
GOTHAM BUNDLE - 12 FAMILIES
138 Fonts - Extended Latin, Greek, Cyrillic
- Every designer has admired the no-nonsense lettering of the American vernacular, those letters of paint, plaster, neon, glass and steel that figure so prominently in the urban landscape. From these humble beginnings comes Gotham, a hard-working typeface for the ages.
- Gotham celebrates the attractive and unassuming lettering of the city. New York is teeming with such letters, handmade sans serifs that share a common underlying structure, an engineer’s idea of “basic lettering” that transcends both the characteristics of their materials and the mannerisms of their makers. These are the cast bronze numbers that give office doorways their authority, and the markings on cornerstones whose neutral and equable style defies the passage of time. They’re the matter-of-fact neon signs that emblazon liquor stores and pharmacies, and the names of proprietors plainly painted on delivery trucks. These letters are straightforward and non-negotiable, yet possessed of great personality, and often expertly made. And although designers have lived with them for more than half a century, they remarkably went unrevived until 2000, when we introduced Gotham.
- Gotham is that rarest of designs, the new typeface that feels somehow familiar. From the lettering that inspired it, Gotham inherited an honest tone that’s assertive but never imposing, friendly but never folksy, confident but never aloof. The inclusion of so many original ingredients without historical precedent — a lowercase, italics, a comprehensive range of weights and widths, and a character set that transcends the Latin alphabet — enhances these forms’ plainspokenness with a welcome sophistication, and brings a broad range of expressive voices to the Gotham family.

CM - Be Mine (Valentines Day Font) 2180298
Introducing Be Mine.. a brand new font, perfect for Valentines day!







CM - Valentine Fonts Bundle - 17 Fonts 186016
JASMIUM | KOWALSKI | SUAREZ | SECESJA | GWIDON | HOLY ROLLER | MARTITA | 33 MB
This bundle includes 17 high-quality, professional, hand-drawn fonts.
Language support includes Western, Central and Eastern European character sets,
as well as Baltic and Turkish languages.

Dashboard - Clean Condensed 2xTTF with Web Fonts
TTF | win and mac os | 507 KB



FF Real Font Family
FF Real was originally conceived by Erik Spiekermann as one text weight and one headline weight to be used as the only faces in his biography Hello I am Erik, edited by Johannes Erler, published in 2014. While Spiekermann drew the alphabets, he passed on the font data to Ralph du Carrois who cleaned it up and completed it. In the meantime FF Real has been extended to a family of two styles and 13 weights each. The design of FF Real is rooted in early static grotesques from the turn of the century. Several German type foundries – among them the Berlin-based foundries Theinhardt and H. Berthold AG – released such designs between 1898 and 1908. The semi-bold weight of a poster-size typeface that was lighter than most of the according semi-bolds in metal type at the time, gave the impetus to FF Real’s regular weight. In the words of Spiekermann, the historical example is “the real, non-fake version, as it were, the royal sans serif face“, thus giving his new typeface the name “Real” (which is also in keeping with his four-letter names, i.e. FF Meta, FF Unit). FF Real is a convincing re-interpretation of the German grotesque style, but with much more warmth and improved legibility. With a hint towards the warmer American grotesques, Spiekermann added those typical Anglo-American features such as a three-story ‘g’ and an ‘8’ with a more defined loop. To better distinguish characters in small text sizes, FF Real Text comes in old style figures, ‘f’ and ‘t’ are wider, the capital ‘I’ is equipped with serifs, as is the lowercase ‘l’. What’s more, i-dots and all punctuation are round. In Spiekermann’s biography FF Real Text has proven to endure all challenges of a proper text face without an italic, while FF Real Head cuts a fine figure in larger sizes with a more reduced look.
TTF | 52 Fonts | 10 Mb RAR
Cooper Hewitt - Sans Serif Font Family [14-Weights]
14 OTF

CreativeMarket - Fonts BLACK FRIDAY 2083160
Alexana Font
Bankay Font
Janna Font
Maco Font

