
Whitney Font Family 79 Fonts
- Whitney: clear for signage, compact for print. A type family originally developed for New York’s Whitney Museum, Whitney contends with two different sets of demands: those of editorial typography, and those of public signage. Typefaces for catalogs and brochures need to be narrow enough to work in crowded environments, yet energetic enough to encourage extended reading. But typefaces designed for wayfinding programs need to be open enough to be legible at a distance, and sturdy enough to withstand a variety of fabrication techniques: fonts destined for signage need to anticipate being cast in bronze, etched in glass, cut in vinyl, and rendered in pixels. While American “gothics” such as News Gothic (1908) have long been a mainstay of editorial settings, and European “humanists” such as Frutiger (1975) have excelled in signage applications, Whitney bridges this divide in a single design. Its compact forms and broad x-height use space efficiently, and its ample counters and open shapes make it clear under any circumstances. And Whitney’s extensive language support, covering more than 200 languages worldwide, has made it a mainstay of diversified brands that require localized typography.

Trim Mono Font Family - 5 Fonts for $169
5 Fonts | OTF/TTF | +Preview | 1 Mb RAR | SALE PAGE
- Knud V. Engelhardt (1882–1931) was an architect, printer and designer from the country of our laid back neighbours, Denmark. Knud’s characteristic letter forms have already made a strong impression on some modern typefaces. Most notably is probably Skilt Gothic by a fellow Swedish compatriot, where Knuds way of trimming the diagonal stems is one of the spices used to give the typeface its character. Fighting against the desire to make something similar, this new typeface instead takes the concept to a whole new level by trimming not only diagonals, but all possible letters! The result is something – different. Trim comes in a large family including manually hinted webfonts and high quality desktop fonts. Some are fat, some are skinny and some are just lagom. This is the monospaced version of Trim.

Soho Gothic Font Family - 14 Fonts for $910
14 Fonts | OTF | +Previews | 2.3 Mb RAR | SALE PAGE
- “There is just something magical about type design,” says Sebastian Lester. “If you draw a successful typeface it can travel the world, taking a part of you with it.” If this is true, his Soho® Gothic family has taken him far and wide. Understated, modern and exceptionally versatile, the family has been put to good use in just about every application imaginable. A good choice for virtually any type of project, The Soho Gothic family performs equally well as the backbone of a global brand as it would in an edgy fashion magazine. Versatile, extensive, customizable, and multilingual – the Soho Gothic typeface family has it all.With the same proportions as Soho, its slab serif cousin, Soho Gothic ranges across seven weights, from a willowy hairline to a brawny ultra – each with a complementary italic.Lester took care to ensure that the Soho and Soho Gothic designs work in perfect harmony. According to him, “The typefaces were developed alongside each other so that I could consider every aspect of each design and be certain that they would be absolutely compatible.”Soho Gothic is a more understated and more subtle design than Soho. Features that give the design its distinctive tone are the flat, crisp apexes of the diagonal characters like the A and V, and the marked horizontal stress in the a, g and s. “I wanted the family as a whole to radiate effortless modernity,” recalls Lester, “to be a master communicator that works in all conditions and at all sizes.” A collection of alternate and “semi-slab” characters were also part of Lester’s plan. “I like to develop alternate characters for all my type designs,” he says. “I believe they give graphic designers greater flexibility and make a typeface more valuable.” Soho Gothic is available as OpenType® Pro fonts that have an extended character set which supports most Central European and many Eastern European languages. If you’re looking to complete your designs, consider pairing it with Bembo® Book,Joanna® Nova,Neue Frutiger®,PMN Caecilia®,or ITC Stone® Serif.

Bisque Font Family - 2 Fonts for $120
OTF | 2 Fonts | +Preview | 4.3 Mb RAR | SALE PAGE
- Bisque is designed with a sense of play and rhythm, with intermittent areas of quietness, bringing a sense of ‘bounce’ to text. The combination of classic typographic forms and proportions with expressive, contemporary features create a typeface with charisma and joy. The 2011 revision involved adding an extended glyph set for much wider setting applications.

Foro Rounded Font Family - 16 Fonts $198
OTF | 16 Fonts | +Preview | 4.6 Mb RAR | SALE PAGE
- Foro Rounded is the softer sister of the succesful Foro family. Distinct in appearance, with pleasant haptic, objective, and with graphic appeal. Foro comes in 16 styles and in OpenType format. All weights contain standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows. Foro supports Western European, Central and Eastern European languages.

