The next phase of the course dives into pushing the fabric through the pipeline. He shares his expertise on how to move between Marvelous Designer, Maya and ZBrush, while cherry picking the strengths of each program to achieve the best looking and most production friendly results. Production topics include: best practices for making common garments, how to achieve perfect animatable topology, how to precisely control cloth and fine detail in ZBrush and how to make an asset flexible enough to appease the demands of a director, FXTD or texture painter all at once. Paul answers all these questions and more, and reveals many never-before published tricks and secrets.

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