Victorian Style & Decorative Serif Font Bundle, 21 Typefaces 

Aesthetique - Victorian Style with Decorative Initials

 OTF | JPEG Preview | 6.4 Mb RAR | SALE PAGE

Aesthetique is a typeface of decorative initials that is Victorian in style and
bears a close family resemblance to the many ornamental tuscans cut
throughout the nineteenth century

DIN Neuzeit Grotesk Font Family

DIN Next Slab Font Family

• Now even more design possibilities with the popular DIN Next. With its technical and neutral character, DIN Next has earned a permanent place in contemporary typography. Now, DIN Next Slab expands the font family further, offering new design potential.Now comes the next step, DIN Next Slab, also produced under the direction of Akira Kobayashi. On a team with Sandra Winter and Tom Grace, Kobayashi is creating the new font variant based on the optimized shapes of DIN Next. The expansion will make the popular font all the more flexible and versatile. Apart from that, the geometric slab serifs underline the technical and formal nature of the font and emphasize a central design element of DIN Next.However, the team did have some challenges to overcome. While it is relatively easy to imagine DIN Next Light with slab serifs, the amount of available space quickly disappears when it comes to the Black styles. Winter explains that many tests and trials were necessary to find a compromise between space, letters and the serif shapes. Experiments with modified contrast in the weight or only one-sided serifs were quickly abandoned. The central, technical and powerful character of the font changed too much. Nevertheless, it was necessary to simplify slightly the shape of some letters, such as the ‘k’ or ‘x’, for example. These changes, first developed in the Black styles, were applied to all weights in order to lend the font a consistent appearance.Like DIN Next, DIN Next Slab also has seven weights, which cover the range from Ultralight to Black, each with matching italic. There are various character sets in all of the styles and the four middle weights have small capitals available.DIN Next Slab harmonizes perfectly with the styles of DIN Next: the basic letterforms and weights are identical. Both versions of the font can work together perfectly, not just in headlines and body text, but also within a text; they complement each other very well as design variations. With the new DIN Next Slab, Monotype expands the DIN Next super family consistently. With DIN Next Slab, you can underscore the technical and formal nature of the understated font not only in headlines, but in texts, as well. In this way, you have new and diverse potential for application, thanks to the way the different styles of DIN Next combine perfectly.

DIN Next Stencil Font Family

7 TTF True Type Font Files | 3.45 MB | SALE PAGE

• The DIN Next™ Stencil suite of designs is DIN with an attitude. It’s even more industrial strength than the original. DIN Next Stencil’s seven roman weights are perfect for projects that require a mechanized, military, or commercial vibe. If you’re looking to create commanding display typography, be it in advertising, apparel, packaging, posters, signage, wayfinding – or crash dummy name tags, DIN Next Stencil can be the perfect typographic enhancement. Based on Akira Kobayshi’s DIN Next with stenciling by Sabina Chipara?, the wide range of weights and large complement of diacritical and international characters – including those for Cyrillic and Greek – further expand the design’s capabilities. The DIN Next Stencil fonts are powerful tools in their own right – and provide a distinctive supplement to the DIN Next typographic palette.

DIN Next Shapes Font Family

4 OTF Opentype Font Files | 0.4 MB | SALE PAGE

• Sabina Chipara?'s DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and whimsical tone of voice than the original, while maintaining all the legibility and clarity of form that makes DIN Next such a reliable and versatile design. It works in harmony with DIN Next, and is particularly suited for designers looking to be a little more expressive.
• DIN Next Shapes includes four fonts: Dots, Flakes, Hearts and Stars, and has pan European language support including Greek and Cyrillic. It also has OpenType features including stylistic alternatives, ligatures and fractions.

DIN Next Devanagari Font Family

4 OTF Opentype Font File | 1.73 MB | SALE PAGE

DIN Next Decorative Font Family 12xOTF

12 OTF Fonts | 33.3 MB RAR | SALE PAGE

• This four-piece family is the DIN design, but not as you know it. The famously, crisp, clean and precise typeface has been given a textured update that’s reminiscent of rusted metal, or rubber stamps. Underneath this lies the same sturdy, geometric shapes that have allowed DIN to stand the test of time, but with a new sense of tangibility.

CreativeMarket - Pretty Boy - Decorative Serif 6xOTF 6144510

• Introducing Pretty Boy a decorative serif family. This font consists of five weights and an ornament. It has many alternative options to arrange to get a fabulous and charming typography art. Pretty Boy Ornament works excellent to pair with any fonts too! This decorative serif family is perfect for designs like movie, poster, wedding invitations, and work great for logo, branding, headers, or labels.

