Geogrotesque Cyrillic Font Family

14 OTF Fonts | RAR 2.93 MB | SALE PAGE

• The original Geogrotesque was first launched in 2008, so this year we are celebrating its 10th anniversary. Besides this, the World Cup it is going to take place in Russia this year. That is why we want to be part of the celebration, releasing the brand new Geogrotesque Cyrillic, adding support to millions of speakers. This new release also includes an expanded version of the existing Latin script, and now you can use Geogrotesque in more than 115 languages from all around the world.

Geogrotesque Sharp Font Family

99 OTF Fonts | 63.1 MB RAR
https://www.myfonts.com/collections/geogrotesque-sharp-font-emtype-foundry

• Geogrotesque Sharp is a superfamily of seven widths and 99 styles, that puts together the work of a decade. Some design aspects has been simplified but without losing its soul, we have removed ink traps and rounded corners. This update lead Geogrotesque to another dimension, becoming more usable and less idiosyncratic. A Variable Font version is included with the family, or as a separate style. Despite being more web oriented, this new format has gained popularity in recent years, so we thought it was the right moment to launch a variable Geogrotesque.

Geogrotesque Extra Compressed 

          

Geogrotesque Condensed

          

Geogrotesque Compressed 

14 OTF Fonts | Designer: Eduardo Manso | Design Date: May 29, 2015 | Turkish Support | SALE PAGE

• The popular Geogrotesque family becomes an extended system with the inclusion of three new members to the pack; Geogrotesque Condensed, Geogrotesque Compressed an Geogrotesque Extra Compressed. The condensed series keep the spirit of the original one, and give way to a superfamily up to 56 styles. This new system fluidly varies between widths, ranging from the original width to a 55% of it in the narrower one. As their original partner, the new fonts are great headline families for publications, but will also work in text of intermediate length and point size. The Geogrotesque superfamily offers now one font for each design need. It is available in Open Type format and includes Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. All of them with support for Central and Eastern European languages. Each type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics.

Geogrotesque Font Family 14xOTF

OTF | 14 Fonts | JPEG Preview | 6.4 Mb RAR | SALE PAGE

• Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an alphabet for texts. Although the type family has a geometric or “technological” construction, the rounded finish provides it a warm appearance, making the typefaces nicer and nearby. Geogrotesque has been conceived to be used as a display typeface in publications or intermediate length texts, most of all the Thin and Ultralight weights which were meant to be used in big sizes. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format.

Semplicita Pro Font Family 10xOTF

OTF | 10 Fonts | JPEG Preview | 5.7 Mb RAR | SALE PAGE

• Semplicita Pro is a new sans serif design that effortlessly straddles the tri-cornered divide between the geometrical, humanist, and gothic sans serifs. We started by reappraising Semplicità, Alessandro Butti’s important 1930 design for Nebiolo. Fueled by Futura, Semplicità gave us the clue to the future: Replace the cool geometric Teutonic soul of Futura with the warm, humanist, calligraphic letterforms that are characteristic not of the Bauhaus but of the Italian Renaissance. With its radically revised formal structure, where only a few characters have a hint of geometric perfection, and the rest are drawn in a calligraphic manner, Semplicità is buzzing with ideas and has served as a gene pool for several new typefaces over the last two decades. Yet Semplicita Pro goes its own way. It isn't a simple revival of Semplicità, which would have looked like a period piece. We wanted to use it to solve a practical puzzle: How to make modernist sans serif letterforms truly readable at small sizes yet persuasive as message-carriers in display. We decided to keep its calligraphic soul and even emphasize it in places, and to relegate to alternatives all the features that seemed to be over-exaggerated, over-decorative, or simply non-functional. The result is an intensely readable sans serif design that, while obviously new and clearly stylish, provides the high comfort factor readers experience when viewing the classic stalwarts of 20th century sans serif design, and gives contemporary designers a widely expressive palette, all within the principle of simplicity leading to better understanding. Semplicita Pro is loaded with OpenType features and over 850 glyphs per font. For more information on the design, complete character sets, technological features, and print tests, consult the accompanying PDF.

