In this class, you will learn how to find professional photos and images to use on your Website, Blog, project or anywhere!

Learn to work with the female form in a tasteful way.  Learn how to pose, light, and get great bikini portraits.  By the end of the course you'll feel confident in working with women and understanding the female form better.

You don't necessarily need a macro lens to do macro photography. By mounting a prime lens "backward"—with the front elements closest to the imaging sensor—you can turn it into a low-cost macro lens. All you need is an inexpensive adapter called a reversal ring. A sense of adventure helps, too, because your camera's normal metering and focusing features don't work when the lens is attached backward.

Composition is one of the least understood yet most important aspects of video. Like good storytelling, in order to achieve good video composition you have to make every detail count and keep the audience engaged in your story. In this course, Eduardo Angel breaks down effective cinematic composition, showing how to create different compositional effects using a variety of techniques.

The Art of Production is based on conceptualization, prioritizing, scale and process. It is about making dreams come true and bringing them to fruition. It is about seeing a chasm and building a bridge across that chasm. Having worked across countless media formats I use all of our collective learning and experience to scale projects from small to large in similar ways. I hope to show you how it can be done. This class is created to imagine, think and then do.

One of the most popular and yet complex plugins for Adobe After Effects, Trapcode Form is a unique particle system that creates stunning and professional results. Instead of generating particles, Form's particles just exist. This course helps you bridge the gap to mastery of Trapcode Form. Author Chad Perkins introduces Form's properties, base forms, and particle types, and then moves on to mapping Form particles to 3D objects and creating effects like organic fireballs and 3D holograms. He also shows how to light particles in After Effects, integrate audio, and create 3D Form objects.

Learn to setup, pose, and light a scene indoors to recreate window light.  You'll be working with just one light off camera and you'll see the best way to create light everyone envy's -  window light.  Struggling on how to do off camera flash?  Break through and learn how to make great window light.  You'll kick yourself for not learning this before.

Shooting a Photo Essay: Documenting an Event

Whether you're photographing your kid's birthday party, a company event, or a political rally, the right gear and approach can help you capture personalities and special moments. In this course, follow Paul Taggart as he shares techniques for shooting a photo story about an event—in this case, a youth ice sculpting competition in the snowy wilderness of Fairbanks, Alaska.

This course is designed for beginning users of ProShow Producer 7 to get you up and running using ProShow Producer in "Automatic" mode. You'll learn all of the basic tools that you'll need to create a beautiful slide show easily and efficiently, including Pre-Designed Slide Styles, Transitions, and Templates. You'll also learn how to use the Show Wizard as a great starting point to get your show started!

A rewarding photographic project involves shooting an essay that tells the story of a family member in a certain place and time: the brother with an interesting job or hobby, the grandparent with a lifetime of stories and experiences, or the parent you finally got to know as an adult.

The Craft of Color Grading II is our sequel to the most popular course ever at fxphd. Professor Mike Matusek leads this offering, and plans to bring his own unique perspective to the course. Matusek is one of the founders of Nolo Digital in Chicago, where he grades national and international commercials, television shows, and features.

Adobe Photoshop is a premier photo editing program. In this course targeted at photographers, students will learn about the Raw format, white balance, exposure, and color and clarity. Students will learn to work with Adobe Camera Raw, updating, resetting and setting preferences. Then Students will work with the tools within Camera Raw; working with color, cropping images, retouching the image, using filters, rotating images, working with exposure settings, creating grayscale images, managing corrections and effects, and creating image adjustments. Lastly, students will discover plugins and explore workflows.

Hyperlapse = time lapse + camera movement. You can get the effect by moving your tripod manually or along a track, but shooting hyperlapse from a moving vehicle is the one guaranteed way to get really dramatic time-lapse footage. And it doesn't take a lot of gear. In this course, Rich Harrington introduces the equipment you need and the techniques you should use to capture great hyperlapse sequences, as he travels around the Nevada desert during the day and captures the bright lights/big city of Vegas at night. When he returns to the studio, he shares his post-processing tips in Adobe Camera Raw, Premiere Pro, and After Effects.

Take a trip to Zion National Park to shoot an HDR time-lapse video, compliments of Rich Harrington and the crew at RHED Pixel. Watch as they show how to capture the sun as it moves across a rock face in this historic park and then enhance the natural beauty of the time-lapse sequence with dramatic HDR development and toning techniques.