Adelle Sans Arabic Font Family

Adelle Sans Arabic Font Family

Adelle Sans Arabic is Azza Alameddine’s expansion of the original family’s forms into a versatile tool for countless situations — branding, signage, paragraphs, and advertising. The spirited and graceful Arabic design expands the family’s overall functionality, tone, and global use. Includes support for Arabic, Farsi, and Latin.


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Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D
Geranode - Techno Display Pixel Font K53SS2D

Geranode - Techno Display Pixel Font


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Basic Gothic Pro - 16 Fonts for $569!

Basic Gothic Pro - 16 Fonts for $569!

OTF | 16 Fonts | JPEG Preiview | 7.5 Mb RAR | SALE PAGE

  • Due to its popularity online, Verdana has effectively become the default sans serif typeface. Yet in print it tends to looks too heavy and a little unwieldy. As a response to this, FontFont released FF Basic Gothic. Influenced by the early sans serif typefaces of the 19th century and developed for today’s highest standards, it is a sans serif optimized for maximum legibility. With its functional, basic look, it is willful but pleasant at the same time. Inspired by the unique letter forms of Gill Sans and Antique Olive, designers Hannes von Döhren and Livius F. Dietzel searched for exceptional yet legible proportions. At the same time, the letters were stripped down to their basic forms, with precise curves and straight lines, making FF Basic Gothic extremely versatile for a multitude of applications. Corporate Designers like the family’s extended weight range, too. The type family performs especially well in small sizes, both in print and on the screen—thanks to the hinting experts of the FontFont Type Department. The heavy weights have stronger contrasts and unfold their strength in bigger sizes. They have an eye-catching appearance in newspaper or magazine headlines.FF Basic Gothic is equipped for complex, professional typography. The OpenType Pro fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes small caps, fractions, old style, lining and tabular numbers, scientific superior/inferior figures, alternates, and a set of arrows.

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PF Regal Swash Pro Font Family - 6 Fonts for €375

PF Regal Swash Pro Font Family - 6 Fonts for €375

OTF | 6 Fonts | JPEG Preview | 4.9 Mb RAR | PF Regal Swash Pro Font Family

The objective of this project was to design a new typeface series for Grazia magazine. First published in 2010, Regal was later revamped and redesigned for commercial use, evolving into a type system with five related superfamilies. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take into consideration a modern woman who is more proud, more connected, more spontaneous, open-minded and eager to try a whole host of new products and services. Targeting this consumption-wise and well-educated woman, required a typeface that is not strictly based on classic forms, but incorporates several distinct elements that express a modern woman’s personality and the products she consumes. In that respect, a whole series of 5 related superfamilies was designed, which not only emphasize femininity but also reflect both the romantic as well as the dynamic side of the female personality. For that matter, elegant curvy details were introduced in order to create a link to the female figure; teardrop terminals which reflect a woman’s sensitivity; pronounced quirks on upper and lower arms for her eyelashes; high-contrast, sharp corners at thinning terminals for her high heels; alternate glyphs for the woman who prefers to express her individuality -rather than slavishly follow trends- by using various accessories which can dramatically change her appearance; elegant endings and long curves to reflect her predisposition to dream; bell-shaped serifs with an inward rather than outward direction which recall streamlined seventies fashion. This series of typefaces is diverse in its construction as it consists of five related superfamilies i.e. text, display, ?nesse, swash and stencil. There is a variety of weights which range from regular to ultra black for each one of the five families. These families share common attributes but they di?er in content according to each one’s usage. The whole superfamily type system is comprised of 47 weights with an average of 898 glyphs per weight. It supports simultaneously Latin, Cyrillic and Greek and comes with many alternate glyphs.


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Portada Arabic Font Family

Portada Arabic Font Family

13 Fonts | 11 OTF, 2 TTF | RAR 1.72 MB | SALE PAGE

  • Designed for superlative performance in long-form reading on screens, in UI, and in apps, Portada Arabic is a modern font family and icon set that’s clear and readable in restrictive digital environments and warm in print.

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Game Rusax - Pixel Font HM6HCDB
Game Rusax - Pixel Font HM6HCDB
Game Rusax - Pixel Font HM6HCDB
Game Rusax - Pixel Font HM6HCDB
Game Rusax - Pixel Font HM6HCDB
Game Rusax - Pixel Font HM6HCDB
Game Rusax - Pixel Font HM6HCDB

 

Game Rusax - Pixel Font

 


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Enferad Arabic Font

Enferad, Arabic Font 1200247

OTF | 65 KB RAR
Enferad is a non-cursive Arabic font that features a single weight with a geometric structure and smooth -rounded edges. Enferad suits the display purposes including web design, advertising and creative titling.

