CM - Lundy Skate Type Font 2053672

Lundy is bold, versatile font. It’s expressive and great for branding, crafting and much more. It is easy to read and works well for digital designs, print & print & cut. To add the decorative line underneath, simply add an underscore, asterisks and the number of the swash (for example: T_*1raveling) or grab it from the PUA encoded section of the font.

https://www.briefcasetype.com/fonts/bc-steiner

Have you ever imagined what a modern serif with massive triangle-shaped serifs instead of the usual hairline ones would look like? And what if the uppercases got smaller and the extenders were minimised at the same time? How big a narrowing can a serif type handle but still retain its character and legi­bility? Vojt?ch ?íha asked himself all of these questions and answered them with the extensive Steiner family. A contemporary serif, German-like in strictness and precision, but still retaining originality in its shapes.

Sudeten German Anton Steiner (*20 May 1855 – † 17 June 1920), buried in a cemetery near Karlovy Vary. The lettering on his gravestone served as the basis for a majestic display type, in which static and dynamic principles are in symbiotic opposition. A vertical shadow axis and heavy, trian­gle-shaped serifs anchor the letters firmly on the baseline, with serif diagonals accentuating the inner dynamics of the whole typeface. Distinctive lowercase bulbous terminals disrupt the seemingly strict triangular principle dominant in the uppercases. Deep incisions in the outstrokes to stem connections create a pleasing contrast and help cast away a slight weariness typical of Classicist Didot types. Six weights with increasing contrast form a palette of options one doesn’t get bored with easily; the seventh version, simply titled Headline, is a shadowed version of the Black style and is most appropriate for death certificates and various manifests with no expiry date.

One of the greatest pleasures in a typographer’s life is having nice italics. Each weight of Steiner contains a dynamic italic, which compensates for a lack of distinctive slant with a visible change of accentuation. Romantic moods are evoked by softly arched curves, bulbous terminals alternate with pointed instrokes and outstrokes, asymmetrical characters lend the text a feral character. The rippling of the italics as a counterpoint to tectonically upright styles works perfectly.

The Steiner family was origi­nally part of a collection of fonts inspired by gravestone inscrip­tions, which Vojt?ch ?íha designed during the course of his studies at the Type Design studio of the Academy of Arts, Architecture and Design in Prague. Vojta designed a set of three type families: Frieden, Wagner and Steiner, which are based on Sudetenland gravestone inscriptions traced onto paper using the frottage technique. Each represent a different font cate­gory – Sans Serif, Grotesque and Antiqua. All three typefaces have their strokes adjusted to correspond to real stone-chiselled inscriptions. Each typeface has well thought out shapes of difficult strokes, such as crossings, instrokes, bottoms or extended and condensed ellipses. Vojta ?íha verified his font during a stone sculpturing workshop in Ho?ice, organized by Type Design studio, where he chiselled the Steiner Bold and the thinnest Wagner Light faces into the stone without impairing the letters. Vojta sais: “Steiner is pure masturbation on the subject of the old Sudeten­land gravestone typography, which I enjoy finding. Steiner draws not only from one single gravestone inscription, but from gravestone aesthetics in general, and also from Germany.”

Steiner is a blessing for all designers of newspaper and magazine, as it can magically conjure up a dramatic buzz even when substance is lacking. But a quality, contemporary typeface in seven weights with seven italics will always find its application – no clever type foundry recommendation will ever replace the designer’s own sense of invention.

https://www.youworkforthem.com/font/T1153/prestige-elite

Prestige Elite is a minimal, clean monospaced typewriter typeface, originally designed for use by IBM. This modern version was published by URW and was originally designed by Clayton Smith in 1953.

CM - Fashion Lookbook/Catalog 2010915

A modern,clean,fresh,minimal Fashion Lookbook/Catalog. You can use it as lookbook,catalog and magazine template as well. Easy to edit all the pages, Fully editable file. Free fonts used. A complete lookbook for your company.

Included:

• 11x8.5 In ( Letter Size )

• IDML File

• INDD File

• Can be use CS3,CS4,CC and all other versions of InDesign.

• Free fonts used

• Easily change photos

• Fully editable indesign file

• Help file

• 1 PDF file of lookbook included

CM - Rose Gold Burgundy Unicorn Patterns 2022294

Unicorn Paper, Burgundy Rose Gold Digital Paper, Pink Silver Glitter Unicorns Planner Stickers Paper Floral Unicorn Patterns Custom Fabrics - for planner covers and dashboards, stickers, scrapbook paper, textile printing, etc.

