http://www.myfonts.com/fonts/maxprivalov/skin/

Skin is a sharp, luxurious sans serif typeface. In a sense, the clean shapes are synonymous with how ultraclean a hotel room is.

Scantype Font Family $59 | 3 x TTF

http://www.myfonts.com/fonts/mawns/scantype/

Scantype is a tall and sleek sans-serif in three weights.

http://www.myfonts.com/fonts/hanoded/more-or-less/

More Or Less was made with a permanent marker pen on thin Japanese paper. It is a handwritten note-style font with an uneven baseline and zippy glyphs. Comes with bells & whistles and a whole bunch of diacritics.

http://www.myfonts.com/fonts/mawns/chapel-script/

Chapel Script is a classic, high-quality script font. It is carefully hand-drawn by Måns Grebäck with inspiration from 1900’s show card and logotype design.With its more than 700 original glyphs, the typeface supports almost all Latin languages. 

http://www.myfonts.com/fonts/breauhare/daddys-hand/

Daddy’s Hand is based on the actual handwriting of my dad. He always prided himself on his fine handwriting style, and to see him write was kind of like watching a ballroom dance--his pen would smoothly and elegantly waltz across the paper as he wrote, gliding effortlessly. I know if he were alive today he would be quite honored that his handwriting is now a font. This font can be used for all sorts of elegant occasions or advertising.

http://www.myfonts.com/fonts/corradine/triunfo/

Triunfo is a modern slab serif font family. It comes in 21 variants of weight and wide that allows you to choice the best option to your work.

http://www.myfonts.com/fonts/nootype/solanel/

Solanel is a neo-grotesque with flawless curves. This is a low contrasted and smooth sans serif with subtle and effortless details. One of the main particularity is its italic, which is not a rendition of a slanted roman, but a mix of a rotated and slanted version, which give a “rotalic” feel. The large range of style, from UltraThin to Black help to give flexibility to this family.This family contains many OpenType features, such as Alternates, Small Caps, Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals and Fractions, which make that typeface useful in various projects. The fonts have an extended characters set to support Central, Eastern and Western European languages.

http://www.myfonts.com/fonts/corradine/scrans/

Scrans (Script + Sans) is a modern script family that gets both, conceptual and formal elements, from classic rational and geometric styles. It’s main purpose is to make the difference in an innovative manner. In other words, you can use Scrans in texts where traditionally the classic scripts won’t fit. Scrans is a powerful tool that helps you to obtain clean, minimalists, geometric, contemporary, and mostly, highly legible designs. Each detail in the design of Scrans (like it’s compact proportions, it’s soft connections, it’s cutted endings and it’s subtle slant angle), was carefully crafted so you can get a high quality font to use in any project. You can also take advantage of its Open Type features that improve the potential of the typeface, with stylistic alternates and the options to underline smartly the words. Each one of the eight weights supports many languages, including Central and Eastern European as well as Western European languages.

http://www.myfonts.com/fonts/indian-type-foundry/thug/

Thug Plain and Thug Rough are two heavy slab serif fonts optimised for posters. The thick strokes and serifs are the typeface’s predominate features. Despite looking so dark, Thug channels contemporary design ideas more than it calls back to poster-sized wood types from the 19th century. Thug Rough’s character set includes 155 more glyphs that Thug Plain. This allows each letter to come in three versions, all with unique roughed-up effects to help users to avoid headlines where identical letters appear closely together.

http://www.myfonts.com/fonts/indian-type-foundry/spencerio/

Spencerio’s letterforms are inspired by Spencerian-style calligraphy – which are usually written at a slope with a pointed pen. The natural state of each Spencerian stroke is a thin hairline; when the calligrapher wants to make a line thicker, she adds pressure to the nib. Sound easy? It takes years of practice for calligraphers to master the Spencerian style! Fortunately, designers can use this font instead. Spencerio helps make monogram design easy, and the font is a good selection for any application where a formal script is necessary, such as calling cards, diplomas, or wedding invitations. Spencerio’s character set offers 673 glyphs, including ligatures and alternates for initial and final letters.

