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After the transition to digital, Tony converted his D200 to standard (720) B&W infrared as soon as it became possible and began carrying color and infrared cameras, making infrared images throughout the country, Iceland, and Cuba. Infrared, by its nature, is surreal. Greens can turn white and various shades of gray, depending on conditions and POV. Wet subjects are darker than dry subjects, and the skies can change radically depending on the chosen angle of view and time of day.