Available in 6 weights with matching italics, Povetarac Sans relays on lively uppercase proportions that took inspiration from vintage typefaces. It is well balanced, elegant and fully recognizable sans serif family. With sharp overhang, Povetarac Sans works pretty well in all situations – from editorial use to branding, websites or just titles.

For many years license plates in Italy have been using a quite peculiar sans serif monospace typeface with slightly rounded corners and a geometric, condensed skeleton. These letterforms have been used by Cosimo Lorenzo Pancini as an inspiration for Targa, published as the first-ever Zetafonts typeface in 2003. Almost twenty years later, Francesco Canovaro has brought the project under scrutiny for a complete redesign, keeping its inventions, solving its issues, and making it into a versatile multi-weight typeface. The original type family has been developed in two subfamilies: Targa Pro Mono (which keeps the original monospace widths) and Targa Pro Roman (with proportional widths), both in five weights plus italics. The original family also included the handmade version Targa Hand which has been paired with a new Targa Pro Stencil to allow for more versatility and choice for display use. All weights of Targa Pro feature an extended latin character set covering over 200 languages, as well as a full set of Open Type features including positional numbers, alternates and stylistic sets. Halfway between postmodern appropriation of utilitarian design and rationalist design, Targa Pro sits comfortably at the crossroads between artificial nostalgia and modernist functionality, ready to surprise the user with its versatility and quirky Italian flavour.

Gulfs Display Inspired by the 90's playful cartoon & comic books. This playful font comes in six widths; condensed, semi condensed, normal, semi expanded, expanded and extra expanded. This font can be used for modern and vintage designs, also can be easily paired with some graphic elements (Illustration, Photography) this font perfect for, Logotype, Branding, Title, and Packaging.

https://www.youworkforthem.com/font/T9186/codec/

Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli. Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm. In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look. In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling.

Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design. The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts.

Cosima is an effective workhorse with a touch of subtle elegance, designed by Anita Jürgeleit. Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typeface for a brand and advertising is just as important as using the right font for app design, magazine or editorial – typography is always the essential part. Cosima’s vertically and horizontally cut stems make it appear strong and steady. The narrowed characters and expanded lowercase heights have an elegant impact on the text settings and show joyful designed details in larger sizes

Capraia is a book typeface, with a heavily quirky look when shown at big sizes, and with an irregular but attractive rhythm at text sizes. Capraia Book and Regular are designed specifically for continuous texts: Book meets a current preference of Italian publishers for lighter faces, while the slightly heavier Regular is intended for the wider international market.True to its vocation for publishing, Capraia has a big x-height, medium contrast and wide bracketed serifs. Furthermore, its slightly flattened curves, some unconventional roman letterforms (a, G, Q) and the 'slanted roman' italics, along with design details such as ball terminals, give to the whole family a very contemporary appeal.

Mena Grotesk is a Neo-grotesk typography made in the Chilean way. Gifted with a more humanist proportion, with sharper inner curves and softer outer curves, Mena Grotesk counts with the character to stand out in big sizes and enough control to not distract the reader: it is a typeface to be seen and to be read. Mena Grotesk is a full time worker font, a “handyman”, as my people.

https://www.youworkforthem.com/font/T9207/quiche/

Quiche is a high-contrast, sans serif typeface featuring ball terminals and angled stems. This 52 font superfamily is a complete branding suite. The 4 subfamilies—Display, Fine, Stencil, and Text—were created to work harmoniously together based on the need. With weights ranging from thin to black and matching italics, there are a variety of applications that the fonts can be used for: print, web, branding, advertising, magazines, products, packaging, labels, etc.

The Novera family is a sharp geometric sans in ten weights plus matching italics, available in two versions – Modern and Classic. It has a contemporary, approachable and multifunctional yet characteristic design, that comes with an extensive glyphs set of 1000+ glyphs per font, meeting all typographic demands.