Resolution: 1080x1920, File Size: 950MB

https://videohive.net/item/vertical-light-fx-transitions-for-premiere-pro/58916311

Length: 1:14, Resolution: 1920x1080, File Size: 5.42MB, Media Placeholders: 8, Text Placeholders: 58

https://videohive.net/item/food-menu/58857105

Length: 0:04, 0:05, 0:06, 0:09, Resolution: 1080x1350, File Size: 25MB, Media Placeholders: 5, Text Placeholders: 3, 1

https://videohive.net/item/podcast-title/58848108

Length: 0:20, Resolution: 2304x4096, File Size: 35.5MB, Media Placeholders: 30, Text Placeholders: 10

https://videohive.net/item/slide-photo-logo/58849454

Length: 00:55, Resolution: 1920x1080, File Size: 1.47MB, Media Placeholders: 12, Text Placeholders: 09

https://videohive.net/item/birthday-slideshow/58848754

Resolution: 1920x1080, File Size: 3.9MB

https://videohive.net/item/carousel-showreel-20/58843901

Length: 0:11, Resolution: Resizable, File Size: 13MB, Media Placeholders: 21, Text Placeholders: 9

https://videohive.net/item/bento-multiframe-intro/58825223

Length: 0:09, Resolution: 3840x2160, File Size: 2MB, Media Placeholders: 1, Text Placeholders: 1

https://videohive.net/item/light-from-the-darkness-logo/58839105

Gumroad - Max Bitiukov - Infrastructure 3D HUD Pack [Cinema4D/Xpresso]

https://mbitiukov.gumroad.com/l/ysisg?layout=profile

Introducing the Infrastructure 3D HUD Kit for Cinema 4D! This kit contains 31 animated, procedural, XPresso-based HUD elements, perfect for adding a high-tech, futuristic feel to your environment scenes. Detailed data, gauges, displays, and more can be easily customized and integrated with flexible procedural animation controls.

CGCircuit - Cinematic Procedural Environments in Houdini and Karma

https://www.cgcircuit.com/tutorial/cinematic-procedural-environments-in-houdini-and-karma

Category: Essentials, FXs, Modeling, Rendering, Sculpting, Cinematography | Total Duration: 22h 55m 55s | Level: From Beginner to Advanced | Language: English

• Take your Houdini skills to the next level with Cinematic Procedural Environments in Houdini & Karma—an in-depth course designed to teach you how to create stunning, cinematic environments using a procedural approach.
• Taught by Ali Al-Tobi, a seasoned VFX artist, lead, and supervisor with experience at studios like MPC, Ghost VFX, Outpost VFX, and One Of Us, this course provides a deep dive into the techniques and workflows used in high-end film and TV productions.
• Procedural Modeling: Generate complex, high-quality assets from scratch while maintaining control over UVs and fine geometry details.
• Geometry Refinement: Add the right level of detail, untangle messy topology, and apply custom UV fixes.
• Digital Assets (HDAs): Create reusable tools to speed up workflows and maintain consistency.
• USD & Optimization: Learn best practices for handling USD files, cleaning up geometry, and optimizing performance with wedging techniques.
• FX & Simulation: Work with particles, procedural FX, and large-scale instancing in USD.
• MaterialX & Shading: Develop custom shaders to achieve realistic cinematic looks.
• Lighting & Cinematography: Craft visually striking compositions with cinematic lighting, camera movement, and storytelling techniques.
• Final Compositing in Nuke: Polish your renders with professional-grade compositing and post-processing.

StockMIX - Flame Mix Collection 

Gumroad - Brad Rigney's: Adapting To Adversity & Self-Critique

https://bradrigneyart.gumroad.com/l/QHNKg

• This time image-making takes a back-seat, and just serves as a vehicle for us to discuss the topics that are most important to you; what you write about in your PM’s, notes, and emails to me.
• What this process video is: A multi topic, process video where we discuss not only the pitfalls, challenges and hardships we encounter as we pursue a career in image making, but more importantly the workable solutions to those hardships, setbacks, and obstacles. We also discuss image-making, albeit in a secondary capacity.
• What this video is not: A hard, efficient, technical breakdown, and step by step process of my usage of modern tools, and a fixed pipeline of image making. I use a 10 year old computer, and a 20 year old version of photoshop.  My self-taught process is fluid, chaotic and intuition based. I’m not an instructor. As mentioned, image making is secondary to the discussion, and is more an exercise in practice, study, and experimentation.