• 16 parametric bands processing in series

• Five modes per band: EQ, Orra Tube, Tape, Models, Dynamic EQ

• 17 saturation options: Orra Tube + 6 tape models + 10 saturate algorithms

• Dynamic saturation for intelligent harmonic enhancement

• Create EQ or Orra Tube saturation bands with a double left or right-click on the curve

• Surgical precision with Q range 0.1 to 40

• Real-time spectrum analyzer with pre/post monitoring

Why Orra EQ exists

We didn't set out to build another EQ. We wanted per-frequency control over our entire tone-shaping chain—EQ, saturation, and dynamics woven together however we needed, not locked into separate plugins.

Traditional Approach

Load an EQ to shape tone. Load a saturator for color. Load a compressor for dynamics. Each plugin processes your entire signal before passing it to the next—you can't EQ just the highs, saturate just the mids, then compress just the lows in one fluid chain.

Full-signal processing, one stage at a time.

The Orra Way

Sixteen bands, each with its own mode. EQ one frequency, saturate another, compress a third—all in whatever order you want. Stack a tube saturator after a dynamic cut on the same band, or alternate between processing styles across the spectrum.

Per-frequency control over your entire tone-shaping chain.

17 Saturation Types — All Dynamic-Ready

Choose from Orra Tube, 6 tape machines, and 10 creative saturators—from vintage preamp warmth to aggressive wavefolder destruction.

Every saturation type can be made dynamic. Instead of just adding harmonics, dynamic saturation brings up quiet details through harmonic enrichment—like upward compression, but with color and character instead of just gain.

The result: presence and richness that responds to your playing, not just a static effect slapped on top.

Saturation that breathes with your music

Snap to Note & Key

Stop guessing frequencies. Enable snap-to-note and your bands lock to musical pitches—C2, F#4, whatever note you need.

Right-click any band and choose the exact note you want it locked to—C2, F#4, A1, whatever your song needs. No more hunting for frequencies with a calculator.

Perfect for surgical work on bass notes, taming resonant frequencies in vocals, or making sure your boosts align with the actual music.

EQ musically, not just technically

A Complete EQ — Plus Everything Else

Before you even touch saturation, Orra EQ is a fully-featured parametric equalizer: 16 bands, Q from 0.1 to 40, filter slopes up to 48dB/octave, and frequency range from 10Hz to 22kHz.

High-pass, low-pass, shelves, bells, notches—all the surgical tools you expect, with a real-time spectrum analyzer showing pre or post processing.

Use it as a clean, transparent EQ when that's what you need. Then flip a band into saturation or dynamic mode when you want more. One plugin, zero compromises.

Pro-grade EQ that grows with your needs

EQ Mode

Surgical parametric EQ with Q from 0.1 to 40. Slopes up to 48dB/octave for brick-wall filtering.

Perfect for corrective work and precise tonal shaping

Orra Tube

Our signature tube saturation. Even-order harmonics add warmth without muddiness.

When you need air, body, and vintage character

Tape Models

Six authentic tape machines from mastering-grade to lo-fi. Three speed modes: High, Medium, Low and noise reduction.

Analog glue and cohesion across the frequency spectrum

Saturate

Ten algorithms: Vintage Preamp, British Console, Transistor, Wavefolder, and more.

Creative color ranging from subtle to extreme

Dynamic Mode

Frequency-dependent compression with full envelope controls. Threshold, ratio, attack, release.

Control resonances and tame problem frequencies

Dynamic Saturation

Upward compression through harmonics. Brings up quiet details without raising the noise floor.

Add presence and richness without just turning things up

home page: https://www.orraaudio.com/products/orra-eq