http://www.myfonts.com/fonts/astigmatic/mailuna-pro-aoe/

A family of gothic typefaces of weight and oblique stature, Mailuna Pro AOE’s letterforms find themselves on a line between modern and historical gothic styles.Mailuna Pro finds itself in the visual company of vintage transportation roll signs, wood type gig posters, financial publications, etc. Mailuna contains a rich pro glyphset including small caps, unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, a Caps to small caps feature and an expanded language glyph set.From modern letterpress back to historical adverts, book covers, headlines, or anything else you want to give a dash of vintage authenticity to, Mailuna Pro AOE is here to fill your needs. Be sure to download and take Mailuna Pro AOE - Book weight for a spin for free.

http://www.myfonts.com/fonts/latinotype/hernandez-niu/

In the typedesign industry the terms ‘nova’, ‘neue’, ‘next’, ‘new’ are often used to refer to a typeface that has been modified in different ways: redesign, technical readjustments, greater number of characters, etc.At Latinotype we are now starting to use the word ‘niu’ to refer to these kinds of typefaces. Niu is an adaptation of the original word ‘new’, i.e., we have adapted this English word to the phonology and spelling of our own language but keeping the original meaning.Race mixing, diversity, change and adaptation are part of the essence of Latin American culture and, at Latinotype, we are all constantly expressing these elements in everything we do. Latin Power!Hernández Niu is a display slab serif font of thickened serifs, functional expressive ink-traps and true italics. Detailed forms and counterforms allow this typeface to be used in very large sizes.Hernández Niu is well-suited for publishing, small text and headlines. A wide variety of weights make the font a perfect choice for hierarchical type-setting, branding, logotypes, magazines, etc.This font consists of 6 weights, ranging from Extra Light to Heavy, each with matching true italics. Hernández Niu comes with a set of 397 characters, making it possible to use the font in 212 different languages.

http://www.myfonts.com/fonts/astype/vtg-stencil-din/

The Vtg Stencil DIN fonts were developed to made the most common stencil type of Germany available in digital type. Of course there are several, slightly different stencil designs from different manufactures in circulation, but all share the typical design of DIN type.Vtg Stencil DIN comes in many styles – Regular, Alt, Fabric, Halftone and Rough. The Alt style features older designs of letter “a” and figures “6” and “9”. Fabric, Halftone and Rough styles have an eroded, weathered look using up to four glyph variations of each letter. For an random effect an glyph rotator is programmed into the fonts opentype-code and applied by typing in opentype-savvy application.

http://www.myfonts.com/fonts/sudtipos/steak/

So Steak is just that, a face for menus and wall art in those places that see themselves in the kind of jazzy, noirish world where one-liners rule and exclamation points are part of a foreign language.As is usual with my lettering-inspired faces, there is very little left of the original Alf Becker alphabet. Of course, the challenges present in bringing typographic functionality to what is essentially pure hand lettering gives the spirit of the original art a hell of a rollercoaster ride. But I think that spirit survived the adventure, and may in fact be even somewhat magnified here. This font is over 850 glyphs. It’s loaded with ligatures, swashes, ending forms, alternates, ascender and descender variations, and extended Latin language support.Steak comes in 3 versions. According to your taste you can choose Barbecue, Braised or Smoked. It’s up to you!

http://www.myfonts.com/fonts/mti/kairos-sans/

Kairos Sans, designed by Terrance Weinzierl, is an octagonal sans serif influenced by 19th Century Grecians, with the weights and widths of a contemporary palette. The bold simplicity radiates in headlines and sub-heads, with suitable performance in text. Of course, it pairs perfectly with the slab serif companion, Kairos.Kairos Sans is available in 48 styles; 8 weights in 3 widths, all with matching italics. Condensed, Regular and Extended widths range from Thin to Black. There are 4 Rough styles as well, bringing the whole family to a total of 52 styles. It comes in Latin, Greek and Cyrillic scripts.It also comes with some extras and OpenType features: Small capitals, proportional and tabular figures, superscript and subscript figures, support for fractions, ornaments, arrows and Stylistic Alternates.It often looks athletic, industrial, and stern. Kairos Sans is stout, but has energy.