CreativeMarket - 4 Style Font - Bitlamero Script 2369187
TTF, OTF, All Files

Vintage Fonts Bundle
JPEG, OTF, TTF, EPS, WOFF
1. Quick Or Dead (OTF, TTF, WOFF, WOFF2, EPS10, JPG)
2. Cosmic Lager (OTF, TTF, WOFF, WOFF2, EPS10, JPG)
3. Smokers (OTF, TTF, WOFF, WOFF2, EPS10, JPG)
4. Wanted Denim (OTF, TTF, WOFF, WOFF2, EPS10, JPG)
5. Avenger (OTF, TTF, WOFF, WOFF2, EPS10, JPG, AI CS Styles)
6. PopArt (OTF, EPS10, JPG)
7. Brewery (OTF, TTF, WOFF, WOFF2, EPS10, JPG)
8. Biker (OTF, JPG)
9. Royal Brandy (OTF, TTF, WOFF, WOFF2, EPS10, JPG)
10. Whiskey Stones (OTF, WOFF, WOFF2, EPS10, JPG)
11. Caribbean Rum (OTF, EPS10, JPG)
12. Bonneville (OTF, WOFF, EPS10, JPG)
13. Amber Whiskey (OTF, EPS10, JPG)
14. Born Free (OTF, EPS10, JPG)
15. Ginger Gin (OTF, EPS10, JPG)
16. Finest Whiskey (OTF, WOFF, EPS10, JPG)
17. Tavern (OTF, WOFF, EPS10, JPG)
18. Schnaps (OTF, WOFF, EPS10, JPG)
19. Hipster (OTF, WOFF, EPS10, JPG)
20. Bourbon (OTF, WOFF, EPS10, JPG)
21. Golden Whiskey (OTF, WOFF, EPS10, JPG)
22. Tennessee Whiskey (OTF, WOFF, EPS10, JPG)
23. Bourbon (OTF, WOFF, EPS10, JPG)
24. Black Widow (OTF, WOFF, EPS10, JPG)
25. Absinthe (OTF, WOFF, EPS10, JPG)
26. Apple Cider (OTF, EPS10, JPG)
27. Garage (OTF, WOFF, EPS10, JPG)
28. Main Stage (OTF, EPS10, JPG)
29. Fairy Tale (OTF)
30. Vintage Whiskey (OTF, TTF, WOFF, WOFF2, EPS10, JPG)
31. Absolute (OTF, EPS10, JPG)
32. Camping (OTF, EPS10, JPG)
33. Cider (OTF, EPS10, JPG)
34. Limited (OTF, EPS10, JPG)
35. Rover (OTF, EPS10, JPG)
36. Porto (OTF, EPS10, JPG)
37. Tight (OTF, EPS10, JPG)
38. Terminal (OTF, EPS10, JPG)
39. Wild Land (OTF, EPS10, JPG)
40. Metal Plate (OTF, TTF, WOFF, WOFF2, EPS10, JPG, AI CS Styles)

Dope Script Font Hand-Made
- Dope Script is a rough around the edges, hand-made paint brush font with bags of personality. It comes with a large range of characters including capitals, lower-case, numerals, punctuation, currency and accents. Also try the characters { } [ ] for some bonus swashes to pop-out your text!
TTF | 1 Font | 128 KB RAR

Jeanne Moderno is a revisionary type family. A synthesis of Bodoni Italic and 19th Century Ultra-Bold “Fat Faces”—distilled with personality taken from early 20th Century Modernists; the Futurists, Dadaists, Suprematists, Constructivists. Historically, Jeanne Moderno could have appeared on the scene around 1918—after the First World War—when new cultural movements, manifestos, theories and countertheories shaped art, industry and society. Spatter in a few later influences—from De Stijl, the Bauhaus, the types of Herbert Bayer, Josef Albers, Paul Renner—plus a twist of Art Deco and High Fashion—Jeanne Moderno is a remanifestation of 19th + 20th Century Modernist thinking; traditional + revisionist, raw and elegant! Jeanne Moderno can best be used for magazines, advertising, posters, flyers, fashion reports, letterpress experiments, silkscreen endeavors, exhibitions, DMV signage, paper money, revolutionary political statements as well as formal declarations of peace or war. Jeanne Moderno is about the future, the past. The Avant-Garde. Humanist geometry + vintage footwear. Form, function, style, art and life.
TTF | 9 Fonts | JPEG Preview | 4 Mb RAR

