Vetteletters Bundle

25 Typesets, 89 Fonts $1.352

89 TTF | +Previews | RAR 8.4 MB | SALE PAGE | HOME PAGE

BEATBOX | BLEEK | BON BON | BRAK | CLEAVER | DBXLZX | DECKS | GAUFRE
HOLLANDSCHE NIEUWE | IRISH STEW | KIMCHI | KNOFFEL | MELK | TPBARPACO

VONDELPARK | WASABI | BOULANGERIE | BREAKZ | BROKKEN | DONUTS
NEUE SARDINES | SPAGHETTI BOLOGNESE | TP KURIER | TP MARTINI

Waldorf Pro - 13 Fonts Family $360

OTF | 13 Fonts | +Preview | 2.1 Mb RAR | SALE PAGE

The Waldorf Pro Font Family was designed by Gustavs Andrejs Grinbergs and published by Tilde.
Waldorf Pro contains 13 styles and family package options.

Leksa Sans Font Family - 14 Fonts for $540

OTF | 14 Fonts | +Preview | 1.9 Mb RAR | SALE PAGE

• Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extralight to Black). Designed as a sans-serif companion for Leksa, Leksa Sans works perfectly either with it or alone. It is suitable both for text setting and for short inscriptions. One of the main features of the typeface is its professionally-designed Cyrillic which (together with serif companion Leksa) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

Montserrat Sans Serif by Julieta Ulanovsky

2 Typefaces, 36 Styles & 2 Variable Fonts

38 Fonts | OTF | TTF Variable | +Previews | RAR 4 MB

• Montserrat Font is versatile and modernly designed, so it has easily been the voice and grown famous for its cleanliness and geometric design. Montserrat was done by Julieta Ulanovsky, who was motivated to develop the font after thinking of the Montserrat neighborhood in Buenos Aires. This suit is entirely appropriate for most design project demands that range from branding to editorial. 

Purple Line - 6 Fonts Family $49

OTF | 6 Fonts | +Preview | 3.3 Mb RAR | SALE PAGE

Foverdis Font Family - 6 Fonts for $72

OTF | 6 Fonts | +Preview | 3.4 Mb RAR | Foverdis Font Family

• Foverdis is a versatile and powerful ornate script face. Foverdis features flowing hand lettering with tall and graceful ascenders. The face offers a wide array of weights, from the powerful Black weight to the graceful Thin to unique Hairline. Foverdis can get the job done for many unique design tasks. Its wide range of weights at a great price, and OpenType alternates make it a very valuable font for your design toolbox. Foverdis OpenType features include a set of non-connecting alternates, 20 ligatures, and two types of ending letterforms. OpenType features include ornaments, a full set of swashes, swash endings, ending contextual alternates, discretionary ligatures, ligatures and twelve different stylistic sets filled with alternates. In total, there are over 150 alternate letterforms and ornaments. Please see the sample .pdf to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Foverdis is great for a professional designer that wants to maximize design capabilities.

Montio - 4 Fonts Family $99

OTF | 4 Fonts | +Preview | 1 Mb RAR | SALE PAGE

Montio is a simple Humanist sans serif typeface with rounded corners.
It’s a family of 4 fonts: 2 weights and their italics.

Built Font Family - 10 Fonts for $170

OTF | 10 Fonts | +Preview | 1.1 Mb RAR | SALE PAGE

• Built has one job: making solid, compact headlines onscreen. Designed with trust and neutrality in mind, Built’s wraparound shapes speak your headlines in newsy voice. Subtle curls conjure a feeling of a different news era while not coming across as particularly old-fashioned. The Built family comes in five weights, from extra-light to bold. But not your typical thin to fat linear range. When you’re designing for the screen, there are practical limitations with light fonts. These days, with variable resolutions and screen sizes, going lighter means going bigger. Much bigger. And it’s no fun if your words end up falling off the line. Built actually gets narrower as it gets lighter. Now you can can scale way up and still have room to spare. Set attractive, oversized page titles without worrying if the words will fit. Tabular (monospace) numerals are handy when you have lists of numbers to align. In headlines, tabular numerals don’t look so hot–and they waste space. Lots of fonts let you choose between proportional and tabular numerals. OpenType technology lets designers access different types of numerals, but implementing OpenType features on the web isn’t fun–it’s not always practical. Built has a simple solution: if you turn off hinting, numerals, monetary symbols and most math symbols line up. Easy. Built has fractions, primes, numeric ordinals, compact accents, the Indian rupee and the Turkish lira. As Built loses weight, its asterisk sprouts more legs, retaining it’s presence even in Extra-Light. The italics are squeezed thin and loosened up on the sides, creating cool emphasis that’s more than just a slant. Built is available in Extra-Light, Light, Regular, Semi-Bold and Bold plus italics.

