ID - Vintage Font Bundle 21 font

TTF, OTF

Vintage Fonts Bundle

JPEG, OTF, TTF, EPS, WOFF

1. Quick Or Dead (OTF, TTF, WOFF, WOFF2, EPS10, JPG)

2. Cosmic Lager (OTF, TTF, WOFF, WOFF2, EPS10, JPG)

3. Smokers (OTF, TTF, WOFF, WOFF2, EPS10, JPG)

4. Wanted Denim (OTF, TTF, WOFF, WOFF2, EPS10, JPG)

5. Avenger (OTF, TTF, WOFF, WOFF2, EPS10, JPG, AI CS Styles)

6. PopArt (OTF, EPS10, JPG)

7. Brewery (OTF, TTF, WOFF, WOFF2, EPS10, JPG)

8. Biker (OTF, JPG)

9. Royal Brandy (OTF, TTF, WOFF, WOFF2, EPS10, JPG)

10. Whiskey Stones (OTF, WOFF, WOFF2, EPS10, JPG)

11. Caribbean Rum (OTF, EPS10, JPG)

12. Bonneville (OTF, WOFF, EPS10, JPG)

13. Amber Whiskey (OTF, EPS10, JPG)

14. Born Free (OTF, EPS10, JPG)

15. Ginger Gin (OTF, EPS10, JPG)

16. Finest Whiskey (OTF, WOFF, EPS10, JPG)

17. Tavern (OTF, WOFF, EPS10, JPG)

18. Schnaps (OTF, WOFF, EPS10, JPG)

19. Hipster (OTF, WOFF, EPS10, JPG)

20. Bourbon (OTF, WOFF, EPS10, JPG)

21. Golden Whiskey (OTF, WOFF, EPS10, JPG)

22. Tennessee Whiskey (OTF, WOFF, EPS10, JPG)

23. Bourbon (OTF, WOFF, EPS10, JPG)

24. Black Widow (OTF, WOFF, EPS10, JPG)

25. Absinthe (OTF, WOFF, EPS10, JPG)

26. Apple Cider (OTF, EPS10, JPG)

27. Garage (OTF, WOFF, EPS10, JPG)

28. Main Stage (OTF, EPS10, JPG)

29. Fairy Tale (OTF)

30. Vintage Whiskey (OTF, TTF, WOFF, WOFF2, EPS10, JPG)

31. Absolute (OTF, EPS10, JPG)

32. Camping (OTF, EPS10, JPG)

33. Cider (OTF, EPS10, JPG)

34. Limited (OTF, EPS10, JPG)

35. Rover (OTF, EPS10, JPG)

36. Porto (OTF, EPS10, JPG)

37. Tight (OTF, EPS10, JPG)

38. Terminal (OTF, EPS10, JPG)

39. Wild Land (OTF, EPS10, JPG)

40. Metal Plate (OTF, TTF, WOFF, WOFF2, EPS10, JPG, AI CS Styles)

Dope Script Font Hand-Made

• Dope Script is a rough around the edges, hand-made paint brush font with bags of personality. It comes with a large range of characters including capitals, lower-case, numerals, punctuation, currency and accents. Also try the characters { } [ ] for some bonus swashes to pop-out your text!

TTF | 1 Font | 128 KB RAR

Jeanne Moderno Font Family

Jeanne Moderno is a revisionary type family. A synthesis of Bodoni Italic and 19th Century Ultra-Bold “Fat Faces”—distilled with personality taken from early 20th Century Modernists; the Futurists, Dadaists, Suprematists, Constructivists. Historically, Jeanne Moderno could have appeared on the scene around 1918—after the First World War—when new cultural movements, manifestos, theories and countertheories shaped art, industry and society. Spatter in a few later influences—from De Stijl, the Bauhaus, the types of Herbert Bayer, Josef Albers, Paul Renner—plus a twist of Art Deco and High Fashion—Jeanne Moderno is a remanifestation of 19th + 20th Century Modernist thinking; traditional + revisionist, raw and elegant! Jeanne Moderno can best be used for magazines, advertising, posters, flyers, fashion reports, letterpress experiments, silkscreen endeavors, exhibitions, DMV signage, paper money, revolutionary political statements as well as formal declarations of peace or war. Jeanne Moderno is about the future, the past. The Avant-Garde. Humanist geometry + vintage footwear. Form, function, style, art and life.

