Pontiac Inline Font Family - 4 Fonts $15

OTF | 4 Fonts | +Preview | 3.5 Mb RAR | SALE PAGE

• Pontiac Inline is a font designed by Fanny Coulez and Julien Saurin for La Goupil Paris. This high quality and finely balanced inline font can be enhanced to improve your designs and bring an unusual and modern feeling. You could change the inside color, then add a 3D or shadow effect. To do so, you can simply superimpose the elements. The Regular above, the Inside line below, for example. You could get the complete family for just 15$. Merci beaucoup!

Blender Pro Font Family 9xOTF

OTF | 9 Fonts | +Preview | 1 Mb RAR | SALE PAGE

• Nik Thoenen, a member of the Vienna-based design collective RE-P.ORG is the author of the Blender, released under Gestalten Fonts in 2003. Over the years, the designer has developed and created expanded character sets for Blender Central European (including Latin Glyphs for Bosnian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Slovak and Slovenian) and Blender Cyrillic (Slavic languages including Belarusian, Bulgarian, Macedonian, Russian, Serbian and Ukrainian).

Blu Font Family - 2 Fonts for $59

OTF | 2 Fonts | +Preview | 8 Mb RAR | SALE PAGE

• Blu is an innovative multilayered ribbon font which I developed at the Berlin Weissensee School of Art. Seemingly inspired by bicycle tires and paper streamers it fits many use cases brilliantly. Traditionally the use of multilayered fonts can be very clumsy, since you often need to duplicate textfields and then align them precisely on top of each other. Not so with Blu: It comes with an InDesign plugin for Windows and Mac which takes all the pain out of chromatic fonts.

Swarha Neue Fonts - 2 Fonts for $32

Energy of Swarha Islamic Building

OTF | 2 Fonts | +Preview | 4.3 Mb RAR | HOME PAGE

• Built in 1930 - 1935 by Dutch architect Wolff Schoemaker, the Swarha Islamic Building was originally used as a lodging for the honoured guest country and the journalists for Asia-Africa Conference in 1955. This building has an important role as one of Bandung historical art deco heritage, with the art deco typefaces styles on it’s singage in this building, giving it a more classic west and east taste. Wolff Schoemaker was trying to combine the elements between eastern and western culture in design. One of his works was the Swarha Islamic Building in a circular design with rounded and high dynamic angle. Unfortunately the Swarha Islamic Building has been abandoned and and less attentioned by the local people itself to preserve this historic building. So I'm trying to raise the value of the historical heritage by creating this typefaces.

Air Strip Arabic Font

OTF + TTF | 1 Font | +Preview | 2.9 Mb RAR

FF Dax Font Family $1533

Advanced Typographical Support with Features 36 Fonts

• German type designer Hans Reichel created this sans FontFont between 1995 and 2000. The family has 36 weights, ranging from Light to Black in Condensed, Normal, and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, poster and billboards, wayfinding and signage as well as web and screen design. FF Dax provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. In 1998, FF Dax received the The Big Crit award.

Deliscript Font Family - 15 Fonts for $79

OTF | 15 Fonts | +Preview | SALE PAGE | HOME PAGE

• Although initially inspired by the neon sign in front of Canter’s Delicatessen in Los Angeles, the design of Deliscript Upright and Deliscript Slant soon took on a life of its own–and its own distinctive look. Like its sibling Metroscript, Deliscript has many features that expand its usability such as the the variable length tails which can be accessed in 6 different styles, and the never before seen crossbars which can be extended outward in either direction from the lower case “t”. Throw in the special “WordLogos”, tons of ligatures and foreign accented characters, and you have a recipe for typesetting that approaches the look of hand-lettering. For a better understanding of its unique features please download The Deliscript User Manual—available in the Gallery section. All the above features are accessible from Deliscript’s two OpenType fonts. Also included in the same package is a folder of fourteen Deliscript fonts (7 Upright, 7 Slant) specifically designed for those who only have applications that are not OpenType compatible. By installing the fonts from this folder instead of the OpenType folder, anyone will be able to access all of Deliscript’s unique features.

Recorda Script - Elegant Curves for $59

OTF | 1 Font | +Preview | 2.3 Mb RAR | SALE PAGE

The Recorda Script Font Family was designed by Måns Grebäck and
published by Mans Greback. Recorda Script contains 1 styles.

Antique Spenserian for $25

The Most Beatiful & Sophisticated Script Ever

OTF | 1 Font | +Preview | 15.3 Mb RAR < SALE PAGE

• This antique script is based on Spencerian script released from MacKellar, Smiths, & Jordan in the 19th century. This family comes in two varieties, Standard and ornamented capitals. The Standard has orthodox style for formal text and display. This makes it possible you to use this style for any projects. The unique Ornamented is suitable for eye-catching part of your project: headlines, wedding invitations and logo. Every glyphs were added antique and distressed effect by hand work with great care to be looked like natural. Use your ideas to enjoy this exclusive script.

