
Bellico - New Beauty Script Typeface,
Easily Create Cool Text, Logos & Headlines $35
OTF/WoFF | Designer: Cucu Supriyadi | TURKISH SUPPORT | SALE PAGE
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- Bellico is a beauty script typeface with a large range of alternates that fits any kind of various purpose with a bunch of alternative character to easily create cool text,logos, headlines. etc. available through OpenType features. The OpenType features can be accessed by using OpenType savvy program.

Mineral - Kapla Style Construction
with Stencil Properties $135
5 OTF Fonts | Designer: Benoît Bodhuin | Turkish Support | SALE PAGE
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- Glittering writing, fractured into multiple tetragonal splinters, rectangular modules slightly spaced, like quartz and pixels. A Kapla style construction, with stencil properties (except Border and Outline version ) designed by Benoît Bodhuin. Mineral Solid has 4 stylistic titling alternatives (Border, Outline, Blunt and Smooth).

Distill - Futuristic Font Family 12xOTF $129
12 Fonts | OTF/WoFF | Designers: Matt Desmond, Theo van Doesburg | SALE PAGE
- Distill draws its inspiration mainly from Theo van Doesburg’s De Stijl era lettering. The type he designed for the Aubette Café, De Stijl Magazine, etc was used as a starting point and then expanded upon.
- While this typeface was inspired by historical references, it also has the ability to invoke a contemporary feel under the right conditions. Distill will work hard whether you are designing a neo-constructivist poster or a futuristic website.
- Distill is a family of 12 fonts: 4 weights, each containing condensed, regular, and expanded widths. It also features several alternate characters.

Haptic - Award Wining Sans Serif Typeface $475
- Haptic was the thesis project of Henning Skibbe and is now an award winning sans serif typeface family in 14 styles. Haptic was designed with a question in mind: How much character can a typeface bear before losing legibility? Haptic is just one answer to that. Through its versatile character traits, such as the rounded or angular terminals, Haptic gives visual warmth and sympathy to Headlines and text.

Buffet Script Font for $99
OTF | 1 Font | +Preview | 4 Mb RAR | SALE PAGE
- Buffet Script is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time. The Alf Becker series of nameless alphabets published by Sign of the Times magazine in 1941 has attracted letter digitizers for a few years now, so it’s really a wonder that a few of those alphabets are still in the non-digital realm. It is understandable, though, that the basis for Buffet Script was not digitally attempted until now. The page presenting this alphabet shows a jungle of letters running into each others and swashes intertwining. The massive amount of work involved in digitizing such lettering, where scanning is nowhere near being an option, is quite obvious at a mere glance. If anyone was going to commit this particular alphabet to a digital form, it would have to be redrawn stroke by stroke and curve by curve on the computer. And don't we love a challenge! But seriously, the challenge was not the main attraction. In a way, the Becker approach to lettering is so far from digital that the imagination is almost forced to work out possibilities and letter combinations to solve problems presented by the scant showings in that magazine. After a few imaginative visualizations, the digital potential becomes clear in the mind, and the eye and hand follow. The result with Whomp (another Alf Becker-inspired work) was an enormous font with a lot of alternates and ligatures. With Buffet Script the imaginative process was no different, but the result particularly shines here, because this is some of the most fascinating flowing calligraphy ever seen. Calligraphy is where the accountability of all the little extra touches, such as alternates and swashes and ligatures, is raised to a higher level than in most other type categories. Buffet Script’s OpenType programming contains discretionary ligatures, stylistic and contextual alternates, interacting with each other to allow the composition of just the right word or sentence. This font is best used where lush elegance is one of the design’s requirements.

Corbert Font Family $279
- A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise circles are optically adjusted to create a clear, natural typeface with great legibility. Details include 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and Opentype features.

Exquise FY Font Family - 5 Fonts $300
OTF | WOFF | 29.5 MB | SALE PAGE
- Exquise FY, an elegant & distinguée 6 fonts family. With its round and elegant shapes, this new didone typeface is developed in six styles, including a “poster” weight. Though inspired by classical thick and thin shapes, Exquise FY’s design is innovative with its sharp drops.

Haegtor Font for $25
OTF | 1 Font | +Preview | 5.5 Mb RAR | SALE PAGE
- «HAEGTOR» combined a kind of lettering with a calligraphic touch. Beside the upper and lower case latin basic letters there are numerals designed, lining and also medieval, alternate letters, west european diacritics, ligatures, additional characters, lines and symbols, mathematic symbols, open type features ...

