Graphik Font Family $400 | 18 x TTF | Turkish Support
https://commercialtype.com/catalog/graphik/graphik 

Korolev Military Stencil Font Family $49 | 1 x TTF | Turkish Support
http://www.myfonts.com/fonts/device/korolev-military-stencil/ 

Publico Headline Font Family $300 | 12 x TTF | Turkish Support
https://commercialtype.com/catalog/publico/publico_headline
Structurally, Publico takes many cues from contemporary type design, with its narrow proportion, consistent character widths, square, sturdy skeleton, and a pleasant openness. The balanced interplay between sharp serifs and soft ball terminals and lack of fussy details gives the face a clean, contemporary look and a quiet elegance, and the wide range of weights makes Publico Headline well-suited to any kind of publication design. 

Austin Text Font Family $325 | 10 x TTF | Turkish Support
https://commercialtype.com/catalog/austin/austin_text
Although Austin was first designed for the expressive display typography of a fashion magazine, Paul Barnes had long wanted to augment the display face with a text version that would be more faithful to the original types cut by Richard Austin in the late 18th century for the printer John Bell, that had inspired the family in the first place. The result is a highly personable text face firmly in the English tradition. While Austin has a slightly narrow proportion, Austin Text matches the comfortable proportions of Austin’s text faces, and the elegance of his italics. The italics have the same set of swashes as the display, and the romans feature small capitals. 

Ministry Font Family $394 | 14 x TTF | Turkish Support
http://www.myfonts.com/fonts/device/ministry/ 

Austin Hairline Font Family $75 | 2 x TTF | Turkish Support
https://commercialtype.com/catalog/austin/austin_hairline
Originally designed for British style magazine Harper’s & Queen, Austin is a loose revival of the typefaces of Richard Austin of the late 18th century for the publisher John Bell. Working as a trade engraver Austin cut the first British modern and later the iconoclastic Scotch Roman. Available in a single weight that perfectly balances the thick and thin, Austin Hairline pushes the high contrast of the original to new extremes. Drawn by Berton Hasebe for Alex Grossman at WSJ, the weekend fashion and lifestyle magazine of the Wall Street Journal Austin Hairline is intended strictly for use at 100pt and above. 

Ywft Mullino Font Family $30 | 2 x TTF
http://www.myfonts.com/fonts/ywft/ywft-mullino/
Slightly distressed but possessing of serious underlying power, YWFT Mullino can be used as a display typeface or as a text face. This font brings huge diversity, beginning with the fact that there are two styles (Book and Medium) and plenty of alternate options. The Medium weight also contains the option to select misprinted letters, which results in extra typographic designs among other surprises. Be sure to explore the full range of YWFT Mullino in your design application. 

Daytona Font Family $300 | 18 x TTF | Turkish Support
http://www.myfonts.com/fonts/mti/daytona-pro/
The Daytona™ typeface family grew out of a desire to provide improved fonts for use in televised sporting events. Jim Wasco drew the design as sturdy squared letters based on humanist shapes and proportions. Letters were kept narrow for economy of space, and inter-character spacing was established for easy reading. While televised sporting events may have initially been his target, the design considerations he incorporated into the Daytona family also enabled it to perform well in a variety of other video and on screen environments. 

Publico Banner Font Family $350 | 14 x TTF | Turkish Support
https://commercialtype.com/catalog/publico/publico_banner
Publico Banner was initially designed to meet the needs of magazine designers who found that Publico Headline was not quite sharp enough for enormous display type. Publico Banner offered its designers an opportunity to indulge their love of high-contrast, large x-height, very tightly spaced late 1970s display type. The Ultra weight, in particular, is a loving homage to Tony Stan, Ed Benguiat, Tom Carnase, and others from their generation of American lettering artists and type designers. This family was first seen in 2011 in Dagens Nyheter, Sweden's largest-circulation morning newspaper, and in Mark Porter's 2012 refresh of Portuguese daily Público. 

Lyon Display Font Family $325 | 10 x TTF | Turkish Support
https://commercialtype.com/catalog/lyon/lyon_display
Lyon Display sharpens some aspects of Lyon Text, such as the serifs, while softening others, including the hard corners on the ball terminals and the the lowercase g, and the incoming strokes in the italic lowercase. This family is a decidedly contemporary take on the Oldstyle tradition, with relatively high contrast and a wide weight range. However, it remains faithful to the genre’s conventions: the contrast still is far lower than it would be in a display Modern, and the heaviest weights manage to avoid crossing over into self-parody. 

Maven Pro Font Family $45 | 3 x OTF
This collection represents the missing three lightest weights of the modern Sans-Serif Maven Pro typeface, including an ultra-thin hairline. 

Giorgio Font Family $100 | 8 x TTF | Turkish Support
https://commercialtype.com/catalog/giorgio/giorgio
Inspired by the tall skinny proportions of the catwalk and the graphic style of the twenties and thirties, Giorgio was designed for T, the New York Times Style Magazine. With strong contrast between thick and thin, Giorgio offers aggressive beauty in 4 optical sizes. With its wide variety of alternate characters it is an inspired choice both for headlines and logotypes. 

