Heinzel's 22 Modern Script Fonts Bundle

CreativeMarket | 22 Script Fonts | +Previews | SALE PAGE

Sukoon Multilingual

Latin, Arabic, Cyrillic & Greek 20 Styles + Variable

Release 2026 | 20 Styles OTF/TTF | | 1 Variable TTF | FontWerk SALE PAGE €179

• A single letter, drawn during a moment of inner peace. No concept, no goal, just tranquility. The designer and artist Jan Gerner, known as Yanone, describes the state of deep relaxation and mental clarity he experienced in a remote forest cabin as almost sacred. In that moment, he had not created a form, but found it. It wasn’t a finished idea or full alphabet — just a feeling that would grow into a special typeface over the next ten years.

Halyard All Family

Micro, Text & Display 48 Styles+6 Variables

MICRO + TEXT + DISPLAY | OTF/TTF/Web | DardenStudio SALE PAGE $1068

• Halyard’s personality is at once familiar and pleasingly distinctive. Halyard’s familiarity results from cherry-picked elements of classic designs of the 19th and early 20th centuries by Schelter+Giesecke, Miller and Richard, and Morris Fuller Benton.

Hagrid - 71 Styles + 7 Variable Fonts Family

Hagrid is ideal for editorial, branding, and expressive typography projects

that embrace originality and typographic personality.

ARABIC 13 Styles + Variable | CYRILLIC 30 Styles + 2 Variables | LATIN 28 Styles + 4 Variables

LATIN+ARABIC+CYRILLIC | 71 Styles OTF/TTF/Web | 7 Variable TTF | ZetaFonts €883 SALE PAGE

• Cosimo Lorenzo Pancini designed Hagrid as a celebration of the expressive potential of grotesque letterforms when exposed to the the crypto-typographer’s love for the strange and the overlooked. Hagrid blends grotesque structure with calligraphic counterspaces, inverted contrast, and brutalist shapes to create a bold, impactful voice for both print and digital use.

Aspect - 18 Styles Font Family

18 Fonts | OTF | +Previews | PDF | JeremyTankard SALE PAGE $270

• Designed as a vertical script, this type offers huge flexibility. It has a wide proportion and a flowing structure. A massive range of swashes and ligatures are included to embellish any typographic design. Fonts are now intelligent. Aspect was designed to test and push this advancement in typographic technology offered by the OpenType format. Started in 2001, Aspect was a commission for the new Christchurch Art Gallery in New Zealand. The brief offered full creative freedom, which is usually more of an Achilles’ heel than a benefit. Having said that, the freedom given allowed for the concept of a typeface being ‘a tool to design with’ to be explored more fully. Initial thoughts leaned toward the idea of an italic script because, using this model, letter shapes could be more easily extended in exotic ways.

Graham - 20 Styles + 2 Variable Fonts

Designed in 2026 | 20 Static OTF/TTF | 2 Variable TTF | +Previews | SALE PAGE €168

Latin, Greek, Cyrillic | 220 Languages 

• Cosimo Lorenzo Pancini and Mario De Libero pay homage to the iconic British spirit of Johnston and Gill in Graham, reinterpreted here with an edgy, digital aesthetic. There's a bit of the London Underground's rounded discipline in its bones, and a bit of the deadpan charm of those iconic "Keep Calm and Carry On" posters in its attitude - right down to a Q whose tail nods, cheekily, to the diagonal stripes of the Union Jack. Graham evolves along a weight axis that pushes firmly into display territory: in its extrabold weights, a higher x-height allows for a compact, confident look - perfect for logos and headline design. The family totals 10 weights from thin to black, each with a matching italic.

Sinter - 18 Styles + 2 Variable Fonts

20 Fonts | 18 Static OTF*TTF/Web | 2 Variable TTF | SignalFoundry SALE PAGE $425

• The future is squarish. Georg Trump knew it in 1930 when he designed City. Hermann Zapf knew it in 1952 when he designed Melior. Aldo Novarese knew it in 1962 when he designed Eurostile. Sinter isn’t about to argue. Based on a rounded rectangle, its geometry has been subtly refined for smoother reading. Its branches are angled in homage to OCR-A. A combination of open counters, unequivocal curves, and ruler-straight vertical and horizontal strokes suit it admirably for onscreen display. Sinter's nine weights range from a waifish Thin to a hulking Ultra, each with a matching italic. It features tabular figures duplexed across all weights, case-sensitive punctuation, and support for over 130 languages.