TTF | 9 Fonts | JPEG Preview | 4 Mb RAR

Rock and Cola Font Family

Rock and Cola’s design is clearly inspired by the sinuous shapes of the world’s most famous drink’s logo. It however does not pretend to copy it faithfully or to serve as a platform to generate the logo itself. Rock and Cola is a very elegant Script font with great weight and contrast. Its OpenType features include ligatures, swashes, alternative characters, ornaments and accents in order to support many foreign languages. It has huge possibilities for application in logos, titles and short texts by generating in them great impact and recalling. Use Rock and Cola in your projects and enjoy it!

OTF | 7 Fonts | JPEG Preview | 4.2 Mb RAR

Madurai Slab Font Family

Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.

OTF | 54 Fonts | JPEG Preview | 2.6 Mb RAR

Lichtspielhaus Handmade Font Family

Lichtspielhaus Handmade is an ultra condensed handwritten typeface based on Lichtspielhaus. Influenced by the hand-painted signs on cinema facades of the early cinema days, Lichtspielhaus Handmade comes with 4 weights. "Lichtspielhaus Handmade“ is the second part of a Type Noir Quadrilogy.

OTF | 4 Fonts | JPEG Preview | 3.8 Mb RAR

https://www.futurefonts.xyz/theo-guillard/grenat

Grenat, french word for garnet, is a warm latin typeface coming from an experimental calligraphic exercise. It is the result of an extreme simplification of typographic shapes. This simplification gives rise to unexpected forms. Its calligraphic heritage confers to it a sharp rhythm where every stroke comes in contrast with what comes next or before. Its excessive proportions and its extreme black weight make it useful for display uses.

https://www.futurefonts.xyz/dave-coleman/funkford

Funkford started as a lettering commission for NYMag, and after 9 months of thinking, sketching, drawing and redrawing, I am ready for you to use it. It is off to a good start, with full caps and lowercase, an array of positional alternates, a little punctuation and a couple of ligatures.

https://www.futurefonts.xyz/flaviazim/melindrosa

A display typeface referencing the lettering work of Brazilian Art Deco master, J. Carlos. Born in Rio de Janeiro, he contributed to all prime publications from the 1900s to the late 1940s, including O Malho, Fon-Fon!, Para Todos, and O Cruzeiro, picturing a range of fictionalized characters and popular figures of the time — being "Melindrosa" a recurring persona who represented the feminist movement in the 1920s.

https://www.futurefonts.xyz/martin-pysny/henk-work

Henk began during my studies at the Type Media masters course at KABK as my final project. Henk has been planned as a family of at least 6 styles with two different personalities. Henk Out and Henk Work. Henk Work is a smart and hardworking gentleman typeface designed for the writing of the long legal texts which often contain a lot of abbreviations and numbers in them.

https://www.futurefonts.xyz/cinketype/margaret-neue

This typeface was inspired by Zoltán Nagy's Margaret from the 1960's Hungary. This was one of the award winning designs in the 1966 International Type Face Design Competition sponsored by Visual Graphics Corporation, with judges including Paul Rand and Herb Lubalin. My plan is to expand the original design with a matching cursive style (which Nagy started, but never finished), a lighter weight, small capitals, oldstyle figures and optical sizes, which would also simulate the effects of phototypesetting. These were the letter shapes that first inspired me to start type design.

https://www.futurefonts.xyz/cstm/zhivov/

The goal of this experiment was to design a multi-purpose typeface based on early Cyrillic graphics. The glyph forms are cleared of contrast, decorative elements and stylistic features of any specific age, or writer. They are as close to skeleton as possible to make the typeface contemporary, fairly neutral, yet definitely early-Cyrillic (pre-Westernisation) style.