Pluto Sans Font Family 16xOTF

OTF | 16 Fonts | JPEG Preview | 4.2 Mb RAR  | SALE PAGE

• Pluto Sans - the straight companion of the Pluto Family - was designed by Hannes von Döhren in 2012. This clear Sans Serif family is based on the Pluto architecture and it still has a hint of the friendly feeling the quirky Pluto conveys. With its geometric forms and its large x-height it is perfect for long texts in small sizes and usage in print & on screens. Both Pluto Sans and Pluto have the same range of weights and styles and can perfectly be used together. Pluto Sans is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

PF Bulletin Sans Pro Font Family 10xOTF

TTF | 10 Fonts | JPEG Preview | 4.3 Mb RAR | SALE PAGE

• This is a grotesque typeface which was derived from an older more simple version designed back in 2000. Bulletin Sans Pro is distinguished by its selective deep cuts which give this typeface a robust and contemporary look. These cuts become more apparent at larger sizes while they create a more subtle effect at smaller sizes. For intense titles try the black version. When space and legibility for long texts are critical, use the lighter versions. The family consists of 10 fonts—from black to light—including true italics. It supports 20 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban lifestyle.

Bandera Pro Font Family 12xOTF

OTF | 12 Fonts | JPEG Preview | 4.8 Mb RAR | SALE PAGE

• This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible, pan-european multilingual (Latin, Greek and Cyrillic), well shaped. Bandera Pro has six weights with original italics, alternatives, small capitals and three sets of digits. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera Pro shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it.

Niveau Grotesk - Geometric Modernism 18xOTF

OTF | 18 Fonts | JPEG Preview | 7.7 Mb RAR | SALE PAGE

• Niveau Grotesk—the companion of Niveau Serif—is a type family of six weights plus matching italics and small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth-century faces, the fonts are based on geometric forms. Because of its straight architecture, Niveau Grotesk has a “punch” in big sizes but is very legible in smaller sizes and longer texts—in print or on screen. Niveau Grotesk is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Business As Usual Fonts Family - 4 Fonts 40$
OTF | TTF | 517KB | Sale Page
A scratchy, scribbly notebook font. Like someone doodled away at a meeting. Ideal for websites.

Alianza Font Family - Slab, Italic & Script

OTF | 30 Fonts | JPEG Preview | 12 Mb RAR | SALE PAGE

• This is a complex typographic system which includes three different but complementary styles so far: Slab, italic and script, with nine weights each one; plus three sets of ornamental fonts: labels, negative labels and ornaments. The soul of the family is a slab feeling applied judiciously to the italic and script styles to make it coherent with the whole system. Each style has three sets of figures: Proportional lining, tabular lining and old style. You can mix the three styles in a single piece to obtain more expressive results without worring about the uniformity and complementing the design by using the ornamental sets.

Aviano Flare - Subtly Curved Forms

OTF | 6 Fonts | JPEG Preview | 5.1 Mb RAR | SALE PAGE

• The Aviano series returns with a flared semi-serif. Aviano Flare’s subtly curved forms lend refinement and luxurious elegance to your designs. Aviano’s foundational extended classical forms give the face strength and power. Aviano Flare is a versatile new addition to the Aviano titling series. Aviano Flare comes in six different weights and is packed with OpenType features. Want to get rid of the serifs for that logotype or headline? Need swash forms? Art Deco alternates? Aviano Flare includes 74 alternate characters. Two style sets are available, two sets of art deco inspired alternates, small forms, swash, titling and stylistic alternates. Aviano Flare also includes 40 discretionary ligatures for artistic typographic compositions. Please see the informative .pdf brochure to see these features in action.

Brix Slab - Highly Readable in Small Sizes

OTF | 12 Fonts | JPEG Preview | 7.2 Mb RAR | SALE PAGE

• Brix Slab and Brix Slab Condensed is an extended family of 24 fonts. It was designed by Hannes von Döhren & Livius Dietzel in 2011. Brix Slab is a robust slab serif family with subtle details. It’s optimized for longer texts and highly readable in small sizes. Brix Slab is intended to be used in applications like magazines, newspapers and digital devices. It also works great as a corporate typeface. With more than 700 glyphs in each font, Brix Slab is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Alright Sans - Inspired by Grotesque & Humanist Styles from Okaytype

OTF | 16 Fonts | JPEG Preview | 2.8 Mb RAR | SALE PAGE

• Alright Sans is a contemporary sans-serif. Inspired by both grotesque and humanist models, it’s clean and prudent with a warm, friendly tone. Alright Sans is a modest design that doesn't feel at all stiff or bland. It has open apertures and roundabout economy that works exceptionally well across media and at reduced sizes. And with shorter-than-normal capitals and a tall x-height, it’s functional without becoming distracting, goofy, or unprofessional. Extra care was taken in creating the OpenType features in Alright Sans. Details were included to help make high-quality typesetting easier, such as case-sensitive punctuation and an optically-correct superscript. A stylistic set in the italics provides alternate two-story forms of the ‘a’ and ‘g’. Even the default numbers are the proportional width old-style forms for a more refined all-around text appearance. There are also lining figures for setting with caps and tabular-width versions for setting tables. Every style of Alright Sans also has a full set of built-in small caps, even the italics. There is also an expanded character set, supporting over a hundred languages. And with weights ranging from extra thin to ultra heavy, Alright Sans proves itself to be a versatile and useful family for a wide range of projects.

