As Achates was a humble hero, a devoted friend and faithful companion to Aeneas on his journey to greatness, so this font can be your trusty sidekick on your creative path. The marvelous Agate is also named after the Trojan hero. It is considered as the stone to call on for support when you need stability and grounding in your life. Along with its supportive energy, the Agate stone has been long admired for its incredible beauty. So… a Trojan hero or a thing of beauty – it is up for you to decide… or just maybe both!

Acerola Font $50 | 1 x OTF | Turkish Support 
http://www.myfonts.com/fonts/gestu/acerola/
Acerola is a contemporary script font based on calligraphy with the pointed brush. The letterforms have a touch of chancery with a fresh look, full of details and offering great readability. It contains a various OpenType features and supports most Latin-based languages.Over 1200 glyphs make up this display font that can be used for all manner of applications. Acerola includes alternate characters, swashed capitals, terminal forms, ligatures, stylistic sets and small caps.Acerola stands out in any typographic composition and certainly will make your design looks like unique and handmade. 

http://www.myfonts.com/fonts/dootype/accura/

Accura is a sans serif font with a technological aspect and simple letterforms. Its closed angles and smooth curves make it an unique source of personality, and still offers great readability.Perfectly fits to headline sizes and text blocks, Accura has seven precise-calculated weights and their matching italics, from thin to black. Offers support for more than 50 languages and count on opentype features.

Accelerator Font Family $25 | 1 x TTF and OTF
http://www.myfonts.com/fonts/characters/accelerator/
Accelerator is a custom made typeface for a clients' package line. Since the product never hit the market, Accelerator has been made public. It’s a 100 procent power generator for the NXT generation of designers. Accelerate your design to the NXT level. 

ABTS Aviator Font Family $101 | 6 x TTF and OTF
http://www.myfonts.com/fonts/albatross/abts-aviator/

ABTS Aviator is a font inspired by the 1950s and mixed with letterforms of the Art Deco era of design. It’s simple, yet stylish and modern, yet retro.

A nice mix of personality and geometry allowing for a variety of applications. 

Abril Titling Font Family $764 | 32 x TTF | Turkish Support
http://www.myfonts.com/fonts/type-together/abril-titling/

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril deserves to be considered a separate font family on its own.Based on the original text styles of Abril, the letter shapes are sturdy, very legible, and deliver a newsy and trustworthy feel. The accented editorial style of the Scotch Roman finds continuity in this new type family, but some of the details have been ironed out for improved performance in headline, both in print and on screen.

The family is conceived as four series of different widths, with four weights in each series plus matching italics, a total of 32 fonts. This wide range of styles allows for setting titles at almost any size. The wider series are aimed for smaller point sizes while the con- densed weights can deliver a striking and cohesive appearance as front cover headlines.Abril was designed as a versatile tool for those graphic and web designers looking for a workhorse with high impact. It is also an excellent companion for the rest of the Abril type family: Abril Titling and Abril Narrow. 

Abnormal Font Family $75 | 4 x TTF and OTF
http://www.myfonts.com/fonts/jan-buble/abnormal/

Are you getting bored by the growing number of sans-serif fonts that absolutely lack character? Do clean typography and sleek curves repulse you? Maybe it’s time to forget the normal and set sail into the murky waters of abnormality.

Abnormal features four styles, ranging from an almost monolinear Light to a reverse-contrast Bold. The design pays homage to 19th century poster typefaces, with their crude character and unconventional means of catching the eye. It is one of the few typefaces out there that features reversed contrast and no serifs. These properties make it an ideal choice for large headlines, posters, flyers and essentially all applications where getting attention is a paramount. 

Abia 4F Font Family $25 | 2 x TTF and OTF
http://www.myfonts.com/fonts/4thfebruary/abia-wide-4f/ 

Abadi Font Family $345 | 42 x TTF | Turkish Support
http://www.myfonts.com/fonts/mti/abadi-mt/#index
The Abadi font family, released in 1988, is a sans serif developed by Malaysia-born designer Ong Chong Wah. Although sometimes classified as humanist, it is generally considered a blend of both humanist and neo-grotesque sans serifs. 

Aaux Next Font Family $280 | 18 x TTF | Turkish Support
http://www.myfonts.com/fonts/positype/aaux-next/
The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set. 

Prox is a humanist sans-serif typeface destined for use in all settings and mediums. Conceived as a simple, economical design, this family of twenty styles includes a large character set that covers both the Latin and Cyrillic script. The addition of Opentype features includes a selection of numerals, from lining to hanging and includes fractions or ligatures. Delivered as static weights or as a single Variable font.

https://www.myfonts.com/collections/steinschaber-font-typogama

Steinschaber is a single weight, display typeface based on the blackletter Rotunda style used by the first printer of Geneva. Through its quirky letter forms, pronounced contrast and diagonal axis, it offer a unique style that could be used as a historical artefact or integrated into a more contemporary composition. Through the Opentype features, a secondary, Titling set of capitals letters allows further explorations for setting content. Steinschaber includes a full latin character set, a series of typographic fleurons and a range of numerals to choose from.

http://www.myfonts.com/fonts/lettersoup/ropa-mix-pro/

Ropa Mix Pro provides advanced typographical support with features such as case-sensitive forms, fractions, super and subscript characters, and stylistic alternates. It comes with a complete range of old style and lining figures, witch are in tabular and proportional widths. In addition to an extensive coverage of Latin-based languages, Ropa Mix Pro provides essential support for the Cyrillic and Greek writing systems. It is manually hinted and optimized for screens, hence it has an excellent web-font, eBooks or Apps performance.

http://www.myfonts.com/fonts/without-foundry/urbani/

URBANI is the result of a mix between Neohumanist and Neogrotesque types. The subtle narrowness of its proportions makes it ideal for composing extensive blocks of text. The slightly superior height of its ascenders, the wider proportions of its counter-forms, the addition of ink traps at certain stroke intersections; every aspect of URBANI’s design was conceived with reading in mind. The Opentype tool Alternative Glyphs is especially important, since its use is fundamental in achieving a universal and geometrical visual language through the rationalization of the font family. URBANI is inspired upon the works of Adrian Frutiger and Paul Renner, a constant source of admiration and inspiration to W.This type family comes fully equipped with Opentype tools, a huge range of alternate glyphs, fractions, modern and old style numbers, superiors and inferiors, ligatures and smallcaps. Universality is a major goal when it comes to creating our fonts. URBANI is ideally suited for general graphic design, print and digital publications, motion graphics, web design, branding and interaction design.

http://www.myfonts.com/fonts/justintype/suit-sans-pro/

In designing Stinger, the Zetafonts design team composed by Maria Chiara Fantini, Andrea Tartarelli and Francesco Canovaro and orchestrated by Cosimo Lorenzo Pancini decided to marry this subversive tradition with the workhorse approach of modernist sans serif typefaces like Univers, developing a super-family with four widths, each in five different weights, from thin to heavy. This gives the designer a full range of options for type setting, with the Normal and Fit widths providing two different text-sized alternatives, the wide width adding display and titling options and the Slim ready to deal with the space-saving necessities of extremely long texts. True italics have been added developed for all weights and variants, bringing the Stinger family to a total of 40 fonts, with a latin extended + russian cyrillic character set covering over 200 languages, and open type features including positional numbers, stylistic sets and alternate forms.

Rustonis a Display Fonts with 6 Style + Extra Weights and Widths. Inspired by the traditional sign painting, offer a kind of beauty, personality, and longevity. Older signs in particular have a certain staying power. Hand-painted with a permanence that outlasts their original commercial messages.