Shibui - Sans serif font, character structure is simple alphabet style. It has an elegant appearance with rounded folds.It offers the best solutions in your digital projects with this font which is highly readable in the smallest dimensions.With its modern minimalist stance, this font can meet your needs in all modern or classic creative projects.

TradaSerif consists of 20 well-tuned weights and is well-equipped for advanced typography.It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows, and alternate characters.

TradaSans consists of 20 well tuned weights and is well equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Slacker is equipped with Standard Ligatures and Contextual Alternates - they help to keep the flow lively and balanced and connections smooth so you should normally keep the features on. In addition Slacker has Stylistic, Swash and Titling Alternates for more showy letterforms. If you want to keep letters connecting to one another at maximum try turning on Stylistic Set 01 (SS01). On top of these Slacker has even more alternates in the Character Window making the total glyph count to 660.

Tsuku Sans Serif is a digital typeface, strongly associated with the geometric style born in the Bauhaus school. It features geometric lines with a large x-height, displaying compact caps. This font contains five weights – thin, light, regular, medium and bold – and provides a large number of glyphs – uppercase, lowercase, numerals, diacritics, punctuation and symbols (namely arrows). Ideal for reading, Tsuku® Sans Serif can be used in various printed materials such as posters, publications, packaging or signage, but its contemporary character makes Tsuku® suited to the digital world as well, whether in gaming software, websites or apps.

The character of this typeface is expressed by long serifs that replace traditional drops. The serifs allow for some interesting discretionary ligatures, like “fa” or “Ta”. Contrast is distributed from monolinear in hairline and all the way to the extreme in the black style. Symbols and punctuation are drawn with monolinear strokes to give the typeface more playful typesetting. With two stylistic sets the typeface enables different typesetting opportunities. Its characteristics should be expressed in headlines, larger texts, show posters, displays, signage, etc.

Tresor is a new Sans Serif font family with contrast. It has a classic look and a romantic twist thanks to its extended set of decorative alternates and ligatures. Tresor, meaning “treasure” in French, is full of jewels, including a beautiful collection of swashes. More than 1000 glyphs accessible through OpenType features invite you to customize your test. This stylish & modern font family includes 2 different styles and 3 different weights. The thinnest weight is Tresor 100, with Tresor 200 and 400 you get an extra thickness, heavier weights that are perfect for small sizes. Tresor works beautifully for headlines, weddings invitations, instagram posts, packaging design, stationery and logos.

Introducing, Detroit - A Slab Serif Typeface. A display font that have a strong and bold looks. This font is made by hand lettering so it looks natural and very suitable for vintage and rustic theme. Perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Of all the forms most suited to being condensed, the sans seems the easiest and most obvious. In the early part of the 1830s all of the British foundries introduced the form, and in 1834 Thorowgood made one size with a delightfully expressive lowercase. Expanded from the original, with additional weights and a matching italic, it is both impactful with a slightly unexpected though appealing character.

Thrift Regular and Thrift Italic each include approximately 800 glyphs. Specific OpenType features include stylistic alternates, several stylistic sets with features like curved ascenders and descenders, multilingual support (including multiple currency symbols - for kicks I even included a Bitcoin symbol in there), standard and proportional oldstyle numbers, and four ampersand styles. It also includes 24 standard and discretionary ligatures that add character and interest to your typography.

Steelfish Hammer is a subtly rustic version of the popular typeface, Steelfish. Most current Latin based languages are supported as well as Greek and Cyrillic. In OpenType savvy applications, three texture variations of alphanumerics (A-Z, a-z, 0-9) are automatically shuffled to create a more natural effect. You can toggle your application’s standard ligatures feature to disable this effect.

Steelfish Unleaded is a rounded letterpress version of the popular typeface, Steelfish. Most current Latin based languages are supported as well as Greek and Cyrillic. In OpenType savvy applications, three texture variations of alphanumerics (A-Z, a-z, 0-9) are automatically shuffled to create a more natural effect. You can toggle your application’s standard ligatures feature to disable this effect.

Steelfish Steeled is a letterpress effect version of the popular typeface, Steelfish. Most current Latin based languages are supported as well as Greek and Cyrillic. In OpenType savvy applications, three texture variations of alphanumerics (A-Z, a-z, 0-9) are automatically shuffled to create a more natural effect. You can toggle your application’s standard ligatures feature to disable this effect.

»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my new, very readable and friendly Sans typeface.

Tectónica is an elegant and stable heavy-duty didonish typeface in three different flavors: the strong and sober Poster Style, the fancy and classic Engraved Style and the playful and sexy Swash Style, each of one includes a distinctive set of alternates, ligatures, numbers and plenty of other resources and OpenType features for your text delight.With heavy contrast and solid presence yet full of delicate details and variations, Tectónica was especially designed for being used in headings, logotypes, large text settings and display use in general where a well-founded and firm yet graceful and refined statement is needed.

Straight Line is essentially an outline Modern, but drawn without any curves whatsoever. Thin horizontals and thick verticals provide the classic look of a Didone, updated and enhanced by clean, minimalist geometry. In addition to the Straight Line font itself, the package includes Straight Line Solid with matching spacing and kerning. The Solid font can be used solo, or layered with the outline font to provide a colour background.

Mid Century Sans (MCS) is composed of high-geometric shapes. In the middle of the twentieth century, one big movement which was called Mid-century modern had occurred. The Mid-century modern movement in the U.S. was an American reflection of the International and Bauhaus movements and it was slightly more organic in form and less formal than the International Bauhaus-style. In other words, it was friendly and stylish. Farther, Mid Century Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also MCS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

Trine Rask’s Rum is designed inside out, focusing on the counters. The counters are repeated throughout the typeface, which gives a strong text image in small and especially in display sizes. It is both very simple and very delicate in detail. Rum Sans has a large character set with alternative characters that make it possible to create a more soft and round text image. It has very delicate swashes that work like a discreet period after a word.