https://www.myfonts.com/collections/fud-grotesk-font-ilya-bazhanov

• A narrow sans serif, FUD Grotesk was inspired by brutalist architecture and modernist typography. There is a subtle stroke contrast, many inktraps, and even some microserifs (look for them in the main strokes!). Note the closed bowl apertures, exaggerated in the alternate forms, which result in a dense, ornate typeset. Five weights (from Light to Bold), and a large set of discretionary ligatures.

Neue Haas Grotesk Font Family - 44 Font $2376

OTF | TTF | 8 MB

• The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The typeface was soon revised and released as Helvetica by Linotype AG.As Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal linecasters, Linotype Helvetica was in some ways a radically transformed version of the original. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. In the 1980s Neue Helvetica was produced as a rationalized, standardized version.For Christian Schwartz, the assignment to design a digital revival of Neue Haas Grotesk was an occasion to set history straight. “Much of the warm personality of Miedinger’s shapes was lost along the way. So rather than trying to rethink Helvetica or improve on current digital versions, this was more of a restoration project: bringing Miedinger’s original Neue Haas Grotesk back to life with as much fidelity to his original shapes and spacing as possible (albeit with the addition of kerning, an expensive luxury in handset type).”

Regan Slab™ by The Northern Block Updated!

TTF | 20 Fonts | JPEG Preview | 4.1 Mb RAR
Regan Slab Font Family

• A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to wide range of applications including magazines, newspapers and handheld devices. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.

Nimbus Sans Round Font Family 16 Font $320

16 OTF  TTF | SALE PAGE

• The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then. Also in the 80s, a new, improved version of the Nimbus Sans, namely Nimbus Sans Novus was designed. Nimbus Sans Novus was conceptually developed entirely with URW’s IKARUS system, i.e. all styles harmonize perfectly with each other in terms of line width, weight, proportions, etc. On top of that, Nimbus Sans Novus contains more styles than Nimbus Sans. Now, Nimbus Sans Novus is also available as Round (like the popular URW fonts Futura Round and Eurostile Round). The Round versions are intended to facilitate the work of designers and typographers. The fonts can be used directly, without further preparatory work in graphic programs as finished, high-quality Rounds.

FF Kievit Slab Font Family - 18 Fonts for $659

OTF + TTF | 18 Fonts | 1.4 Mb RAR

FF Kievit Slab Font Family

• American type designer Michael Abbink and Dutch type designer Paul van der Laan created this slab FontFont in 2013. The family has 18 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, logo, branding, small text, wayfinding and signage as well as web and screen design. FF Kievit provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Brownstone Sans by Sudtipos 

OTF | 3 Fonts | JPEG Preview | 3.4 Mb RAR

Brownstone Sans Font Family

Graphik Font Family

Graphik - Most Popular Commercial Typeface 18xOTF

OTF | 18 Fonts | JPEG Preview | 10.9 Mb RAR

• Graphik, a deliberately vanilla editorial workhorse, remains one of Commercial Type’s most popular families. This hybrid face offsets the round bowls typical of a geometric sans with the architecture and proportions of a European grotesk, without the baggage of more dogmatic, overused sans serifs mired in postwar modernism. Graphik’s low contrast, open counters, and compact descenders recommend it for use in tight settings like subheads, captions, labels, and running text; human touches like round dots and other details also make it ideal for larger, more impactful uses such as titles, covers, posters, and signage. Over time, the family has matured into an expansive collection of nine weights and eight widths, and has even branched out into a companion slab family: Produkt.
• The dominant trend of the mid twentieth century simple sans serifs still reverberates in visual culture. Graphik proves that it is still possible to create something refreshing inspired by this era. Taking cues from the less-known anonymous grotesques and geometric sans serifs, Graphik is perfectly suited for graphic and publication design. Originally designed for Schwartz’s own corporate identity, it was later finished for Conde Nast Portfolio and then expanded for Wallpaper* and later T, the New York Times Style Magazine.

Libertad Sans-Serif Typeface Family by TipoType

OTF | 14 Fonts | JPEG Preview | 8.6 Mb RAR

Libertad Fonts Family

• Design can do without images, but not without typefaces. Libertad is a sans-serif typeface that mixes humanist and grotesk models. It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile font for different uses. This typeface follows the Luc(as) de Groot’s Interpolation Theory, that’s why it has seven specially-calculated weights plus their matching italics, from thin to extra-bold. This allows it to be useful in big headlines and also small texts. It has more than 800 characters per weight and support for more than 70 languages.

Argö - Art Deco Typeface by Antony James

Argo Font Family
TTF | 3 Fonts | 0.8 Mb RAR

• Argö is a serif typeface designed initially as an Art Deco display font, but with a few changes to traditional aesthetics. Horizontal lines have been replaced with Medieval themed ascenders to allow for more flow and versatility, incase the user intends to manipulate the typeface. Argö contains 180 characters including uppercase, lowercase, numbers, glyphs, ligatures and accents. Alternative letters with shorter descenders have been included, that are more appropriate when writing lines of text.

Neo Sans W1G & Monotype 12 Typefaces

OTF | 12 Fonts | JPEG Preview | 4.3 Mb RAR
Buy Neo Sans W1G Font Family

• The branding agency's client wanted an "ultra modern" typeface that was "futuristic without being gimmicky or ephemeral," according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. "I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them," says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an "ultra modern" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as "legible without being neutral, nuanced without being fussy, and expressive without being distracting." Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library. 

Trade Gothic Font Family

OTF | 14 Fonts | JPEG Preview | 5.2 Mb RAR

Buy Trade Gothic Font Family

• Trade Gothic was designed by Jackson Burke between 1948 and 1960 for Linotype. In the nineteenth-century grotesque style, like News Gothic, Trade Gothic has a large x-height. Trade Gothic, with its condensed faces, is a classic design for newspaper work, particularly for headlines and classified advertising. The condensed versions increase the versatility of the typeface, particularly for setting headlines and subheads.

Ebhaar Arabic Font

OTF | 1 Font | JPG Preview | 1.4 Mb RAR

The word ‘Ebhaar’ in the Arabic language literally translates into ‘Dazzle’.
Ebhaar is an Arabic display font with a dazzling style that captures
the beauty of brush-pen lettering and fuses it with the traditional features of
Arabic calligraphy. The font suits both heading and casual titling and
it supports Arabic, Urdu and Persian Language.

CM Brushwell - Dry Brush Font 4372019

Brushwell is made with a real brushpen by Hendra Pratama. This font deliver the dry brush effect , to create a natural looks of beautiful handwriting brush calligraphy.Brushwell:OTF

Brushwell Swash:TTF

Magesta Script - Retro, Vintage and Quality of Letterpress Printing

The Magesta Script family by Yellow Design Studio is a set of four retro script fonts that capture the warm, authentic qualities of letterpress printing. Light, Regular, and Bold weights were created using different levels of ink coverage, while Mix is a combination of all three. The texture and slight misalignment add to its realism and vintage charm.

OTF | 4 Fonts | JPEG Preview | 10.5 Mb RAR

Salamander Font Family

Salamander is a playful and agile script family of two weights and matching ornament sets. Click on Swash, Contextual or Stylistic alternates in any Open type savvy application for vivid alternate characters and combine with Salamander Ornaments to perfect your designs.

OTF | 4 Fonts | JPEG Preview | 17.4 Mb RAR