ABTS Oklahoma - 4 Fonts Family $72

OTF | TTF | 4 Fonts | +Preview | 1 Mb RAR | ABTS Oklahoma Font Family

The ABTS Oklahoma Font Family was designed by Jay Hilgert and published by Albatross.
ABTS Oklahoma contains 4 styles.

Directors Cut Pro - 6 Fonts for $169

OTF | 6 Fonts | +Preview | SALE PAGE

• Directors Cut Pro is a compelling new font series designed by Alex Kaczun. It recently won the second place—a commendation in the Canberra Typeface Competition. This handsome Geometric Antique serif design is based on the early 19-century Moderns and Scotch styles, infused with the warm charm of traditional antique, added for interest. Capturing the best of both ages: it’s warm, comforting and persuasive. Directors Cut Pro’s graceful aspects naturally invite uses at large sizes, for which we have created a stunning and elegant lighter weight. But, this workhorse typeface series incorporates a solid regular weight, along with its italic—ideal for a multitude of text purposes, at varying point sizes. A robust Bold weight is available for headlines and emphasis. Director Cut Pro comes with proportional as well as tabular lining figures for quickly setting up charts and tables. It also contains an extended character set—including most Central European languages. Alex Kaczun is in the process of expanding this typeface series to include additional weights, styles and proportions. Stay tuned! The large Pro font character set supports most Central European and many Eastern European languages.

Swift 2.0 Cyrillic - 8 Fonts Family $640

OTF | 8 Fonts | +Preview | 1 Mb RAR | SALE PAGE

• Gerard Unger developed this newspaper font between 1984 and 1987 for Dr.-Ing. Rudolf Hell GmbH, Kiel. He was mainly influenced by William A. Dwiggins (1880-1956), the typographic consultant of Mergenthaler Linotype, who started to develop more legible, alternative fonts for newspaper printing as early as 1930. Swift was named after the fast flying bird. Austere and concise, firm and original, Swift is suited for almost any purpose. Swift has been specially developed to sustain a maximum of quality and readability when used in unfavorable print and display processes, e.g. newspapers, laser printing and low resolution screens. Its robust, yet elegant serifs and its large x-height provide an undeniable distinction to the typeface, making it suitable for corporate ID and advertising purposes as well. Swift 2.0 family was designed in 1995. It’s an improved version with technical and aesthetic enhancements and new family members. The Cyrillic version was developed for ParaType in 2003 by Tagir Safayev. Please note that this family includes only basic latin characters; it does not include accented characters required for western and central Europe.

Francker Font Family - 18 Fonts for $420

OTF | 9 Fonts | +Preview | 0.8 Mb RAR | SALE PAGE

• Francker is a sans-serif, based on clean and simple design principles that betray its Danish origin. Its curves are based on the “super ellipse”, a mathematical shape about half-way between an ellipse and a rectangle. Francker’s lowercase lettershapes a, b, n, and u, have no spurs, emphasizing the simplicity of their construction. The Francker family is available in two widths, normal and condensed, each in nine weights, from extra light to extra black. Use Francker for signage, posters, magazines, advertisements, or corporate identity projects—wherever an industrial, contemporary look is needed. The Francker type was developed and designed by Anders Francker, an engineer and designer living in Denmark.

Armada - 15 Fonts Family $450

OTF | 16 Fonts | +Preview | 6.5 Mb RAR | SALE PAGE

• Tobias Frere-Jones began Armada in 1987. An experiment in algorithmic design, Armada follows the verticals and flat arches so often to be found in the architectural geometry of cast iron and brickwork in nineteenth-century American cityscapes. All of the weights and widths of Armada were drawn by Frere-Jones, offering a full display series of remarkable richness, all variations in a truly architectural theme and discipline. Among other uses, Armada is recommended for Magazine and Corporate use.

Courier - 4 Fonts Family $104

OTF | 4 Fonts | +Preview | 1.4 Mb RAR | SALE PAGE

• Courier is a monospaced typeface for use in tabular material, technical documentation, and word processing. It was designed in the mid-1900s by Howard Kettler of IBM as a typewriter face, and was later redrawn by Adrian Frutiger for the IBM Selectric series.