Meloriac - Pseudo-Retro, Unicase Display Font $30
OTF | TTF | 68 KB | SALE PAGE
- Meloriac is a pseudo-retro, unicase display font. An obvious tribute to Futura Ultra-Mega-Freakin’-Black and Avant Garde Heavy Heavy Heavy Heavy; Meloriac is ideal for tight headlines and logos. Squish! When we say tight kerning, we mean disco-slacks-tight 1970s kerning . . . track it wider on subheadings.

FF Nexus Mega Family 46xOTF 1323€
46 Fonts | OTF | 1.9 MB | SALE PAGE
- FF Nexus is built on Martin Majoor’s three typefaces, one form principle. Three families — a serif, slab serif, and sans — are derived from a single design concept. The monospaced FF Nexus Typewriter plays well with the others, too. This breadth of options, combined with OpenType features (such as built-in small caps, alternate glyphs, and optional swashes) make FF Nexus an extremely versatile type system.

Kurversbrug Font Family - 3 Fonts for $100
OTF | 3 Fonts | +Preview | 4.2 Mb RAR | SALE PAGE
- Kurversbrug is a revival of the famous letters appearing on Amsterdam’s bridges. The letters were probably designed by Anton Kurvers (b. Den Haag, 23 July 1889; d. Amsterdam, 29 January 1940). Although many corrections were made in order to improve its performance on paper, the original look is still intact. Kurversbrug is a font suitable for posters and idiosyncratic typographic works.

Orgon Slab Font Family - 16 Fonts for $198
OTF | 16 Fonts | +Preview | 4.6 Mb RAR | SALE PAGE
- Orgon Slab complements the Orgon family with its clear, unexcited appearance. It offers high readability both for desktop and web applications. The Orgon Slab consists, as does the Orgon family, of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

P22 Marcel Font Family - 6 Fonts for $100
OTF | 6 Fonts | +Previews | 8.4 Mb RAR | SALE PAGE
- The font Marcel is named in honor of Marcel Heuzé, a Frenchman who was conscripted into labor during World War II. During the months Marcel was in Germany, he wrote letters to his beloved wife and daughters back home in rural France. Marcel’s letters contain rare first-person testimony of day-to-day survival within a labor camp, along with the most beautiful expressions of love imaginable. The letters — stained and scarred with censor marks — were the original source documents used by designer Carolyn Porter to create a script font that retains the expressive character of Marcel Heuzé’s original handwriting. The result of years of research and design work, Marcel Script features more than 1300 glyphs. The font is a highly readable running script that includes textural details that capture the look of ink on paper. The font Marcel Caps is a hand-lettered titling face intended as a companion to the Script. Marcel EuroPost One and Two each feature more than 200 postmarks, cancellation and censor marks, and other embellishments found on historical letters and documents.

Bird Script Pro Font for $25
OTF | 1 Font | +Preview | 4.9 Mb RAR | SALE PAGE
- Characterized by quickness, lightness, and ease of movement, Bird Script is a font which challenges many aspects of type-design: every single stroke, comes directly from the author’s hand and tries to reflect not only the tool used, but also his feelings at the moment of writing. Bird Script is a font filled up with the energic gestures of what it’s called gestural calligraphy, a not very explored field in typography, where hardly ever a letter comes the same way two times: When manipulating the pen, the letterer seeks for the beauty of the differences and the grace of a confident execution. Originally done with a flat speedball pen nib nº5 and retouched with pencil for the bolder elements, it turned into a very pleasant to the eyes font which dances between the formal rules of typography and the artistic look of calligraphy. Bird Script Pro and Bird Script Light Pro come with many ligatures, alternates and ornaments. Into the standard ligatures we find lots of pairs of two and three ligated letters so when they are activated the font seems alive. However if none of them are activated, the font gives a really particular text pattern, specially in smaller sizes. Get Bird Script, add rhythm to your work.

Maris - Whimsical Handwritten Calligraphy $124
35 OTF Font Files | Designer: Jeremy Dooley | TURKISH SUPPORT | SALE PAGE
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- Maris is a rich, elegant script, subtly characterized by a whimsical handwritten calligraphy. The family is composed of six different weights, each one bolder than the last but all equally as filling. The lighter weights move delicately through each line, showing a gentle strength in their smaller frame. The six weights from these lighter forms to the bold include some textured versions such as jean, wood, print, rough and halftones. The Maris family performs superbly in custom headlines and logotypes. Turn on Swash, Stylistic or Contextual Alternates for even greater emphasis. Opentype lets you "auto-magically" swap out letter sets with alternate versions and creates the visual diversity that gives you the one-of-a-kind look of custom lettering. It also uses OpenType features to assist with letter flow. When you choose to make use of its open-type decorative glyphs, your headlines will dazzle. For the greatest benefit, grab the entire Maris family. Thanks to its variety of styles, Maris makes it easier for you to design. With this large font family, solve your design problem with just one typeface.

