Daikon Font Family
Daikon is a semi-closed geometric grotesque featuring rich language support including Cyrillic, various OpenType features and multiple sets of figures. This family’s clean and legible feel makes it useable as both display and body type in any font size.
FH Ronaldson Font Family
FH Ronaldson was produced as a similar version of FH Phemister. Phemister type feet are used sharply. The name Phemister comes from Alexander Phemister. Inspired by Ronaldson Old Style, which came from the same letter foundry, the name FH Ronaldson was created. It has been released as the 2nd version of this series.
Audacious Font Family
Audacious is a quirky, confident and adorable serif type family across five weights in both text and display styles. This attention-grabbing retro typeface has an imperfect nature that embraces its quirks and irregularities, giving each font a distinctive and somewhat oddball personality. Its defining characteristics include large open counters, awkward stresses, large exaggerated wedge serifs, and voluptuous teardrop terminals.
Aulas's design is inspired by an ancient Roman lettering. This font is characterised by the strength and weight of its glyphs, in addition to its predominant height of "x", as well as the ascending and descending, with particularly short strokes. Aulas includes more than 200 alternative glyphs (swashes, stylistics sets, stylistics alternates), more than 70 ligatures, and a set of more than 30 ornaments, very easy to combine with the rest of the letters.
ARDELA EDGE Font Family
Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography.
FS Rosa Font Family
FS Rosa is a free-spirited and optimistic serif typeface – reminiscent of those used on fanzines, film sequences and book covers of the 1970s, such as Cooper and Windsor, it has a laid-back nature with a touch of rebellion. It also reminds of type used in colourful protest graphics by nun-turned-designer Corita Kent, and its personality is akin with brands like Whole Foods - positive rather than preachy. While unconventional, it’s sensible enough to work perfectly for socially conscious brands, magazines, websites and campaigns that want a fairer and more responsible world.
VVDS Sunshine Collection Fonts
Sunshine time is coming. It's time to introduce you to the new typographic set - Sunshine Collection. 105 authentic font files give an incredible wide range for your design projects. The best of my typeface for spring/summer Sunshine's projects. This collection included 106 fonts from 7 typefaces with a 60% discount. Save your money and grab the Sunshine Collection.
Tropic Colour - Practical Transitions
4K Quicktime .MOV Files | Adobe After Effects, Adobe Premiere Pro, Final Cut Pro X, DAVINCI RESOLVE and More | Win & Mac
BR Omny Font Family
BR Omny is a rounded geometric sans serif, it is based on a softened geometric framework with a confident and friendly persona. The family contains 7 weights ranging from Thin to Black with corresponding italics. It supports an ‘Extended Latin’ character set that provides support for 200+ latin based languages.
Shibui Font Family
Shibui - Sans serif font, character structure is simple alphabet style. It has an elegant appearance with rounded folds.It offers the best solutions in your digital projects with this font which is highly readable in the smallest dimensions.With its modern minimalist stance, this font can meet your needs in all modern or classic creative projects.
Glance Slab Font Family
Many good things such as X-rays, penicillin and water ice were discovered accidentally. And now Glance Slab completes the list. To complete his type library, type designer Moritz Kleinsorge designed a new Slab Serif, but he was not happy with his first design at all. So he started experimenting with certain shapes and by accident the shoulder of the lowercase letter /n was suddenly no longer connected to the stem anymore. He liked this accidental discovery so much that he took this feature and created a complete typeface out of it - without receiving a stencil typeface, because he sees the unconnected elements more as an ink trap than as a stencil element.
Ahimsa Font Family
Ahimsa is a dynamic humanist sans serif family. It comes in 6 weights with matching italics. It contains a lot of contrast in the connection to the stems in order to give it a more dynamic feel, and also has low descenders and a large x-height and great legibility.
Rockford Sans Font Family
Rockford is a geometrical Sans Serif with subtly rounded edges. Rockford comes in eight weights and matching Italics. With its large x-height and round features it’s both legible and friendly. It’s suited to cover a wide variety of tasks from editorial to brand design, advertising, logos and more.
Palsam Arabic Font Family
Palsam has an inviting, approachable, fashionable and humanist look. Thanks to its low contrast, open apertures, detailed calligraphic strokes, and smooth counters, which also make it easy to read at smaller sizes. With true cursive companions in five weights, and many opentype features, Palsam grants all the tools needed to set complex information and editorial designs applications. More than 1000 characters are included per weight, including small caps, fractions, old style and lining numbers, ligatures, contextual ligatures, and discretionary ligatures. It supports over 40 languages that use the Latin extended, as well as Arabic, Farsi, and Urdu Languages. PalsamArabic only covers the Arabic script.
Garbata Font Family
Garbata is a strange mix, it was designed after many sketches searching an elegant but not serif font, particular and adaptable but at the same time with a classical feeling. The result is a surprise, Garbata can dialogue with the cover of an elegant book, a designer logo or a startup application. We have put inside this typeface our Italian heritage, with a renewed point of view.
Cobe Font Family
The result of reducing elements of letterforms to only its necessity in lowercase is mostly influenced by the ideal of Aerodynamics. The true intention behind the design of Cobe is to construct a fluid typeface while maintaining a strong structure of uppercase that possessed distict forms, shapes and corners, resulting in an eye-pleasing texture when forming a sentence.
CreativeMarket - Winstreak - Brush Font - 5069009
Introducing, Winstreak. A unique brush typeface with bold and strong feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Lempicka Font Family
Lempicka Display and Small Caps are a pair of light, clean fonts with strong Art Deco character. Lempicka Display has over 150 ligatures and alternates (in Greek, too!), so it's extremely customizable and versatile. Lempicka Small Caps is Display's little sister: the perfect complement for creating hierarchy in a layout.⠀This is a beautiful typeface for wedding invitations and personal stationery, as well as unique logo design and branding projects.
CreativeMarket - Modernica Tropico - Caps Serif Font - 4233962
FS Renaissance Font
The typeface is inspired by the Renaissance period symbolised by flourishing progress in the arts, sciences, learning, and philosophy. The typeface is not a traditional stencil design: the cuts are not rigid but interactions that are hand crafted between each element, emphasising the idea of a typeface as a piece of art or sculpture. Pedro Arilla’s aim was to take the core DNA of Craig's lettering and apply it to a typographic base with a solid internal consistency, balanced with an external elegance. Pedro and Craig worked closely together to make sure the original concept was not compromised and this is reflected in the finished design which strikes the perfect balance between functionality and art.
Aguila Font Family
Águila design is based on the combination of straight lines, curves and triangular shapes as well as on Didone typefaces. The font also has semi serifs— a notable characteristic that gives it a singular appearance. Águila was specially designed to be used as a display font for editorial design, packaging, branding, broadcasting purposes and for any project that requires a clean, modern font with a strong character. Águila comes with a set of more than 400 characters that support over 200 Latin-based languages.