Charm Font Family - 8 Fonts for $96

OTF | 2 Fonts | +Preview | 4 Mb RAR | SALE PAGE

• ‘Charm’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.

Lalola - A Typeface with Strong Character for $65

OTF | 1 Font | +Preview | 4.6 Mb RAR | SALE PAGE

• Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and Lisa Beck. From a few letters of that model, Lalola became an original design and a single font, comprising all the necessary characters for languages based on the Latin alphabet. You can ‘say it loud’ with Lalola, either in lower or uppercase, yet with wit and a unique, distinctive friendly voice. Lalola received already two mentions, the Typefacts’ Best Typefaces of 2013 and the prestigious TDC 2014 Certificate of Excellence.

URW Geometric Font Family $105

OTF | 20 Fonts | +Preview | 2 Mb RAR | SALE PAGE

• URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability. The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased. Special glyphs, which are often designed afterwards for the original geometric typefaces from the 1920s, are perfectly integrated in the URW Geometric. These design characteristics increase the usability and legibility tremendously. With its 10 weights ranging from Thin to Black, plus 10 additional oblique styles, it has a great versatility in mind. The extreme light styles shine bright in large sizes, the middle weights are perfect for body copy and the bolder variants for the use of emphasis information or bring a strong impact to headlines and information. The optically balanced styles are designed to work in perfect harmony together. URW Geometric is functional, strong, simple and harmonized in form, and at a glance appears as a modern variant of its predecessors. Apart from the basic characters the design has an extra focus on the special glyphs. These are designed for todays needs. For example: the email glyph looks modern and unique, including a perfectly balanced spacing. The numero sign, in modern use called “hashtag”, is space saving and optically balanced for body text. Additionally, various extra and alternate glyphs are designed to provide a friendly usability. Including a wide Latin language support and character sets, URW Geometric is perfectly designed for today’s requirements.

Aventura - Burlesquely Round Font for $59

OTF | 1 Font | +Preview | 4.2 Mb RAR | SALE PAGE

• Aventura is burlesquely round, stylishly seductive, eternally sugar-fixed, and loving to a fault. Plenty of stylistic alternates are included to heighten the mood or soften it. Either way you look at it, there’s a lot of love in the air.

Taluhla Font Family - 4 Fonts for $59

OTF | 4 Fonts | +Preview | 4.2 Mb RAR | Taluhla Font Family

• Taluhla is lovely handwritten font with a matching set of borders, banners and ornaments. It is unique, elegant and easy to read. Taluhla has 3 different weights (light, regular and bold). It can be best used for invitations, greeting cards, posters, advertising, film, weddings, books, menus and anytime you would like to express yourself kindly.

Margot Font Family - 2 Fonts for $50

OTF | 2 Fonts | +Preview | 4.6 Mb RAR | SALE PAGE

• Like a lovechild of American Typewriter and Cooper Black, typewritten in melted chocolate, this is Margot. A bold single weight display typeface in roman and italic styles, Margot is boisterous but cuddly; warm but impactful. Margot comes fully loaded with a bunch of esoteric dingbats (grouped in the ornament feature), four figure styles (proportional- and tabular- lining, and proportional- and tabular- oldstyle), a spattering of swash capitals (K, Q and R), stylistic alternates and one discretionary gi ligature in the Roman.

Greyton Script Font for $40

OTF | 1 Font | +Preview | 3.4 Mb RAR | SALE PAGE

• South African designer Gerhard Schwekendiek, acclaimed for his script lettering and logotypes, created this bold copperplate ribbon-like face with white inlines. Capitals can be used for initialling and the lower case links up for word settings. An excellent choice for eye-catching headlines.

Paulette Font Family - 2 Fonts for $40

OTF | 2 Fonts | JPEG Preview | 4.9 Mb RAR | SALE PAGE

• Paulette is a script typeface, the capital letters are completely unpublished, some of them have a smile-similar ornament (A,F,O,H,Q,B,C,P,G), whereas minuscule letters are inspired to Edwardian font script. The font is very versatile and is very suitable for typographic compositions with large letters and for medium and small ones. It includes a complete series of internationals letters, 342 glyphs and 6 new ligatures. Paulette is an elegant letter and it’s available in two versions, regular and eroded.

