
The Art of Producing places you inside the mind of award-winning producer Jamee Ranta. Jamee Ranta explains the storytelling process from a producer’s perspective and how filmmaking breaks down as a multi-faceted art form. In Part 2, Jamee Ranta explores the finer details of communication and provides some tips and solutions for when challenges arise. In Part 3, Jamee Ranta describes the many filmmakers that make up the production team and highlights their responsibilities. Jamee Ranta details the responsibilities handled by the production team, including legal, financial, and safety duties and procedures. Jamee Ranta discusses how to communicate with the client, manage expectations with the director, and work effectively with department heads. Jamee Ranta gives advice to producers and reveals what she learned in her latest music video ‘Candy Necklace’ with Lana Del Ray. In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses what exactly is a commercial director. In this edition of the Commercial Directing Master Class, Director Jordan Brady explores why a director takes a job. In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses how the director gets hired. In this edition of the Commercial Directing Master Class, Director Jordan Brady examines how a commercial director approaches pre-production In this edition of the Commercial Directing Master Class, Director Jordan Brady shares his approach to casting using his self-dubbed "Brady In this edition of the Commercial Directing Master Class, Director Jordan Brady discusses how he conducts his Tech Scouts for commercials. Commercial Director Jordan Brady discusses how he works with the agency and the client during the pre-production meeting. Commercial Director Jordan Brady describes the routine that he follows the night before a commercial shoot. Jordan Brady discusses the etiquette to use on a commercial set. Commercial Director Jordan Brady explains how to plan your shoot day for success! In this edition of the Commercial Directing Master Class, Director Jordan Brady reveals how he works with his film crew. In this edition of the Commercial Directing Master Class, Director Jordan Brady explains why to respect the chain of command. In this edition of the Commercial Directing Master Class, Director Jordan Brady explains why you should always underpromise and overdeliver. Director Jordan Brady sits down and explains the benefits of marketing yourself as a commercial director within a box. Shane Hurlbut, ASC discusses his time working with director Greg Popp on their Century 21 commercial and how they prepare with limited time. Commercial Director Jordan Brady shares some BTS from the spot, Concussion Protocol. In this lesson, Shane Hurlbut, ASC and his team take you through the process of setting up the right shots for your story. In this lesson, Shane Hurlbut, ASC guides you through how to plan, plot, and shoot a commercial, using the spot Trane as a case study. In this lesson, Shane Hurlbut, ASC explores the secret behind a successful treatment. In this lesson, Shane Hurlbut, ASC reveals how to successfully pitch a location to the client as a commercial director. In this lesson, Shane Hurlbut, ASC explores ways to optimize efficiency as a commercial director. In this lesson, Shane Hurlbut, ASC reveals the keys to getting hired over and over again as a commercial director. In this audio lesson, DP Shane Hurlbut, ASC takes you through the process of commercial directing, referencing a spot he did for Cheerios. Shane Hurlbut, ASC takes you through the production of a Cheerios and Nascar cross-promotional advertisement. Shane Hurlbut, ASC discusses how to build a treatment as a commercial director. In this lesson, Shane Hurlbut, ASC explores how to prep for the agency phone call with the agency. Shane Hurlbut, ASC demonstrates how to prep for the pre-production meeting, using the 'Grain' spot as a case study. In this lesson, DP Shane Hurlbut, ASC demonstrates how to deliver the vision on the shoot day, using the 'Grain' commercial spot as a case s In this lesson, director of photography Shane Hurlbut, ASC instructs you on how to train your eye to light. Shane reveals in this lesson exactly why you need a light meter. Painting with light has become something of a mantra for us, and your color meter helps you master the art of light. Shane