Marian Font Family - 18 Fonts for $600

OTF | 18 Fonts | +Preview | 3 Mb RAR | SALE PAGE

• Marian imagines the classics of the typographic canon reinvented for the contemporary world: Garamond, Granjon, van den Keere, Kiš, Fleischmann, Fournier, Baskerville, Bodoni and Austin restyled and revived. These aren’t strict revivals, for they are not accurate recreations, nor are they interpretations per se. Instead they reduce the historical models to their basic skeletal forms. Nine serrifed typefaces and one Blackletter reduced to their basic structure. This reduction strips them to their core, whilst at the same time retaining the life and spirit of the letters.

Farnham - 42 Fonts Family $625

OTF | 42 Fonts | +Preview | SALE PAGE

• German-born punchcutter Johann Fleischman, contemporary of Baskerville and Fournier, worked at the Enschede Foundry in Haarlem. Expert in advanced tools and the qualities of fine steel, he pushed beyond the frontiers of his time, cutting active typefaces famous worldwide for their “sparkle.” Christian Schwartz focused on Fleischman’s exuberant angularity, carrying it to all weights of his new Farnham series. Among other uses, Farnham is recommended for Newspaper, Magazine, Book and Corporate use.

Vox Round Font Family - 20 Fonts for $200

OTF | 20 Fonts | +Preview | 4.7 Mb RAR | SALE PAGE

• Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.

Vox Font Family - 20 Fonts for $200

OTF | 20 Fonts | +Previews | 3.9 Mb RAR | SALE PAGE

• The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days. For additional versatility, take a look at Vox Round, the softer, but just as extensive, counterpart to this family.

Signo Font Family - 12 Fonts for $328

OTF | 12 Fonts | +Preview | SALE PAGE

• Signo is a dynamic sans serif with reverse contrast, designed for editorial and branding. Signo is a charismatic typeface for headlines, but its tall x-height and open counters also make it perform well in small sizes, resulting in a versatile typeface across weights. The cursive italics are a good complement to the roman fonts and will add variety and warmth to the page. The Signo family comes in six weights, from Thin to Bold, and includes two weights for text: the Book and the Regular.

Leksa Font Family - 12 Fonts for $450

OTF | 12 Fonts | + Preview | 2.1 Mb RAR | SALE PAGE

• Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps. The typeface works best in the books of classical style, and looks good in both small and large point sizes. One of the main features of the typeface is its professionally-designed Cyrillic which (together with sans-serif companion Leksa Sans) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

Ginza Narrow - 6 Fonts Family for $125

OTF | 6 Fonts | +Preview | 3.5 Mb RAR | SALE PAGE

• Here’s what I said about the original Ginza: Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of fonts that encompass a very simple skeleton with a lot of visual appeal. And now with Ginza Narrow: Once Ginza was released, I immediately wanted to commit the time to create a narrower version—if for nothing else but to add additional versatility to the skeleton, but my schedule just would not allow it until a client recently asked me to. There was no need to ask twice as I had already started and then shelved the initial builds. I also had the opportunity to expand the localization of the fonts by adding Cyrillic.

Purista Font Family - 10 Fonts for $285

OTF | 10 Fonts | +Preview | 2.9 Mb RAR | SALE PAGE

• Purista is a strict, orderly typeface based on a well-tried principle of geometric sans serifs from mid-20th century. Its obsession with technological precision makes it perfect for use in corporate systems and visual communications of technocratic businesses. Thanks to its broad range of cuts, it is also ideal for display advertising.

Knul Font Family - 12 Fonts for $169

OTF | WoFF | 12 Fonts | +Preview | 3.6 Mb RAR | SALE PAGE

• An elegant modern typeface with a subtle monoline appearance. The simplicity of the design creates clean forms best suited to identity, editorial and advertising uses. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.

Canberra FY Font Family - 12 Fonts for $282

OTF | TTF | 12 Fonts | +Preview | 8.9 Mb RAR | SALE PAGE

• Canberra FY is a contemporary and low-contrast serif typeface that shows legibility with personality. Its asymmetric and short serifs render a versatile look, always usable and friendly. As Canberra FY is very legible with its book style in small sizes, the charming bold and black are good companions for headings. This wide range of weights enables actual editorial use and hierarchical type-setting. Perfect for all types of communication materials, paper or web, pocket size or large format. Letters ‘a’, ‘e’, ‘g’, ‘v’, ‘w’ ‘y’ have rounded alternates, opening up the possibilities for more casual settings. Canberra FY comes out in 6 weights with matching italics. Canberra FY was co-created by Joana Correia (with the assistance of Joana Ranito) & Fontyou Team on co-create.fontyou.com, the first collaborative type foundry.