Categories: Fonts » Single Fonts
Bird Script Pro Font for $25
OTF | 1 Font | +Preview | 4.9 Mb RAR | SALE PAGE
- Characterized by quickness, lightness, and ease of movement, Bird Script is a font which challenges many aspects of type-design: every single stroke, comes directly from the author’s hand and tries to reflect not only the tool used, but also his feelings at the moment of writing. Bird Script is a font filled up with the energic gestures of what it’s called gestural calligraphy, a not very explored field in typography, where hardly ever a letter comes the same way two times: When manipulating the pen, the letterer seeks for the beauty of the differences and the grace of a confident execution. Originally done with a flat speedball pen nib nº5 and retouched with pencil for the bolder elements, it turned into a very pleasant to the eyes font which dances between the formal rules of typography and the artistic look of calligraphy. Bird Script Pro and Bird Script Light Pro come with many ligatures, alternates and ornaments. Into the standard ligatures we find lots of pairs of two and three ligated letters so when they are activated the font seems alive. However if none of them are activated, the font gives a really particular text pattern, specially in smaller sizes. Get Bird Script, add rhythm to your work.
Categories: Fonts » Single Fonts
Appetite New Font for $49
OTF | 1 Font | +Preview | 1.4 Mb RAR | SALE PAGE
A new look of Appetite typeface. Swashed initials, and true italic.
Maris - Whimsical Handwritten Calligraphy $124
35 OTF Font Files | Designer: Jeremy Dooley | TURKISH SUPPORT | SALE PAGE
- Maris is a rich, elegant script, subtly characterized by a whimsical handwritten calligraphy. The family is composed of six different weights, each one bolder than the last but all equally as filling. The lighter weights move delicately through each line, showing a gentle strength in their smaller frame. The six weights from these lighter forms to the bold include some textured versions such as jean, wood, print, rough and halftones. The Maris family performs superbly in custom headlines and logotypes. Turn on Swash, Stylistic or Contextual Alternates for even greater emphasis. Opentype lets you "auto-magically" swap out letter sets with alternate versions and creates the visual diversity that gives you the one-of-a-kind look of custom lettering. It also uses OpenType features to assist with letter flow. When you choose to make use of its open-type decorative glyphs, your headlines will dazzle. For the greatest benefit, grab the entire Maris family. Thanks to its variety of styles, Maris makes it easier for you to design. With this large font family, solve your design problem with just one typeface.
Categories: Fonts
Bouquet Font for $39
OTF | 1 Font | +Preview | 6.4 Mb RAR | SALE PAGE
- Bouquet font is a cursive fat typeface influenced by brush writing and skilfully flavored with elements of fractur. The result is really amazing – a font with bespoke personality, strong unique presence and classy standing out amongst the other look. Type designer Dzianis Serabrakou really did well in every single letterform, aperture, curve and line, but this was probably below satisfactory and he didn’t stop here – Denis developed the font to a higher level by making it fully open-type compatible. Bouquet supports large set of multilingual diacritics plus a beautifully designed set of Cyrillic characters. Additionally you will be able to use also ligatures and really lots of alternative symbols to bring more life, versatility and personalization in your work. Initially Bouquet has been designed as a logo font – it is so identical that could easily turn every brand name into logo icon. Furthermore this font is perfect for designing t-shirts, typographic posters, packaging etc and it is highly recommended for letterpress as well as for normal offset and screen printing.
Digital Sans Now Font Family $700
Roman & Roman Condenced
36 OTF Fonts | Designer: Marty Goldstein | Turkish Support | SALE PAGE
- Digital Sans Now combines and completes the many diverse requests and requirements by users of the past years. By now, 36 versions for over 70 Latin and Cyrillic languages have become available, including Small Caps. Digital Sans Now is also available as a webfont and reflects, with its simplified and geometric construction and its consciously maintained poster-like forms as well as with its ornamental character, the spirit of the decorative serif-less headline typefaces of the 1970s. The basic severity of other grotesque typefaces is here repressed by means of targeted rounds. Exactly these formal breaks allow the impression that it could be used in a variety of visual applications. Short texts, headlines and logos of all descriptions are its domain. It is because of this versatility that the typeface has become a desirable stylistic element, especially in such design provinces as technology, games and sports, and that, for many years now, it appears to be timeless. Additional weights designed on the basis of the original, from Thin to Ultra, the Italics, Small Caps and alternative characters allow for differentiated “looks and feels”, and, with deliberate usage, give the “Digital Sans Now” expanded possibilities for expression. The basis for the design of Digital Sans Now is a headline typeface created in 1973 by Marty Goldstein and the Digital Sans family which has been available from Elsner+Flake since the mid-1990s under a license agreement. The four weights designed by Marty Goldstein, Thin, Plain, Heavy and Fat, were originally sold by the American company Visual Graphics Corporation (VGC) under the name of “Sol”. Similarly, the company Fotostar International offered film fonts for 2” phototypesetting machines, these however under the name “Sun”. The first digital adaptation had already been ordered in the mid 1970s in Germany by Walter Brendel for the phototypesetting system Unitype used by the TypeShop Group, in three widths and under the name “Digital Part of the Serial Collection.” Based on the versions by VGC, Thin, Plain, Heavy and Fat, new versions were then created with appropriate stroke and width adaptations for data sets for the fonts Light, Medium and Bold as well as for the corresponding italics.