Verna - Versatile Contemporary OTF $35

OTF | 1 Font | + Preiew | 4.4 Mb RAR | SALE PAGE

• Verna is a versatile contemporary font. Verna has a set of automatic ligatures, discretionary ligatures, swash initials and a selection of ornaments that you can easily access in any Opentype savvy program. Ornaments are placed in stylistic set 1 letters a-z but you'll also find them from the glyph panel.

Ogaki Pro Font Family

Create Punchy Statements 4xOTF

OTF | 4 Fonts | +Preview | 2 Mb RAR | HOME PAGE

• Ogaki is an ultra fat display typeface. Instilled with traits typical to calligraphy and graffiti, Jancso has created an experimental display typeface that is simply sublime and delicately extravagant. The font is available in four weights Poster, for use in large point sizes to create headlines for editorials, posters, logos, and CD covers, Text for setting smaller texts in smaller sizes and their respective Outline versions. Create punchy statements with Ogaki in a variety of languages with our different language packages Ogaki Standard, Ogaki Central European and Ogaki Pro which includes both the latter packages.

Rocklogo - Old Cool Rock/Metal Band $25

OTF | 1 Font | +Preview | 3 Mb RAR | SALE PAGE

Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.

Strange Alphabets Font for $30

OTF | 1 Font | +Preview | 8 Mb RAR | SALE PAGE

• Strange Alphabets is a narrow Arts & Crafts display font inspired by late 1800’s book covers and an early 1980’s variation of the Siouxsie & the Banshees band logo. Strange Alphabets includes copious punctuation and symbols. It’s loaded with fractions, numeric ordinals and operators because everyone needs mathematics; including goths.?? In OpenType savvy applications, the first and last letter of a word will receive a small diamond ornament. If a word starts with M, the single diamond splits into three. Words starting with O will automatically use a tall O. If you’d like to force a tall O in the middle of the word, use a zero. Words that start with a double O such as Oolong, will receive a pair of tall O’s. A pair of O’s in the middle or at the end of a word will be replaced by a linked ring ligature.??If your application allows you to access OpenType stylistic alternates, you can change the A and H cross-bars into small rings and remove all the diamonds from the M. The hyphen, en dash and em dash are replaced with ring ornaments. A separate diamond ornament is included under Unicode 25C6. If you want to disable the automatic OpenType substitutions, turn off your application’s standard ligatures feature.

Alina - Condensed Script 2 Fonts for $67

OTF | 2 Fonts | +Preview | 4.5 Mb RAR | Alina Font Family

• Alina is a laid-back condensed script font. Alina includes OpenType ligatures to all lowercase double letters to make them subtly differ from each other. So Alina feels a little bit more hand lettered and lively.

Mustang - Powerfully Expressive Brush Font for $22

OTF | 1 Font | +Preview | 1.3 Mb RAR | SALE PAGE

• Mustang is a powerfully expressive brush font that combines an edgy urban aesthetic with a smooth feminine flow. Some have suggested that Mustang is romantic. Some say it has something to do with speed or freedom. While precisely what Mustang expresses is up to debate, there’s no doubt that it’s expressing it with intensity. The style was born in my high school years, when I would wreck my notebooks with multiple layers of graffiti tags which would start in the margins and then creep in to cover the entire page. I developed a sensibility towards a very fast, expressive use of my hand, which later easily and naturally translated into brush. I used this style typographically on several projects throughout the years, and even turned it into a signature illustration style. Mustang is the second font, after Streetbrush, to use this brushwork as its inspiration. Mustang will be especially evocative at large sizes, where the details and sharpness of the shapes really come to life. It also holds together well for use as body copy, but may lose some of its aesthetic integrity at really small sizes.

Memoriam Font Family - 4 Fonts for $50

OTF + TTF | 4 Fonts | +Preview | 4.4 Mb RAR | SALE PAGE

• The tradition at the New York Times magazine has been to dedicate the year’s last issue to the people who passed away during the year, especially those whose lives have affected us. Art director Nancy Harris Rouemy, whose typographic design sense has earned her many prestigious awards over the years, decided on an all-type magazine cover for the 2008 issue, and commissioned Canada Type to do a new typeface especially for that project. Now Memoriam is finally here in retail form—not least because hundreds of people have asked for it. Though a few other Canada Type faces were used in the magazine with great results over the preceding months (mainly Ambassador Script and Sympathique), Nancy thought a some of the ideas in Jezebel's uppercase and Treasury's lowercase would be a good fit onto an all-type commemorative cover, but with a much higher contrast and the infusion of a more luxurious and elegant brand of poster calligraphy that doesn't date itself. After a few different attempts, the first shapes were born, and six weeks later there were enough forms to do the cover. The typeface was such a success with the editors and designers, it was used all over the magazine, instead of just the cover.