
Selfica Font Family - 14 Fonts for $150
OTF | 14 Fonts | PDF Preview | 5.6 Mb RAR | SALE PAGE
- Selfica is the sans-serif version of the Selfico designed by Nico Inosanto in 2012. The fonts have a semi-condensed geometric forms and conserve a little contrast with the Selfico. The large number of ligatures is a good feature to make an original and creative layout. The range of weights provides flexibility for texts and titles. The special «g» of the original Selfico is available as stylistic alternate. The Selfica consist in a 14 styles family: Hairline, Thin, Light, Regular, Medium, Bold, Black and their Italic. The fonts have an extended characters set to support Central, Eastern and Western European languages.

Curvesta Font for $28
TTF | 1 Font | JPEG Preview | 4.6 Mb RAR | SALE PAGE
Combining classic serifs with curvy features, the Curvesta poster/display font has lots to offer. A real modern classic.








Rinse Font - 1 Font 30$
OTF | TFF | 3.22 MB | Sale Page
Rinse is a textured, vintage t-shirt font based on Goudy Heavyface Italic.

MB Picture House Font Family - 6 Font $180
OTF | 486 kb | Sale Page
- Small caps art deco font inspired by the golden age of Hollywood and childhood trips to the Majestic Cinema. Two styles, each with three weights. Picture House One is sharp and crisp, Picture House Two has a slightly ‘Out of Focus’ look to it. Both come with extended language support and oldstyle numbers, giving a lot of scope for may us

PF Stamps Pro Font Family $395
TTF | 6 Fonts | JPEG Preview | 2.84 Mb RAR | PF Stamps Pro Font Family
- PF Stamps covers a wide range of applications which require the stamp effect. This is a form of lettering which was very popular in the mid-twentieth century for product labeling. Special machinery was developed by mainly two companies, one in the United States and the other in Germany. This machinery produced paper die cuts which were later used as a base for the marking with a paintbrush. PF Stamps Paint was developed to simulate this type of lettering. Two other styles, Metal and Flex, have been very popular since its original release. The first one was developed from a metallic stamp imprint, whereas the second one with its slight 3-D look simulates letters stamped on plastic. To insure realistic results, uppercase letters are different from lowercase. This is very useful when two similar letters sit next to each other. There 3 more styles: Solid (the stencil in its regular clean form), Rough and the very interesting Blur. The all new “Pro” version comes to complete this series with what was missing: 93 matching frames and frames parts which will satisfy the most demanding designer. This is a bonus font which is available only with the purchase of the whole family. Use these frames “as is” at any size, or connect the frame parts to each other to create longer frames. Finally, this series supports more than hundred languages which are based on the Latin, Greek or Cyrillic scripts.

Amelia Rounded Font Family $249
- Amelia Rounded is a geometric sans that keeps the softness of humanistic strokes. The combination of contrasting styles makes Amelia Rounded an ideal choice for both body and display text. The different styles included in the Amelia Rounded family offer flexibility and variation for your projects, either for a formal or a relaxed look, thanks to the Up version.

Modernica Font Family - 16 Fonts for $189
OTF | 16 Fonts | JPEG Preview | 4.2 Mb RAR | SALE PAGE
- Modernica is an excellent tool that provides a large range of possibilities in design work. It is a sans serif font that contains eight weights plus matching italics. All Modernica typefaces include a set of small caps, ligatures, contextual alternates, modern and old style figures, superscript and subscript, numerators and denominators, among other OpenType features. Modernica is the extension of the Mazurquica family, a condensed grotesque font created to be used in titles looking for impact. Based on the Mazurquica structure, it was designed as a new font for both headlines and continuous text. Modernica seeks to go beyond the grotesque style, — a style that perhaps looks coarse on occasions, maybe for its excessive geometric feel — and instigate a more fluid and friendly structure while remaining solid in its use.

Core Sans D Font Family - 28 Fonts for $280
OTF | 28 Fonts | JPEG Preview | 4.1 Mb RAR | SALE PAGE
- Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

Uma Font Family - 2 Fonts for $49
OTF | 2 Fonts | JPEG Preview | 2.7 Mb RAR | SALE PAGE
- Uma is a typeface family consisting of two weights: light and bold. The typography is fresh, informal and friendly at first glance, but the constructive architecture makes it elegant and modern. It works equally as well in large or small sizes, and the combination between the two weights is very interesting to work with. It is a contemporary typeface, ideal for use in magazines, brochures, flyers and advertising among other applications. Uma may seem simple at a first glance, but it is very functional and professional, with aesthetic enchanting details. Uma has a wide range of functionality and has a great personality. Designed by Ariel Di Lisio and digitized by Ale Paul, Uma includes alternates, fractions, ligatures and a wide range of latin languages.