Swissra Arabic Typeface Family

DIN 2014 Rounded Font Family

7 OTF Fonts | JPG Previews | 

• DIN 2014 Rounded is an extension of the industrial sans serif DIN 2014. It combines the softness and friendliness of the rounded endings with the seriousness and stability of the original typeface. Not a typical childish rounded font. DIN 2014 Rounded works well for medical or architectural topics, headings on the web or in periodicals, brand identity, packaging, and, thanks to the DIN proportions, for signage. DIN 2014 Rounded includes six styles ranging from extra light to extra bold, corresponding to the upright styles of DIN 2014, as well as a variable version. The typeface supports all European languages based on Latin, Cyrillic, and Asian Cyrillic (Tatar, Kazakh, Kyrgyz and other languages). Isabella Chaeva and Alexander Lubovenko worked on the rounded version. The typeface was released by Paratype in 2021.

PF DIN Text Arabic Font Family

8 TTF Files | Designers: Panos Vassiliou & Hasan Abu Afash | SALE PAGE

PF Din Display Pro Font Family

 TTF | 14 Fonts | JPEG Preview | 6.3 Mb RAR | SALE PAGE

• While DIN Display seems to retain DIN’s basic characteristics, it shines with its sharper corners and contemporary look. Completed in 2002, it was first released and published in Parachute’s award-winning 2003 catalog and immediately was a hit. It has been used successfully in magazines, corporate applications and packaging in fields such as music, fashion, technology, visual arts. 

Unicod Sans Font Family

TTF | 18 Fonts | JPEG Preview | 4.8 Mb RAR | SALE PAGE

• This font has been especially designed for Mostardesign Studio by Olivier Gourvat. Created in 2010, this font family has been designed to serve sectors like financial services, modern industries, business and many more activities who needs a modern aspect in their communication. Its square proportions make the design very readable at a wide range of sizes. Shapes give the face a unique futuristic look and is a very practical choice for modern headlines, branding, text and web fonts work. The family contains also an alternative set with simplified letters designed especially for text and a unique stylistic set for titles and branding. UNicod Sans is available in 5 weights with corresponding italics and 2 styles.

Uni Sans Font Family 14xOTF

Designer: Svetoslav Simov | 14 OTF Fonts | Turkish Support | Uni Sans Font Family

Uni Sans is a custom sans font which is applicable for any type of
graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Sheila – Classic Font

Regular | Italic | Reverse Italic | TTF & OTF | 134 K RAR

Bunga Sheila - Handwritten Font U7YBPEN

OTF TTF | 58 KB

CreativeMarket - Reillytta Sheilabe 16426948

2 OTF | 2 TTF | 165 Kb

Queen Sheila Font

OTF TTF | 159 Kb

Hello Sheila Font

OTF TTF | 131 Kb

Sheila Script 

OTF TTF | 86 Kb

OTF & TTF |  44.7 Mb RAR | SALE PAGE

• From the beginning “Esmeralda” was born with a strong influence of the classical “capitalis monumentalis”, carved in stone. In the same way, the origin of this majuscule writing emerged from the brush, from a way of writing made merely by hand. For this reason, these two universes were intended to lie beneath the shape of each letter, redefining them. And this combination of styles should also be reflected in a lower case set that also allows to open up the spectrum of usage possibilities. Foundational calligraphy represented a solid base for the development of lower case glyphs, ensuring proper interaction with the upper case letters. “Esmeralda” features a great number of ligatures that mix classic structures with a more contemporary impression. With more than eleven hundred glyphs, it provides a multiplicity of uses across a wide combinatory of ligatures, alternative signs, initial caps, miscellaneous and connectors; each one of them accessible through Open Type. “Esmeralda” is perfect to speak with a classical yet fresh, modern – and a little bit bold – tone of voice. Designed by Guille Vizzari, together with the tough and remarkable work of Ale Paul, in use “Esmeralda” stands out in a subtle and unexpected way that’s almost unnoticeable. Its delicate yet solid curves, serifs and endings give each composition a fine, elegant and exquisite feeling, along with a firm and sturdy look. “Esmeralda” was initially born as a typographic project developed by Guillermo Vizzari – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.

Canaro Font Family 18xOTF

OTF TTF | 18 Fonts | JPEG Preview | 1.3 Mb RAR | Canaro Font Family

• Conceived as an exploration of geometrical typedesigns of the early 20th century, Canaro developed into a font of that period with a modern streak. The lack of spurs provide a unique but unobtrusive appearance and support the contemporary character. In addition, the open shapes in combination with a tall x-height, create legibility in small text sizes. Typographic features like alternative lettershapes, ligatures, oldstyle numbers, arrows, fractions, special characters and many more, round up the whole family. Canaro is available in nine weights plus matching italics. Ranging from sharp and elegant thinner cuts to sporty and athletic heavy weights.

Core Sans NR Font Family 108xOTF TTF

OTF | 108 Fonts | JPEG Preview | 6.6 Mb RAR | SALE PAGE
3 Widths (Condensed, Normal, Extended)
9 Weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black)
Italics for each format

• The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Superiors and Inferiors, Fractions, Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Tabular Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.