https://www.futurefonts.xyz/east-of-rome/mushy

Mushy is a soft-edged joining script display type that comes in four weights each named after gradations of dairy product - Cheese, Butter, Yoghurt and Cream. It's also available as a variable font. Mushy is great for logos and shorter word-marks. Using contextual alternates, the lowercase of Mushy joins up making words look like a sticky mess. And if this makes a word too hard to read, just untick contextual alternates and the unjoined Mushy lowercase will look clearer. The inspiration for Mushy comes from jugendstil soft display types like Herkules. The idea for the joining script comes from inky textura types (Gutenberg Bible style lettering), where the blackletter in/out strokes bleed into each other making a line of text look like a garden fence. The uppercase also contains a few optional Swashes.

https://www.futurefonts.xyz/jan-sindler/afrikola

Typeface inspired in my own chaotic handwriting. It started as a monospace family developed beyond that.

https://www.futurefonts.xyz/blast/granblue

Granblue is a type family for boxing titles. For now, it features two different types of contrast levels, but more options will be added down the line. Invest in this font now, as we have grand plans for expanding it, so you’ll be getting an amazing value by being an early tester.

https://www.futurefonts.xyz/scribble-tone/iso

ISO was originally designed for our project exif.co, an image embedding service. It was inspired by old cameras, specifically Leicas and Nikons, which have really warm, slightly goofy, and tactile engraved text all over.

https://www.futurefonts.xyz/ohno/ohno-blazeface-italic

Ohno Blazeface Italic began as its roman counterpart, which in turn began as Ohno Fatface, a super black didone that took some bizarre opportunities to fill space. At a certain point, I wondered what putting a stoney filter on it might look like, and so Ohno Blazeface came about. From there, it was an obvious move to try out an italic, and then I really started having a good time! I swear I am not trying to be patronizing, but this is intended for large sizes.

https://www.futurefonts.xyz/acute-studio/anouk

Anouk is a reversed high contrast typeface designed to be used at large sizes. Its design was conceived by Sabina Chipara at Acute Studio. The design started with her writing letters with a soft brush-marker. The emphasis of the ‘normal’ letter-contrast changed, and the thin lines became very thick, while the thick ones became thin.

https://www.futurefonts.xyz/blast/ehrie

• Ehrie is a variable typeface developed by Rafał Buchner with animation in mind. The design process started with the question: “what would happen if we use a variable font axis to make letters completely disappear?”. We started with a condensed, slightly chubby design, which dematerialized into a stencil version. The challenge was to get these intricate shapes, full of tiny details, to technically animate and perform well in a variable font environment.

https://www.futurefonts.xyz/spaghetype/monstera

• Monstera came from a custom font for a game to play when you're bored with friends: something light, with a 60's-70's vibe, while keeping a contemporary twist. Inspired by the swirls of time, Hector Guimard's Art Nouveau typeface of the Paris Metro, Wes Wilson's letterings, and Roger Excoffon's latest font. Also the Monstera Deliciosa is the only plant I can grow for a while.

https://www.futurefonts.xyz/luis-gomes/coriolis

Coriolis is a display serif typeface, based on a calligraphic old program that I randomly found while searching for inspiration on the internet.

https://www.futurefonts.xyz/ohno/nonplus

This counterless semi-connecting script is an ode to unbridled enthusiasm and a complete disregard for the ruler tool. Most of my work in type focussed on the idea of “counterspace equals letterspace”, a nice starting point for spacing that I learned in Type Media. But what happens when the counters get removed? Immediately things feel much more abstract, but with the unfamiliarity comes a different sort of impact. Nonplus works well for short words at large sizes, like the majority of my projects!

https://www.futurefonts.xyz/cstm/backslanted

Backslanted is not a font family, but rather a font series including backslanted typefaces of various styles, weights and angles. The series explores backslanted forms defined by their drawing tools (a ruler and a driver) with a minimum amount of optical compensations.