Perfect to creating:

• patterns for paper or fabric

• printing over any surfaces and items

• digital and physical scrapbooking projects

• decoupage

• papercraft creations

• planners, plannerstickers

• cardmaking, announcement cards

• blog or web design

• logos or photo overlays, etc.

Download link includes PDF document contenting link to 12 JPG files 12 x 12 inches, high resolution 300 dpi, seamless tileable patterns, solid color background .

Thehungryjpeg - Calling Heart 94384

Calling Heart We present our new product called Calling Heart. The Calling Heart font is modern handmade font, dinamic and also has beautiful opentype features. Calling Heart is easily to use for your work ; Branding, Logo Design, Lettering, Clothing, Poster and others.

Bifocals Grotesk Font Family

The designer pack included Bifocals Grotesk and 10 Superior illustration. Inspired by the minimalist, geometric, and contemporary art.

Bifocals Grotesk made with geometric and modern concept, designed by Habib Otang. Inspired by Modern Style & Industrial Era Typographic and Graphic design. Come with 4 families to mix and match your design.

Mainmia Font

Introducing Mainmia handwritten typeface. This font is good for Brand design, t-shirt, logo, labels, posters and etc. Mainmia typeface include Uppercase, Lowercase, Numerals & Punctuations for combine your design.

CM - The Youngest Font 2054366

The Youngest Font - all caps font. Ideal for invitations, logos, branding, blogs, handmade craft items, printed paper items and more.

https://www.youworkforthem.com/font/T1157/raleigh

Raleigh is an antique, heavy serif typeface originally designed by Adrian Williams and Robert Norton in 1977. It contains a conservative, American advertising feel and is loaded with 12 weights in the complete family. It contains language support for West, East, Turkish, Baltic, and Romanian.

CM - Malanko. COLOR FONT! 2051514

Introducing the color font Malanko created with fontself. This is a funny and laid-back font which is great for decorating goods and services designed for children. Bright and light, a little sloppy, modern and fresh it is also perfect for making out the headline, greeting cards, posters, book covers, invitations, stickers, T-shirts or mugs and many other interesting projects. Software requirements: Photoshop CC 2017 /2018 and Illustrator CC 2018.

CM - Stamped Stanley - Font 2053955

Stamped Stanley is a simple font in bold style which was generated out of stamped letters. Designed are the uppercase letters for a fancy handcrafted look. It works good for rustic or vintage style work especially in the advertising industry. This will look very nice on book covers, posters or headers in magazines. Great for getting that handcrafted look you've been looking for! All this without your stamp pad!

Fontbundles - Dissentio Typeface 5068

Dissentio is a funny bold font. It is ideal for posters, t-shirt, quotes, logos, header, covers and more. Dissentio comes with uppercase and lowercase characters, large set of punctuation glyphs, numerals and supports international language.

Thehungryjpeg - Alien Delon 57373

CM - 4X Ebook Bundle Templates 2022412

Use this collection of 4 ebook templates to jump start your online business. Develop your very own marketing optin (freebie offer/content upgrade) for your website, build an ebook to sell, develop your client workbooks, or new online e-course you've been meaning to build! These templates will make you look chic and encompass professional timeless design while presenting your material in a way that's professional and easy to read. They're modern, with timeless style. Oh, and when you purchase, you'll receive 3 of them with over 100+ designed pages!

7 Ebook Bundle Highlights:

• Designed in Powerpoint and Keynote for easy editing

• 159 Professionally Designed Pages

• 4 Professionally Designed Ebooks

• Each Ebook includes a 20-53 Page Layout

• US Letter Sized

• "Ready-to-Go" Format (Layout is intuitive, and is ready to add your copy!)

• Unlicensed Stock Photos are Included

• Logo Placeholders

• Fonts Included

What's In the Box:

• Original Keynote Files

• Original PPX and PPT Powerpoint Files

• PDF files for reference

• Font Downloads

• Images Included in the Ebooks

Use These Templates For:

• Ebooks

• Workbooks

• Magazines

• Online Courses

• E-Zines

• Marketing Website Opt-ins

• Freebie Offers

• Content Upgrades

• Swipe Files

• Workshops

• Handouts

• Client Packets

• Consulting/Coaching Material Supplement

CM - Square Magazine Mockup 2008682

Easy to Use. already in PSD and JPG. What's inside:

• Smart Objects

• The resolution of the Smart Object is 2000x2000 pixels

• Image size: 3000x2008

• 7 PSD

• Photoshop Version: CS or higher

• Organized Layers

CM - Wall Calendar 2018 - V13 2016881

• Size: 17x11 in

• Pages: 13 pages

• Resolution: 300 dpi

• Color mode: CMYK

• Bleed: 0.25 in

• Working file: photoshop cs4

• Files included: photoshop cc (psd file)

• Font used - Open Sans

CM - Shabby Chic Script 2054475

The softening of edges in the Shabby Chic aesthetic are markers of age, warmth, authenticity and use. The charming style popular with Bohemians and artisans has a soft, relaxed and romantic feeling.

