Leafco is a type of font with a decorative nature look. Leafco include a full set of large and small letters as well as multi-lingual and currency support, numbers, punctuation, alternatives, binders and some additional glyphs.

The result is a sans serif, geometric, modern typeface with classical Roman proportion in the uppercase letters; two stylistic sets for lowercase letters (setKoch and setRenner), rational, open and sharp ends. It is ideal to form titles, medium length texts, branding, exhibitions and animations. The family consists of 9 weight variants and their corresponding oblique versions and small caps. With more than 900 glyphs, it covers more than 190 Latin languages and together with its Opentype functions it creates a modern and versatile family.

Laski Slab Font Family $357 | 20 x TTF and OTF
http://www.myfonts.com/fonts/re-type/laski-slab/

"Laski Slab is a comprehensive suite of 20 fonts conceived for editorial purposes. The type family was designed by Paula Mastrangelo, an Art Director with extensive experience in editorial design specialized in corporate communication. Originally developed for an online children’s magazine, Laski was expanded into a multipurpose type family with the technical assistance of Ramiro Espinoza.

Belying the intrinsic robustness of the slab serif genre, Laski’s humanistic construction and subtle calligraphic details lend it a friendly appearance. Round, open letter forms and generous horizontal proportions make it easy to read. The regular weights perform impeccably in text sizes, while the bolder versions produce expressive and very effective subheadings and headlines. Two idiosyncratic stencil variants considerably expand Laski’s creative potential. 

http://www.myfonts.com/fonts/re-type/laski-sans/

Laski Sans is a family of 20 fonts with weights finely balanced so that they can be easily combined in a wide range of environments. Its open forms and solid structure grant a high legibility on paper and on screen. The moderate, legible proportions and neutral appearance make Laski Sans especially well suited for commercial publications like marketing collateral and advertising campaigns. The type’s generally reserved tone opens up in 2 showy stencil variants – Stencil Black & Stencil Black Italic – which considerably expand Laski’s creative potential for expressive headlines. As might be expected from ReType, Laski Sans is a suite of feature-rich OpenType fonts fully equipped to tackle complex, professional typography. The character set includes small caps, fractions, alternate characters, case-sensitive forms, and 5 sets of numerals. Besides standard Latin, its extensive character set supports Central European, Baltic and Turkish languages.

Designed to reflect nature, it creates a sense of natural softness and expressiveness. We pushed the concept into a usability focused direction, to work as a bold tool and beautiful communicator.Larken variable allows fluid design across 7 weights, italics and major latin based languages. True italics advance the aesthetics, bringing energy and making it suitable for modern design.The type family melds organic curves and gentle repetition into powerful and harmonious type. At large point sizes you can appreciate the letter shapes, whilst the same restraint and focus creates an even texture for small point sizes and long reading.

Landmark Font Family $100 | 4 x OTF | Turkish Support
http://www.typography.com/fonts/landmark/overview/
The signature alphabet of one of New York’s most significant buildings becomes a family of clear and colorful display fonts.Bierut commissioned a new alphabet from Hoefler & Co. inspired by letters found on the building itself. The words “LEVER HOUSE” on the Park Avenue window had a spare and manifest geometry which was shared by the inscription on the building’s cornerstone, together shaping the direction of the Landmark typeface. Of vital importance was that the typeface succeed in all capitals, in keeping with the architectural aesthetic, and that it satisfy a range of applications and materials, from large-scale steel signs to ADA-compliant elevator panels cast in resin.In preparation for its release, Hoefler & Co. revisited the original Landmark typeface with additional variations in mind. Thinking about the material qualities of architectural lettering, and how it responds to changes in light and perspective, prompted three new designs: a keen Inline, a contemplative Shadow, and a dazzling Dimensional. 

Stencils are often restrictive and industrial, not expressive and flourished. As a stencil made by calligraphy instead of a machine, Laima is a perfect brand ambassador for album art, upscale venues, special occasions, and packaging.

https://www.fontspring.com/fonts/louie-yabut/lagrima-sans

• Lagrima Sans is a contemporary-geometric inspired typeface. It contains an earless double story “g”; the first of its kind in a sans-serif typeface. It is a low contrast san-serif with lacrimal-inspired counterforms, and higher x-heights; making it very legible for display and text use. Lagrima Sans comes in 18 styles: 9 weight variations with accompanying italicize versions of each weight variation.
• Lagrima Sans comes with many impressive OpenType features. It is not limited to alternative glyphs, small caps, ligatures, proportional/tabular lining and oldstyle figures, and automatic fractions. Other features include superior and inferiors, ordinals, slashed zero, and case-sensitive forms. It supports over Latin Plus coverage with 219 Latin-based languages.

http://www.myfonts.com/fonts/rodrigotypo/la-mona-pro/

La Mona Pro is a redesign of the Mona 2012 design. Greek is case sensitive, as also the Cyrillic. La Mona Pro contains ligatures, ornaments, layers, shadows, swash alternatives 

