Saracen Font Family $100 | 1 x OTF
http://www.typography.com/fonts/saracen/overview/

• Saracen is the Latin collection of four interchangeable type families designed in different nineteenth century styles.Though the wedge serif printing type is a nineteenth century innovation, Saracen does not resemble any font from this era. It’s mysterious that typefounders of the Victorian age who sought the extreme and fanciful in their work — exploring all manner of serif treatments, and creating extra-condensed and super-expanded designs — never made a latin font of this straightforward proportion. 

Eames Century Modern Font Family $299 | 26 x OTF | Turkish Support 
http://www.houseind.com/fonts/eames
Eames Century Modern is a typographic workhorse that honors the Eames aesthetic while offering unprecedented functionality. An eighteen-style serif typeface family strikes an unprecedented balance between distinctive idiosyncrasies, readability and space economy. Its 18 styles include gracefully complementary italics and a virtually endless supply of deep text handling features. Carefully-weighted small caps, nine different figure styles, ligatures, contextual alternate forms and thousands of lines of computer code give Eames Century Modern a significant edge in contemporary design environments. A stencil font on the heaviest weight of Eames Century Modern takes the curvature of bent plywood and abstracts the shapes into type. 

Decima Mono Pro Font Family $200 | 6 x TTF and OTF
http://www.myfonts.com/fonts/tipografiaramis/decima-mono-pro/

Decima Mono Pro is the NEW generation of Decima fonts. The main feature of the new Decima is the character’s rounded end corners. Decima Mono Pro is a condensed geometric monospaced san serif, built in six styles. The typeface is intended for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design.

Decima Mono Pro is released in OpenType PS (.otf) format with a Latin Western 1252, Eastern European 1250, Baltic 1257, Turkish 1254, Greek 1253 and Cyrillic 1251 character sets and includes some opentype features. 

Caracas Stencil Pro Font Family $100 | 8 x TTF | Turkish Support
http://www.myfonts.com/fonts/john-moore/caracas-stencil-pro/
Caracas Stencil Pro is a new family of stencil sans serif fonts, looking friendly, sweet and comfortable to read. Where text flow between straight lines and round by becoming transparent in the interest of readability. Caracas Stencil is ideal for working in small letters and texts of a technical nature. Caracas is a humanistic approach to reading sans forms. 

Chiavettieri Font Family $176 | 6 x TTF and OTF
http://www.myfonts.com/fonts/kostic/chiavettieri/ 
With distinct Italics, small capitals, complete set of superior lowercase (Latin), oldstyle and lining figures (each in tabular and proportional widths), ligatures, fractions, superior and inferior characters – Chiavettieri is equipped for proper typography. 

Bobo Font $50 | 1 x OTF
http://www.myfonts.com/fonts/indian-type-foundry/bobo/
Bobo is a great hipster sans. It is caps-only, but it contains a lot of variety. Don’t miss its Stylistic Set feature, which contains a completely new set of capital letters, their accented variants, and an even more dynamic range of numerals (0–9). Some of Bobo’s letterforms have strokes that have been doubled; others are missing typical elements. Repetition is a key feature of the design. Some are unicase-looking, while others are compressed. Other letterforms are mirrored. Bobo even included several “jewelled” letterforms, with circles in their centers – reminiscent of medieval illuminated manuscript lettering and 18th-century ornamented typefaces. 

Avus Pro Font Family $780 | 14 x TTF | Turkish Support
https://www.youworkforthem.com/font/T4115/avus-pro
This font family covers all major European languages as well as Greek and those written in Cyrillic letters. 

Tarocco Font Family $178 | 22 x TTF
https://www.myfonts.com/fonts/macrhino/tarocco/
Tarocco is a typical book face with good readability and rather tall x-height. The origin for this typeface is found in Nordisk Antikva. A typeface especially constructed with attention for the Swedish language.Waldemar Zachrisson was determined to realize his ideas and in 1906 he began to cooperate with the foundry Genzsch & Heyse, based in Hamburg. Some influences of Jugendt can be found and the typeface were released in 1910. It became rather popular until around 1930. 

Spade Font Family $49.95 | 2 x TTF | Turkish Support
http://www.myfonts.com/fonts/canadatype/spade/
It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern in many aspects, not the least of which are the many curvy alternates included, and the smooth flow of the biform shapes when used with the main caps.Clocking in at over 670 characters per font, Spade comes loaded with very comprehensive Latin-based language support and OpenType features up to the hilt. 

Didot Display Font Family $49.95 | 3 x TTF | Turkish Support
http://www.myfonts.com/fonts/canadatype/didot-display/
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve years of work on it have made it more fitting to the luxurious expression of our day and age, rather than nineteenth century Europe.Upscale and stylish, Didot Display is an essential tool for any designer involved in magazines, books, tasteful music, or overall luxury packaging that requires clean and large classic typography with an unmistakable modern spin. 

Tinsel Font Family $69 | 3 x TTF
http://www.typogama.com/#!tinsel/cq0i
Tinsel is a condensed, three weight typeface family that was created for use in tight text settings, like those found in movie poster billing blocks. 

Thunderbolt Font Family $169 | 16 x TTF
http://www.typogama.com/#!thunderbolt/c1hcs
A mixed typeface family composed of a regular form, a rounded form and two accompanying stencil styles. This large range allows a great mix of styles and weights will setting text layouts. 

