P22 Pooper Black Pro Font Family $40 | 1 x TTF and OTF
http://www.myfonts.com/fonts/ihof/p22-pooper-black-pro/

• Pooper Black Pro is based on a brush ethic and has an extreme axis that lends a certain amount of speed to the font while the lack of connectors slows it down. The pro version expands on the original and popular Pooper Black with the addition of full Central and Eastern European character sets and plenty of alternate characters for those who have applications that support Opentype features. Almost all of the lower case characters now include an in stroke and out stroke version for greater design flexibility. A wonderful face for packaging, titling, and short bursts of text. 

P22 Peanut Pro Font Family $70 | 6 x TTF and OTF
http://www.myfonts.com/fonts/ihof/p22-peanut-pro/

• From acclaimed lettering artist and IHOF designer, Michael Clark, comes Peanut, a font full of bounce and liveliness.
• Peanut is based on the traditions of the long revered Roman miniscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. The set contains the fonts Peanut Regular and Peanut Salted which features alternate letterforms.
• Both fonts are combined into Peanut Pro with OpenType features. 

P22 Operina Font Family $144 | 4 x TTF and OTF
http://www.myfonts.com/fonts/ihof/p22-operina/

• Operina is based on a 16th-century lettering model of the scribe Ludovico degli Arrighi (Vicentino Ludovico degli Arrighi) used in his 1522 instructional lettering book, “La Operina da Imparare di scrivere littera Cancellarescha.” This book contains what is considered to be the earliest printed examples of Chancery Cursive.
• Rather than try to reproduce a perfect, smooth, type-like version of Ludovico’s hand, which has been attempted in the past, the designer opted to leave in some rough edges and, thereby, create a look that mimics the endearing artifacts of quill and ink lettering on parchment.
• When reviving an old style, a designer is faced with many challenging decisions, such as whether to aim for ultimate authenticity or to modify the alphabet for modern use. The decision here was to create a font that resembles the 16th-century Italian hand-lettering master’s, but is also useful to the contemporary user. 

P22 Nudgewink Pro Font Family $90 | 6 x TTF and OTF
http://www.myfonts.com/fonts/ihof/p22-nudgewink-pro/

• P22 Nudgewink Pro is an ultimately cool, funky and decorative font style that evokes the popular culture of the 1960s.
• Hip and groovy uses include signage, invitations and greeting card design.
• Pro OpenType features include discretionary ligatures, alternates and ornaments. 

P22 Mayflower Smooth Font Family $90 | 3 x TTF and OTF
http://www.myfonts.com/fonts/ihof/p22-mayflower-smooth/ 

P22 Mayflower Font Family $150 | 6 x TTF and OTF
http://www.myfonts.com/fonts/ihof/p22-mayflower/ 

P22 Kaz Font Family $140 | 6 x TTF and OTF
http://www.myfonts.com/fonts/ihof/p22-kaz/ 

P22 Durer Caps Font Family $25 | 1 x TTF and OTF
http://www.myfonts.com/fonts/ihof/p22-durer-caps/

• Durer Caps is four fonts in one.
• Based on master artist Albrecht Durer’s 1525 geometric construction of Roman capitals, this font features A to Z caps only. But there are three variations included: 1) filled; 2) unfilled; and 3) letters only.
• The last two feature a unique two-color overlay option. 

P22 Avocet Font Family $80
http://www.myfonts.com/fonts/ihof/p22-avocet/

• A light chancery script font influenced by both the hand-held pen and the typefounder’s machinery. The curves are reminiscent of the beak of the avocet, a wading bird. This font was originally engraved in metal and copper matrices made for casting into hot metal type for letterpress printing.

P22 Amelia Jayne Font Family $80
http://www.myfonts.com/fonts/ihof/p22-amelia-jayne/

• Amelia Jayne is Ted Staunton’s updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new life as a Pro Roman font with small caps and several variations of new matching initial companion fonts. (The initials are not included in the pro font but come bundled with the set.) 