La Casa Font Family $99 | 7 x OTF | Turkish Support
http://www.myfonts.com/fonts/urw/la-casa/
Font design meets architecture – the unique and architectural design of the urban villa “Dupli.Casa” by the architect J.Mayer.H triggered the inspiration for the typeface “La Casa”.?Inclinations and curvatures mirror the linear, modern impression of the architecture. The overall impression of the sans serif accounts for the great readability, even in lower point sizes – perfect for the design of books and magazines. The fresh and modern appearance of the font is particularly suitable for corporate designs of enterprises. The seven-font weights support more than 100 languages and the Cyrillic characters ensure a versatile and international use. The low contrast, the reduction of the corner points and the clear nature of the font make “La Casa” perfectly applicable as a web font. 

http://www.myfonts.com/fonts/northernblock/kylo-sans/

A carefully blended sans serif one part humanist, one part grotesque and a small dose of geometric. Kylo Sans takes the essence of three distinct forms to create a unique, readable typeface with an exact and understated personality.Further, enhancements are made to the process with hand-eye adjustment to three master weights giving a greater range and quality of complex type layouts. Details include six weight with italics, over 440 characters, five variations of numerals, manually edited kerning and Opentype features.

Koya Sans, a highly versatile type family consisting 12 styles that are designed to work equally well on paper and on screen. The family ranges from Thin to Black variations, with complimenting italics. Inspired by a trip to the Buddhist temple of K?yasan south of Osaka, Japan, this carefully crafted sans serif typeface with its sharp terminals loosely emulating the sharp corners of the temple’s pagoda roof.

Ultra Heavy Weight Font Champion – that's Kotto Slab. Bold curves and catchy endings. You can always count on Kotto – quirky posters, creative projects or long texts. That doesn't matter. Easy to use and easy to pair with other typefaces. Matching italics and opentype features will make your work faster.

Kontur is a Geo-grotesque typeface which is inspired by the flowing contours of shapes and geometry. Kontur was designed to evoke a playful and approachable personality with an honest tone. It is a multi-purpose typeface which is suitable for both print and digital use. Kontur can be used across multiple disciplines/applications, and has a total of 387 glyphs. Kontur works well on web, user interfaces and print due to its extensive language support, italics and glyph set.

Konseric is an elegant serif font of a classic style that has been modernized with unique curves and cut-ins making it one of the most memorable top fonts on the market. It represents vintage aesthetics in a modern and minimalist way. Fonts include special uppercase letters, alternative characters and beautiful ties and multilingual support. This versatile font can be used for wordmark logos, mastheads, pull quotes & monograms that show feminine and masculine qualities, elegant packaging or invitation cards and almost all creative designs.

Konnect is a geometric sans serif type family featuring a blend of modern, classical, and playful characteristics. The simple, clean forms and classically-inspired proportions give it a timeless quality and interesting visual rhythm. A large x-height, closed apertures, and horizontal/vertical terminals provide for a more distinct appearance, especially in display settings. And the multiple swashes, stylistic alternates, and arrow icons are all available to enhance your typography.

Kommune is a display typeface inspired by the vernacular shop- and promotion letterings of Burkina Faso. Originally designed as a stencil typeface for the solo show and accompanying catalogue of Burkina Faso born Architect Francis Kéré (famous for his Laongo Opera Village and communal school buildings) at the Pinakothek der Moderne in Munich, it is now also available in a new version as a normal, non stencil typeface.

https://www.youworkforthem.com/font/T9496/praktika-rounded/

If you happened to sleep on Praktika – the previous bestseller of Fenotype – don't worry, as here's its new rounded counterpart. Perhaps even more functional than its predecessor, Praktika rounded has a distinct look & feel of its own – rather contemporary and urban than classicist. Praktika Rounded shares the same seven weights and three widths found in the original Praktika family, as well as the same familiar Open Type features:

Pseudonym Font Family | 24 x TTF | Turkish Support
http://www.fontspring.com/fonts/paulogoode/pseudonym
Pseudonym is a low-contrast, subtly-flared serif available in four weights across three styles in both roman and italic.As with all of my typeface designs, I am creating fonts that I would use myself for branding purposes—typefaces with style and purpose that are intended for use in creating logos and distinctive branding typography. I wanted to create a typeface that had incisive flared serifs combined with the strength and solidity of modern grotesque faces. The result is Pseudonym, which I feel has great presence, style and legibility. 

https://www.youworkforthem.com/font/T8757/platz-grotesk/

• Platz Grotesk has been designed parallel within the neogrotesque universe of typefaces and is inspired by humanist proportions and humanist-grotesk features. Firstly, this hybrid has a smaller x height, thus it possesses wider typeface whites in order to be legible in small sizes, vertical strokes which are located inside the typeface bowl that are slightly straight to not affect the typeface legibility and, finally, has fresh-fun features which culminate in a totally versatile type family, ideally to be used inside any visual communication application.

Pixter straddles the lines between the extreme forms of grid based pixel fonts, and more conventional grotesque fonts. Its array of styles create a palette of textures to work with multiple scenarios, from large format display to oversized passages of copy.

https://www.youworkforthem.com/font/T9230/vin-sans-pro/

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three distinctly masculine typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Sans Pro is a quite narrow rigid sans-serif typeface with extra-large x-height and rounded corners. It is perfect for any kind of short copy with lots of attention guaranteed.