shows you how moving the key light around the subject even just a few degrees can dramatically change the feeling of your shot. DP Shane Hurlbut, ASC explores top lighting and how he used it on the movie, The Greatest Game Ever Played. DP Shane Hurlbut, ASC takes you through his method for determining where and when to use fill light. Shane Hurlbut, ASC shares techniques that will enhance the mood and performances on screen and unite your crew under a single vision. DP Shane Hurlbut, ASC demonstrates how to rehearse, light, block and shoot a scene, using the movie, Crazy/Beautiful as a case study. DP Shane Hurlbut, ASC explains camera composition while taking you through classic shots before discussing breaking the rules. In this lesson, DP Shane Hurlbut, ASC continues to analyze shots and the nuances behind them. Shane Hurlbut outlines his favorite lenses, showcases the Canon L series performance, and reviews examples of lens language. Cinematographer Shane Hurlbut, ASC breaks down focal lengths and explains how to consider them to enhance your storytelling. In this lesson, director of photography Shane Hurlbut, ASC takes you through scouting locations outdoors and using the path of the sun. In this lesson, Director of Photography Shane Hurlbut, ASC demonstrates how to light Walk and Talks outside in the sunlight. Shane Hurlbut, ASC demonstrates how he shot the actors talking as they place the saddle down on the saw horse. In this lesson, DP Shane Hurlbut, ASC demonstrates how to change the direction of the sun for close-up shots. In this lesson, DP Shane Hurlbut, ASC demonstrates how to make a beautiful close-up using the power of the Arri M40 light. DP Shane Hurlbut, ASC demonstrates how to light in a daylight scenario so that the light ratios of the background and talent are balanced. In this lesson, DP Shane Hurlbut, ASC leads you through a location scout for a scene using the natural environment of a location to block. In How To Light Day Interiors, director of photography Shane Hurlbut, ASC guides you through the location scout for day interiors. Shane Hurlbut, ASC demonstrates how to add haze, finesse floodlights to create beautiful key light, and make adjustments to the color temp. In this lesson, DP Shane Hurlbut, ASC reveals how he used DIY lights in commercial production to light both minimalistic and affordably. Learn how to get the right color temperature with gels to get beautiful color separation, and learn about lighting ratios and IRE values. Shane Hurlbut, ASC and his team dial in the lighting setup and make their final changes, removing unwanted light, finalizing the frame, etc. In this lesson, Director of Photography Shane Hurlbut, ASC takes you through the process of lighting day interiors with only natural light. Shane Hurlbut, ASC picks up where he left off in Part 2 and demonstrates how to control sunlight by shaping and manicuring light. Shane Hurlbut, ASC picks up where he left off in Part 3 and demonstrates how to re-light the scene with artificial light, Hollywood-style. In this lesson, DP Shane Hurlbut, ASC demystifies the misconception of Lekolites and how they serve as a formidable interview light. In this lesson, Shane Hurlbut, ASC demonstrates how to recreate moonlight and use hard shadows in a night scene. In this lesson, Shane Hurlbut, ASC brings in the actors and blocks the night scene as they continue to make tweaks to the lighting. In the first part of How To Light Night Interiors, cinematographer Shane Hurlbut, ASC demonstrates how to begin the process... Shane Hurlbut, ASC takes you through how to light night interiors as he works with practical lights, moonlight, and urban sources. In this lesson, Shane Hurlbut, ASC and his team recreate urban lights flooding in through the exterior to the interior. In How To Light Night Exteriors with Blue Tones: Part 1, director of photography Shane Hurlbut, ASC takes you through the location scout. In the next part of How To Light Night Exteriors with Blue Tones, Director of Photography Shane Hurlbut, ASC takes you through the build. Shane Hurlbut, ASC shows how to light night exteriors with blue tones. In the first part of a three part series, DP Shane Hurlbut, ASC demonstrates how to light night exteriors with gray tones. In the second part of a three-part series, DP Shane Hurlbut, ASC demonstrates how to light night exteriors with gray tones. DP Shane Hurlbut, ASC demonstrates how to light night exteriors with gray tones. So far, they set up the simulated moonlight and fill light. 