https://www.cgcircuit.com/tutorial/embergen-and-houdini-advanced-techniques-for-real-time-vfx

This second course in the series offers an in-depth exploration into the advanced functionalities of EmberGen in combination with other third party software to create more complex effects. Participants will use Houdini to create geometry for complex and animated emissions and colliders, render the final images using the Karma renderer, and composite the final shot using Natron, a powerful compositing tool comparable with Nuke and other industry standard software.   Designed for those with foundational EmberGen skills, this course empowers artists to execute sophisticated visual effects for gaming and film projects with confidence.  Lesson Breakdown  Introduction and Overview: Understand the tools and techniques we’ll use to create a challenging VFX sequence.  Particle Emitters: Explore EmberGen’s particle emitters, parameters, and functionalities through practical exercises.  Data Integration: Learn how to export and import cameras, geometry, and animated objects between Houdini and EmberGen.  Full Effect Sequence: Follow along as we create, animate, and export complex effects, apply shaders, and render image sequences using Houdini’s Karma renderer.  You’ll wrap up with compositing in Natron and editing in Blender, ensuring you have a comprehensive understanding of the entire production process.

Wandah's subsequent class welcomes both returning and new students by delivering a wealth of practical tips and expertise, such as optimizing the sculpting flow, anime anatomy, proportions, and incorporating elemental effects. Making it the perfect class for anyone from basic to intermediate level looking to advance their sculpting skills in ZBrush

In this class, you'll learn the fundamentals of artwork, including organizing 'space' in a modern way. You'll sequentially expand into commercial areas, LED signboards, outdoor advertising, and more, exploring visual implementation methods for each medium. Learn 3D anamorphic techniques and create media art as emerging trends in the advertising industry.

 

Language: English (US)

Learn professional hand painting, 3D modeling, UV unwrapping, lighting, animating, and more - all in one complete course

https://www.udemy.com/course/the-ultimate-blender-hand-painting-course-bundle-is-here/

In this online course, the viewer will learn about Particles in Houdini while creating energy FX that will it interact with a character. The course will start by preparing the character mesh for particle interaction. We’ll then move on to creating the main source of the blast with all the necessary attributes to generate a nice energy blast with POPs. After that, we’ll work on adding radial blast waves using FLIP. The third layer of the final effect will be another POP sim where we’ll have the energy blast envelop the character. We’ll finalize with some extra FX layer of electric arches and some sparks. Finally, we’ll bring everything together with a mix of render techniques but focusing on the super-fast Redshift. Along the way, we’ll be exploring some of the brand new Houdini 19.0 amazing updates while learning many tips and tricks to work efficiently and get amazing results

In this course, we will learn how to create a detailed simulation of a car driving through a wall. Designed for beginner and intermediate students, we will specifically look at how to install Quixel’s bridge in order to use a Megascans asset to build our wall. We will also look at a couple of ways to implement ACES in Houdini for professional color management control.

In this training series you will learn the secret to transferring blendshapes across different topology characters. We'll cover migration methods similar to those used at the top studios behind Unreal MetaHuman, Ziva Dynamics Face Trainer, Snappers Facial Rig, PolyWink Transfer, and more. Too many Studios fall into a single topology asset pipeline limiting art direction and character flexibility. While similar topology presents advantages where we can reuse items like models, textures/shaders, and skinweights; this surrounds us in a box that's hard to escape when one of our characters has a unique facial element like a horns or asymmetry.

https://iphotoeditora.com.br/loja/p/dvds/14-a-arte-de-fotografar-nu-e-sensualidade

https://www.fxphd.com/details/687/

This course focuses on the fundamentals of Pixar's RenderMan and covers some of the main features of the renderer, MaterialX LAMA, and RenderMan lighting as well as the myriad of render settings to get the fastest and highest quality renders with fantastic artistic and creative control.  Liam Whitehouse is an Australian based senior VFX artist who has been in the 3D industry since 2003 and has used RenderMan for many years. He has worked on various projects over the past 21 years including most recently environments in The Fall Guy, underwater environments in Aquaman 2, Lindon forests in The Rings Of Power, photorealistic canyon environments for The Falcon and the Winter Soldier on Disney Plus, and the hollow earth environments for Godzilla vs Kong, as well as photogrammetry rocks in Avatar 2.

In this class we will check out Nikki’s choice of campaign, what she wrote, what she filmed, and how she educated and booked her clients. We will see how many she actually gets and why she chose what she did. In this video we will watch the shoot, see the PDF and landing page, the marketing video, and the Facebook campaign. Nikki will Skype in and we can both answer any questions you have.