Resistenza used their highly successful monolinear script Mina as the basis to explore how to recreate the spirit and charm of the Shabby Chic design style in a typeface.

Drawn by hand with dry brush pen for rustic warmth and distressed edges. Shabby Chic has long connections between letters creating a visual rhythm that echoes the form and pace of gentle waves lapping at a seashore. Each character has an expressive touch, OpenType enabled alternates, for character combinations, initial and final forms allow effortless customisation, flair and a realistic handwritten-sign appearance. (The alternates are accessible by turning on ‘Stylistic Alternates’ and ‘Ligatures’ buttons on in Photoshop’s Character panel, or via any software with a glyphs panel, e.g. Adobe, Quark...etc)

Introduce some rustic romance to your font library. Shabby Chic is perfect for cards, invitations, labels and logos where you want to convey intimate, friendly, warm and genuine sentiment.

https://www.youworkforthem.com/font/T1109/sax/

Sax is a professional, elegant and high end serif design by Coen Hofmann, published in 2008 by URW. The Sax family contains three effective weights of regular, bold and italic, along with a small caps weight.

CM - Mandolina Lined Font 2038356

Mandolina is an all capitals display font with a complete accented letters used in Western Europe (Latin 1). Some accented letters used in Eastern Europe are also included in the font. The characters in the font are not all shown in the preview images but you will have a very good idea on what is on the font based on the previews. Mandolina has 247 glyphs and is available in both OpenType (OTF) and TrueType (TTF).

https://www.briefcasetype.com/fonts/bc-dres

The Dres family conjures up the sweaty aesthetics of sportswear and will find fans among those who like large-screen TVs, potato chips, and can’t seem to be drawn away from live feeds of team sports. It’s mandatory for those who own a club card to the local stadium or sports hall, prefer to drink beer from a paper cup, eat cold hot dogs and carry fireworks in their pockets. And of course for those who know all of the chants and choruses of their club by heart, wear scarves with logos around their necks and only travel by public transport dressed in the attire of their favourite club. No matter if it’s a football, ice hockey, volleyball or basketball club, regardless of whether you support Liverpool or United, Jágr, Gretzky or Maradona. Dres will remind you of all the successes (or failures) of your national or favourite team; some will also be reminded of the legendary Mexico 68 typography.

The Dres typeface was a part of a school project given to students at the Type Design and Typography studio of the Academy of Arts, Architecture and Design in Prague. The task was to design numbers for sport dresses. Vojta first drew the numbers, and a year later created letters and eight more styles with specific instroke decorations as an addition to the numbering system.

A typeface for sports shirts needs to be simple, large, bold, and most of all, legible. It needs to be seen from a distance so that you can’t mistake the tiny figures on the pitch. Ornaments don’t belong on a sports shirt, and neither do attempts at original shape creations. Only decent linear decor is allowed, everything else is a distraction. Vojt?ch ?íha wasn’t content with just one universal type; instead, he made an extensive group of styles that can be combined at will. A total of eleven typefaces within the framework of a simple geometric construction are available, which you’ll be able to combine into an unbeatable football (or typography) team. On hand are styles as rounded as sausages, boxy styles, full and linear styles, even several fonts with different levels of blotchiness. Some evoke sports fields, others evoke lines in front of a football goal, but all have an identical character set and contain excellent diacritics, as well as special symbols including arrows and fractions to support your creativity.

https://www.youworkforthem.com/font/T2408/rubber-stamp

Designed by the outstanding British designer Alan Birch, this dramatic typeface conveys all the immediacy, impact and effect of a stencil or rubber stamp on paper. Suitable for many large display applications, and any work that would be enhanced by a stencil, branding or rubber stamp effect.

http://www.myfonts.com/fonts/flat-it/ht-cartoleria/

Retro script based on shopfront lettering, wallpaint advertisements in Italy around 1950s.

https://www.myfonts.com/fonts/mti/scene/

Work on Scene began some time after designer Sebastian Lester joined Monotype Imaging in 2000. Clean, calm, and highly legible — thus the design brief Lester set for himself. With Scene, he wanted to provide graphic designers and creative directors with a suite of fonts that would serve as a strong foundation for identity projects, incorporating what he had learned about on-screen and print legibility. Scene was developed during two years of after-hours and weekend work. The family comes in six weights with matching italics, there is a set of “semi-sans” characters to introduce more expressive word rhythms into headlines and blocks of copy.