6+ Minutes of Video Instruction on the 1000w Mole-Richardson Baby Baby Fresnel 7 Minutes of Instruction on the 1000w Mole-Richardson 407 Keg Baby In this lesson, Shane Hurlbut, ASC takes you through the kit and where you’ll get the most out of these lights. In this lesson, Shane Hurlbut, ASC takes you through a theatrical light, the ETC Leko Tungsten light. In this lesson, DP Shane Hurlbut, ASC is joined by gaffer Eric Forand for an in-depth look into Kino Flo Fluorescents. In Kino Flo Celeb 201 & 401, Shane Hurlbut, ASC and Gaffer Eric Forand examine the light and its purpose in production. In Kino Flo Selects, DP Shane Hurlbut, ASC and Gaffer Eric Forand examine the light and its purpose in production. In this lesson, Shane Hurlbut, ASC examines Chimera Pancake lights and their purpose in production. In Chimera Softbank Lights, Shane Hurlbut, ASC examines the light and its purpose in production. Learn essential filmmaking terminology before revealing the nuances of shaping hard, soft light and how to direct your grip team. Learn c-stands from the perspective of both a key grip and cinematographer, and explore light control devices (LCDs) to help shape light. Shane Hurlbut ASC and key grip Dave Knudson guide you through the process of professionally lighting a close-up shot. Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through the basic principles of lighting a green screen. In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting the talent on a green screen. In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting a moving subject on a green screen. In this lesson, Shane Hurlbut, ASC and his gaffer, Eric Forand, guide you through lighting a green screen with just two lights. Shane Hurlbut, ASC instructs on the process of working with treatments and collaborating with the director and agency. DP Shane Hurlbut, ASC explains the process of collaborating with the director and ad agency. Director of photography Shane Hurlbut, ASC takes you through the location scout for a national commercial. Shane Hurlbut, ASC takes you through the rules of engagement for uniting 180 filmmakers across the nation. Shane Hurlbut, ASC unveils the communication and tech needed to pull off their nationwide endeavor. Shane Hurlbut, ASC guides you through creating the grain for the digital footage in the post-production process of the Prudential spot. 8:15 Minutes of Instructional Video, Detailed Written Breakdown and Lighting Schematics Joaquin shares his process on using hard cuts and how to finesse pacing and rhythm utilizing J-cuts and L-cuts. Learn the differences between heads & tails terminology, when and why to use Shot/Reverse Shot, and how to effectively use ADR. Learn the fundamentals of Smash Cuts and Match cuts and how to increase heir effectiveness with pacing and storytelling. Learn how to effectively use jump cuts, add movement to a static shot, and ways to soften the abruptness of hard cuts. Learn about when & how to break the 180-Degree rule and crafting a high-impact action sequence by cutting on action. Learn how to use cross-cutting, the split screen technique, and when to use a montage to condense time and enhance pacing. Learn how to use insert shots, cutaways, and point of views (POVs) to improve your storytelling, pacing, and creativity. Learn how audio sweetening enhances your edit, to think outside of the box when selecting audio effects, and other audio enhancements. About
Producing
The Art of Producing - Intro
The Art & Business of Producing: Part 1
Producing: Team Communication: Part 2
Film & TV Production Team Roles & Responsibilities: Part 3
Producing: Bid, Budget, Insurance, Contracts & Safety: Part 4
Producing: How To Communicate and Negotiate: Part 5
FTF, S1 EP.16 I Producer Jamee Ranta
Commercial Directing
What is a Commercial Director?: Part 1
Why Does a Director Take a Job?: Part 3
How Does the Director Get Hired?: Part 4
Commercial Directing Pre-Production: Part 5
Casting with the Brady Method: Part 6
How to Run Your Tech Scout: Part 7
Pre-Production Meeting: Part 8
Commercial Directing Night Before Shoot: Part 9
Commercial Directing Rules of Engagement On Set: Part 10
How to Plan Your Shoot Day: Part 11