Diamonds - New Geometric Letterforms 

OTF | 11 Fonts | JPEG Preview | 7 Mb RAR | SALE PAGE

• The Diamonds type family was designed by Hannes von Döhren in 2012. It is an experimental search for geometric new letterforms, which are still easy to read and generate some unexpected attention. Hannes wanted to create a straight and clear typeface but pull away from the path of classic and well learned letter shapes. The Diamonds type family is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, scientific superior/inferior figures and a set of arrows and geometric forms.

Gentona - Ranging from Sharp Thin Cuts to Heavy Weights

OTF | 18 Fonts | JPEG Preview | 6.8 Mb RAR | SALE PAGE

• Designed for a wide range of applications, Gentona was intended to support the goals of contemporary design paired with a mostly swiss oriented demand on typography – neutrality. The result is a nine-weight neo-grotesque family ranging from sharp and fine thin cuts to muscle-bound and strong heavy weights. Gentona’s confident and open shapes support legibility especially in small sizes while its alternative shapes and letterforms create flexibility. A wide range of typographic features round up the whole family.

Arquitecta - Humanist Typography as a Rational Project 

OTF | 16 Fonts | JPEG Preview | 2 Mb RAR | SALE PAGE

The family contains 8 upright romans and 8 italics with the following features:

- European accents, Old Style Numbers, Numerators & Fractions.

- Ink traps to avoid press impressing spots & hinting optimized.

- Small X-height with accentuated ascenders and descenders.

• Arquitecta. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading. Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde.

Benson Script - The Modernist Variety 6xOTF

OTF | 6 Fonts | JPEG Preview | 4.8 Mb RAR | SALE PAGE

• Benson Script is a script that is desperately trying to be anything but a script. With 3 contrast levels, and 2 styles, the six styles of Benson Script are an experiment in the diversity of a single stem width. Modernism’s desire to fit all elements within geometric constraints and adhere to strong verticals has spread throughout type design, but has had little to do with the frills and ornaments of script. Cutting a script down to its bare bones is an offensive idea to many—almost seeming insulting to its genre. Benson Script bridges that genre gap between frill and function. As a matter of genre Benson Script errs on the side of modernism, and adds flair as a last resort.

DIN Next Rounded - Traffic Signs, Wayfinding, Lettering on Drawings

OTF | 4 Fonts | JPEG Previe | 3.9 Mb RAR | SALE PAGE

• The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute’s standard no. DIN 1451, published in 1931. It contained several models of standard alphabets for mechanically engraved lettering, hand-lettering, lettering stencils and printing types. These were to be used in the areas of signage, traffic signs, wayfinding, lettering on technical drawings and technical documentation. Rooted in earlier designs for Germany’s railway companies, the alphabets were based on geometric shapes in order to be easily reproducible using compass and ruler. In post-1945 West Germany, the DIN alphabets were widely used, for instance on most road signs. They became available as fonts that were appreciated by designers for their industrial, somewhat quirky and “non-typographic” look and feel. From the 1990s onwards, more refined versions became available for use in book and magazine typography. DIN Next is a typographically corrected and expanded version of this quintessential 20th-century design. DIN Next Rounded is its softer, friendlier version.

Decima Nova Pro 8xOTF

OTF | 8 Fonts | JPEG Preview | 3.4 Mb RAR | SALE PAGE

Decima Nova Pro is a geometric sans serif typeface family, built in eight styles. The typeface is ideal for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design. Features include extended language support, small caps, multiple numeral styles, slashed zero, ligatures. Decima Nova Pro is released as font family in OpenType format with a Latin Western 1252, Eastern European 1250, Baltic 1257, Turkish 1254 and Cyrillic 1251 character set.

Leto Sans - Display Headline Family

Regular & Condensed Types 3 Weights 6 OTF Fonts | 5.1 Mb RAR | SALE PAGE