Fontbundles - Mediteran 118385

 

https://fontbundles.net/font-bundles-store/118385-mediteran


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ALS Departure Font

 

ALS Departure Font


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Asthoria Font Family

 

Asthoria Font Family

Asthoria is a bold sans serif family with solid clean, rough, trace and outline files. Asthoria is simple but significant and defined by its crisp edges and modern touches. It is designed for optimal legibility. An all-caps sans-serif, Asthoria makes a statement without making a scene.


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Radcliffe Font Family
Radcliffe Font Family

 

Radcliffe Font Family

Radcliffe is a typeface family designed in 2018 by Cosimo Lorenzo Pancini and Andrea Tartarelli, as a reinvention of traditional Clarendon design in search of a "contemporary classic" typeface look. Tailor made for elegance, Radcliffe features the strong bracketed serifs, vertical stress, and little contrast of Clarendon's, refined with a humanist touch and a calligraphic approach, obvious in the italics.


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Durbar Bangla Font Family

 

Durbar Bangla Font Family

Durbar font is geometric display font. It has two styles. These are regular and italic. Which will be very much useful for the user and designer. The character set which includes support for Assamese, Bengali, Bishnupriya Manipuri, Garo, Kokborok, Meitei, and Mundari languages. Durbar is a set of Unicode fonts suitable for setting books, magazines, newspapers and any other material which can benefit from its.


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Roadster Font

 

Roadster Font

Roadster is a line style display typeface, it is a condensed uppercase font perfectly made for poster designs and headings.


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Smoothie Font Duo
Smoothie Font Duo

 

Smoothie Font Duo

Smoothie is a hand brushed typeface.


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Schindler Font Family

 

https://www.myfonts.com/fonts/redrooster/schindler-rr/


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Contra Slab Font Family
Contra Slab Font Family

 

https://www.myfonts.com/fonts/wiescherdesign/contra-slab/


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Hauser Script Font

 

https://www.myfonts.com/fonts/redrooster/hauser-script-rr/

Hauser Script is a freely drawn brush script typeface, which was designed in 1936 by George Hauser for Ludlow. Hauser took advantage of the slanting matrices of the Ludlow machine to create what is possibly the most informal of American brush scripts. Steve Jackaman of International TypeFounders, Inc. (ITF) digitally engineered the typeface in 1998. Hauser Script has a graceful, calligraphic look that brings class to any project at display and subhead sizes.


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Sommelier Font

 

https://www.myfonts.com/fonts/andrey-kudryavtsev/sommelier/


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ArcticPatrol Font Family

 

https://www.myfonts.com/fonts/northernblock/arctic-patrol/

ArcticPatrol is a modern angular font influenced by military related computer games. Examples include: Ghost Recon and Medal of Honor.


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Associate Sans Font Family

 

Associate Sans Font Family

Associate Sans is a large family of ten sans serif fonts. The typeface is perfect for use in Editorial Design. Its letters have a strong ‘American gothic’ look. This genre has been used since the early 20th-century for the design of publications, corporate identities, and even the small print in newspapers and magazines.


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Associate Sans Stencil Font Family

 

Associate Sans Stencil Font Family

Associate Sans Stencil is a family of ten sans serif fonts with a stencil optic. Part of FontStore’s larger ‘Associate’ type system, Associate Sans Stencil is an extension of the Associate Sans design for use in headlines and logos. The letterforms in both Associate Sans and Associate Sans Stencil have a strong ‘American gothic’ look. That genre of typefaces has been popular since the early 20th-century, especially for designing publications and corporate identities.


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Associate Sans Mono Font Family

 

Associate Sans Mono Font Family

Associate Sans Mono is a family of ten sans serif fonts, in which all of the letters are monospaced. Each of the characters in the family’s fonts share the same common width; the capital ‘W’ is just as wide as the lowercase ‘i’. Indeed, the same character width is used for all of the glyphs in each of the family’s ten fonts. Designer can swap out text set in Associate Sans Mono’s ExtraLight weight for letters from the Bold Italic font, without text-length or line-wrap being affected at all.