Elysio Font Family $34
OTF | 14 Fonts | JPEG Preview | 8.3 Mb RAR | SALE PAGE
- Elysio is a condensed and humanist sans. Its open forms are very useful for signage. The constructed aspect is based on Predige. The Elysio family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Stylistic Alternates, Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions.

Amelia Font Family 16xOTF $129
OTF | 16 Fonts | JPEG Preview | 10.8 Mb RAR | SALE PAGE
- Amelia is a geometric sans, but it keeps the softness of humanistic strokes. The contrast and the different styles allow Amelia to work as a text or display font. Also it incorporates an Up version, calligraphic features that add a touch of informality.

Herradura Font Family $90
OTF | 8 Fonts | JPEG Preview | 2.1 Mb RAR | SALE PAGE
- Herradura font family has been designed for Graviton Font Foundry by Pablo Balcells in 2013. It is a wood-type slab serif typeface with a slightly techno angular look. Herradura consists of 8 styles including 4 shadowed styles, each containing framed characters and endings.

Newslab Font Family
OTF | 16 Fonts | JPEG Preview | 6 Mb RAR | SALE PAGE
- Newslab is a slab serif font – designed by Daniel Hernández –which is the result of the combination of three different typefaces: Andes, Sánchez and Roble. Harmony among every feature of the typefaces makes Newslab a neutral but imposing font. The Newslab font family consists of 16 variants and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, etc.



Wood Type Collection Font Family - 39 Font $390
39 OTF Fonts | 9.4 MB RAR | Sale Pages Wood Type Collection 1 Wood Type Collection 2
- WOOD TYPE COLLECTION from BORUTTA is a set of wonderful, warm and weathered hand made typefaces designed by Mateusz Machalski. The Inspiration for this collection comes from a wooden letter blocks and other old technologies used for printing.WTC supports 40 different languages and contains over 6000 glyphs. The Family consists of 5 typefaces in 10 different styles! (Regular & Italic)

Trump Gothic Pro Font Family 240$
66 OTF | 66 TTF | 0.98 MB | Sale Page
- Trump Gothic is a reconception of ideas from Georg Trump’s seminal 1955 Signum typeface and its later reworking (Kamene) by Czech designer Stanislav Marso. Originally cobbled together for a variety of film projects in the late 1990s and early 2000s, the Trump Gothic family was made available for the general public in 2005. Shortly thereafter, it became a common sight in movie credits, on posters and magazine covers, in fashion branding and on corporate web sites.

Rleud Font Family $800 | 160 x TTF
160 TTF Fonts | 4.8 MB RAR | SALE PAGE
- Finally in 2014 “RLEUD” [Pronounced Loyd] is now finished and ready for your design. It was started in 2012 by using DIN as inspiration with the mood of industrial design and combination of humanist style from Dax. The idea is to make this a multifunction font be used in any situation such as digital device and print matter, even headline or small text on the page. This is an answer for your need and you don't have to spend on other fonts for a while.

Knockout Font Family $800
- A sweeping collection of 32 sans serifs, Knockout restores some much-needed vitality to an overlooked corner of the typographic spectrum.The organization of typefaces by weight and width may be one of Modernism’s great gifts to typography, but the expectation that fonts should cohere to some prefabricated schedule of styles is one of its greatest fallacies. Demanding that every typeface march to the drumbeat of roman, italic, bold, bold italic is an arbitrary imposition on a naturally diverse world; in other professions, this kind of universalist thinking gives us brutalist worker housing, or prairies planted with monocultures. Knockout defies the Modernist canon, in order to reclaim one of typography’s great natural wildernesses: the American sans serif.For more than a century before Helvetica, the sans serif landscape was dominated by unrelated designs. Gothic woodtypes in a dazzling array of proportions lived comfortably alongside anonymous foundry types, each design’s integrity the product of its autonomy. Because none of these faces were intended to relate to one another, none of their design characteristics were beholden to any external constraints: what worked for a supercondensed boldface need only work for that design, not also for the extrawide light face whose design afforded different possibilities and faced different challenges.

