
Bell Martellus Font Family $99
OTF/WoFF Fonts | SALE PAGE
- Full of texture and regal personality, Bell Martellus was derived from a book published in 1475 by Henricus Martellus entitled “Liber Insularum.” The writing style is based on the Carolingian Script created by the Emperor Charlemagne and his scribe, Alquin of York, in the 9th century A.D. This old world lettering comes with new world OpenType capabilities, including swash caps and small caps.The James Ford Bell Library at the University of Minnesota commissioned Bill Moran to develop this font as a means of introducing their amazing collection of rare books, maps and manuscripts to a wider audience.Once the historic script was fontified by Bill, it was forwarded to Chank Co, where we added some snazzy baubles for the discriminating typographer. Everybody can enjoy the antique genuine nature of Bell Martellus, but advanced OpenType users also get extra features in Adobe CS applications.
https://sweetsoulstudios.com/product/beautiful-simplicity-tutorial/
- In the world of fine art photography, the most profound impact often comes from the most understated compositions. "Beautiful Simplicity," a specialized post-processing tutorial from Sweet Soul Studios, is designed for photographers who want to master the delicate balance of minimalist portraiture and high-end retouching. This tutorial focuses on a single, striking image of a young girl, demonstrating how to take a clean studio portrait and transform it into a piece of ethereal, painterly art. Priced at an accessible £13.99 (frequently on sale for £10.00), this resource is an essential addition to the toolkit of any portrait artist looking to refine their "soft and dreamy" aesthetic.
- Elevate your photography skills and step into the professional world of editorial work with "Collection 3 - The Editorial," a comprehensive tutorial crafted by renowned photographer Justin James Muir. This collection is not merely a walkthrough; it is an immersive educational experience designed to bridge the gap between amateur shooting and high-end professional assignments. Priced at $65, this resource offers invaluable insights for photographers eager to refine their lighting techniques, post-production workflow, and overall creative vision.

Carrig - Hybrid of Classic Roman and Garalde $50
5 Fonts | OTF/WoFF | Designer: Paulo Goode | TURKISH SUPPORT | SALE PAGE
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- Paulo Goode: "Carrig started its life in 1998. I was working for a design agency in Cork, Ireland and was given a new brand identity project for a lakeside hotel in County Kerry. While visiting the hotel I made various sketches of the surroundings and upon returning to the studio, it was clear that my strongest ideas for the identity would be based on these freehand drawings. I wanted a classic, rough, hand-drawn typeface to complement this style but at that time, the studio didn’t have anything suitable, so I decided to draw my own. I found a Trajan-esque typeface that I really liked the look of in an old calligraphy workbook. I set about drawing my own version and then digitised it. Once the client had seen and approved my design, I began working on creating a complete all caps typeface to use for the hotel’s stationery. With ‘carrig’ being the Gaelic word for ‘rock’, my new typeface was all the more appropriate as it had the appearance of letterforms that had been carved into stone and weathered by time. With the project completed and the client happy, Carrig then sat in my unused fonts folder for several years... but there was always a nagging feeling at the back of my mind that I should do something more with it. So, in the autumn of 2014, I finally set about doing just that and created the font family you now find at MyFonts. Carrig’s form and structure was influenced by a hybrid of Classic Roman and Garalde typeface designs. The original calligraphic elements from the 1998 version of Carrig have been retained to add personality—as can be seen in the serifs, strokes, spurs, terminals and open bowls. Perhaps its most distinctive trait is a high x-height combined with relatively short ascenders. I wanted Carrig to immediately resonate with the reader and have designed it to be familiar and friendly. I imagine designers might choose Carrig as an alternative to such typefaces as Trajan, Garamond and Baskerville. I see Carrig as primarily a display typeface for titles/headlines in printed materials. I would also love to see Carrig being used for branding, packaging and promotional material and am keen to hear from designers who use it in their own work."

Luminar Neo 1.26.0 | Multilingual | macOS | 3.27 Gb
Luminar Neo is an AI-driven creative image editor. A creative image editor to bring your ideas to life. Have you ever wanted to achieve more with your images? Luminar Neo is an innovative image editor powered by AI technologies of the future that simplifies complex editing routines and enables creators to bring their boldest ideas to life. And enjoy it

https://www.udemy.com/course/the-moons-resting-place-a-low-poly-blender-scene/
Learn to create a dreamy low poly scene in Blender with simple modeling, lighting, animation, and rendering steps.

https://www.mockupcloud.com/product/realistic-t-shirt-mockup-p-1
PSD | 5000 x 3000 px | 129.8 MB
T-Shirt High Quality Mockup, Professional impression for your product percentage.

https://learn.waviboy.com/
- 65+ video lessons (25+ hours) to implement the full AI Studio System
- Complete AI stack training (MidJourney, Nano Banana, ChatGPT, VEO + more)
- Genesis Prompt System for consistent, cinematic results
- Ready-made contracts & scripts for a client-ready studio.

