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Nexa Rust from Fontfabric Type Foundry is a multifaceted font system consisting of font sub-families Sans, Slab, Script, Handmade and Extras.Each of these sub-families contains a number of font weights which have a characteristic warm, rough look and display a few degrees of saturation.Nexa Rust is a rough version of the already popular Nexa and Nexa Slab families with added new matching Nexa Script and Nexa Handmade fonts.Along with all of this, you will also discover added groups of extras which could serve as a foundation or add that extra “cherry on the cake” to each unique design.

- Six weights and obliques
- Titling / all caps design
- Extensive Latin script support
- OpenType features
- OTF file format
- Free updates and feature additions















- Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is no other font that can do what it does with the same impact. You might say Futura is to Helvetica as driving a Porsche is to driving a Toyota--they both get you there, but the former does it with so much more fun.
- Futura was designed by type design luminary Paul Renner, and is used extensively in advertising and logo design, by IKEA, Volkswagen, Shell, HP and many more. Used in any headline or body situation, Futura can bring you all the magic, promise and forward-looking sans power in an iconic and powerful way, as director Stanley Kubrick knew--it was his favorite font.Commissioned by the Bauer type foundry, Futura was commercially released in 1927.

Futura Font Family - 20 Font 580€
TTF | 474 KB
- First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus.movement in Germany. Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Its long ascenders and descenders benefit from generous line spacing. The range of weights and styles make it a versatile family. Futura is timelessly modern; in 1928 it was striking, tasteful, radical - and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity. Typefaces in the same style like Futura are: Avenir, Metromedium, Neuzeit Grotesk,


Century Gothic Font Family
The Century Gothic family has been extended to 14 weights in a Pan-European character set from
Thin to Black and their Italics. The already existing 4 weights of Regular and Bold
with their Italics are additionally still available in the STD character set.
http://www.myfonts.com/fonts/mti/century-gothic/
- A spaciously modern update to mid-century design, Century Gothic™ embodies the highly sought-after assets of the digital age with its sleek sans serif style while remaining true to the gracefully geometric look of the early 20th-century typefaces it was inspired by.
- Its clear, clean design allows for legibility at almost any size and its wide range of styles give it the stamina to thrive in bodies of text as well as in display settings. Century Gothic is appropriate and appealing for myriad typographic applications‚ from high-resolution print and large-scale signage to low-resolution text displays and mobile devices.

Brandon Grotesque Font Family - 12 Fonts for $249
OTF | 12 Fonts | JPEG Preview | 12.3 Mb RAR
- Brandon Grotesque is a sans serif type family of six weights plus matching italics. It was designed by Hannes von Döhren in 2009/10. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Brandon Grotesque has a functional look with a warm touch. While the thin and the black weights are great performers in display sizes the light, regular and medium weights are well suited to longer texts. The small x-height and the restrained forms lend it a distinctive elegance. Brandon Grotesque is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Brandon Grotesque won the TDC2 Award, 2011.


https://www.myfonts.com/fonts/mti/helvetica-now
Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition – which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding.


Gotham Extra Narrow Family [Updated] - Extended Latin, Greek, Cyrillic
+ ScreenSmart Version
- The narrowest of the “natural width” Gothams. As a typeface's design approaches extreme proportions, its visual themes begin to take a back seat to spatial considerations. Condensed fonts will favor consistent spacing above all else, a priority which manifests itself in Gotham Condensed through the addition of new visual strategies. On letters like C and S, stroke endings that were once sheared perpendicularly will end vertically instead; joins in lowercase letters that once appeared monolinear become palpably thinned.

Gotham Extra Narrow Font Family $300 | 16 x OTF | Turkish Support
http://www.typography.com/fonts/gotham/inside/gotham-extra-narrow
- As a typeface's design approaches extreme proportions, its visual themes begin to take a back seat to spatial considerations. Condensed fonts will favor consistent spacing above all else, a priority which manifests itself in Gotham Condensed through the addition of new visual strategies. On letters like C and S, stroke endings that were once sheared perpendicularly will end vertically instead; joins in lowercase letters that once appeared monolinear become palpably thinned.On any continuum of font widths, there's a point at which designs cease to feel "natural" and begin to feel "condensed" instead. In the Gotham family, Gotham Extra Narrow is the last stop before that turning point. It shares all the characteristics of the wider Gothams, but is 20% narrower than Gotham Narrow (and 30% narrower than the regular width Gotham). Though well-suited to headlines and subheads, it shares with the wider Gothams a propensity for text sizes, and includes all the features required of a hard-working text face: a sound Book weight, tabular figures and fractions, and a healthy range of weights from Thin to Ultra, complete with italics throughout.

