hurlbut, ASC helps you understand the how, why, and when of camera movement.
• It often takes a team to move the camera in a way that creates, for example, foreshadowing or a reveal. Go behind the scenes for a closer look at the equipment and judgment Shane and his team use for mounting cameras while using dollies, cranes, drones, and the MoVi.
• Shane demonstrates blocking, coverage, continuity, transitions, seamless shots, POV shots, camera placement, and lighting for movement. 
• Understanding motivation and using camera motion as a tool in storytelling is very powerful.
• Camera Dynamics was constructed in a way to give you an understanding of the use of movement and how it evokes and supports character emotion. As the course progresses, we take a deeper look at the tools Shane applied for the motivation behind camera movement, followed by a detailed analysis of how he used camera dynamics in many of his films.

MixingLight - How To ‘Trace’ a LUT’s Contrast Curve By Hand

https://mixinglight.com/color-grading-tutorials/rebuilding-contrast-curve-ml1108/

Learn how to use Layer Mixer nodes to recreate a LUT's contrast curve for further creative manipulation in Part 6 of the Visual Math series.

MixingLight - Creative Look Inspiration – ‘Asteroid City’

https://mixinglight.com/color-grading-tutorials/recreating-asteroid-city-look-in-davinci-resolve/

Build a low-contrast, targeted saturation look inspired by Wes Anderson’s 'Asteroid City', by learning how to evaluate the production stills.

https://www.domestika.org/en/courses/676-introduction-to-davinci-resolve-for-color-correction

• Ready to explore the industry-leading software for adding a specific style of color, brightness, and contrast to your audiovisual pieces? Juanmi Cristóbal—founder of the production company Fourminds—is prepared to guide you through the ins and outs of DaVinci Resolve and help you do just that.  Get started by learning what color grading is and how it can enhance your work before taking your first steps with DaVinci Resolve. Explore and configure the interface and discover the process of exporting your projects from a video editing program.  In the second course, dive into primary corrections—those that are applied to the entire image—and automatic corrections. Then, learn how to optimize brightness and color balance and work on both neutral and your own style of grading.  Next, move on to applying secondary corrections, which are those that are applied to specific areas of the image. Learn to use specific colors and inverted nodes before progressing to Power Windows and tracking.  Once you’re familiar with the tools, go hands-on with the most creative tools used for color grading. In this course, expand your knowledge of black-and-white shots, bleach bypass and stabilization effects, noise reduction, and other useful resources for your audiovisual projects before working with the Magic Bullet Looks plug-in.

https://www.udemy.com/course/final-cut-pro-x-unlocked-from-newbie-to-pro-editor-in-hours/

MixingLight - Ideas For Using The Resolve 18.5 Relight Effect

https://mixinglight.com/color-grading-tutorials/relight-resolvefx-fixed-node-tree/