Poetry Velvet - Curly Display Fonts

2 OTF Fonts | +Previews | SALE PAGE

• Every letter in Poetry Velvet flows with graceful curves and enchanting flourishes, creating an atmosphere that feels both timeless and dreamlike. Its slender all-caps forms are adorned with expressive swashes and playful curls, giving each word the charm of handcrafted lettering while maintaining a refined, decorative presence.

Reckham - Complete Family NEW!

48 Styles + 2 Variable Fonts

50 Fonts | 48 Static OTF/TTF/Web | 2 Variable Regular & Italic TTF | SALE PAGE $1000

• Reckham is our mutant Scotch Roman. We wanted to draw a Century Expanded that turned Clarendon when it got bolder, but somewhere along the way the serifs came unbracketed and our ideals of clarity and rigor had to make room for a few eccentric details. Then we couldn’t decide on a degree of contrast, so we went with all of them. The No1 Series, with its hairline thin strokes, is nearly Didone, and its blackest weights are Fat Face. The nearly monoline No4 Series is typewriterish in the lightest styles and Egyptian in the darkest. No2 and No3 Series represent sturdy and quite readable steps along the way. The result isn’t what we expected, but it must have been what we wanted. Six weights, four degrees of contrast, and matching italics add up to 48 styles. The full family includes variable roman and italic fonts, so users can fine-tune weight and contrast to suit themselves. MyFonts debut: Feb 4, 2026

Pressio Solid Range - 20 Styles

+ Variable Font Family

21 Fonts | 20 Static OTF | 1 Variable TFF | +Previews | PDF | MyFonts SALE PAGE $500

• Pressio is a study in doing things backwards. We began with the weight that’s usually drawn last: the ultra-compressed black. This was squashed down vertically in increments to make the compressed, condensed, and regular widths, then hollowed like a dugout canoe to produce the lighter weights. The narrower bold cuts are inspired by the great mid-century skyline sanses. The widest cuts are stark, idiosyncratic, and intense. In between, 20 styles in five weights and four widths provide a broad range of expression. Forms are strict and modular. X-height is high. Curves are subtly superelliptical, and square counters add crispness. For those who prefer it, a set of stylistic alternates is available to round some of the unexpectedly sharp corners of letters like S, s, and a. Case-sensitive punctuation and delimiters are included, and a full range of diacritics provides support for over 130 languages. And it goes well with its sister family, 

Milligram - Full Family 102 Styles

+ 4 Variable Types

ZetaFonts | 106 Fonts | 102 Static OTF/TTF/Web | 4 Variable TTF | SALE PAGE €463

• Designed by Cosimo Lorenzo Pancini with Andrea Tartarelli, Milligram is a typeface that follows the grotesque sans serif canon without pursuing clinical Swiss orthodoxy. Rather, it borrows from metal-type quirks - slanted terminal cuts, slightly tapered verticals, round dots and soft curve joins - to achieve a warmer, more human reading texture. That makes it sit comfortably beside classic old grotesques while staying fully current in rhythm and proportions.

Milgram 12 Styles + 2 Variable Fonts

MyFonts | 14 Fonts | 12 Static OTF/TTF/Web | Signal Type Foundry | $285

• We’d always wanted to add a humanist sans to the library, and we’d always wanted to add a rounded sans to the library, and we thought we’d save time by making them the same typeface and see what happened, and what happened was a wave of nostalgia for the 60s heyday of Frankfurter and VAG Rundschrift and an all-caps dry-transfer face called Formula One that nobody seems to remember but us. The lightest weights have a slightly technical air, as if they’d been engraved on a glass beaker. In contrast, the Black weight is zaftig and maybe a bit Bootsy Collins. Counters and apertures are very open and contrast is low, for added readability. Is this our answer to Calibri? No, but thanks for asking. Supports 140-odd languages, including Vietnamese. Matching italics and a full release scheduled for mid-2026. In the meantime, if anyone wants to use this on a new edition of Michael Moorcock sci-fi, they would make us very happy.