• While working on his master thesis designer Philip Lammert was thinking of a logotype for his type foundry Calligrafiction. He thought that the most obvious and boring graphic illustrating the name would be a brush lettering. So he started sketching a static sans-serif between Helvetica® and Arial®, soon adding slight references to the calligraphic origin of type. The rough logo idea of the beginning ended up becoming a type family of 16 fonts with each 600 glyphs.
• Peter is a Neo-Grotesque Sans with rational and clear basic letterforms, while in its details it unfolds distinct attributes of humanist type traditions. Combining these characteristics it works perfectly side by side with transitional serif typefaces. As a grotesque it claims a very common design, yet offering the warmth of humanist drafts. Thus the child needed a very common name: Peter. 

Minister Font Family $59 | 5 x TTF and OTF
http://www.myfonts.com/fonts/urw/minister/ 

Casual Brush Font Family $40 | 1 x TTF and OTF
http://www.myfonts.com/fonts/jonahfonts/casual-brush/

A feel for urgency. Brush scripts are seen on dozens of packages and promotions.

Concrete Stencil Font Family $60 | 2 x TTF and OTF
http://www.myfonts.com/fonts/flat-it/concrete-stencil/
No need to explain. This is the best stencil script. 

Cotoris Font Family $63 | 4 x TTF and OTF
http://www.myfonts.com/fonts/flat-it/cotoris/

Cotoris is beautiful glyphic sans serif.

This font includes ligatures and small caps for advanced typography. Highly effective where a graceful and feminine design is desired. 

Paralucent Font Family $4000 | 35 x TTF and OTF
http://www.myfonts.com/fonts/device/paralucent/ 

Notera Font Family $59 | 1 x TTF and OTF
http://www.myfonts.com/fonts/mawns/notera/ 

Karnak Pro Font Family $720 | 12 x TTF and OTF
http://www.myfonts.com/fonts/redrooster/karnak-pro/
Based on the original design by Robert Hunter Middleton. Digitally engineered by Steve Jackaman and Ashley Muir from the Ludlow drawings, circa 1931–1942. 

http://www.myfonts.com/fonts/bitstream/swiss-911/

http://www.myfonts.com/fonts/typeinnovations/new-age-gothic/
New Age Gothic is an original design by Alex Kaczun. It is a contemporary gothic design based on generous proportions and clean crisp lines. Ideally suited for easy reading and long lines of copy. The concept for the design came from a previously successful font family Contax Pro. Alex felt that the skeleton for Contax Pro was ideally suited to modify the design into a true gothic companion typeface series. Numerous modifications where made to the body proportions, stems and shapes. Serifs where added reminiscent to Copperplate Gothic to solidify the overall design. The result is a truly unique modern gothic font. Unlike other typefaces, New Age Gothic incorporates uniform stems throughout the capitals, lower case and figures. This gives the design a uniform appearance in overall color and strength. There is a perfect visual balance between inter-letter spacing, stem weights and proportions. 

http://www.myfonts.com/fonts/gtandcanary/kana-sans/

A new modern classic. Kana Sans is a versatile sans serif font family that’s ideal for building a contemporary yet timeless brand look.

http://www.myfonts.com/fonts/cheapprofonts/familiar-pro/

This family was inspired by a Type Battle over at Typophile: How would you design a font metrically compatible with Helvetica, but better than Arial? Working with preset letter widths was an interesting constraint, both a relief and a limitation at the same time.

http://www.myfonts.com/fonts/g-type/accent-graphic/
Accent Graphic was developed as the corporate typeface for a London design consultancy in 1997. The starting point was the word ‘accent’ in lower case. It is essentially a sans typeface with the thick/thin contrast of a serif and is the only family in the G-Type collection that was designed for a client. 

Tactical Font Family $56 | 4 x TTF and OTF
http://www.myfonts.com/fonts/positype/tactical/

Originally conceived in 2007 while I was working through the early sketches of Ginza, Tactical features hard 45-degree angles and the presence of a curve for curve’s sake is just not there. Complimenting the original is a Stencil variant (inspired by the military, marathon video game, explosion-influenced name) and matching Obliques—altogether creating a sharply coordinating family.