Categories: Fonts
PF Centro Serif Pro Font Family for $425
OTF | 8 Fonts | +Preview | 4.7 Mb RAR | SALE PAGE
- Centro Serif Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.
Categories: Fonts
PF Centro Sans Pro Font Family $725
16 Fonts | OTF | SALE PAGE
- Centro Sans Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.
Categories: Fonts
Jules - Big Font Family $1140
48 OTF Font Files | Designers: Dino dos Santos, Pedro Leal | SALE PAGE
- At first glance, Jules, appears to be just one more Didonic variation, but a closer look starts revealing all the extraordinary features of this type family, specially designed for use in extremely big sizes. Jules reflect the last of the late 18th century and was inspired by several plates from a portuguese calligrapher named Antonio Jacintho de Araujo. Available in three different optical sizes: Big, Colossal and Epic, Jules has a plethora of ligatures and stylistic alternates, plus refined Italics and a super elegant Swashes version.
Categories: Fonts
Ovoda Font Family $100
3 OTF Fonts with WOFF Webfonts | Designer: Allen Mercer | SALE PAGE
- Whether summer, winter or fall, Ovoda is posed to add a youthful yet refined touch to any design. Use Ovoda’s three weights to pucker up your latest packaging or liven up your layouts. Ovoda is a must have for your clubhouse!
Categories: Fonts
Hansom FY Font Family - 6 Fonts for $137
OTF | 6 Fonts | +Previews | 4.8 Mb RAR | SALE PAGE
- With its friendly shapes and rounded terminals, Hansom FY is a modern and functional sans serif family with an air of technology. With 3 weights and their accompanying italics, this contemporary font is well-suited for all kind of application. From packaging to editorial design, from screen to branding – Hansom FY guarantees optimal readability. Hansom FY was co-created by Jérémie Hornus & Fontyou Team on co-create.fontyou.com, the first collaborative type foundry.
Categories: Fonts
Coranto 2 Font Family - 7 Fonts $385
7 Fonts | OTF | RAR 592 KB | SALE PAGE
- Now available as Opentype font with extended character set, Coranto 2. It is originally based on Unger’s typeface Paradox, and arose from a desire to transfer the elegance and refinement of that type to newsprint. Coranto 2 has a larger x-height and in many places has been made more robust.Over the past 25 years newspaper production has seen spectacular improvements in paper and print quality, the introduction of colour printing, and vastly better register. Newspaper production still demands a lot of letter forms, but advanced printing brings out details better and makes typography more appealing to readers. For text type the newspaper is no longer an environment in which survival is the chief assignment.Today, newspapers are not merely a matter of cheap grey paper, thin ink and super-fast rotary printing, and type design no longer has to focus on surviving the mechanical technology and providing elementary legibility. Now there is also room to create an ambience, to give a paper a clearer identity of its own; there is scope for precision and refinement. One consequence of this is that newspaper designers can now look beyond the traditional group of newsfaces. Conversely, a newsface can be used outside the newspaper — not an uncommon occurrence.The update to this beautiful font family, Coranto 2, includes the addition of over 250 glyphs featuring full Latin A language support, new ligatures, 4 sets of numerals, arbitrary fractions and superiors/inferiors. Furthermore, kerning was added and fine tuned for better performance.
Categories: Fonts » Font Bundles
Independence Day 101 Fonts Bundle $855
101 Fonts | OTF/TTF/WoFF | RAR 15.4 MB
Bundle Content:
Categories: Fonts
Clara Sans & Serif Font Family $542
16 Sans, 14 Serif Fonts | OTF/TTF | SANS SALE PAGE | SERIF SALE PAGE
- Clara is a set of alphabets of interconnected serif and sans serif fonts. The connection is not only in the intensity of the strokes, i.e. in the identical brightness of the typesetting, but also in the drawing principles of both alphabets. The typeface aims to offer a sense of calmness for a reader even in smaller scales of the typesetting. In large scales it builds on the purity of the image without additional decorations. The Clara system includes maximum equipment of a Latin font from Thin to Black in all versions of marking fonts, italics, capital letters and four kinds of numbers. The typeface allows typesetting of the vast majority of cultural languages of the world.