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Gpixel - Modern Pixel Font N6M4FDB
Gpixel - Modern Pixel Font N6M4FDB
Gpixel - Modern Pixel Font N6M4FDB
Gpixel - Modern Pixel Font N6M4FDB
Gpixel - Modern Pixel Font N6M4FDB
Gpixel - Modern Pixel Font N6M4FDB

 

Gpixel - Modern Pixel Font

 


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Gome Pixel Font

Gome Pixel is focused on the purpose of the display. It contains uppercase and lowercase characters. Suitable for use in retro game design and computing vibes. Gome Pixel is inspired by bitmap fonts. This is the first release of the Fitrah Type. The entire typography has been designed to work on large sizes and display purposes such as branding, titles, thumbnails, posters, and animation. This font is available in 2 styles, regular and rounded.


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Dialog Sheila Font

Dialog Sheila Font

  • Dialog Sheila is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive!

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DK Knucklebones font

 

DK Knucklebones font
OTF | 174 KB RAR

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DK Bad Medicine font

 

DK Bad Medicine font
OTF | 2.3 MB RAR

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CM - DJB Please Explain 2072374
OTF WOFF| 377 KB RAR
This file includes one .ttf/otf font and one .woff font which includes a full alphabet in lower and upper case, numbers, and most common punctuation, and extended Latin characters.

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Display Of Character font
Display Of Character font

 

Display Of Character font
OTF | 486 KB RAR

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Fields of Cathay font

 

Fields of Cathay font
TTF | 24 KB RAR

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Fibre Extended Brush Font

 

Fibre Extended Brush Font
OTF | 2.49 MB RAR

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CM - Felicita Script Font 1611711

 

TTF OTF | 136 KB ZIP
Felicita - Handwritten font
  • Fonts are provided in TTF & OTF formats. I recommend installing the TTF files, and the OTF only if necessary. There is no difference in function with either format.
  • Fonts include multilingual support for the following languages

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Fax Sans font

 

Fax Sans font
OTF | 4.8 MB RAR

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Fat Flamingo 5 Font

 

Fat Flamingo 5 Font
TTF | 102 KB RAR

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Food and Pixels Font

 

Food and Pixels Font
TTF | 692 KB RAR

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CM - Font flower embroidery 1587910

 

2 OTF EPS | 39 MB ZIP

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Florence Font

 

Florence Font
TTF | 760 KB RAR

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Eclisse - Font

 

Eclisse - Font
OTF TTF | 438 KB RAR

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CM - Kirimomi Swash 1618368

 

2 TTF 2 OTF | 231 KB ZIP
For the past year I’ve been working on a new type design project with the Japanese sports fashion brand Onitsuka Tiger in conjunction with my online journal Néojaponisme. I sat down with some folks at Onitsuka Tiger’s office in Tokyo to pore over the company’s vast archives of print advertising from the company’s advent in 1949 through today, and to draw inspiration as I pleased for the design of a pair of digital fonts that help tell the story of Onitsuka Tiger as a brand.
Looking through the hundreds of ads, catalogs, brochures and assorted other materials, it became immediately clear that there was a bigger story to be told — the Onitsuka Tiger materials span the technological and cultural development of Modern printing. The typography and graphic design of Onitsuka Tiger’s assorted printed materials provided a myriad of potential jumping-off points that span both Japanese and Western history, revealing a startling series of commonalities as well as interesting divergent moments in time.
From classical influence to highly futuristic, there is a huge gamut of interesting sources to pull from. Onitsuka Tiger’s printed promotions started in the age of metal typesetting, took advantage of phototype compositing in the 1960s through the 1980s, then entered the digital realm in the the late 1980s. As a Japanese company that marketed domestically and abroad, the marketing department had to be aware of typographic trends internationally, and this was reflected in their printed materials. From the prevalence of American Type Founders typefaces used in early advertising mixed with hand lettering to incised prototype katakana and hiragana to the Helveticization of the globe, Onitsuka Tiger’s printed matter functions as a cultural and aesthetic survey of popular styles and unique approaches to graphic design.
Kirimomi Swash
A display typeface which is rooted in both classical form and the sharp edges of photoype lettering. The typeface looks back to the historic forms of French typefounder Jean Jannon for it’s base, as well as the curved terminals and weighty serifs of the work of William Caslon. The various interpretations of their work throughout history have been applied to give each letterform presence, stability and rigidity. Sharp phototype swashes culled from the logo for Emperor, a line of golf shoes released by Onitsuka Tiger thirty-plus years ago have been applied to give the face a timeliness of the Modern/Postmodern era, offsetting the historical skeletal frame.
Kirimomi Swash is first and foremost a display face, and in order for it to function gracefully, a number of ligatures and alternate characters have been included. It is intentionally not designed for text setting, as that would require a smoothing-out of the most prominent elements, and the result would most likely be a typeface that while potentially being useful, would not stand out in a crowd.
A number of pattern-making glyphs have been drawn and included in lieu of traditional typographic ornament within each of these fonts. Contemporary font technology allows the deployment of pattern elements in a regulated environment, allowing designers to control the amount of space in side bearings. When typeset and leading/line-height is adjusted, one can create smooth, even patterns, choose coloring and adjust scale quickly without having to resort to external files. -Ian Lynam, 2011

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