Wayfinder allows you to attach and guide artwork along shapes layers... even complicated or animated ones!

https://aescripts.com/wayfinder/

Take your project to the next level by adding Halation to your footage. As a by-product of shooting film, Halation adds a red glow around the bright part of your image, adding to the romantic feeling of celluloid film.

Filters are an important part of any filmmaker's toolkit, and now, you can get all the benefits of shooting with diffusion filters in post using Hazy. Soften any bright areas of your image, smooth any uneven skin tones, and add a nice bloom effect to strong light sources using our filter presets.

Effections are our bundled collections. RE:Vision Effects’ Twixtor used to retime up to 160x slower than real time. DEFlicker by RE:Vision Effects is designed to smooth out annoying flicker and artifacts when shooting high speed or timelapse video.

Introducing Volume Rendering! Create beautiful and captivating smoke effects from any particle system setup. Stardust is a modular 3D particle system for After Effects. It has an easy to use node-based user interface and ships with a ton of presets to create stunning effects quickly and easily.

Optical Flares is a plug-in for designing and animating realistic lens flares in After Effects. 3D Lens Flares with AE Lights. Intuitive Design Interface. Live Visual Preset Library. Real Texture Support. Dynamic Triggering Animations. Chromatic Aberration. Up to 32 bpc color support.

Flicker Free is a powerful and simple way to remove flicker from your video. We offer presets for different types of footage, making it easy to eliminate flicker caused by out of sync cameras, time-lapse, or slow-motion video. Flicker Free will work on any sized footage and is compatible with a wide range of video editing applications such as After Effects, Premiere Pro, FCP, Avid, Resolve, and Vegas.

KODACHROME – K-Tone LUT

Kodachrome was manufactured by Eastman Kodak from 1935 to 2009. Kodachrome was the first successfully mass-marketed color still film using a subtractive method, in contrast to earlier additive “screenplate” methods such as Autochrome and Dufaycolor, and remained the oldest brand of color film.

Kodachrome is appreciated in the archival and professional market because of its color accuracy and dark-storage longevity. Because of these qualities, Kodachrome was used by professional photographers like Steve McCurry and Alex Webb. McCurry used Kodachrome for his well-known 1984 portrait of Sharbat Gula, the “Afghan Girl” for the National Geographic magazine.