http://www.myfonts.com/fonts/font-fabric/mixa/

Neo-grotesque Sans Serif mixed with the classical handwritten Script in slanted geometric shapes - that’s the way Mixa was born. Those two faces of the new font family makes it as much as unique and recognizable. When you’re using the Capitals only nobody will suspect that there is script hidden in the lowercase. That’s why all eight weights can be combined perfectly with wide list of classical Sans Serif, Slab Serif and Serif typefaces. The font offers wide range of ligatures to ensure smooth readability and beautiful letter combinations. The decorative swashes in some of the Capitals presented as a stylistic sets give unique touch in any design. Mixa has it’s own style and personality, but without lacking of legibility.

http://www.myfonts.com/fonts/thefoundry/foundry-monoline/

Foundry Monoline is an elegant, modern typeface family eminently suited for use in identity, editorial, and advertising use. The deceptively simple design, and clean, linear appearance has been created using strong structural elements. Each character has its own subtleties and variations, with the monoline appearance achieved through careful optical adjustment. Since its first release, the family has been extended from 7 to 12 fonts. It now includes a comprehensive choice of 6 weights with accompanying italics - from ultra-light beautiful at large sizes, to extra bold great for headlines. It is also available in OpenType Levels 1, 2 and 3 providing a wide range of language access.

http://www.myfonts.com/fonts/mika-melvas/kaleidos/

Kaleidos is a lining and clean brush script with soft and round letterforms. It is sketched and drawn with a pointed brush pen. Kaleidos has plenty of alternates, ligatures and swashes so you can build interesting-looking words and headlines. Although Kaleidos is condensed and quite tightly spaced it is clear and legible.

http://www.myfonts.com/fonts/branding-with-type/bw-modelica-expanded/

Designed by Alberto Romanos, Bw Modelica is a minimal, robust, reliable & pragmatic geometric sans. Its clean shapes and generous x-height makes it a very competent face for both, display and body copy purposes.It’s available in four widths, each containing eight weights with matching oblique italics (that’s 64 styles in total). The main font files include two stylistic sets allowing for more expressive options, specially for display use.SS01 and SS02 are also available as stand-alone font files, for those who would prefer to use them directly without activating the OpenType feature.

http://www.myfonts.com/fonts/neufville/futura-nd-alternate/

Futura ND Alternate reintroduces the original glyphs of Paul Renner, that were abandoned after a few years of sales of casted types by the Bauersche Giesserei. These glyphs now comply with actual trends. The j, l and t with hook give a fresh new look to Futura; they are especially fit for corporate design and webfonts. The new text image is very distinct when compared to the familiar Futura typeface. Moreover, the letter r with point gives new graphic flair, as well as the choices of different a’s. Finally, designers can obtain beautiful results with the flat m and n, as well as with the triangle based g.Futura ND Alternate fonts offer the new look as a standard; the classic Futura ND glyphs are still available through the many OpenType features.

http://www.myfonts.com/fonts/laura-worthington/modish/

Inky but neat. Flowing but controlled. Modish perfectly balances two predominant aesthetics of fashion and lifestyle: the casually cool hand-drawn look, and the pixel-perfect slickness of digital design. This synthesis might be due partly to how it was created: it’s Laura’s first typeface that began life on an iPad, drawn with Apple Pencil. The result is a face that’s ideal for on-trend designs for food, clothing, cosmetics, retail packaging, or menus. As usual, it includes a plethora of 350 swashes and alternates, plus 43 ligatures.

http://www.myfonts.com/fonts/latinotype/basic-sans/

A family of Grotesque features with a functional, neutral and seeming clean style that looks to keep a neutral (or basic) appearance on paper, but including lots of details that give it a unique personality.Basic Sans is a sans-serif typeface well-suited for publishing projects, medium-sized text, branding, posters, headlines and more!This font family comes in 7 weights—ranging from Thin to Black—plus matching italics and has a set of 416 characters that support 206 different languages.

http://www.myfonts.com/fonts/typogama/apollonius/

Apollonius is a high contrast, display typeface designed by Michael Parson. Packed with Opentype features, this single weight font offers a whole range of options that designers can explore and play with to create stunning layouts.