Rock and Cola’s design is clearly inspired by the sinuous shapes of the world’s most famous drink’s logo. It however does not pretend to copy it faithfully or to serve as a platform to generate the logo itself. Rock and Cola is a very elegant Script font with great weight and contrast. Its OpenType features include ligatures, swashes, alternative characters, ornaments and accents in order to support many foreign languages. It has huge possibilities for application in logos, titles and short texts by generating in them great impact and recalling. Use Rock and Cola in your projects and enjoy it!
OTF | 7 Fonts | JPEG Preview | 4.2 Mb RAR

Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.
OTF | 54 Fonts | JPEG Preview | 2.6 Mb RAR

Lichtspielhaus Handmade Font Family
Lichtspielhaus Handmade is an ultra condensed handwritten typeface based on Lichtspielhaus. Influenced by the hand-painted signs on cinema facades of the early cinema days, Lichtspielhaus Handmade comes with 4 weights. "Lichtspielhaus Handmade“ is the second part of a Type Noir Quadrilogy.
OTF | 4 Fonts | JPEG Preview | 3.8 Mb RAR

https://www.futurefonts.xyz/theo-guillard/grenat
Grenat, french word for garnet, is a warm latin typeface coming from an experimental calligraphic exercise. It is the result of an extreme simplification of typographic shapes. This simplification gives rise to unexpected forms. Its calligraphic heritage confers to it a sharp rhythm where every stroke comes in contrast with what comes next or before. Its excessive proportions and its extreme black weight make it useful for display uses.


https://www.futurefonts.xyz/dave-coleman/funkford
Funkford started as a lettering commission for NYMag, and after 9 months of thinking, sketching, drawing and redrawing, I am ready for you to use it. It is off to a good start, with full caps and lowercase, an array of positional alternates, a little punctuation and a couple of ligatures.


https://www.futurefonts.xyz/flaviazim/melindrosa
A display typeface referencing the lettering work of Brazilian Art Deco master, J. Carlos. Born in Rio de Janeiro, he contributed to all prime publications from the 1900s to the late 1940s, including O Malho, Fon-Fon!, Para Todos, and O Cruzeiro, picturing a range of fictionalized characters and popular figures of the time — being "Melindrosa" a recurring persona who represented the feminist movement in the 1920s.


https://www.futurefonts.xyz/martin-pysny/henk-work
Henk began during my studies at the Type Media masters course at KABK as my final project. Henk has been planned as a family of at least 6 styles with two different personalities. Henk Out and Henk Work. Henk Work is a smart and hardworking gentleman typeface designed for the writing of the long legal texts which often contain a lot of abbreviations and numbers in them.

https://www.futurefonts.xyz/cinketype/margaret-neue
This typeface was inspired by Zoltán Nagy's Margaret from the 1960's Hungary. This was one of the award winning designs in the 1966 International Type Face Design Competition sponsored by Visual Graphics Corporation, with judges including Paul Rand and Herb Lubalin. My plan is to expand the original design with a matching cursive style (which Nagy started, but never finished), a lighter weight, small capitals, oldstyle figures and optical sizes, which would also simulate the effects of phototypesetting. These were the letter shapes that first inspired me to start type design.

https://www.futurefonts.xyz/cstm/zhivov/
The goal of this experiment was to design a multi-purpose typeface based on early Cyrillic graphics. The glyph forms are cleared of contrast, decorative elements and stylistic features of any specific age, or writer. They are as close to skeleton as possible to make the typeface contemporary, fairly neutral, yet definitely early-Cyrillic (pre-Westernisation) style.
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