http://www.typography.com/fonts/gotham/inside/gotham-narrow
- A new and economical Gotham, specifically designed for text.Typefaces whose letterforms are rooted in the square and circle are known as "geometrics," and they're one of typography's great paradoxes. Their wide proportions and open shapes make them easy to read at text sizes, and a well-designed geometric can reinforce this clarity through careful attention to the design's internal proportions as well. (Gotham's large lowercase has dilated features, succinct ascenders and descenders, and a generous fit, which combine to make Gotham especially clear at text sizes and below.) But because geometrics are wider than average, they can be difficult to use in narrow columns, which is exactly where text most often appears.

GOTHAM BUNDLE - 12 FAMILIES
138 Fonts - Extended Latin, Greek, Cyrillic
- Every designer has admired the no-nonsense lettering of the American vernacular, those letters of paint, plaster, neon, glass and steel that figure so prominently in the urban landscape. From these humble beginnings comes Gotham, a hard-working typeface for the ages.
- Gotham celebrates the attractive and unassuming lettering of the city. New York is teeming with such letters, handmade sans serifs that share a common underlying structure, an engineer’s idea of “basic lettering” that transcends both the characteristics of their materials and the mannerisms of their makers. These are the cast bronze numbers that give office doorways their authority, and the markings on cornerstones whose neutral and equable style defies the passage of time. They’re the matter-of-fact neon signs that emblazon liquor stores and pharmacies, and the names of proprietors plainly painted on delivery trucks. These letters are straightforward and non-negotiable, yet possessed of great personality, and often expertly made. And although designers have lived with them for more than half a century, they remarkably went unrevived until 2000, when we introduced Gotham.
- Gotham is that rarest of designs, the new typeface that feels somehow familiar. From the lettering that inspired it, Gotham inherited an honest tone that’s assertive but never imposing, friendly but never folksy, confident but never aloof. The inclusion of so many original ingredients without historical precedent — a lowercase, italics, a comprehensive range of weights and widths, and a character set that transcends the Latin alphabet — enhances these forms’ plainspokenness with a welcome sophistication, and brings a broad range of expressive voices to the Gotham family.

CM - Be Mine (Valentines Day Font) 2180298
Introducing Be Mine.. a brand new font, perfect for Valentines day!







CM - Valentine Fonts Bundle - 17 Fonts 186016
JASMIUM | KOWALSKI | SUAREZ | SECESJA | GWIDON | HOLY ROLLER | MARTITA | 33 MB
This bundle includes 17 high-quality, professional, hand-drawn fonts.
Language support includes Western, Central and Eastern European character sets,
as well as Baltic and Turkish languages.

Dashboard - Clean Condensed 2xTTF with Web Fonts
TTF | win and mac os | 507 KB



FF Real Font Family
FF Real was originally conceived by Erik Spiekermann as one text weight and one headline weight to be used as the only faces in his biography Hello I am Erik, edited by Johannes Erler, published in 2014. While Spiekermann drew the alphabets, he passed on the font data to Ralph du Carrois who cleaned it up and completed it. In the meantime FF Real has been extended to a family of two styles and 13 weights each. The design of FF Real is rooted in early static grotesques from the turn of the century. Several German type foundries – among them the Berlin-based foundries Theinhardt and H. Berthold AG – released such designs between 1898 and 1908. The semi-bold weight of a poster-size typeface that was lighter than most of the according semi-bolds in metal type at the time, gave the impetus to FF Real’s regular weight. In the words of Spiekermann, the historical example is “the real, non-fake version, as it were, the royal sans serif face“, thus giving his new typeface the name “Real” (which is also in keeping with his four-letter names, i.e. FF Meta, FF Unit). FF Real is a convincing re-interpretation of the German grotesque style, but with much more warmth and improved legibility. With a hint towards the warmer American grotesques, Spiekermann added those typical Anglo-American features such as a three-story ‘g’ and an ‘8’ with a more defined loop. To better distinguish characters in small text sizes, FF Real Text comes in old style figures, ‘f’ and ‘t’ are wider, the capital ‘I’ is equipped with serifs, as is the lowercase ‘l’. What’s more, i-dots and all punctuation are round. In Spiekermann’s biography FF Real Text has proven to endure all challenges of a proper text face without an italic, while FF Real Head cuts a fine figure in larger sizes with a more reduced look.
TTF | 52 Fonts | 10 Mb RAR
Cooper Hewitt - Sans Serif Font Family [14-Weights]
14 OTF

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