Brice refers to cultural products of the 80s such as music, art, literature, fashion, dance, film, that are consumed by the majority of society population. The Characteristic of Brice are in the small bouncy serif with a dynamic contrast, like R, B, S, K, P, etc. Perfect for Logotype, Caption, & Header.

Bogart has been designed in 2020 by Francesco Canovaro as a personal homage to the iconic look of low-contrast oldstyle fat faces, like Cooper Black (Oswald Bruce Cooper, 1922) and Goudy Heavy Face (Frederic W. Goudy and Sol Hess, 1925-1932). Originating from the modern old style of Bookman, these muddy, goopy shapes found their pop culture iconic status thanks to rub-on transfers and phototypesetting systems in the 1960s and 1970s. Positively bursting with hippie energy and exuberant vitality, they often included an extensive repertoire of swash characters, bridging the space between lettering and typography.

https://www.youworkforthem.com/font/T9002/gelion/

Gelion is a Sans serif with a geometric touch with a minimal contrast of strokes, inspired by Futura, Avant Garde, Avenir and neo-grotesque Akzidenz-Grotesk, Helvetica form remaining true to the gracefully geometric look of the early 20th-century typefaces, that ticks off a long list of branding requirements.

Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography.

Sultan Ruqah is a attracting font, Designed by Sultan Maqtari. This is one font of the Sultan Fonts families that supports a variety of scripts including Arabic, Persian, Urdu, Uthmani, and Kurdish. The Sultan Ruqah has its own family with 8 unique fonts varying in weights and width. All characters, punctuation and styling have all been improved keeping in mind the required feel and beauty of the font for a wide corporate use, The 8 fonts include lots of styles.

Cocogoose is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been softened by rounded corners and slight visual corrections that make Cocogoose not only perfect for logos and headings, but also very readable as a text font, thanks to its generous x-height.The standard Cocogoose Pro (10 weights with three display variants, letterpress, inline and outlined, plus four overlapping decorative versions: Block Shadow, Block Innerline, Block Border, Block Gradient) has been complemented with 3 new widths: condensed, compressed and narrow, each in multiple weights with italics, small capitals, alternates, old style numerals, full Cyrillic and greek character sets, and sporting the beloved letterpress version.

Plage is a geometric and playful sans serif typeface which expresses the movements of sea waves in summer, wind and travels. The combination of wide uppercase and lowercase letters (which are slim and have x-height equal to the cap height) makes the typeface more lively.

The name ‘Jali’ means clear in the Arabic language. The design of Jali reflects the ethos of its name. The combination of low-contrast strokes, ample counters, dots, and distinguishable marks make Jali a versatile typeface. With its humanistic voice and clear letterforms, Jali aims at offering a warm and efficient reading experience. Similar to other wayfinding type families, Jali is also well suited for demanding typographic environments.

We’re revealing the stand-alone type family Code Next—a staggering evolution from Code Pro in functionality, versatility, and application. The transformation includes 6 new weights, 10 new Italics, full support of Extended Cyrillic and Greek, full redesign and glyphs refinement, 2 variable fonts, to name but a few.

Garet also comes with several alternative stylistic sets that will change the overall look of a paragraph, giving it a slightly different appearance. In addition to that, the type family is enriched with an extensive list of OpenType features for advanced typographic layout, including standard and discretionary ligatures, tabular and small figures, fractions, language localizations, case sensitive punctuation, and more.

Lucida Calligraphy is a chancery cursive script typeface family designed by Kris Holmes and Charles Bigelow. It is a very legible and readable typeface, designed for use on screen and in print environments. Lucida Calligraphy was originally released in one weight. It is now available in five weights, from Thin to Black. Lucida Calligraphy is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles.

Lucida Grande is a humanist sans serif font with a large x-height, clear letterforms, and space-saving economy. Its easy reading qualities make it legible for printing and screen displays even down to small sizes. Lucida Grande is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Grande family has eight fonts with weights from Thin to Black with matching italics. Each font has 674 glyphs and supports the W1G character set. This includes Latin, Greek and Cyrillic alphabets to support many languages in Europe, the Americas, and worldwide.