Violenta Slab - Display Geometric Typeface $90
- Violenta Slab font family has been designed for Graviton Font Foundry by Pablo Balcells. It is a display, geometric typeface, with a condensed design and sharp angles that provides an aggresive and strong appearence. Violenta Slab consists of 8 styles. Each containing glyph coverage for several languages.

Waldorfschrift - Naturally Organic Letters $50
- The Waldorfschrift family was created in digital form in the years 1993-1994 by Joachim Frank, inspired by the naturally organic letters from the anthroposophical movement of the 20th century of Rudolf Steiner. In nature there are no right angles, straight lines or complete uniformity, but instead round corners, varying thicknesses and all kinds of variability. This is what the anthroposophical movement created in their buildings, their art, in their music – and also in their lettering. Take a look at the brand of Weleda (the natural cosmetics company), Demeter (one of the biggest organic foods companies), Filderklinik (a great anthroposophical hospital in Germany) and you will see these great companies work with different but organic letter styles. More recently, Joachim revisited the Waldorf fonts with modern type design software and added extra characters such as the euro sign, and extra weights to make the fonts useable for a wide variety of design tasks.

Alternate Gothic Pro EF $100
3 OTF Font Files | Designer: Morris Fuller Benton | TURKISH SUPPORT | SALE PAGE
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- In 1903, the typeface family Alternate Gothic was developed for ATF (American Type Foundry) by Morris Fuller Benton. It was Benton’s intent to solve many diverse layout problems with the development of a narrow Sans with different width values. The Alternate Gothic enjoys great popularity to this day. Therefore, Elsner+Flake re-worked the typeface family, added all European fixed accents and complemented it with an Antique version.

https://filtergrade.com/product/10-vintage-film-lightroom-presets
- These presets are especially designed for those who intend to enhance photos with vintage-film look, This pack has been tested on countless pictures. We include 10 different presets with differing tone, exposure, etc. With this differing choices, you’ll be able to find a suitable preset.

Aramis - A New Linear Sans with a French Touch $129
14 OTF Fonts | Designer: Gert Wiescher | Turkish Support | SALE PAGE
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- »ARAMIS« is a new linear Sans with a French touch– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding italic cuts. The small contrast in the linear Sans makes it not quite so linear an gives the font its elebance. »ARAMIS« is well suited for advertising, logo, billboards, small text, signage, branding, packaging, editorial, posters, web and screen design. »ARAMIS« is an OpenType family for professional typography with an extended character set of over 700 glyphs and extensive kerning. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and small caps can be found in all cuts.

Have A Nice Day Font Family - 10 Fonts $155
10 Fonts | OTF/WoFF | Designer: Cindy Kinash | SALE PAGE
- Have A Nice Day is a handwritten font created by Cindy Kinash. This font features three font styles (Basic/Tall/Wide) and comes in three weights (Light/Regular/Bold). All three font styles can be used together as one unique and fun font! This font also includes a set of fun hand drawn ornaments like smiley faces, flowers, leaves, insects, frames, captions, desserts, food, clouds, and catchwords that will surely brighten your day! Enjoy!

Kingthings Lupine Pro - Monster Hairy Eyes Fonts
2 OTF Fonts | Designers: Kevin King, Roger S. Nelsson | Turkish Support | SALE PAGE
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- I loved this monster font the second I saw it - it reminded me of Franquins Idées Noires... Reworking it and adding the missing glyphs and diacritics was quite time-consuming - but a lot of fun! Lots of details. The Lupineless variant is Lupine with eyes, decorations and stray hairs removed - which leaves just a very usable fuzzy font for your monster-related headline.
- Kevin King says: “I love fantasy writing and my favorite author is Terry Pratchett. In Reaper man, my favorite book, there is a werewolf character called Lupine, I wanted to make a font for him and for Ludmilla... It’s a long story, it’s a hairy font.”
- All fonts from CheapProFonts have very extensive language support:
- They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen.
- And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.
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