OTF | 174 KB RAR

OTF | 2.3 MB RAR

OTF WOFF| 377 KB RAR

This file includes one .ttf/otf font and one .woff font which includes a full alphabet in lower and upper case, numbers, and most common punctuation, and extended Latin characters.

OTF | 486 KB RAR

TTF | 24 KB RAR

TTF OTF | 136 KB ZIP

Felicita - Handwritten font

• Fonts are provided in TTF & OTF formats. I recommend installing the TTF files, and the OTF only if necessary. There is no difference in function with either format.
• Fonts include multilingual support for the following languages

OTF | 4.8 MB RAR

TTF | 102 KB RAR

TTF | 692 KB RAR

2 OTF EPS | 39 MB ZIP

TTF | 760 KB RAR

OTF TTF | 438 KB RAR

2 TTF 2 OTF | 231 KB ZIP

For the past year I’ve been working on a new type design project with the Japanese sports fashion brand Onitsuka Tiger in conjunction with my online journal Néojaponisme. I sat down with some folks at Onitsuka Tiger’s office in Tokyo to pore over the company’s vast archives of print advertising from the company’s advent in 1949 through today, and to draw inspiration as I pleased for the design of a pair of digital fonts that help tell the story of Onitsuka Tiger as a brand.

Looking through the hundreds of ads, catalogs, brochures and assorted other materials, it became immediately clear that there was a bigger story to be told — the Onitsuka Tiger materials span the technological and cultural development of Modern printing. The typography and graphic design of Onitsuka Tiger’s assorted printed materials provided a myriad of potential jumping-off points that span both Japanese and Western history, revealing a startling series of commonalities as well as interesting divergent moments in time.

From classical influence to highly futuristic, there is a huge gamut of interesting sources to pull from. Onitsuka Tiger’s printed promotions started in the age of metal typesetting, took advantage of phototype compositing in the 1960s through the 1980s, then entered the digital realm in the the late 1980s. As a Japanese company that marketed domestically and abroad, the marketing department had to be aware of typographic trends internationally, and this was reflected in their printed materials. From the prevalence of American Type Founders typefaces used in early advertising mixed with hand lettering to incised prototype katakana and hiragana to the Helveticization of the globe, Onitsuka Tiger’s printed matter functions as a cultural and aesthetic survey of popular styles and unique approaches to graphic design.

Kirimomi Swash

A display typeface which is rooted in both classical form and the sharp edges of photoype lettering. The typeface looks back to the historic forms of French typefounder Jean Jannon for it’s base, as well as the curved terminals and weighty serifs of the work of William Caslon. The various interpretations of their work throughout history have been applied to give each letterform presence, stability and rigidity. Sharp phototype swashes culled from the logo for Emperor, a line of golf shoes released by Onitsuka Tiger thirty-plus years ago have been applied to give the face a timeliness of the Modern/Postmodern era, offsetting the historical skeletal frame.

Kirimomi Swash is first and foremost a display face, and in order for it to function gracefully, a number of ligatures and alternate characters have been included. It is intentionally not designed for text setting, as that would require a smoothing-out of the most prominent elements, and the result would most likely be a typeface that while potentially being useful, would not stand out in a crowd.

A number of pattern-making glyphs have been drawn and included in lieu of traditional typographic ornament within each of these fonts. Contemporary font technology allows the deployment of pattern elements in a regulated environment, allowing designers to control the amount of space in side bearings. When typeset and leading/line-height is adjusted, one can create smooth, even patterns, choose coloring and adjust scale quickly without having to resort to external files. -Ian Lynam, 2011

TTF | 1.1 MB ZIP

Introducing Hamillton, it is was designed and shares by Ardyana types. Hamillton is a chic and stylish handwritten font. It is beautifully messy and classy. Perfect for blogs, logos and advertisements. ofcourse this is a smart font works with polular design software like Photoshop, Coreldraw, Illustrator, Microsoft Office, Cricut, Surecut even Silhoutte software, ect. This freehand typeface welcomes you to use it for various purposes such as logo, card, wedding invitation, headings, signatures, t-shirt, letterhead, cutting sticker, hot stamping, signage, labels, posters and more.

OTF TTF | 932 KB ZIP

Introducing Italian Font, it is was designed and shares by RB Fonts. A handwritten, fun and happy modern calligraphy script font with carefully crafted, clean vectors. You can create beautiful hand-made typography with its bouncy, organic flow. Italian Breakfast is perfect for all your creative projects wether it be. It’s beautiful for product labels, houseware and text overlay to any background picture.

2 TTF 2 OTF | 593 KB ZIP

Say Hello to Argentina Script, a new cool modern calligraphy script, with new innovation system for Uppercase Portable Swashes! So we can create balance swash style. It also nice just with basic character. Bonus italic/slanted version for your convenience

• All alternate characters appear to Alternate for Current Selection on Glyphs Panel
• Contain 580 glyphs and supported to basic Latin character and eastern Europe language.
• 67 portable swash for uppercase and lowercase character.
• This font also featured with PUA encode, so it can be accessed with software who not supported to Opentype (Cricut, Silhouette, etc). (Use character Map for Windows OS, use Font Book for Mac OS).
• Shortcuts for portable swash with and (activate Contextual Alternates)
• 1 Alternate for each lowercase and uppercase characters.

TTF OTF | 104 KB ZIP

Aletcia is beautiful script font. With modern script style this font will perfect for many different project ex: quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc

TTF OTF | 130 KB ZIP

10 TTF 10 OTF | 3.8 MB ZIP

TTF OTF | 142 KB ZIP

Tendrils is a carefully drawn font. Perfect for branding, logos, titling, signage, poster, flyers or t-shirts design, headlines and more!