Ocre Font Family

Sightly inspired by the work W. A. Dwiggins, Ocre is a robust type system that resulted from an exploration on contrast between soft outer shapes and sharp inner shapes. It's relatively large x-height, robust serifs and low contrast make it a reliable choice even at smaller sizes, where the sharp inner shapes act as ink traps increasing the overall legibility.

Countach Font Family

Countach, the tough compact sans supercharged with brawn & brains. Developed for The Crew, a critically acclaimed auto racing video game, Countach evokes the muscular and mechanical dynamics of fast cars and urban adventure.

Gnomon Font Family

Gnomon* is built using OpenType variable font technology, a new font standard that allows for user-controlled variables. In the past, font metrics, such as boldness or oblique angle, were limited to the few predetermined options made by the font designer.

Schwarzkopf Font Family

SchwarzKopf is an 18th Century European "Schwabacher" blackletter that features a distressed edge for creating authentic "antique" documents. Old features the long "s" and other archaic forms. Both Old and New variations feature many additional ligatures such as tz, sch, ss, ff and ck.

https://www.myfonts.com/fonts/storm/alebrijes/

I have a lot of “regular” fonts, but from time to time I need something more emotional for exceptional musical projects. This typeface was first used in spring 2015 for a certain CD cover and merchandising. Its sharp serifs and details fit engravings perfectly. As the work went on, the extreme styles raised from the need to illustrate a bizarre nature of other music genres I’m involved in.

New Bethany Script

Bethany Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more.

Labor Union Small Font

Labour Union Small, from McLetters, was made to supplement the logo for the student-run group “Students for Labor Action” at Ithaca College. They fight for the fair treatment of employees at the college and are closely connected to the local county’s worker union (Tompkins County Workers Center). Although this font was made for any industrial use as well as anything pertaining to worker’s rights and socialism, the potential uses for this font are endless – and free for all to enjoy, as it should be. It supports 85 different languages with Latin and Cyrillic characters.

Jost Font Family

When Paul Renner designed Futura in 1927 it looked chic and ahead of its time. The great design is due, in part, to Heinrich Jost, who was instrumental in realizing Paul Renner’s ideas. Futura is dazzling in its simplicity, welcoming in its rationality. It’s simple and beautiful. Many fonts find the spotlight for a time, but Futura has remained as relevant and innovative as it was when it was created 90 years ago.

Wingsuit Font

What’s new is old, what’s old is gone. You’re pushed up to the edge, so put your Wingsuit on. Why? ‘Cause it feels good.

Rentukka Typeface

Rentukka has wide set of glyphs and some personal diactric marks and unique symbols. Hope you like it.

https://www.creativefabrica.com/product/nikolas-and-pine/

Nikolas and Pine is a fun display font that comes in 2 variations: Regular & Solid. Add a cheerful twist to your projects.

https://www.myfonts.com/fonts/emigre/mason-ot/

Mason comes in both a serif and sans serif version, and each package comes with three variants: Regular, Alternate, and Super, each in two weights. Together, these fonts contain several variants for each alphabetic character, each in a capital, small cap, and super script cap version.

Venus Rising Font Family

Venus Rising is a quadratical, ultramodern typeface with anomalous style. Almost all current Latin languages are supported as well as Greek and Cyrillic. OpenType features include numeric ordinals, fractions and an alternate Q and Y.

One Font Family

A digitally inspired sans serif that’s built for the modern age. Roman and Italic options included.

Fusta Font

Inspired by the mechanics and style of the Block typeface, designed by Hermann Hoffmann in 1908, Fusta is a single style, full featured typeface, that translates and expands the idea of wood type into the digital realm. With plenty of dingbats, corners, borders, fillets and symbols, Fusta takes a step further into the OpenType universe, with the possibility to create super cool automatic interlock blocks of text.

Austin Pen Signature Style

Austin Pen is a handwritten signature script with a natural & stylish flow. This collection of scripts is this works well for many applications. Everything for any design project such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything that need that authentic handwriting taste and you could benefit from this collection of signature fonts.

Buendia Font Family

Buendia is an exploration into what a type family can be beyond the traditional suite of progressive weights and widths. It is the graduation project from César Puertas when he was enrolled at the KABK Type & Media master course. He structured his unique series into six styles with distinct but matching flavors: grotesque, rounded, slab-serif and transitional — all based on the same skeleton but with different finishing. The weights range from a thin and medium sans, via the elegant roman and italic serifs, a cosy bold slab, to the extra beefy rounded sans.

https://www.myfonts.com/fonts/coolfonts/killer-ants/

There are two versions of Killer Ants, regular and bold. Regular is a very cool cracked up looking font that will be great for all kinds of stuff. Bold is on of the most distressed fonts I've ever seen - there’s crap everywhere - adjust your leading (line spacing) so the grunge overlaps and you have one awesome effect. Yes, those dots are actually smashed ants. Killer!

Thunderhead Font Family

There’s a storm a brewin’. Take shelter with this inline block typeface. Package includes four separate styles, regular, sharp, alternate, and sharp alternate.

P22 Tuscan Expanded Font

P22 Tuscan Expanded is a digitization of the mid 19th century wood type font "Antique Tuscan Expanded - Wells & Webb 1854". Specimens of this font are rarely, if ever, seen with a lower case. It is noted in the book "American Wood Type 1828-1900", by Rob Roy Kelly that the lower case is "missing". This version was digitized from a recently discovered full set including all lower case plus ff ligatures. One unique feature of this design is the heart shape formed in the V, X & Y.

Fact Font Family

Fact is a workhorse open sans serif type system. It is inspired by the great Frutiger typeface. While the Regular style is slightly modernized but still quite close to Frutiger, changing the weight or width makes differences of the design more pronounced.

https://www.myfonts.com/fonts/district-62-studio/hanley-pro/

The origin story of HANLEY FONT COLLECTION all starts with the Script. We were designing logos and kept feeling like we needed a different kind of script, vintage feeling but not dated, and not too baseball-y or too formal. We couldn’t find exactly what we were looking for, so we decided to create it ourselves.

Nitti Mostro Font Family

Without a doubt, Nitti Mostro is the boldest family in our Nitti series yet. And the most fun. Eighteen styles in total — beefy, dazzling, flashy, and rough — max out the Grotesque-inspired theme Pieter van Rosmalen put up with Stanley, Nitti, Nitti Typewriter, and Nitti Grotesk — a collection of what we have dubbed ‘Italo-American Grotesques’.

Modern Matter Font

With its sophisticated, three-dimensional frame and extremely tight proportions, Modern Matter is a display typeface with a striking character and is a distinct fit for editorial design. An exhaustive set of ligature pairs also makes it a playful tool to produce quirky headlines.