Mezalia Sans - 20 Styles Font Family

20 Fonts | OTF | +Previews | MyFonts SALE PAGE $120

• Mezalia family. Its shapes are based on medieval calligraphic style: the Bastarda. This time the evolution is taken a step further, as these classic shapes are merged with the straightforwardness of a modern sans-serif. This results in an original, strong yet very much usable typeface, that can hold its own in a wide range of applications. Mezalia Sans has two distinct styles: straight and cursive (true italic if you will, although the word is not really correct here), which come in ten weights, from thin to black. This wide range ensures that whether you are looking for delicate or bold strokes (or a combination of both) you will be satisfied. Every style also contains a set of small caps (with matching punctuation). Old-style, proportional and tabular numerals are included too, along with ligatures, symbols and language support in Adobe Latin 3 range.

KAPITAL - 8 Styles Font Family by Superfried

8 Fonts | OTF | +Previews | SALE PAGE

• NEW - Remastered for 2025! Kapital, designed by Superfried in 2018 and remastered for 2025, is an elegant geometric uppercase sans-serif typeface. Available in both standard and stencil styles, it features four versatile weights: light, regular, medium, and demi-bold. This type family draws inspiration from the uppercase character set of its predecessor, Basik, while enhancing its clean, geometric aesthetics to achieve a more minimalistic style.  The letterforms of Kapital are deliberately simple with a focus on clarity, allowing the characters to convey information without distraction. Special attention has been given to the consistency of glyph forms across different weights, ensuring that the integrity of the design is maintained. Additionally, adjustments have been made to key letterforms to optimize negative space, minimizing deviations that often occur with increased weight.  Ideal for branding, editorial design, and web applications, Kapital stands out for its refined simplicity and functional elegance.

Lexis - 36 Styles Font Family

36 Fonts | OTF | +Previews | Typedepot $249

• You can Download All 36 Demo Fonts The Lexis font family is a sans serif “super” family consisting of two sub-families - Lextis & Lexis Alt. While the first one follows the humanist model, its alternative version Lexis Alt dives way deeper into the geometric aesthetic. It’s simple yet versatile, packing great amount of well balanced weights, extensive character set and numerous Opentype features. The Lexis typefamily comes in 9 weights plus their italics, two distinctive styles and support for over 200 languages.

Muirne - 10 Styles Font Family

10 Fonts | OTF | Previews | Typomancer $120

• Muirne, a cheerful semi-serif inspired by a Celtic calligraphy and figure. Font family contains from Light to Black weights and suitable Italic. With a dozen of alternates to enhance your typesetting with a Celtic touch.

Banda Nova - 14 Styles Font Family

14 Fonts | OTF/TTF/WoFF2 | +Previews | TypeDepot $199

7 styles + Italics, 700 glyphs per weight | Cyrillic, Extended Latin

• Looking back at the first version of Banda, it’s hard not to feel a mix of affection and mild embarrassment. It was designed very early in the life of the studio, at a point where we were still figuring things out as we went along. A lot of decisions were made instinctively, without much of a system to back them up. The result was a typeface that felt friendly and expressive, but also uneven in places. Sweet, in the way first attempts usually are—but not particularly good at holding itself together.

Cormac Neue - 14 Styles Font Family

Simplicity can be sophisticated too
just take a glance at Cormac!

14 Fonts | V2.000 | OTF/TTF/WoFF2 | Previews | TypeDepot $199

7 styles + Italics, 696 glyphs Roman, 658 glyphs Italic | Cyrillic, Extended Latin

• The updated version of this humanist typeface retains the large x-height and slightly flared strokes of its predecessor, with the latter a throwback to the font’s calligraphic origins. Our goal with this 2.0 adaptation remained the same - deliver a stripped-down, unadorned font that is stylish, functional and true to our studio principles. Cormac’s slightly chiseled appearance carries minimal stress and contrast, while awakening memories of Glyphic Serifs and engraved inscriptions. This time around we have included seven weights ranging from Extra Thin to Bold, with matching ‘true’ italics and Cyrillic support, as well as a lavish range of fractions, numerals, ligatures, alternates and special characters. Merging contemporary humanistic qualities with more traditional proportions, Cormac nevertheless remains open, friendly and readable in a classic, timeless manner.