Kizo Font Family - 4 Fonts for $109
4 Fonts | OTF | +Preview | 3.6 Mb RAR | Kizo Font Family
- Kizo is a geometric condensed sans serif typeface, designed by Mariya V. Pigoulevskaya in 2013. Inspired by the urban modernist architecture, the font is functional, rational, utilitarian and subtle in its nature. Created for text and display use, Kizo offers a number of alternative characters. Build for maximum clarity and with attention to detail, Kizo features ink traps, making it suitable for the newsprint as well as the on screen application. Details include 4 weights, 434 characters and open type features.

Rambla Font Family - 6 Fonts for $120
OTF | 6 Fonts | +Preview | 6.7 Mb RAR | SALE PAGE
- Rambla is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have as objective to gain space in height and width. It’s elegant at large sizes and legible at the same time, with a lot of rhythm in small sizes.

Prevya Display Font Family - 5 Fonts for $40
OTF | 5 Fonts | +Preview | 3.8 Mb RAR | SALE PAGE
- Prevya is a display family. Inspired by the metalwork of the early twentieth century. Have appropriate characteristics for ornamental titles. Is accompanied by a light version for featured texts and it has a shadow layer to combine in beautiful designs.
Arboria Font Family 12 Fonts $768
- Arboria has been a long-term project. Starting with the commission of a custom ‘architect’ font, this typeface has been changing over the years to its current form, which is its public debut. The source is named after the capital of planet Mongo, a futuristic city with art decó influences in their buildings. Arboria maintains that tension but is influenced by all elements of concern to his author. The result is a hybrid Grotesque with nods to the XXII century. Arboria family consists of six weights and matching italics, aside from many characters (it covers Latin and CE languages), the wide range OpenType features allows Arboria to perform great as a text and as a display typeface. Please check the ‘Read me’ file for more specifications.

Sketchnote Typeface Font Family - 5 Fonts for $99
OTF | 5 Fonts | +Preview | 1.9 Mb RAR | SALE PAGE
- The Sketchnote Typeface was born of necessity: veteran designer and illustrator Mike Rohde needed a series of hand-drawn fonts to produce his recent book, The Sketchnote Handbook (2012, Peachpit Press). Because of its origin, the typeface was designed to be practical, to convey the human character and quirks of Rohde’s normal handwriting and unique hand-drawn lettering with the benefits inherent in digital fonts. Sketchnote Square is a bold, somewhat compressed headline type that complements the Sketchnote Text fonts. Drawn instead of written, the characters in Square have neat little happenstance voids within the strokes. Square also includes a handy selection of fun icons, rules, and arrows—some functional tidbits for your design projects. They are accessible via the OpenType feature “Ornaments” or “Stylistic Set 2” For added convenience, those same fun icons, rules, and arrows are also available as a standalone font, Sketchnote Dingbats, which comes packaged with Square and the full family package. The texture of Sketchnote is the result of actual ink-spread on paper, captured in scans of the written letterforms and left intact during production to preserve that feeling. Under the hood, the texture was carefully edited by hand, eliminating outline errors and keeping the point count low for optimal performance. These fonts are crafted to the highest industry standards. Sketchnote Square is best used at larger sizes for headlines, titles, packaging, etc. Sketchnote is great for a variety of projects where a handcrafted aesthetic and ease-of-use are desired.

MonsterHand - Ruling Pen Made TypeFace for $39
OTF/TTF/WoFF | +Preview | 9.8 Mb RAR | SALE PAGE
- MonsterHand is our first Ruling Pen made face. This tool is usually used in calligraphy for expressive lettering. Giuseppe Salerno’s hand has been converted into this crazy typeface. This font includes also a set of icons. Enjoy it!