Verlag Font Family - 60 Fonts $1200
60 OTF Fonts | 2.1 MB RAR | Designed by Jonathan Hoefler | Sale Page
- From out of the six typefaces originally created for the Guggenheim Museum comes Verlag, a family of 30 sans serifs that brings a welcome eloquence to the can-do sensibility of pre-war Modernism.
Verlag, the affable Modernist.
- Originally envisioned as a riff on the Guggenheim’s iconic Art Deco lettering, Verlag developed into its own family of versatile typefaces in order to suit the needs of a modern identity program. Because the fonts would ultimately represent a range of individual artistic voices — from Cézanne to Kandinsky to Matthew Barney — Verlag was carefully planned so that its distinct personality would be checked by a sense of objectivity.
- From the rationalist geometric designs of the Bauhaus school, such as Futura (1927) and Erbar (1929), Verlag gets its crispness and its meticulous planning. Verlag’s “fairminded” quality is rooted in the newsier sans serifs designed for linecasting machines, such as Ludlow Tempo and Intertype Vogue (both 1930), both staples of the Midwestern newsroom for much of the century. But unlike any of its forbears, Verlag includes a comprehensive and complete range of styles: five weights, each in three different widths, each including the often-neglected companion italic.
- The Verlag typeface was designed by Jonathan Hoefler in 1995. A commission from the Solomon R. Guggenheim Museum, Verlag was designed as a reply to the iconic lettering on the facade of Frank Lloyd Wright’s 1959 masterwork at 1071 Fifth Avenue. A sans serif in the ‘geometric’ style, characterized by Euclidean proportions and a monolinear appearance, Verlag features the small lowercase and tall ascenders that were characteristic of the geometric typefaces associated with early Modernism.

Neue Aachen Pro Font Family
OTF + TTF | 18 Fonts | JPEG Preview | 1.74 Mb RAR | SALE PAGE
Impressed by the quality of the Aachen typeface that was originally designed for
Letraset in 1969 and extended to include Aachen Medium in 1977,
Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family.

CM - Cool Fonts Bundle - 58 Premium Fonts 020821
76 OTF | 3 MB
Above - Accept - Adventure - Alphabets - Antique - Brand - Brittle - Bullet
Burning - Business - Business Growth - Camping - Camping Script
Cancel - Classic - Coronavirus - Damage - Dark Side - Departed - Desktop
Fight - Fort - Frames - Galaxy Cluster - Holiday - Kitchen - Legend
Lightning - Net - Never - No Fear - No Smoking - Old Car - Old Phone
Playful - Playful 2 - Power - Profile - Quantum - Rainy - Real Estate
Rice Field - Rival - Rocket - Send - Speed - Sport - Sport Energy
Teacher - The Wall - Third Test - Tracking - Travel - Trend
Value - Words

ALS Schlange Slab Font Family
OTF | 5 Fonts | JPG Preview | 1.8 Mb RAR | SALE PAGE
- Schlange is a rich typeface with rounded terminals. The family includes five sans serifs and five slab serifs in weights from ultra light to bold. Schlange’s personality is determined by an open aperture and quite large lower case characters in comparison with the upper case set. Schlange’s personality is open and friendly, giving a text it’s used for a soft, warm appeal. Schlange will work well as a display type (think titles, short magazine call-outs, ad banners, and such), but it’s not a good choice for extensive bodies of academic text. Available in numerous weights, the typeface provides rich opportunities for mixing and matching and is great for typographic compositions. These qualities make Schlange a dream type for a packaging designer. It will feel at home in design for cosmetics or sweets, postcards, children’s books and menus.

Sensational Sans Font Family
OTF | 8 Fonts | JPEG Preview | 4.5 Mb RAR | SALE PAGE
- Sensational Sans is an original design by Alex Kaczun. The inspiration started with the shape of a paper clip. Simple and elegant. A condensed sans serif that’s, well... just sensational! It’s a delight to use and view. Great for advertising, large headlines, web applications, and well... just about anything. Works equally well in a broad range of text point sizes. Comes in 4 delightful flavors—Light, Regular, Medium and Bold.
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