Myfonts - Stories Grand Font Family
Myfonts - Stories Grand Font Family
Stories Grand - Bold Tall Serif Font , from Timelesstype , Suitable for any projects such as: logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, label, photography, watermark, special events, and all your other luxury and beautiful projects that need a Luxury Serif taste.

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Myfonts - Scarfi Modern Font Family
Myfonts - Scarfi Modern Font Family
Scarfi Modern - All Caps Serif Display Font , from Timelesstype, Suitable for any projects such as: logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, label, photography, watermark, special events, and all your other luxury and beautiful projects that need a Luxury Serif taste.

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Myfonts - Regita Glamor Font Family
Myfonts - Regita Glamor Font Family
Regita Glamor - Bold Serif Display Font , from Timelesstype , Suitable for any projects such as: logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, label, photography, watermark, special events, and all your other luxury and beautiful projects that need a Luxury Serif taste.

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Myfonts - Nexa Round Font Family
Myfonts - Nexa Round Font Family
Nexa Round emerges as a carefully crafted evolution of its predecessor, far exceeding a simple rounded adaptation. Every character has been thoughtfully redesigned to preserve the geometric precision and foundational essence of the original Nexa, while introducing a fresh softness. This intentional refinement ensures that Nexa and Nexa Round harmoniously complement each other in applications like logos, taglines, price labels, and more—making them ideal partners for cohesive branding initiatives and corporate identities.

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Myfonts - Morning Bredok Font Family
Myfonts - Morning Bredok Font Family
Morning Bredok - Display Variable Sans Serif , from Timelesstype, Suitable for any projects such as: logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, label, photography, watermark, special events, and all your other luxury and beautiful projects that need a Luxury Serif taste.

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Myfonts - Lotus Grove Font
Myfonts - Lotus Grove Font
Lotus Grove is a high-contrast serif typeface with deep roots in Art Nouveau aesthetics. In contrast to its archetypal models, Lotus Grove boasts a clean-cut and smooth design, perfectly suited for modern requirements. It is a fancy typeface that suits any kind of display use.

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Myfonts - Plush Font Family
Myfonts - Plush Font Family
Plush Font Family is a typeface that captures the essence of soft serifs, blending the best of traditional and modern typography. Its design is inspired by the timeless elegance of fonts like Windsor and Cooper, yet it brings a fresh perspective that resonates with contemporary aesthetics, delivered by Fontfabric

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Lovelyn Font
Lovelyn Font
Lovelyn Font
Lovelyn Font
Lovelyn Font
Lovelyn Font
Lovelyn Font
Lovelyn Font
Lovelyn Font | 1 x TTF
https://www.youworkforthem.com/font/T9053/lovelyn/

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Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman Font Family
Eastman was designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau. It is a geometric sans workhorse family developed for maximum versatility both in display and text use, with a wide weight range and a solid monolinear design featuring a tall x-height that makes Eastman extremely readable on paper and on the screen.An impressive array of alternate characters and stylistic sets allows to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. The twenty weights of the base family have been complemented by a display-oriented alternate family, as well as one variable version, bringing the full family to an impressive count of 41 fonts. Eastman excels in both body text, headings and wordmarks and it is your new option for a universal geometric grotesque.

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chaney Font Family
chaney Font Family
chaney Font Family
chaney Font Family
chaney Font Family
chaney Font Family
chaney Font Family
chaney Font Family
chaney Font Family
Chaney Font Family

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Stock Vectors - Traffic Light, 25xEps

Stock Vectors - Traffic Light, 25xEps

Shutterstock - Traffic Light

25 EPS | 25 AI | 25 JPG Previews | 29 MB RAR


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Black Textures #2, 25xEPS

Shutterstock - Black Textures #2

25 EPS Vectors in Original Filenames with JPG Previews | 53 Mb RAR


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Myfonts - Unigeo Font Family
Myfonts - Unigeo Font Family
Designed by Cosimo Lorenzo Pancini with the help of Francesco Canovaro, Unigeo is an eulogy to the design style of vintage computing, with its obsession for geometric modularity, ultra-tight tracking and striped rainbow overload. It aims at giving a new perspective to the ever-useful geometric sans genre, by adding a vintage flair to selected letters while keeping optical adjustments to the minimum, to prioritize the modular, constructed look aspect of the typeface. Furthermore, like every vintage gaming system, Unigeo has been developed with different "memory versions":32, 64 and 128. The main family, Unigeo 64, is display and logo-design oriented, featuring tight tracking and iconic signature letterforms, and referencing vintage design and typefaces from the photo-lettering era. These letterforms are substituted in the Unigeo 32 variant with more contemporary shapes, resulting in a workhorse geometric sans, highly optimized for text use but still suited for logo design and display use thanks to its wide weight range. Last but not least, the Unigeo 128 subfamily gives the same skeleton a striped treatment reminescent of optical art and modernist computer logos.

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Myfonts - Consumer Type Font Family
Myfonts - Consumer Type Font Family
Discover Consumer Type, an elegant serif typeface family that embodies timeless sophistication. Packed with 9 weights and true italics for every style, this versatile font offers a total of 1561 meticulously crafted glyphs, including alternate characters, extended Latin, Cyrillic, and Bulgarian Cyrillic scripts. Perfect for branding, editorial design, and high-end projects, Consumer Type delivers impeccable style and international support. Elevate your designs with its graceful curves, refined details, and unparalleled versatility.