Kopius Font Family - 16 FONTS $799
16 Fonts | OTF | SALE PAGE
- The Kopius™ family is a contemporary serif type that features friendly characteristics with round, open counters conveying a relaxed ambiance. The robustness of the characters supports a wide variety of applications including editorial and display use.
- The uniquely defined novel glyph construction and serif shapes convey an allusion to a brush stroke that bestows a contemporary, texture-rich appearance entirely in tune with functionality. The top and bottom slightly curved stems imply flow and reading direction.
- Kopius is an exuberant family with a genuinely multifaceted repertoire. This upbeat type comes with a multitude of weights to satisfy any fanciful appetite for a colorful typographic palette. With packaging solutions in mind the family includes sets of expandable and combinable box heading material for a boundless range of adjusted composites.
- In addition, pertinent labels, weight-adjusted arrows, and word logos complete the Kopius family. OpenType provides advanced layout features including figure sets, small caps, fractions, and more.
- Herbert Thannhaeuser’s Liberta, an Antiqua type family designed for the East German type foundry VEB Typoart between the middle to end 1950s, has stirred the initial inspiring force for Kopius. Baskerville-like open and modern typeface proportions further characterize Kopius’ letter dimensions. With its affable yet serious demeanor, Kopius is confidently assuming numerous tasks

Slice - High-Impact Display OTF $15
- Slice is an experimental, circular, display typeface designed by Superfried. Slice, like its big brother Slash, also features key incisions to form the glyphs. Unlike Slash, Slice is much simpler in design based on basic geometric forms and features both upper and lowercase. Slice has a very retro feel and its chunky structure leads to a distinct, high-impact display font. Slice has been featured on the Behance curated typographic gallery TypographyServed.com.

Sabre - Stone & Wood Cut Letterforms $180
5 OTF Fonts | Designers: Gareth Hague | SALE PAGE
- I generally refer to our typefaces as ‘graphic’ rather than typographic. By that I mean their starting points are usually ways of constructing shapes and systems of shapes. As with other Alias typefaces, Sabre has stone and wood cut letterforms as a starting point. What is interesting about lettercutting is the connection between shape and material. These beautifully crafted letterforms have a particular sharpness which reflects, of course, how they were made. The idea of constructing letters from a kit of parts we first explored in early fonts Elephant and Factory. These are different in that they were very much grid-based, with a geometric structure. For Sabre I also had Fred Smeijers’ stencil construction drawings in mind. These show how a set of components can be the basis for a crafted, elegant typeface. Sabre is quite a loose interpretation of this idea. Sabre’s graphic shape means it works well at large sizes, with a dramatic, angular impact. Its aim is to be typographic enough to function for blocks of small-size text too.

psKampen - Contemporary Fonts
with a Medieval Experience $85
4 OTF Fonts | Designer: Peter Slager | SALE PAGE
psKampen is a contemporary font with a medieval experience.
It has no real serifs, but is good to use as a book character.
Several characters have a swash variant in addition to the normal versions.

Solida - Geometric Angular Look
Display Typeface $40
10 OTF Font Files | Designer: Pablo Balcells | SALE PAGE
Solida font family has been designed for Graviton Font Foundry by Pablo Balcells in 2012.
It is display typeface with a geometric angular look. Solida consists of 10 styles.

Robolt - Comprises 4 Designs
with Multiple Options 30 Fonts $120
Designer: Chatnarong Jingsuphatada | RAR 16.9 MB | TURKISH SUPPORT | SALE PAGE
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- It starts with the idea that different things can be mixed infinitely. Robolt comprises four designs with multiple options to add variety and playfulness. Battery and Machine have a retro touch which reminds one of toy labels from the 80’s while Vintage is rendered a Didot style with different textures to choose. Streamlined Handdrawn style is nicely put in contrast with the solid types. Elements are also available to complement the letters. The set is made up of 29 letters of four families to serve your creativity.

Bettendorff - 1900’s Inspired Face $25
2 OTF Fonts | Designer: Paul James Lloyd | SALE PAGE
- Bettendorff is one of two new ‘Masthead’ typefaces from Greater Albion. This 1900’s inspired face makes the construction of ribbon or cartouche banners and mastheads the simple work of a few moments. Bettendorff is also particularly designed to compliment our Spargo and Mexborough families.

Atelas - Newest Bold, Soft & Clean Type $59
OTF Font File | Designer: Mans Greback | TURKISH SUPPORT | SALE PAGE
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Ascetic 2D $46
Display Faces in Sacred Texts
2 OTF Fonts | Designers: Danylo Turetskyy, Lukyan Turetskyy | SALE PAGE
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- This decorative font is based on Cyrillic Vyaz of XV-XVI centuries. This type of letters were used as display faces in sacred texts. In Vyaz, the letters are characteristically fitted to each other so the letter sequences look as one solid ornamental frieze. The font is rich in discretionary ligatures which help to accentuate the style of Vyaz. In addition to letters and standard characters there is a number of monograms and Christian symbols. These and other features are available in OTF format.
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