How I Work with My Film Crew: Part 12
Respect Chain of Command: Part 13
Overdeliver: Part 15
Put Yourself in a Box I Commercial Directing with Jordan Brady
Case Studies: Century 21
How a Director Preps a Commercial: Century 21
Case Studies: Toyota
Concussion Protocol PAT BTS Masterclass Only: Part 22
Case Studies: Trane
How to Prep a Commercial: Trane | Part 1
How to Plan, Plot and Shot List a Commercial: Trane | Part 2
Case Studies: US Cellular
Commercial Directing: The Secret Behind Successful Treatments
Commercial Directing: How to Successfully Pitch a Location
Commercial Directing: Ways to Optimize Efficiency
Commercial Directing: The Keys to Getting Hired
Case Studies: Cherrios
Commercial Directing: From Concept to Creation
How to Achieve the Commercial Director's Vision
Case Studies: Case IH
How to Build Your Treatment and Get the Job: Commercial Directing
How To Prep For The Agency Phone Call: Commercial Directing
How To Prep for the Pre Prod Meeting: Commercial Directing
Delivering the Vision on Shoot Day: Commercial Directing
Shooting
How To Train Your Eye
Understanding Your Light Meter: The Basics
Understanding Your Color Meter: The Basics
Key Light: Where, When and Why: Illumination Experience
Top Light: Where, When and Why
Fill Light: Where, When and Why: Illumination Experience
How to Prep Narrative Storytelling: Illumination Experience
How To Rehearse, Block, Light and Shoot a Scene: Illumination Experience
Storytelling Through Composition I
Storytelling Through Composition II
How Focal Lengths Make Your Audience Feel
How to Choose the Right Focal Lengths
Day Exterior Concepts
How To Location Scout Using the Path of The Sun
How to Light Walk and Talks
How To Shape Natural Light with Negative Fill
How to Change the Direction of The Sun for Close-Ups
How To Shape High Sun with Artificial Light On Close-Ups
How To Use Available Light For Interviews
Finding Locations That Light Themselves
Day Interior Concepts
How to Light Day Interiors: Location Scouting
How to Light Day Interiors: Part 1
How to Light Day Interiors: Part 2
How to Light Day Interiors: Part 3
How to Light Day Interiors: Part 4
Lighting Day Interior with No Lights: Part 1
Controlling the Sun for Available Light Shoots: Part 3
Hollywood-Style with Lights: Part 4
How To Light an Interview with 4 Lekolites
Night Interior Concepts
How to Recreate Moonlight with Hard Shadows
Moonlight Exposure and Light Principles: Less Is More
How to Light Night Interiors: Part 1
How to Light Night Interiors: Part 2
How to Light Night Interiors: Part 3
Night Exterior Concepts
How to Light Night Exteriors with Blue Tones: Part 1 - Location Scout
How to Light Night Exteriors with Blue Tones: The Build
How to Light Night Exteriors with Blue Tones: Pt 3 - The Execution Pt 2
How to Light Night Exteriors with Gray Tones: Part 1
How to Light Night Exteriors with Gray Tones: Part 2
How to Light Night Exteriors with Gray Tones: Part 3
What Lights to Use
1000w Mole-Richardson Baby Baby Fresnel
1000w Mole-Richardson 407 Keg Baby Fresnel
150w Dedo Light
ETC Leko Light
Kino Flo Fluorescents
Kino Flo Celeb 200 & 400
Kino Flo LED Select
Chimera Pancake
Controlling & Shaping Light: Chimera Softbank
Shaping & Controlling Light
The Power of Shaping Hard Light
Shaping & Controlling Light
Shaping Light & Shadow: How to Control Large Light Sources
Shaping Light & Shadow: Nailing The Close Up
Green Screen Basics
Green Screen Series: Kino Flo Super Green Tubes
Green Screen Series: Lighting Your Subject
Green Screen Series: Lighting a Moving Subject
Green Screen Series: Lighting with Just Two Lights
Case Studies: Prudential
Commercial Concept and Directors Treatment
Commercial Concept and Directors Treatment: Part 2
Commercial Locations "A Nationwide Scout": Part 3
Rules of Engagement "Uniting 180 Shooters": Part 4
Commercial Communication Tech: Part 5
Commercial Post-Production: Part 6
Case Studies: US Cellular
Commercial Cinematography: How to Shoot a Commercial in 8 Hours | Part 2
Editing
Hard Cuts, J-Cuts & L-Cuts: Part 1
Heads & Tails, Shot/Reverse Shots & ADR: Part 2
Smash Cuts & Match Cuts: Part 3
Jump Cuts & Soft Cuts: Part 4
Keeping Continuity & Cutting On Action: Part 5
Cross-Cutting, Split Screen & Montage: Part 6
Cutaway, Point of View, Inserts & Stock Footage: Part 7
Audio Sweetening: Part 8
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