Rusty Font Family $49 | 2 x TTF
http://www.typogama.com/#!rusty/c1ijf
Rusty is a square, rigid display typeface that includes latin and cyrillic encodings. This design is based on a unicase structure with a few ascenders on the lowercase forms. 

Karben 205 Mono Font Family $99 | 10 x TTF
http://www.myfonts.com/fonts/talbot/karben-205-mono/
Karben 205 Mono is a monospaced variation of Karben 205. The clean and pure geometry of Karben 205 makes it highly suitable for adaptation to this monospaced variant. It has an even look and retains its legibility at very small sizes. Karben 205 Mono is available in four weights. 

Trajana Sans Font Family $72 | 4 x TTF | Turkish Support
http://www.myfonts.com/fonts/tipo-pepel/trajana-sans/

The “Trajana Sans” is a sans-serif typeface family based on the shapes and proportions of the characters in the Trajan’s Column in Rome. It consists of 4 weights, Light, Regular, DemiBold & Bold. Ideal to give a classic look and renewed our jobs without having to resort to the usual Trajan font. 

HWT Unit Gothic Font Family $149.95 | 7 x TTF | Turkish Support
http://www.myfonts.com/fonts/hwt/hwt-unit-gothic/
 The Unit Gothic series was released by Hamilton Manufacturing Co. in 1907. This sans serif family features one of the first multi width/weight type ‘systems’ anticipating the Univers font system by 50 years. This set of 7 fonts was designed to aid in press room efficiency and with its incremental variation in widths gave poster printers unprecedented flexibility in fitting copy while using consistently harmonious fonts. This HWT release is the first ever digital version of these fonts. Each font contains 600 glyphs including Greek and Cyrillic character sets as well as alternate characters which are based on the actual special character production patterns from the Hamilton Wood Type Museum collection. 

Tondo Font Family $270 | 4 x TTF | Turkish Support
http://www.myfonts.com/fonts/daltonmaag/tondo/
Tondo is a contemporary rounded sans serif font family which can easily fend off any of its competitors. The Corporate edition of the Tondo font family includes Latin, Greek and Cyrillic character sets. The rounded ends of Tondo’s strokes are slightly flattened. This approach to rounding helps the font to appear more stable and less fuzzy, particularly when set at smaller sizes. The drawing of the characters is precise and clean without appearing mechanical. When set, Tondo will create an even and harmonious texture that does not aim to compete with other design elements, but supports the brand with a subtle voice.The meticulous crafting of every detail ensures that Tondo stands up to the closest scrutiny when used at very large sizes, such as on billboards, and although not primarily designed for body text, Tondo functions very well at smaller sizes too. The Standard Edition Tondo font includes a complete Latin Extended A character set, but please see the Tondo Corporate Edition for a character set including Latin, Greek and Cyrillic alphabets. 

Secca Stencil Font $53 | 1 x TTF | Turkish Support
http://www.myfonts.com/fonts/astype/secca-stencil/ 

Sirba Font Family $600 | 10 x TTF | Turkish Support
http://www.myfonts.com/fonts/type-together/sirba/
Sirba, a serif typeface family with a friendly personality, was conceived especially for the demands in complex text environments like dictionaries, academic texts, annual reports, novels and magazines. It has many design features that were particularly designed with Sirba’s purpose in mind.Because of its open counters, the large x-height and its short ascenders and descenders, this typeface conveys a pleasant reading experience and high legibility even in small sizes. Sirba is a low-contrast typeface, contemporary but with a classical touch, revealing its beauty in design details, such as the asymmetrical bottom serifs, curved bracketing and calligraphically reminiscent terminals. Furthermore, the capitals appear integrated into the text, thanks to the low cap height, and the constant width of all tabular numbers between the weights make this typeface very usable in annual reports and tables. 

Kilburn Font Family $99 | 10 x TTF
http://www.myfonts.com/fonts/talbot/kilburn/
Kilburn is a no-nonsense, condensed Gothic sans-serif. For over a century the condensed sans-serif has been the ‘go to’ font for gravitas and authority. Kilburn continues in the fine tradition of fonts such as Franklin Gothic, News Gothic and Trade Gothic offering a contemporary interpretation of the condensed sans-serif — functionality with personality. Equally at home as both a text and display font, Kilburn is available in five weights from Thin through to Black. 

Platform Font Family $225 | 10 x TTF
https://commercialtype.com/catalog/platform/platform 

Amster Font Family Complete $988 | 21 x TTF | Turkish Support
http://www.myfonts.com/fonts/pampatype/amster/
Amster is an energetic & refined type created by Francisco Gálvez, with a sharp idea on how elegance & legibility can meet harmoniously. Amster can build a text that is highly readable as well as friendly. It has five weights of roman & cursive both with smallcaps and fully-equipped with all OT sorts and even a wonderful set of illuminated initials. Amster is a very versatile typeface, allowing for a wide range of uses: screen to print, small text to display, science to poetry. Amster speaks more than 200 languages. 

Alverata Font Family $966 | 24 x TTF | Turkish Support
http://www.myfonts.com/fonts/type-together/alverata/
Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony. Alverata performs beautifully in both screen and on paper, delivering excellent legibility. Its letters are open and friendly in small sizes and lively and attractive in large sizes. They are robust, and show refinement in their detail. It is an extensive type family, with versions for both formal and informal applications.Visually, some written languages, such as Czech and Maltese, differ quite strongly from languages like English and German, notably because of their many accented characters. While other typefaces will show this difference, Alverata removes it. As a result, Alverata enables harmonious convergence of languages.