Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$
Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$


About

  • The filmmakers who thrive in the industry are those who are experts in multiple disciplines. Curated by Shane Hurlbut, ASC, each lesson will serve as an important destination in a roadmap designed to prepare you for success across the commercial, web, corporate, and narrative spaces. 
  • In this Career Path, you’ll discover on set etiquette and protocols plus commercial prep and theory with case studies from Cheerios, Prudential, Toyota, Trane, US Cellular, and Case IH, among other brands. Then, we switch gears into lensing, lighting in many different environments along with shaping and controlling light.
  • We cap this pathway off with an exploration of creative relationships, an introspective of camera movement and motivation, followed by lenses and composition.

 

 

Producing

The Art of Producing - Intro

The Art of Producing places you inside the mind of award-winning producer Jamee Ranta.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

The Art & Business of Producing: Part 1

Jamee Ranta explains the storytelling process from a producer’s perspective and how filmmaking breaks down as a multi-faceted art form.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Producing: Team Communication: Part 2

In Part 2, Jamee Ranta explores the finer details of communication and provides some tips and solutions for when challenges arise.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Film & TV Production Team Roles & Responsibilities: Part 3

In Part 3, Jamee Ranta describes the many filmmakers that make up the production team and highlights their responsibilities.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Producing: Bid, Budget, Insurance, Contracts & Safety: Part 4

Jamee Ranta details the responsibilities handled by the production team, including legal, financial, and safety duties and procedures.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Producing: How To Communicate and Negotiate: Part 5

Jamee Ranta discusses how to communicate with the client, manage expectations with the director, and work effectively with department heads.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

FTF, S1 EP.16 I Producer Jamee Ranta

Jamee Ranta gives advice to producers and reveals what she learned in her latest music video ‘Candy Necklace’ with Lana Del Ray.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Commercial Directing

What is a Commercial Director?: Part 1

In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses what exactly is a commercial director. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Why Does a Director Take a Job?: Part 3

In this edition of the Commercial Directing Master Class, Director Jordan Brady explores why a director takes a job. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How Does the Director Get Hired?: Part 4

In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses how the director gets hired. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Directing Pre-Production: Part 5

In this edition of the Commercial Directing Master Class, Director Jordan Brady examines how a commercial director approaches pre-production

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Casting with the Brady Method: Part 6

In this edition of the Commercial Directing Master Class, Director Jordan Brady shares his approach to casting using his self-dubbed "Brady

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Run Your Tech Scout: Part 7

In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses how he conducts his Tech Scouts for commercials. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Pre-Production Meeting: Part 8

Commercial Director Jordan Brady discusses how he works with the agency and the client during the pre-production meeting.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Directing Night Before Shoot: Part 9

Commercial Director Jordan Brady  describes the routine that he follows the night before a commercial shoot.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Directing Rules of Engagement On Set: Part 10

Jordan Brady discusses the etiquette to use on a commercial set.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Plan Your Shoot Day: Part 11

Commercial Director Jordan Brady explains how to plan your shoot day for success!

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How I Work with My Film Crew: Part 12

In this edition of the Commercial Directing Master Class, Director Jordan Brady reveals how he works with his film crew.  

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Respect Chain of Command: Part 13

In this edition of the Commercial Directing Master Class, Director Jordan Brady explains why to respect the chain of command. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How I Work with Actors: Part 14

Discover how commercial director Jordan Brady works with actors.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Overdeliver: Part 15

In this edition of the Commercial Directing Master Class, Director Jordan Brady explains why you should always underpromise and overdeliver.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Put Yourself in a Box I Commercial Directing with Jordan Brady

Director Jordan Brady sits down and explains the benefits of marketing yourself as a commercial director within a box.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Case Studies: Century 21

How a Director Preps a Commercial: Century 21

Shane Hurlbut, ASC discusses his time working with director Greg Popp on their Century 21 commercial and how they prepare with limited time.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Case Studies: Toyota

Concussion Protocol PAT BTS Masterclass Only: Part 22

Commercial Director Jordan Brady shares some BTS from the spot, Concussion Protocol. 