Polyphonic - 60 Styles Extended Latin SuperFamily

A Versatile 60-Font Slab Serif Type Family

60 Fonts | OTF | +Previews | Myfonts Monotype $315

Micronova - 16 Static Styles + 2 Variable Fonts

Released in March 2026 |18 Fonts | 16 Static OTF/TTF/Web | 2 Variable TTF | SALE PAGE $740

• With the sans serif font Micronova, we build on progressive modernist principles and examines their relevance in a contemporary context. Our study is based on the concept of Aldo Novarese, who designed Eurostile in 1962—a striking sans serif font that goes back to Microgramma, which appeared ten years earlier. This typeface, developed together with Alessandro Butti for the Nebiolo foundry in Turin, initially consisted only of uppercase letters. Its super-elliptical, yet functional and simple form was entirely in keeping with the spirit of the ‘International Style’ of the 1950s. With its distinctive contour—neither round nor angular—it became a symbol of the technological optimism of that era. The clean, linear appearance of Micronova has been built on a mathematical system, it offers three carefully tuned axes—weight, width, and x-height—designed for precise control rather than exaggerated variation. With this systematic approach, we offer a fresh perspective on this topic. Created in Nov 2025 Design by Michael Mischler and Nik Thoenen.

Banana Grotesk Sans & Mono

24 Styles + Variable Font Family

16 Sans + 8 Mono Fonts | OTF/TTF | Variable TTF | SALE PAGE $1120

• It is a popular sans-serif font released in 2018 by the MNKY Type (Monkey Type) font foundry..It was created by its designers trying to draw the Akzidenz-Grotesk typeface solely from memory , interspersed with classic Gill Facia details, giving it a unique character. It is frequently preferred, especially in modern web interfaces and SaaS landing pages.

OC Format Stencil - 15 Styles + Variable

15 Static OTF Fonts | Variable TTF | +Previews | SALE PAGE $215

• OC Format Stencil is a variable font design inspired by the work of Bruno Munari, Paul Rand, and Max Huber. Built on -OC Format Sans Bd, it has three axes that allow it to transition seamlessly from functional cutout to a more playful, expressive, and musical design.

OC Format Sans v1.3 - 24 Styles Font Family

24 Fonts | OTF | + Demo Variable TTF | SALE PAGE $320

• OC Format Sans is the third incarnation of this geometric grotesk sans serif which fuses the style of Futura with the rhythm and proportions of Akzidenz. It comes in two styles, standard and a new Print family where crisp sharp edges have been made blunt in reference to the ink spread that occurs when printing on uncoated paper stock. It can give digital media a softer more approachable analog aesthetic. Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story  a  and  g  give an academic touch, the single story versions of Set 1 are more friendly and approachable while Set 2 changes the look into something more scientific. Made with tireless attention to detail and kerning it's perfect for logotypes and extensive text, supports multiple languages and comes with a plethora of OpenType features including standard and discretionary ligatures, social icons, symbols, and multiple figure styles including roman numerals.

DX Overun - 3 Styles Font Family

Released in July 2026 | 3 Fonts | OTF/TTF/Web | DirtyLineStudio SALE PAGE $49

• Dx Overun is a bold variable racing and motorsport display font engineered to express speed, power, and forward motion. Its wide proportions, heavy construction, aerodynamic slant, and sharp geometric cuts give every word a strong, high-performance character. Featuring three font styles, adjustable variable slant, distinctive stylistic alternates, and extensive multilingual support, Dx Overun gives designers the flexibility to create typography ranging from solid and powerful to fast and aggressively dynamic. This high-impact sports typeface is ideal for motorsport logos, racing event posters, automotive branding, esports titles, gaming graphics, sportswear, jersey designs, packaging, editorial headlines, social media campaigns, signage, and promotional artwork. Whether used for a racing identity, competitive sports campaign, or futuristic technology project, Dx Overun delivers bold visual energy built to command attention.