Categories: Fonts
Amster Font Family - 11 Font $468
11 Fonts | OTF/TTF | SALE PAGE
- Amster is an energetic & refined type created by Francisco Gálvez, with a sharp concept on how refinement & austerity can meet harmoniously. Amster can build a text that is highly readable and friendly. It has five weights of roman & cursive both with smallcaps and fully equipped with all OT sorts, plus 2 kinds of swashes, smart ornaments, and a wonderful set of illuminated initials. Its style makes Amster very versatile, allowing for a wide range of uses: screen to print, small text to display, science to poetry.
Categories: Fonts
Synthemesc Font OTF $30
OTF +Previews | 1.75 MB | SALE PAGE
- Viddy this: when the Korova Milkbar became a global franchise in 2001, Typodermic Fonts had been commissioned to design their choodessny official display font. Tragically, the entire Korova chain has been recently acquired by Starbucks and they’re no longer using the Synthemesc font. Luckily, you can still shvat a chasha of moloko plus with synthemesc, vellocet or drencrom at any Starbucks.
Categories: Fonts
Egon Font Family - 6 Fonts for $174
OTF | 6 Fonts | +Preview | 4 Mb RAR | SALE PAGE
- Egon is a contemporary Slab-Serif typeface family built in ten styles—extra-light, light, regular, bold and black weights in roman and italic respectably. This is a refreshed (second) edition of Egon Serif, originally designed in 2008. The typeface has been updated—four new styles in ExtraLight and Black weights were added to the family and minor adjustments to glyph shapes (mostly italics) have been made.The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon is ideal as text and display font for publication use. Egon is released as OpenType single master with a Western CP1252 character set.
Categories: Fonts
American Captain Font Family - 6 Font $150
6 Fonts | OTF | 957 KB | SALE PAGE
- American Captain is as a 6-font family with complete character sets and language support for Central European characters, Cyrillic, Greek and Hebrew. OpenType features include: small caps, fractions, stylistic sets, glyph replacements, etc.So here we go with the descriptions again. To describe my new font, American Captain, the boring part of my brain tells me to use staid words like narrow and bold, sharp yet blunt, heavy and tall; but deep within the creative side of my brain, there’s a smouldering nugget of inspiration that tells me this font deserves something more. Why bother to explain things you can clearly see with your own eyes, when what you might not be aware of is this font’s unique origins. What you might not know is that it dates back to at least the 1940s. It’s even possible you don't understand how this font has been reborn and revamped and revitalized by generations of sign-painters and hand-letterers and determined font guys like myself who just can't let this thing go.
Categories: Fonts
Gin Font Family - 8 Fonts for $45
OTF | 8 Fonts | +Preview | 4.2 Mb RAR | SALE PAGE
- Like a brother to Bourbon, Gin is distilled from similar letterforms, but condensed less. This vintage display typeface was inspired by the likes of old serifs and classic bottles of whiskey and gin. Features include: Stylistic Alternates and Multiple Language Support.
Categories: Fonts
Ethos Font Family 36 Fonts $250
36 Fonts | OTF | SALE PAGE
- Ethos is a contemporary serif fontfamily by Fonts With Love. It comes in 36 fontstyles with true italics and a huge bunch of opentype features like small caps, ligatures, nominators and denomiators, fractions and many more. Its x-height is pretty high, which makes it legible even on small fontsizes. Above that, the lighter weights have a rather low-contrast linestyle, which improves the legibility on display application especially on smaller sizes. On larger fontsizes, the typeface stands out with a distinctive character of geometrically shaped letters with soft rounded corners.
- Each fontface contains 500+ glyphs, supporting a huge amount of languages, mathematical operators, symbols and punctuations.
Hudson NY- American Sports & College Styling $70!
6 Fonts | OTF/WoFF | Designer: Andrew Footit | SALE PAGE
- Hudson NY is a display font that gives you strong and bold typography with three different styles that make up the family, a regular, serif and slab serif. Hudson NY is an adaptation and progression of Roper Font, and like Roper font it comes in regular and a press versions, giving the user some cool options when creating artwork. The golden thread that ties this family together is its American sports and college styling, it gives Hudson NY an authentic look but at the same time there is a modern approach to the character set.
- Matchmaker, a modern calligraphy typeface, was inspired by the various works of modern day calligraphers. Its tall, quirky, and juxtaposed letterforms provide a deviation from traditional calligraphy-inspired typefaces. Matchmaker features smart contextual alternates and swashes that add to the front and beginnings of letters (try using + + + on the end and = = = on the beginning of lowercase letters to see the feature in action). Also watch as letters on the end of words magically receive a shortened tail.
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