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Case Studies: Trane

How to Prep a Commercial: Trane | Part 1

In this lesson, Shane Hurlbut, ASC and his team take you through the process of setting up the right shots for your story.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Plan, Plot and Shot List a Commercial: Trane | Part 2

In this lesson, Shane Hurlbut, ASC guides you through how to plan, plot, and shoot a commercial, using the spot Trane as a case study.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Case Studies: US Cellular

Commercial Directing: The Secret Behind Successful Treatments

In this lesson, Shane Hurlbut, ASC explores the secret behind a successful treatment.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Directing: How to Successfully Pitch a Location

In this lesson, Shane Hurlbut, ASC reveals how to successfully pitch a location to the client as a commercial director.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Directing: Ways to Optimize Efficiency

In this lesson, Shane Hurlbut, ASC explores ways to optimize efficiency as a commercial director.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Directing: The Keys to Getting Hired

In this lesson, Shane Hurlbut, ASC reveals the keys to getting hired over and over again as a commercial director.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Case Studies: Cherrios

Commercial Directing: From Concept to Creation

In this audio lesson, DP Shane Hurlbut, ASC takes you through the process of commercial directing, referencing a spot he did for Cheerios.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Achieve the Commercial Director's Vision

Shane Hurlbut, ASC takes you through the production of a Cheerios and Nascar cross-promotional advertisement.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Case Studies: Case IH

How to Build Your Treatment and Get the Job: Commercial Directing

Shane Hurlbut, ASC discusses how to build a treatment as a commercial director.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How To Prep For The Agency Phone Call: Commercial Directing

In this lesson, Shane Hurlbut, ASC explores how to prep for the agency phone call with the agency.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How To Prep for the Pre Prod Meeting: Commercial Directing

Shane Hurlbut, ASC demonstrates how to prep for the pre-production meeting, using the 'Grain' spot as a case study.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Delivering the Vision on Shoot Day: Commercial Directing

In this lesson, DP Shane Hurlbut, ASC demonstrates how to deliver the vision on the shoot day, using the 'Grain' commercial spot as a case s

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Shooting

How To Train Your Eye

In this lesson, director of photography Shane Hurlbut, ASC instructs you on how to train your eye to light. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Understanding Your Light Meter: The Basics

Shane reveals in this lesson exactly why you need a light meter.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Understanding Your Color Meter: The Basics

Painting with light has become something of a mantra for us, and your color meter helps you master the art of light.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Key Light: Where, When and Why: Illumination Experience

Shane shows you how moving the key light around the subject even just a few degrees can dramatically change the feeling of your shot.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Top Light: Where, When and Why

DP Shane Hurlbut, ASC explores top lighting and how he used it on the movie, The Greatest Game Ever Played. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Module 4 – Back Light: Where, What, When, Why & How

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Fill Light: Where, When and Why: Illumination Experience

DP Shane Hurlbut, ASC takes you through his method for determining where and when to use fill light.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Prep Narrative Storytelling: Illumination Experience

Shane Hurlbut, ASC shares techniques that will enhance the mood and performances on screen and unite your crew under a single vision.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How To Rehearse, Block, Light and Shoot a Scene: Illumination Experience

DP Shane Hurlbut, ASC demonstrates how to rehearse, light, block and shoot a scene, using the movie, Crazy/Beautiful as a case study.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Storytelling Through Composition I

DP Shane Hurlbut, ASC explains camera composition while taking you through classic shots before discussing breaking the rules. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Storytelling Through Composition II

In this lesson, DP Shane Hurlbut, ASC continues to analyze shots and the nuances behind them. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How Focal Lengths Make Your Audience Feel

Shane Hurlbut outlines his favorite lenses, showcases the Canon L series performance, and reviews examples of lens language.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Choose the Right Focal Lengths

Cinematographer Shane Hurlbut, ASC breaks down focal lengths and explains how to consider them to enhance your storytelling.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Day Exterior Concepts

How To Location Scout Using the Path of The Sun

In this lesson, director of photography Shane Hurlbut, ASC takes you through scouting locations outdoors and using the path of the sun. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Walk and Talks

In this lesson, Director of Photography Shane Hurlbut, ASC demonstrates how to light Walk and Talks outside in the sunlight.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How To Shape Natural Light with Negative Fill

Shane Hurlbut, ASC demonstrates how he shot the actors talking as they place the saddle down on the saw horse.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Change the Direction of The Sun for Close-Ups

In this lesson, DP Shane Hurlbut, ASC demonstrates how to change the direction of the sun for close-up shots. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How To Shape High Sun with Artificial Light On Close-Ups

In this lesson, DP Shane Hurlbut, ASC demonstrates how to make a beautiful close-up using the power of the Arri M40 light.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How To Use Available Light For Interviews

DP Shane Hurlbut, ASC demonstrates how to light in a daylight scenario so that the light ratios of the background and talent are balanced. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Finding Locations That Light Themselves

In this lesson, DP Shane Hurlbut, ASC leads you through a location scout for a scene using the natural environment of a location to block.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Day Interior Concepts