Moriston Font Family $75 | 6 x OTF | Turkish Support
Adding contrast to a conversation makes your voice stand out. Moriston is a sans-serif grotesque available in 6 reliable weights, with support for over 200 languages and a variety of additional number styles. 

Venera Font Family $45 | 5 x OTF
Venera is a typeface in 5 weights that captures the futuristic forms of the space race. Featuring full language support in each weight, its extended format is versatile with unique character. 

Fairview Font Family $30 | 2 x OTF
Fairview is a condensed industrial sans serif, which includes a regular and small cap variation. 

Cylburn Font Family $30 | 1 x TTF And OTF
Cylburn is a semi-connected script structurally based on Roundhand but written with a pointed brush and restrained tension that separate it from its traditional roots. 

Druk Condensed Font Family $150 | 6 x TTF | Turkish Support
https://commercialtype.com/catalog/druk/druk_condensed
Of the families in the Druk collection, Druk Condensed is the most explicit homage to Willi Fleckhaus. Drawn for the 2011 “Year in Review” issue of Bloomberg Businessweek, Druk Condensed features three widths in the same Super weight. The Condensed and X Condensed are very graphic, and the XX Condensed can appear almost abstract. Designer Berton Hasebe introduced a purposeful and subtle change to the texture of the typeface by preventing terminals and crossbars from lining up too often on the horizontal axis. This keeps an emphasis on the verticality of the letterforms and prevents words and headlines from becoming monotonous. The maximum point size for this family is limited only by the size of the page; however, minimum sizes should be respected. The Condensed does not work well below 40pt; X Condensed should be used only at 48pt and above; and XX Condensed is limited to 72pt and above. 

Trendy Font Family $149 | 5 x TTF | Turkish Support
http://www.myfonts.com/fonts/calderon-estudio-type-foundry/trendy/ 

Trilon Font Family Complete Pack $2400 | 80 x OTF | Turkish Support
http://www.terminaldesign.com/fonts/trilon-complete-family/
http://www.terminaldesign.com/fonts/trilon-compressed-complete-family/
http://www.terminaldesign.com/fonts/trilon-condensed-complete-family/
http://www.terminaldesign.com/fonts/trilon-expanded-complete-family/ 

Blak Font Family $100 | 4 x TTF
http://www.myfonts.com/fonts/textaxis/blak/
Blak belongs to the type series designed by Íñigo Jerez for the defunct magazine Suite.This chubby typeface now has a second life in our collection. Use it with confidence for big statements. 

Sanomat Sans Font Family $450 | 20 x TTF | Turkish Support
https://commercialtype.com/catalog/sanomat_sans/sanomat_sans
Sanomat Sans is a straightforward geometric sans serif, originally designed for display usage in Helsingin Sanomat, Finland’s most widely-read newspaper. The sharp points on diagonal characters reference the iconic architectural lettering in Helsinki’s main square, close to the newspaper’s offices. To temper the monotonous texture caused by the many repeating letters in Finnish words, the bowls have a subtle asymmetry, giving the face a warm tone more typical of a humanist sans. The nine weights of the Sanomat Sans family grew out of the need to express many different personalities in the newspaper’s various offerings: from punchy bold weights, including a Stencil Black, for the younger readership of the weekly magazine Nyt to sophisticated thin weights for the more literary flavor of the monthly Kuukausiliite. In the process of satisfying the needs of all of these different design teams, the family evolved to include exhaustive set of alternates, making it something of a chameleon. See the PDF specimen for examples of how these alternates can be combined to fine-tune the personality of a piece of text. 

Portrait Font Family $350 | 12 x TTF | Turkish Support
https://commercialtype.com/catalog/portrait/portrait
Portrait started out as an experiment in drawing a display typeface that was both beautiful and brutal, classical and modern in its minimalism. While its lighter weights are quietly elegant, the heavier weights show the influence of chiseled woodcut forms. Portrait draws its primary inspiration from the Two-line Double Pica Roman attributed to the French punchcutter Maitre Constantin, cut around 1530 for the printer Robert Estienne in Paris. This was the earliest Roman typeface with a lower case to be cut in such a large size, and its light, delicate forms were a major influence on the large types cut by many punchcutters of the era including Augereau and his apprentice Garamont. Portrait replaces the delicately modelled serif treatments of Constantin’s original with simple, triangular Latin serifs, reimagining the Renaissance forms in a contemporary light. 

Druk Wide Font Family $200 | 8 x TTF | Turkish Support
https://commercialtype.com/catalog/druk/druk_wide 

Dala Prisma Font Family $300 | 6 x TTF | Turkish Support
https://commercialtype.com/catalog/dala_floda/dala_prisma
Dala Prisma is a development of the stencil typeface Dala Floda, replacing the solid forms with a series of stripes which vary in width, offering a wonderful optical effect. The variation between thick and thin is exaggerated with multiple lines, which increase in number as the typefaces becomes bolder. With both roman and italic variants, and featuring the same set of typographic features such as fractions, small caps, and swashes as the original Dala Floda family, Dala Prisma is a uniquely powerful display typeface. The extreme thinning of lines means this family only works at large display sizes.