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• MarkCam is a lightweight toolset for creating and managing camera-bound timeline markers—right from the Timeline header, with a handy management panel in the Timeline’s N-panel.

• The Joker PowerGrades collection on MONONODES offers a meticulously crafted toolkit for colorists aiming to replicate the gritty, atmospheric look of Todd Phillips’ 2019 film. This collection includes nine reverse-engineered PowerGrades, each designed to emulate iconic scenes from the movie. These scenes encompass pivotal moments such as "Everything," "Alley," "Hospital," "Grid," "Bathroom," "Kiss," "Stairs," "Subway," and "Smoking." By analyzing behind-the-scenes stills and comparing them with final on-screen versions, the creator has reverse-engineered the grading process to provide accurate and efficient node structures. This approach allows colorists to recreate the film's distinct visual style with minimal adjustments.

• The Marriage Story PowerGrades collection on MONONODES offers a meticulously crafted toolkit for colorists aiming to replicate the intimate and naturalistic look of Noah Baumbach’s 2019 film. This collection includes six reverse-engineered PowerGrades, each designed to emulate iconic scenes from the movie. These scenes encompass pivotal moments such as "Law Firm," "Kitchen Sink," "Car," "Singing," "Door Frame," and "Hug." By analyzing behind-the-scenes stills and comparing them with final on-screen versions, the creator has reverse-engineered the grading process to provide accurate and efficient node structures. This approach allows colorists to recreate the film's distinct visual style with minimal adjustments.

• The Wonder Woman PowerGrades collection on MONONODES offers a comprehensive toolkit for colorists aiming to replicate the cinematic look of Patty Jenkins' 2017 film. This collection includes nine meticulously crafted PowerGrades, each designed to emulate iconic scenes from the movie. These scenes encompass pivotal moments such as "On a Horse," "Sister," "Beach Battle," "Golden Lasso," "Sword," "No Man's Land," "Train Station," and "Ammunation." By analyzing behind-the-scenes stills and comparing them with final on-screen versions, the creator has reverse-engineered the grading process to provide accurate and efficient node structures. This approach allows colorists to recreate the film's distinct visual style with minimal adjustments.

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• Midnight in Paris has such a bold look. You might think that it is too much when you just look at the images. But if you watch the movie you get sucked in and the look feels totally natural. While creating such a strong look I think it is really important not do it “half way”. Take breaks. And not just watch a single image. Watch longer takes and get a feel for it. Colorist Joe Gawler has worked on a number of films such as A Most Violent Year, Arrival, The Lighthouse, Irresistible, Darjeeling Limited. Click here for an Interview with him where he talks about Color Grading Film and Digital for the movie “Wonderstruck”.

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