How to Light Day Interiors: Location Scouting

In How To Light Day Interiors, director of photography Shane Hurlbut, ASC guides you through the location scout for day interiors. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Day Interiors: Part 1

Shane Hurlbut, ASC demonstrates how to add haze, finesse floodlights to create beautiful key light, and make adjustments to the color temp.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Day Interiors: Part 2

In this lesson, DP Shane Hurlbut, ASC reveals how he used DIY lights in commercial production to light both minimalistic and affordably.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Day Interiors: Part 3

Learn how to get the right color temperature with gels to get beautiful color separation, and learn about lighting ratios and IRE values.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Day Interiors: Part 4

Shane Hurlbut, ASC and his team dial in the lighting setup and make their final changes, removing unwanted light, finalizing the frame, etc.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Lighting Day Interior with No Lights: Part 1

In this lesson, Director of Photography Shane Hurlbut, ASC takes you through the process of lighting day interiors with only natural light.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Controlling the Sun for Available Light Shoots: Part 3

Shane Hurlbut, ASC picks up where he left off in Part 2 and demonstrates how to control sunlight by shaping and manicuring light. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Hollywood-Style with Lights: Part 4

Shane Hurlbut, ASC picks up where he left off in Part 3 and demonstrates how to re-light the scene with artificial light, Hollywood-style.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How To Light an Interview with 4 Lekolites

In this lesson, DP Shane Hurlbut, ASC demystifies the misconception of Lekolites and how they serve as a formidable interview light.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Night Interior Concepts

How to Recreate Moonlight with Hard Shadows

In this lesson, Shane Hurlbut, ASC demonstrates how to recreate moonlight and use hard shadows in a night scene. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Moonlight Exposure and Light Principles: Less Is More

In this lesson, Shane Hurlbut, ASC brings in the actors and blocks the night scene as they continue to make tweaks to the lighting.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Night Interiors: Part 1

In the first part of How To Light Night Interiors, cinematographer Shane Hurlbut, ASC demonstrates how to begin the process...

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Night Interiors: Part 2

Shane Hurlbut, ASC takes you through how to light night interiors as he works with practical lights, moonlight, and urban sources.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Night Interiors: Part 3

In this lesson, Shane Hurlbut, ASC and his team recreate urban lights flooding in through the exterior to the interior.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Night Exterior Concepts

How to Light Night Exteriors with Blue Tones: Part 1 - Location Scout

In How To Light Night Exteriors with Blue Tones: Part 1, director of photography Shane Hurlbut, ASC takes you through the location scout.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Night Exteriors with Blue Tones: The Build

In the next part of How To Light Night Exteriors with Blue Tones, Director of Photography Shane Hurlbut, ASC takes you through the build.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Night Exteriors with Blue Tones: Pt 3 - The Execution Pt 2

Shane Hurlbut, ASC shows how to light night exteriors with blue tones.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Night Exteriors with Gray Tones: Part 1

In the first part of a three part series, DP Shane Hurlbut, ASC demonstrates how to light night exteriors with gray tones. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Night Exteriors with Gray Tones: Part 2

In the second part of a three-part series, DP Shane Hurlbut, ASC demonstrates how to light night exteriors with gray tones. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

How to Light Night Exteriors with Gray Tones: Part 3

DP Shane Hurlbut, ASC demonstrates how to light night exteriors with gray tones. So far, they set up the simulated moonlight and fill light.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

What Lights to Use

1000w Mole-Richardson Baby Baby Fresnel

6+ Minutes of Video Instruction on the 1000w Mole-Richardson Baby Baby Fresnel

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

1000w Mole-Richardson 407 Keg Baby Fresnel

7 Minutes of Instruction on the 1000w Mole-Richardson 407 Keg Baby

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

750w Open Face Arrilite

7 Minutes of Video Instruction on the 750w Open Face Arrilite

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

2000w Open Face Arrilite

6 Minutes of Instructional Video of the 2000w Open Face Arrilite

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

150w Dedo Light

In this lesson, Shane Hurlbut, ASC takes you through the kit and where you’ll get the most out of these lights.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

ETC Leko Light

In this lesson, Shane Hurlbut, ASC takes you through a theatrical light, the ETC Leko Tungsten light.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Kino Flo Fluorescents

In this lesson, DP Shane Hurlbut, ASC is joined by gaffer Eric Forand for an in-depth look into Kino Flo Fluorescents.  

