Aescripts Beatnik 1.0 for After Effects MacOS

Unlock a new level of audio-reactive time effects to create edits, speed ramps, retimings & more with just 1 click.

FPS Warehouse
https://assetstore.unity.com/packages/3d/environments/fps-warehouse-74390

Ideal for a FPS experience, the FPS warehouse will provide a training field for any shooter game.
The asset include a post processing stack profile to increase the visual quality. (open the READ ME for more information)

Unity Assets - Pack Of 9 low poly game ready monster death race cars v1.0
https://assetstore.unity.com/packages/3d/vehicles/land/pack-of-9-low-poly-game-ready-monster-death-race-cars-143200

This pack contains 9 death race type cars
all cars are low poly and optimized for game use
all cars have one texture map each
all textures are TGA format with 2k resolution

Aescripts Copy Pasta 1.0.4 for After Effects MacOS
 
The simple solution for copying and pasting images into and out of After Effects! Interested in saving time throughout your workflow? This is the tool for you.

 RETRO CINE CITRUS LUT | for Sony Cine ( a6300 / a6500 / a7s) footage
https://sellfy.com/p/qLFK/

This cine LUT offers a stunning deep color vintage feel to your Sony Cine profile footage. You can easily apply this LUT within Premiere CC or After Effects with Lumetri.

Modern showroom Interior Scene 06
MAX | PSD | TEX

Students and professionals alike will benefit from this focus on the figure in the overall composition of a sketch or drawing. Its solid instruction and many fine examples make it a particularly valuable tool for intermediate artists.

XMP | PDF

https://www.streamline.store/northborders

Adobe After Effects Classroom in a Book (2020 release)
English | ISBN: 9780136411895 | 416 pages | January 27, 2020 | EPUB | 54.27 MB

Adobe After Effects Classroom in a Book (2020 release) is the best-selling guide to Adobe's powerful motion graphics program. The 15 project-based lessons in this book teach students step-by-step the key techniques for working efficiently in After Effects and delivering in the widest possible range of media types. In addition to the key elements of the After Effects interface, this revised edition covers new features and techniques.

When looking at a photograph, too often a conversation starts-and, unfortunately, ends-with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”- how an image is constructed, how it works, and why it works-then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision-crucial as it is-is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language.