Lufga is a geometric sans serif font family with unique characters for a touch of distinction. Simple yet sophisticated, this typeface design gives a clean and modern appearance while carrying some almost retro tones. Most notably, the lowercase g and u make it recognizable for your branding applications, and there are also stylistic alternates to help give a little different presentation when needed.

OTF | TTF | WOFF | RAR 747 KB

• Guanabara is the third release of Plau Type Foundry. It started from the need of a wayfinding typeface that had personality enough to be the brand typeface for a city.
• The city of Rio de Janeiro, with its never-ending curves and all year long summer weather provided the constraints and requirements of this typeface.

• Platz Grotesk has been designed parallel within the neogrotesque universe of typefaces and is inspired by humanist proportions and humanist-grotesk features. Firstly, this hybrid has a smaller x height, thus it possesses wider typeface whites in order to be legible in small sizes, vertical strokes which are located inside the typeface bowl that are slightly straight to not affect the typeface legibility and, finally, has fresh-fun features which culminate in a totally versatile type family, ideally to be used inside any visual communication application.

• Vast and untamed, the American West once stretched as free and wild as imagination itself. Still beautiful, the Wild West of long ago and the new West of today is now to be found in insigne’s new face, Plathorn.
• That’s right, folks. When the West called, Jeremy Dooley reached up like Pecos Bill, grabbed it by the reins and pulled it in, then using its wide, roaming elements to design this functional font that still has an unbroken spirit burning deep inside. This down right, no-nonsense, orthodox face leaves off any of that extra fancy stuff that doesn't belong on a ride.
• Plathorn comes with a family of cowhands as wide as the Rockies, bringing specifically tailored condensed and extended sub-families along with it too. By design, it’s not very obtrusive like its unorthodox reversed tension brethren. Leave those for the next font rodeo. This mount features barely a hint of a serif that hearkens back a hundred years or so to sign painters and package lettering artists of early twentieth century. They're sure to put the sharpness, gumption and grit you need into your copy.