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Associate Slab Font Family

 

Associate Slab Font Family

Associate Slab is a large family of ten sans serif fonts. Part of FontStore’s larger ‘Associate’ type system, Associate Slab was developed as the slab serif counterpart for Associate Sans. Nevertheless, its fonts could be used entirely on their own, too. Like its relatives in the overarching Associate type system, Associate Slab is a typeface intended for Editorial designers.


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Associate Slab Stencil Font Family

 

Associate Slab Stencil Font Family

Associate Slab Stencil is a family of ten slab serif fonts with a stencil optic. Part of FontStore’s larger ‘Associate’ type system, Associate Slab Stencil is an extension of the Associate Slab design for use in headlines and logos. The Associate Slab Stencil letters are generally monolinear. The ‘stencil’ optic that the characters all have comes from breaks, or ‘bridges,’ applied to parts of each letter.


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Clash Grotesk Font Family

 

Clash Grotesk Font Family

Clash Grotesk is a family of sans serif fonts, with a twist. While the design of the family’s six styles is generally neo-grotesk in style, one feature immediately sets it from other typefaces in that genre: Its letterforms have very small ‘apertures’. These are the openings at the edges of the counterforms; if you look at the letter ‘c’, for instance, the space between ends of the two arms on the right-hand side of the letter is very small. It almost looks as if that aperture is about to close shut. Clash Grotesk is eye catching, but its ‘design trick’ does not go overboard.


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Pramukh Rounded Font Family

 

Pramukh Rounded Font Family

Pramukh Rounded is a very condensed sans serif typeface in which all strokes end in round semicircular curves. As a family of fonts, it is particularly large; its 16 styles include a range of eight weights: ExtraLight, Light, SemiLight, Regular, SemiBold, Bold, ExtraBold, and Black. Each weight has a companion italic font, which is oblique in style. On Fontstore, you’ll find a matching font family for this design: Pramukh (a non-rounded version of this design). Both Pramukh and Pramukh Rounded are designed by Aarya Purohit and ITF.


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Griff Font Family

 

Griff Font Family

Griff is a family of sans serif typefaces with unusual stroke contrast. The ‘middle’ parts of many of the fonts’ letterforms are drawn with much thinner strokes than those found in the rest of typeface. The Griff family includes 10 styles; these are five weights that range from Light through Bold, each with an upright and italic font. The typeface is a bit humanist in style; its strokes end in horizontal or vertical cuts, rather than in diagonals. The letterforms’ counters are also mostly open. The fonts’ x-height is tall, and the lowercase letters’ ascenders rise slightly above the height of the capitals.


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Cosmetic Font Family

 

Cosmetic Font Family

 Cosmetic is a very high-contrast family of sans serif fonts. As its name implies, it has been developed for exquisite applications, like the corporate identity of fashion or beauty product firms, or for cosmetic product packaging design. For centuries, the fashion world has looked to France for inspiration. 


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Tanker Font

 

Tanker Font

Tanker is a single-weight, uppercase-only, condensed sans serif. The ‘caps’ saved onto the font’s lowercase keys are of a different design that those you’ll get when you press the uppercase keys. So the font has two different versions of each letter for users to choose from, really.


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Gambarino Font

 

Gambarino Font

Gambarino is a condensed, single-weight serif face for headlines. The font is designed by Théo Guillard. Stylistically, you could call it a post-modern interpretation of the Garalde genre.


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Boeing 24 Font

 

Boeing 24 Font

Boeing 24 is a caps-only display font. Its letterforms are sans serif, and they look like they come from a monospaced font. However, Boeing 24’s monospaced-appearance is just a strong look ; in actuality, its letters have proportional widths. These appear quite industrial and constructed, too – almost as if they had been made by a machine, rather than by Deni Anggara, the Bandung/Indonesia-based type designer behind Boeing 24.


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