Bouquet Font for $39
OTF | 1 Font | +Preview | 6.4 Mb RAR | SALE PAGE
- Bouquet font is a cursive fat typeface influenced by brush writing and skilfully flavored with elements of fractur. The result is really amazing – a font with bespoke personality, strong unique presence and classy standing out amongst the other look. Type designer Dzianis Serabrakou really did well in every single letterform, aperture, curve and line, but this was probably below satisfactory and he didn’t stop here – Denis developed the font to a higher level by making it fully open-type compatible. Bouquet supports large set of multilingual diacritics plus a beautifully designed set of Cyrillic characters. Additionally you will be able to use also ligatures and really lots of alternative symbols to bring more life, versatility and personalization in your work. Initially Bouquet has been designed as a logo font – it is so identical that could easily turn every brand name into logo icon. Furthermore this font is perfect for designing t-shirts, typographic posters, packaging etc and it is highly recommended for letterpress as well as for normal offset and screen printing.

Digital Sans Now Font Family $700
Roman & Roman Condenced
- Digital Sans Now combines and completes the many diverse requests and requirements by users of the past years. By now, 36 versions for over 70 Latin and Cyrillic languages have become available, including Small Caps. Digital Sans Now is also available as a webfont and reflects, with its simplified and geometric construction and its consciously maintained poster-like forms as well as with its ornamental character, the spirit of the decorative serif-less headline typefaces of the 1970s. The basic severity of other grotesque typefaces is here repressed by means of targeted rounds. Exactly these formal breaks allow the impression that it could be used in a variety of visual applications. Short texts, headlines and logos of all descriptions are its domain. It is because of this versatility that the typeface has become a desirable stylistic element, especially in such design provinces as technology, games and sports, and that, for many years now, it appears to be timeless. Additional weights designed on the basis of the original, from Thin to Ultra, the Italics, Small Caps and alternative characters allow for differentiated “looks and feels”, and, with deliberate usage, give the “Digital Sans Now” expanded possibilities for expression. The basis for the design of Digital Sans Now is a headline typeface created in 1973 by Marty Goldstein and the Digital Sans family which has been available from Elsner+Flake since the mid-1990s under a license agreement. The four weights designed by Marty Goldstein, Thin, Plain, Heavy and Fat, were originally sold by the American company Visual Graphics Corporation (VGC) under the name of “Sol”. Similarly, the company Fotostar International offered film fonts for 2” phototypesetting machines, these however under the name “Sun”. The first digital adaptation had already been ordered in the mid 1970s in Germany by Walter Brendel for the phototypesetting system Unitype used by the TypeShop Group, in three widths and under the name “Digital Part of the Serial Collection.” Based on the versions by VGC, Thin, Plain, Heavy and Fat, new versions were then created with appropriate stroke and width adaptations for data sets for the fonts Light, Medium and Bold as well as for the corresponding italics.

PF Centro Serif Pro Font Family for $425
OTF | 8 Fonts | +Preview | 4.7 Mb RAR | SALE PAGE
- Centro Serif Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

PF Centro Sans Pro Font Family $725
16 Fonts | OTF | SALE PAGE
- Centro Sans Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Jules - Big Font Family $1140
- At first glance, Jules, appears to be just one more Didonic variation, but a closer look starts revealing all the extraordinary features of this type family, specially designed for use in extremely big sizes. Jules reflect the last of the late 18th century and was inspired by several plates from a portuguese calligrapher named Antonio Jacintho de Araujo. Available in three different optical sizes: Big, Colossal and Epic, Jules has a plethora of ligatures and stylistic alternates, plus refined Italics and a super elegant Swashes version.

Ovoda Font Family $100
- Whether summer, winter or fall, Ovoda is posed to add a youthful yet refined touch to any design. Use Ovoda’s three weights to pucker up your latest packaging or liven up your layouts. Ovoda is a must have for your clubhouse!

Hansom FY Font Family - 6 Fonts for $137
OTF | 6 Fonts | +Previews | 4.8 Mb RAR | SALE PAGE
- With its friendly shapes and rounded terminals, Hansom FY is a modern and functional sans serif family with an air of technology. With 3 weights and their accompanying italics, this contemporary font is well-suited for all kind of application. From packaging to editorial design, from screen to branding – Hansom FY guarantees optimal readability. Hansom FY was co-created by Jérémie Hornus & Fontyou Team on co-create.fontyou.com, the first collaborative type foundry.
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