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Kino Flo Tegra

9 Minutes of Instructional Video on the Kino Flo Tegra

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Kino Flo Celeb 200 & 400

In Kino Flo Celeb 201 & 401, Shane Hurlbut, ASC and Gaffer Eric Forand examine the light and its purpose in production.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Kino Flo LED Select

In Kino Flo Selects, DP Shane Hurlbut, ASC and Gaffer Eric Forand examine the light and its purpose in production.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Cineo HS2 & HSX

Learn about the different uses of the Cineo HS2 and HSX.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Arri Skypanel S60

8+ Minutes of Video lesson on the Arri LED Skypanel S60

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Chimera Pancake

In this lesson, Shane Hurlbut, ASC examines Chimera Pancake lights and their purpose in production.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Controlling & Shaping Light: Chimera Softbank

In Chimera Softbank Lights, Shane Hurlbut, ASC examines the light and its purpose in production.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Shaping & Controlling Light

The Power of Shaping Hard Light

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Shaping & Controlling Light

Learn essential filmmaking terminology before revealing the nuances of shaping hard, soft light and how to direct your grip team.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Shaping Light & Shadow: How to Control Large Light Sources

Learn c-stands from the perspective of both a key grip and cinematographer, and explore light control devices (LCDs) to help shape light.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Shaping Light & Shadow: Nailing The Close Up

Shane Hurlbut ASC and key grip Dave Knudson guide you through the process of professionally lighting a close-up shot.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Green Screen Basics

Green Screen Series: Kino Flo Super Green Tubes

Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through the basic principles of lighting a green screen.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Green Screen Series: Lighting Your Subject

In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting the talent on a green screen. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Green Screen Series: Lighting a Moving Subject

In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting a moving subject on a green screen. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Green Screen Series: Lighting with Just Two Lights

In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting a green screen with just two lights. 

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Case Studies: Prudential

Commercial Concept and Directors Treatment

Shane Hurlbut, ASC instructs on the process of working with treatments and collaborating with the director and agency.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Concept and Directors Treatment: Part 2

DP Shane Hurlbut, ASC explains the process of collaborating with the director and ad agency.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Locations "A Nationwide Scout": Part 3

Director of photography Shane Hurlbut, ASC takes you through the location scout for a national commercial. 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Rules of Engagement "Uniting 180 Shooters": Part 4

Shane Hurlbut, ASC takes you through the rules of engagement for uniting 180 filmmakers across the nation.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Communication Tech: Part 5

Shane Hurlbut, ASC unveils the communication and tech needed to pull off their nationwide endeavor.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Commercial Post-Production: Part 6

Shane Hurlbut, ASC guides you through creating the grain for the digital footage in the post-production process of the Prudential spot.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Case Studies: US Cellular

Commercial Cinematography: How to Shoot a Commercial in 8 Hours | Part 2

8:15 Minutes of Instructional Video, Detailed Written Breakdown and Lighting Schematics  

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

Editing

Hard Cuts, J-Cuts & L-Cuts: Part 1

Joaquin shares his process on using hard cuts and how to finesse pacing and rhythm utilizing J-cuts and L-cuts.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Heads & Tails, Shot/Reverse Shots & ADR: Part 2

Learn the differences between heads & tails terminology, when and why to use Shot/Reverse Shot, and how to effectively use ADR.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Smash Cuts & Match Cuts: Part 3

Learn the fundamentals of Smash Cuts and Match cuts and how to increase heir effectiveness with pacing and storytelling.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Jump Cuts & Soft Cuts: Part 4

Learn how to effectively use jump cuts, add movement to a static shot, and ways to soften the abruptness of hard cuts.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Keeping Continuity & Cutting On Action: Part 5

Learn about when & how to break the 180-Degree rule and crafting a high-impact action sequence by cutting on action.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Cross-Cutting, Split Screen & Montage: Part 6

Learn how to use cross-cutting, the split screen technique, and when to use a montage to condense time and enhance pacing.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Cutaway, Point of View, Inserts & Stock Footage: Part 7

Learn how to use insert shots, cutaways, and point of views (POVs) to improve your storytelling, pacing, and creativity.

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

Audio Sweetening: Part 8

Learn how audio sweetening enhances your edit, to think outside of the box when selecting audio effects, and other audio enhancements.

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

COLLECT YOUR CERTIFICATE OF COMPLETION

Career Path Conclusion and Certificate of Completion

Shane Hurlbut, ASC congratulates you on completing the Beginner Colorist Career Path

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 

 

SOURCE FILES

 

Filmmakers Academy - Producer - Director - Shooter - Editor Career Path 500$

 


#1  

these filextras are so hard to get, there is no other source ?
26 April 2025 15:04
  |    |  

Information
Members of Guests cannot leave comments.


Premium Mockups



rss