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Myfonts - Malinger VP Font
Myfonts - Malinger VP Font
Malinger is stylish and creative font loaded with 95 languages support, alternate and ligature glyphs to make you typography truly unique! Introducing Malinger - Stylish Serif font - latin and cyrillic

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Myfonts - Berkshire Pro Font Family
Myfonts - Berkshire Pro Font Family
This family began with Berkshire Swash Pro, an alluring semi-sweet typestyle with a bold yet feminine flair to it. This was always meant to be a trio family, complete with Regular, Loops, and Swash Pro styles.

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Finder Font Family
Finder Font Family
Finder Font Family
Finder Font Family
Finder Font Family
Finder Font Family
Finder Font Family
Finder Font Family
Finder Font Family
Finder is a neutral sans serif typeface designed for multi script applications in user interfaces. Conceived specifically for smaller sizes open design, large counters and gaenerous spacing significantly improve legibility. Neutrality helps to keep user experience simple without distracting the reader.Finder would be perfect for any UI project and will be especially precious for an international company that expands in new markets and is looking for a consistent design/communication across platforms and all its markets and countries.
Scripts ; Arabic, Cyrillic, Greek, Hangul, Hebrew, Japanese, Latin, Simplified Chinese, Thai, Traditional Chinese

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Myfonts - Sztos Font Family
Myfonts - Sztos Font Family
Sztos (2018-2022) is a remix of one of the most famous grotesques used in Poland – Baccarat (published by Jan Idźkowski i S-ka in 1922). My version loosely refers to the original. On the one hand, I wanted to modernize the drawing and proportions, on the other hand, I did’t want to lose the historical flavour and details in which you can still feel traditional printing. In addition to the fairly wide version of the normal style, there is also a narrow version. Thanks to this contrast, Sztos gives the possibility of expressive combinations of different styles. The whole family consists of 10 weights, two widths and an additional slant version.

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Myfonts - Salo Font Family
Myfonts - Salo Font Family
SALO – is a hybrid of two Italian typographic worlds. The serif version refers to the beautiful and sophisticated typefaces found on the signs of cafes, restaurants, and fashionable boutiques. Its complemented by the sans variant, inspired by Italian modernism and road signage. All styles are based on the same core but with a totally different expressions. The biggest challenge during the project was designing all of the glyphs compatible to work as a 100% variable font. In the OTF version, SALO has 4 varieties: Serif, Semi Serif, Semi Sans and Sans. The family of these typefaces is suitable both for posters, magazine headlines, and branding purposes where the character will count. It is worth experimenting and combining different varieties with each other. (This font cannot be used to create a logo with the phrase "FRANCO").

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StudioGuti - 60+ STUDIO LIGHTING SCHEMES
StudioGuti - 60+ STUDIO LIGHTING SCHEMES
StudioGuti - 60+ STUDIO LIGHTING SCHEMES
StudioGuti - 60+ STUDIO LIGHTING SCHEMES
StudioGuti - 60+ STUDIO LIGHTING SCHEMES
https://studioguti.com/shop/60-studio-lighting-schemes/
Never again run out of ideas on how to solve any situation that comes your way in the studio with the Ebook “60 Lighting Schemes for People in the Studio“. Book in PDF version so that you can always take it with you and you can also print it if you wish. 60 lighting schemes so you can master the most important part of photography… lighting. Never be left with the doubt of how to illuminate, with these 60 schemes you will find how to illuminate any situation. Learn which are the best light modifiers for each situation. Learn to light much faster. (only replicates the proven formulas). Learn by doing with this practical guide. (Improve your skills by practicing.)

 


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Myfonts - Realgar Font Family
Myfonts - Realgar Font Family
Realgar is a generic and neutral typeface but with enough personality to be different, but not as much to be unfamiliar. The name refers to an ancient natural pigment, known for its vivid orange colour. It is a multipurpose typeface in an eclectic style that combines geometric and grotesque with some humanist touches. Some of its main features are the wide proportions, closed apertures and idiosyncratic numbers that make Realgar stand out. In addition, the rounded dots convey a friendly and contemporary look. A Variable Font version is included with the family or as a separate style.

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August Dering Photography All Course
August Dering Photography All Course
https://www.augustderingphotography.com/courses

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Engram Font Family
Engram Font Family

https://www.myfonts.com/collections/engram-font-borutta

Engram (2015-2020) designed by Mateusz Machalski is a classical sans geometric family. This typeface is characterised by a lot of details, which gives it a friendly character. Scalable x height, rounded corners makes Engram good choice for many purposes. All family consist 22 styles with italics from Hairline to Black.


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Nutmeg Font Family
Nutmeg Font Family
Nutmeg Font Family
Nutmeg Font Family
Nutmeg Font Family
Nutmeg Font Family
Nutmeg Font Family
Nutmeg Font Family | 36 x TTF
Nutmeg is a geometric typeface with a slight flavored touch. Although its structure is stick to the traditional forms, its details transform this typeface in a boldly project that separates it from other geometric fonts. Nutmeg’s texture can be perceived as a clean typeface that is comfortable to the human eye, furthermore, if you use it in big sizes Nutmeg’s details can be seen as a display font. Under these two ways of perceiving this type family, we took the decision of split this type project in two families: a cleaner and more rational Nutmeg versus a Headline version that has more flavored details at the end of the characters

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